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The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art
Abstract
Temporal art production protocol since Wagner has seen a narrowing of performance practices and audience expectations. This narrowing has created numerous obstacles for integrating media with distinct protocol into a single frame of presentation. This paper sites numerous examples of pieces since 1950 that attempt to integrate a variety of production protocol with varying degrees of success. It also proposes a vocabulary for analyzing the frame of presentation and its manipulation
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