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    <title>Recent aah_oapolicydeposits items</title>
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    <description>Recent eScholarship items from Department of Art &amp; Art History Open Access Policy Deposits</description>
    <pubDate>Wed, 7 Oct 2026 03:44:30 +0000</pubDate>
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      <title>Rococo Aesthetics and the Problem of Trompe L'Oeil</title>
      <link>https://escholarship.org/uc/item/7405x3vp</link>
      <description>This edited volume explores the notion of “artifice” in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe.</description>
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      <pubDate>Tue, 6 Oct 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Yonan, Michael</name>
      </author>
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    <item>
      <title>Feline Creativity on the Eve of Modernity</title>
      <link>https://escholarship.org/uc/item/14v1w233</link>
      <description>Feline Creativity on the Eve of Modernity</description>
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      <pubDate>Fri, 8 May 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Freund, Amy</name>
      </author>
      <author>
        <name>Yonan, Michael</name>
      </author>
    </item>
    <item>
      <title>Materiality as Periphery, Revisited</title>
      <link>https://escholarship.org/uc/item/5x48h1s1</link>
      <description>This essay revisits the themes of an earlier essay on the peripheralization of materiality in art-historical practice and adds insights to it based upon disciplinary and cultural developments since 2019. Primary among these is the advent of artificial intelligence image-generating applications, which challenge the materiality of artworks in entirely new ways. This essay proposes that such mechanisms mask art’s materiality within and behind seductively sleek illusions that hide the true materiality of art. It also uses the repatriation of art objects to propose that art’s materiality still matters.</description>
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      <pubDate>Wed, 6 May 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Yonan, Michael</name>
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