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    <title>Recent hasom_musicology_me items</title>
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    <description>Recent eScholarship items from Musical Editions</description>
    <pubDate>Fri, 11 Sep 2026 01:32:21 +0000</pubDate>
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      <title>Permanent Change: Rush, Musicians' Rock, and the Progressive Post-Counterculture</title>
      <link>https://escholarship.org/uc/item/26v4p11q</link>
      <description>&lt;p&gt;This study explores a particular musical-cultural ideology by interpreting and contextualizing the music of a specific popular music artist.&amp;nbsp; The progressive/hard rock band Rush exemplifies what Dr. Bowman calls the “post-counterculture.”&amp;nbsp; This involves individualism, libertarianism, entrepreneurialism, technique, and an unusually large sub-community of fans who were, or are, musicians themselves.&amp;nbsp; Rush’s music also inscribes an interest not in rock music’s reactive-revolutionary tendencies but, rather, in its adaptive-evolutionary potential.&amp;nbsp; Geddy Lee’s countertenor singing style and virtuosic bass playing, Alex Lifeson’s precise-yet-tuneful guitar playing, and Neil Peart’s elaborately constructed drumming and “middle-brow” lyrics comprise the central features of Rush’s music.&amp;nbsp; The band’s music often includes aspects of progressive rock, hard rock, heavy metal, and individualism.&amp;nbsp; However, as the band evolved, it also increasingly engaged with...</description>
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      <pubDate>Wed, 26 Aug 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Bowman, Durrell, PhD</name>
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