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    <title>Recent hhpthesis_23theses items</title>
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    <description>Recent eScholarship items from Humanities Honors Theses 2023</description>
    <pubDate>Sat, 12 Sep 2026 06:10:06 +0000</pubDate>
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      <title>To Hold and Horrify</title>
      <link>https://escholarship.org/uc/item/61c4t66k</link>
      <description>&lt;p&gt;“And where the words of women are crying to be heard, we must, each of us, recognize our responsibility to seek those words out. To read them, and share them, and examine them in their pertinence to our lives.” - Audre Lorde, Cancer Journals&lt;/p&gt;&lt;p&gt;I don't remember how he trained me; it was so subtle over many weeks, months. Was it the first time I recall "letting go" something that he had done, which felt so completely wrong? I don't know. It could have even started well before my awareness had time to catch up. Exes, friends, society, my mother, my father, from the moment I was born, was I trained? I do recall the times which I had said something I knew I shouldn't have; the characteristics of his rage had become familiar very quickly. I easily remember not objecting when I wanted to. I know that the build-up to a punch, kick, push, or slap is so much worse than the pain they illicit.&lt;/p&gt;&lt;p&gt;He trained me to anticipate anger, even while new angers were being built. He told...</description>
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      <pubDate>Mon, 10 Aug 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Richards, Dee</name>
      </author>
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      <title>Can I Believe Her?: Fantastic Abjection in Contemporary Horror Narratives By Women</title>
      <link>https://escholarship.org/uc/item/8m62221b</link>
      <description>Recent years have seen a renaissance in horror media. The revolution in horror has crossed mediums, touching film, television, and literature. The expansion and evolution of horror captures previously untold terrors. Marginalized stories are being told with the classic tenets of the genre, turning the traditional narratives on their heads and offering new perspectives. Horror serves as an ideal vessel for storytellers who wish to convey the unfairness and cruelty they face in a brutal form. The expansion of the genre into the mainstream has opened discussions of the value of “pop” horror versus the value of “artistic” or “elevated” horror. The distinction between the two has become a point of contention among old and new fans of the genre. The new artistic and avant garde approaches to the genre capture a key aspect of horror: “Much horror depends upon destabilising our sense of security, defamiliarising the familiar, and questioning what is seen as an everyday norm–of the body,...</description>
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      <pubDate>Fri, 17 Jan 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Schoeff, Emily</name>
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      <title>&lt;em&gt;Disco Elysium &lt;/em&gt;Through Modernism: An Investigation and Analysis</title>
      <link>https://escholarship.org/uc/item/5qh3s3ds</link>
      <description>&lt;p&gt;This thesis is an exploration of the video game Disco Elysium, analyzed through some of the most popular and well-known Modernist works with the goal of proving that Disco Elysium is, at its core, a Modernist work. The incorporation of other Modernist pieces to arrive at this conclusion is mainly to examine reoccurring themes and ideas, some as broad as “obliteration” and others as specific as “identifying with a taxidermy bird after being dissatisfied with the course of one’s life”. In deciding how to structure the analysis, the works of the most prolific Modernist authors were selected with respect to their relationship to Disco Elysium’s core player skills. T. S. Eliot was selected to represent “Intellect”, T. E. Hulme for “Psyche”, and W. B. Yeats for “Physique”. The last skill, “Motorics” was not represented by a specific author but rather acts as a collection of final ideas and themes that help to show Disco Elysium as Modernist in its entirety, not just in select scenes...</description>
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      <pubDate>Fri, 17 Jan 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Anders, Tim</name>
      </author>
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    <item>
      <title>Once Upon A Gate: How The &lt;em&gt;Baldur’s Gate&lt;/em&gt; CRPG Series Embodies The Fairy Tale Genre</title>
      <link>https://escholarship.org/uc/item/55d86905</link>
      <description>It is undeniable that folklore has been a crucial aspect of human expression and connection for thousands of years. The nineteenth century saw interest in folkloric stories bloom thanks to the work of folklorists like the Brothers Grimm and fairy tale writers like Hans Christian Andersen. With these minds came widespread recognition of the literary fairy tale genre. Since then, fairy tales have skyrocketed in pop cultural prominence. Taking into account the fairy tale genre’s pervasiveness in storytelling, this thesis examines how the computer role-playing game (CRPG) series, Baldur’s Gate, utilizes this genre in an attempt to create a set of adult fairy tales for their players. In three separate chapters, this thesis will connect the Baldur’s Gate games to fairy tales in a way that exemplifies the latter’s influence on the former. The first chapter will focus on the “leaving home” plot arc as it is presented in the first Baldur’s Gate game from 1998, and we will examine how this...</description>
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      <pubDate>Fri, 17 Jan 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Lowe, Emma Leigh</name>
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      <title>The Mundane Monster: Authoritarian Masculinity in Late-Victorian Gothic Literature</title>
      <link>https://escholarship.org/uc/item/4d33456z</link>
      <description>&lt;p&gt;This thesis examines the vicissitudes of masculinity as it presents across three late-Victorian novels in order to unpack the anxieties produced by the shift of power from aristocratic to professional communities and the tensions this shift produced between and within those communities. The various models of masculinity on display in the examined works of Gothic literature operate on ideas that came into play during the period surrounding sexuality and gender structures. Furthermore, each work takes on a particular perspective on masculinity as it works on the physical body and how that body interacts with others of its kind. The common themes of mutation, metamorphosis, and bodily decay or degeneration stand in relief to the ideal of masculinity they implicitly reference, which points toward the focal point of power relations between men and the world they inhabit as well as between each other.&lt;/p&gt;&lt;p&gt;Chapter One examines the world of the Victorian professional man as it exists...</description>
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      <pubDate>Fri, 17 Jan 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Mombeini, Tristan</name>
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      <title>The Labyrinth of Meanings: Borges and His Self-Deconstructing Poetry</title>
      <link>https://escholarship.org/uc/item/0v04d7d9</link>
      <description>This thesis explores the ways in which the Argentinian writer Jorge Luis Borges used devices, principles, and strategies that today we would call deconstructionist, to write poetry that could transcend the communicative limits of language, which according to the author himself, it is not an effective tool to truly represent what is real. To accomplish this task, we first frame our work in the context of Derrida’s Deconstructionism, specifically in the area of literary criticism, defining what it means to take a deconstructive approach to critical theory. We then introduce Borges and his ideas, situating him within the sphere of deconstructionist theory as a sort of precursor (a word that we want to use carefully here, as we will be arguing for something different from a precursor). Next, we present the hard data obtained from an experiment involving thirty-two participants, analyzing the interpretations our volunteers gave to verses and poems by Borges, and we use the significant...</description>
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      <pubDate>Fri, 17 Jan 2025 00:00:00 +0000</pubDate>
      <author>
        <name>De Palma, Federico M.</name>
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