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    <title>Recent international_cees_wp items</title>
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    <description>Recent eScholarship items from Working Papers</description>
    <pubDate>Sun, 21 Jun 2026 05:11:03 +0000</pubDate>
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      <title>The Difficult Role of Parliaments in the Reformed Governance of the European Economic and Monetary Union</title>
      <link>https://escholarship.org/uc/item/0gm4g865</link>
      <description>The Difficult Role of Parliaments in the Reformed Governance of the European Economic and Monetary Union</description>
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      <pubDate>Thu, 23 May 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Deubner, Christian</name>
      </author>
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    <item>
      <title>Facing the Test of Global Financial and Economic Crisis</title>
      <link>https://escholarship.org/uc/item/1fj371qx</link>
      <description>Facing the Test of Global Financial and Economic Crisis</description>
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      <pubDate>Mon, 14 Mar 2011 00:00:00 +0000</pubDate>
      <author>
        <name>Deubner, Christian</name>
      </author>
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    <item>
      <title>Dionysian Politics and The Discourse of "Rausch"</title>
      <link>https://escholarship.org/uc/item/9z91f2vs</link>
      <description>&lt;p&gt;I propose to look back at the sources of ecstatic action, or trance. To understand Rausch we need to accept the inherent link between ecstatic action and transgression, the flouting of norms and boundaries. However, the link itself is a historical one; this paper would narrate a course conducted from three historical moments of Rausch and transgression: In early Romanticism, late Romanticism, and finally the 1920s conceptualization and politicization of both earlier moments.&lt;/p&gt;</description>
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      <pubDate>Mon, 20 Dec 2004 00:00:00 +0000</pubDate>
      <author>
        <name>Lebovic, Nitzan</name>
      </author>
    </item>
    <item>
      <title>Expression of Enthusiasm And Emotional Coding in Dictatorship - The Stalinist Soviet Union</title>
      <link>https://escholarship.org/uc/item/6qh736hj</link>
      <description>&lt;p&gt;The propaganda pictures of joyous mass gatherings on Soviet celebrations and the enthusiastic rhetoric of the 1930s. What kind of emotional coding do these crowd choreographies represent? Which concepts of rulership are engraved in such public staging of enthusiasm? Did anything like Rausch exist in the Stalinist Soviet Union?&lt;/p&gt;</description>
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      <pubDate>Mon, 20 Dec 2004 00:00:00 +0000</pubDate>
      <author>
        <name>Rolf, Malte</name>
      </author>
    </item>
    <item>
      <title>Nazi Disourses on "Rausch" Before And After 1945: Codes and Emotions</title>
      <link>https://escholarship.org/uc/item/6f03t43x</link>
      <description>&lt;p&gt;How do we explain effects like enthusiasm, fanaticism, collective violence or fraternization, appearances often described during festivals or mass gatherings? Even if we consider the fact, that enthusiastic organizers or observers often invented or exaggerated such collective feelings and even, if we study sources critically and sceptically, we would still have to deal with the problem that the talking about collective emotions is indeed important for the study of public celebrations and other mass gatherings.&lt;/p&gt;</description>
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      <pubDate>Mon, 20 Dec 2004 00:00:00 +0000</pubDate>
      <author>
        <name>v. Klimo, Arpad</name>
      </author>
    </item>
    <item>
      <title>Ecstatic Crowds, Addicted Dictators, Intoxicating Politics: Reflections on Rausch and Fascist Italy</title>
      <link>https://escholarship.org/uc/item/67w279nj</link>
      <description>&lt;p&gt;Can the concept of ecstasy explain some of the rationale of dictatorships, and more specifically of fascism?  And can the concept of ecstasy be connected to manipulation?  These are the two central questions I would like to raise and explore in this paper, although there are also other questions that will emerge in my discussion which I hope will help clarify the relationship between ecstasy and manipulation&lt;/p&gt;</description>
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      <pubDate>Mon, 20 Dec 2004 00:00:00 +0000</pubDate>
      <author>
        <name>Falasca Zamponi, Simonetta</name>
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