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    <title>Recent streetnotes items</title>
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    <description>Recent eScholarship items from Streetnotes</description>
    <pubDate>Fri, 19 Jun 2026 10:08:00 +0000</pubDate>
    <item>
      <title>An Anthology of&amp;nbsp;Urban Habits&amp;nbsp;</title>
      <link>https://escholarship.org/uc/item/0j78g51h</link>
      <description>&lt;p&gt;How do bodies and cities shape each other through habit? An Anthology of Urban Habits -- a special issue of &lt;em&gt;Streetnotes&lt;/em&gt; edited by Jorge de La Barre, Blagovesta Momchedjikova, and Jo Novelli-Blasko -- attempts to investigate that by showcasing 133 repeated activities and behaviors occurring in cities around the world: Antofagasta, Athens, Lisbon, London, New York City, Phoenix, Rio de Janeiro, Sofia, Tbilisi, and Tokyo. Organized alphabetically and contributed by 91 authors, the urban habits appear in ethnographic studies, documentary practices, academic research, poetry, photography, and original artwork. The volume includes the original Call for Papers for An Anthology of Urban Habits (see Appendix A), The Survey of Urban Habits (see Appendix B), which was developed with The Habitorium, and the resulting Report on the Survey of Urban Habits (see Appendix C).&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Tue, 16 Jun 2026 00:00:00 +0000</pubDate>
      <author>
        <name>de La Barre, Jorge</name>
      </author>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
      <author>
        <name>Novelli-Blasko, Jo</name>
      </author>
    </item>
    <item>
      <title>Table of Contents: An Anthology of Urban Habits, &lt;em&gt;Streetnotes&lt;/em&gt; 31.&amp;nbsp;</title>
      <link>https://escholarship.org/uc/item/7785g7n6</link>
      <description>&lt;p&gt;List of contributions in An Anthology of Urban Habits.&lt;/p&gt;</description>
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      <pubDate>Mon, 8 Jun 2026 00:00:00 +0000</pubDate>
    </item>
    <item>
      <title>Appendix B: Survey of Urban Habits</title>
      <link>https://escholarship.org/uc/item/6gq900fk</link>
      <description>&lt;p&gt;This survey, developed by Jo Novelli-Blasko at The Habitorium, in collaboration with Blagovesta Momchedjikova and Jorge de La Barre, records urban habits. It was used to gather contributions to&amp;nbsp;An Anthology of Urban Habits.&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Mon, 8 Jun 2026 00:00:00 +0000</pubDate>
    </item>
    <item>
      <title>Appendix A: Call for Papers: Urban Habits,&amp;nbsp;&lt;em&gt;Streetnotes&lt;/em&gt; 31.</title>
      <link>https://escholarship.org/uc/item/4ws8p6wx</link>
      <description>&lt;p&gt;This is the Call for Papers that was issued by the editors seeking contributions to "An Anthology of Urban Habits", &lt;em&gt;Streetnotes&lt;/em&gt; 31.&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Mon, 8 Jun 2026 00:00:00 +0000</pubDate>
    </item>
    <item>
      <title>Appendix C: Report on the Survey of Urban Habits</title>
      <link>https://escholarship.org/uc/item/0qc2v58q</link>
      <description>&lt;p&gt;The Report on the Survey of Urban Habits entails responses gathered through September 13, 2024. It includes several drawings by respondents, and graphic illustrations of the collected data.&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Mon, 8 Jun 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Novelli-Blasko, Jo</name>
      </author>
    </item>
    <item>
      <title>Front Matter and Table of Contents 30</title>
      <link>https://escholarship.org/uc/item/6792r7tk</link>
      <description>Front Matter and Table of Contents 30</description>
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      <pubDate>Fri, 28 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Michalski, David</name>
      </author>
    </item>
    <item>
      <title>cover 30</title>
      <link>https://escholarship.org/uc/item/3tz0b8bk</link>
      <description>cover 30</description>
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      <pubDate>Fri, 28 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Michalski, David</name>
      </author>
    </item>
    <item>
      <title>Introduction: Sketchbook: Drawing the City</title>
      <link>https://escholarship.org/uc/item/30h2c042</link>
      <description>An introduction to the issue and its content.</description>
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      <pubDate>Fri, 28 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Michalski, David</name>
      </author>
    </item>
    <item>
      <title>Tilted Upwards</title>
      <link>https://escholarship.org/uc/item/2gk5k117</link>
      <description>&lt;p&gt;G.K. Chesterton’s short and surreal parable, “The Angry Street: A Bad Dream,” reminds us to not overlook things that surround us in everyday life, and to show them respect. Wayne Thiebaud’s paintings of cityscapes, inspired by San Francisco’s steep, building-lined streets, reestablish our links to the built environment with a vitality that sometimes the real—and the camera—lacks, but which drawing and painting bring to that which is represented. Chesterton and Thiebaud underscore how fictions are more evocative than truths. In this essay, accompanied by my own drawings of San Francisco’s steep streets, I suggest that fantastical fiction and art, in allegorical forms, can inspire us to reconnect with the material world around us—of things, and even streets—with renewed civility and respect.&lt;/p&gt;</description>
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      <pubDate>Thu, 27 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Sankalia, Tanu</name>
      </author>
    </item>
    <item>
      <title>Capturing Memories in My Sketchbook</title>
      <link>https://escholarship.org/uc/item/5mh630x7</link>
      <description>&lt;p&gt;In this opportunity, I want to share a little glimpse of the memories and places I’ve been able to capture in my sketch-books all over the United States.I was born and raised in Guatemala and art has always been a really big thing in my life. Seven years ago, I decided to stop taking a lot of picture with my phone and instead capture the moments, memories and places I was able to experience. I thought that people take pictures to capture moments and places and maybe they’ll check them once in a while and some will be forgotten in just a few weeks. At least I have more than 10k photos in my phone and I can’t believe it. With my sketches the moments and places will always remain vibrant and I will always carry them with me no matter what.In the past few years, I’ve been traveling all around the US visiting family and friends so here are some of my favorite sketches of different States.&lt;/p&gt;</description>
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      <pubDate>Wed, 29 Mar 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Lohern, Fernando</name>
      </author>
    </item>
    <item>
      <title>Urban Journeys of the Rhizomatic Line</title>
      <link>https://escholarship.org/uc/item/79v2j4d1</link>
      <description>&lt;p&gt;         Using visual hierarchy, representational media often separate diverse urban&amp;nbsp;experiences.&amp;nbsp;Three categories of foreground, middle ground, and background are easily distinguished in photography and&amp;nbsp;painting.&amp;nbsp;Urban sketches separate buildings, figures, and natural&amp;nbsp;features.&amp;nbsp;In architectural working drawing, “poché, entourage, and mosaïque” forms a structural system for representing cut walls, environment, and texture&amp;nbsp;respectively         &lt;a href="https://uofc-my.sharepoint.com/personal/mohammadhossein_moez_ucalgary_ca/Documents/06.Conferences/2023.01%20Street%20Notes/Submission.docx#_ftn1"&gt;[1]&lt;/a&gt;         .&amp;nbsp;Recently, photogrammetry or Lidar scanning claim to break these hierarchies by creating “a uniform unbiased document of things in space as they exist.”         &lt;a href="https://uofc-my.sharepoint.com/personal/mohammadhossein_moez_ucalgary_ca/Documents/06.Conferences/2023.01%20Street%20Notes/Submission.docx#_ftn2"&gt;[2]&lt;/a&gt;     ...</description>
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      <pubDate>Wed, 1 Feb 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Moezzi, Mohammad</name>
      </author>
    </item>
    <item>
      <title>The Urban Presence of Sketchers</title>
      <link>https://escholarship.org/uc/item/5xr2g39h</link>
      <description>&lt;p&gt;The presence of urban sketchers has an impact on pedestrian traffic and exchanges in the city. The nature of these exchanges depends on where people sketch from and whether they are alone or in a group. This piece includes sketches from the Christian Science Plaza in Boston, which were drawn in public by the author.&lt;/p&gt;</description>
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      <pubDate>Sun, 15 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Fernandez Gonzalez, Juan</name>
      </author>
    </item>
    <item>
      <title>By Caricature Artists in Times Square (series)</title>
      <link>https://escholarship.org/uc/item/54d4r244</link>
      <description>&lt;p&gt;In this series of drawings commissioned by Thomas Ray Willis, Portrait Artists in Times Square depict their pandemic-affected environment. In a project statement, Thomas Ray Willis provides his experience sitting with artists.&lt;/p&gt;</description>
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      <pubDate>Sat, 14 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Willis, Thomas Ray</name>
      </author>
    </item>
    <item>
      <title>City Sketches (2018-2021)</title>
      <link>https://escholarship.org/uc/item/8wv0k142</link>
      <description>&lt;p&gt;Drawing is an act of discovery, according to the late culture critic John Berger. Drawing forces, the artist to look at the object, to dissect it in their mind’s eye and put it together again. Much like writing, drawing is also a means of observing and thinking about the world around you. Berger’s philosophy has animated many of my creative projects over the past five years. This is how I approach urban history: observation, reflection, and analysis. But I have discovered drawing as an intimate medium through which to think about my relationship to New York City.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Purcell, Ryan Donovan</name>
      </author>
    </item>
    <item>
      <title>Winter Drawings on the Université de Montréal Campus</title>
      <link>https://escholarship.org/uc/item/5mt5f3h6</link>
      <description>&lt;p&gt;These sketches, drawn from my work-place, show the area around the Université de Montréal environmental design faculty in winter. From the windows where I drew them (sheltering from the cold), we see the surrounding landscape, as well as the mountain in the distance, through the leafless trees. These drawings, in black and gold ink and watercolor, evoke, on a small scale, the connections between the city and the landscape of the mountain – Mount Royal, the emblem of Montréal. Like landscape paintings with multiple grounds, they speak of the public space, the winter vegetation with its mesh of branches and the icons of Montréal.&lt;/p&gt;</description>
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      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Valois, Nicole</name>
      </author>
    </item>
    <item>
      <title>“Space shapes a person; constraints free the soul”: Watercolour sketches of Moscow panel-block apartments on the eve of demolition.</title>
      <link>https://escholarship.org/uc/item/4v79b7fz</link>
      <description>&lt;p&gt;         This visual anthropology project was informed by a series of plein-air water-color sketches of panel-block apartment buildings, painted in conversation with ethnographic research participants in Moscow in 2021. Such housing, built on an industrial scale during Nikita Khrushchev’s mass-housing campaign between 1955 and 1964, and which came to be nicknamed          &lt;em&gt;khrushchevkas&lt;/em&gt;         , became ubiquitous across the Soviet Union. In 2017, in Moscow, Russia, panel-block apartments were threatened by the          &lt;em&gt;renovatsiya&lt;/em&gt;          campaign, which asked residents to vote to demolish their own homes, now declared dilapidated housing. The author painted a number of these apartment buildings slated for demolition, recording details in the construction, ornamentation, and topography of each apartment block. The author also gathered testimonies of artists who live in-, and whose artistic practice revolves around such housing, asking participants to share...</description>
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      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Gan, Gregory</name>
      </author>
    </item>
    <item>
      <title>Dumbo, Brooklyn</title>
      <link>https://escholarship.org/uc/item/4gz6x3kz</link>
      <description>Streetscape of Dumbo, Brooklyn in April</description>
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      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Kaur, Noor</name>
      </author>
    </item>
    <item>
      <title>Mohammadabad Isfahan</title>
      <link>https://escholarship.org/uc/item/1h1001md</link>
      <description>&lt;p&gt;Hand-painted images of the historic city of Mohammadabad Jarghoye, located near the city of Isfahan, which dates back to the Qajar period at the end of the 18th century. These plans include the entrances of the houses and the general view of the city.&lt;/p&gt;</description>
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      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Abbasi, Sajad</name>
      </author>
    </item>
    <item>
      <title>Seoul 2022</title>
      <link>https://escholarship.org/uc/item/16x8z5qs</link>
      <description>&lt;p&gt;Drawings from an online ethnography class and a discussion of the impact on student experience.&lt;/p&gt;</description>
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      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Peik, Sohyeon</name>
      </author>
      <author>
        <name>Jang, Suehyun</name>
      </author>
      <author>
        <name>Chang, Jinha</name>
      </author>
      <author>
        <name>Park, Sanghee</name>
      </author>
      <author>
        <name>Cho, Mihye</name>
      </author>
    </item>
    <item>
      <title>Cover</title>
      <link>https://escholarship.org/uc/item/9qq8z50r</link>
      <description>&lt;strong&gt;Credits:&lt;/strong&gt;       Layout: LinDa Saphan. Photos by authors.&amp;nbsp;      &lt;em&gt;Top left&lt;/em&gt;      : Seth Tobocman and Tamara “Tornado” Wyndham, “NYC Story,” 2022.&amp;nbsp;      &lt;em&gt;Middle left&lt;/em&gt;      : Amy Zhang, “Colors of Sunset Park” Patterns Identification and Development, 2022.&amp;nbsp;      &lt;em&gt;Middle right&lt;/em&gt;      : Sruthi Atmakur-Javdekar, “Across the Bridge,” 2015.&amp;nbsp;      &lt;em&gt;Top right&lt;/em&gt;      : Angelique Vieira, Untitled, 2021.&amp;nbsp;      &lt;em&gt;Bottom&lt;/em&gt;      : Javier Otero Peña, “Free style Guerrilla Gallery, showing aesthetic empathy,” October 31, 2019.&amp;nbsp;      &lt;em&gt;Background&lt;/em&gt;      : Kelly Yu, “Sketch H1”, 2022.</description>
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      <pubDate>Mon, 14 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Saphan, LinDa</name>
      </author>
    </item>
    <item>
      <title>Table of Contents</title>
      <link>https://escholarship.org/uc/item/4n21761t</link>
      <description>Table of Contents</description>
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      <pubDate>Mon, 14 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>Tree with Moons</title>
      <link>https://escholarship.org/uc/item/7n19x7z3</link>
      <description>&lt;p&gt;The sculpture began with wanting to process grief. One of my brothers passed away in his sleep (unrelated to Covid) in 2020 after pandemic travel restrictions made it impossible to gather for a funeral. Over the course of my making, which is process-based – an intuitive approach to materials and methods – the form evolved into a tree with three moons. The tree is a cross-cultural symbol of loss and renewal. Each month we can observe, too, the moon appearing and disappearing from view, a metaphor for the ephemeral nature of existence.&lt;/p&gt;&lt;p&gt;The mind struggles to accept the notion of death as inevitable, coming to all. The Vietnamese Zen monk, Thich Nhat Hanh, has written that when we are alive, we are part of the sky, the earth, the clouds. When we pass, we continue to be part of everything. I look up into the trees and the sky and know the spirit of my mother, my father, and my brother continue. &lt;/p&gt;&lt;p&gt;Poetry has always been an informing influence in my studio production.&amp;nbsp;In...</description>
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      <pubDate>Sun, 6 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Cullen, Catherine</name>
      </author>
    </item>
    <item>
      <title>New York City Story</title>
      <link>https://escholarship.org/uc/item/6jz1k11g</link>
      <description>&lt;p&gt;This comic strip is my response to hearing that mayor Eric Adams has called for an 6% rent increase for New York Cities’ rent stabilized tenants. The rent stabilization laws protect a large number of NYC tenants by limiting the size of rent increases a landlord can charge on the renewal of a lease. In recent years those increases were about 1% or 2%, but the new mayor has proposed 6%, a significant escalation.&lt;/p&gt;&lt;p&gt;Many justifications have been advanced for this increase. The rising cost of gas. The fact that the previous administration kept rent increases to a minimum. The two-year moratorium on evictions during COVID. I felt that the only way to explain how devastating this reversal in policy was going to be, was to present the overall trajectory of the housing situation in NYC, not over years, but decades.&lt;/p&gt;&lt;p&gt;When I came to NYC in the 1970s it was pretty easy to find an affordable place to live, even if you were poor. It was a city where someone could start at the bottom...</description>
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      <pubDate>Sun, 6 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Tobocman, Seth</name>
      </author>
      <author>
        <name>Wyndham, Tamara "Tornado"</name>
      </author>
    </item>
    <item>
      <title>Identities of Self and Place in Sunset Park: The Unmaking of the Gowanus Expressway</title>
      <link>https://escholarship.org/uc/item/4bk2p4j0</link>
      <description>&lt;p&gt;This project explores the intersecting qualities of place, time, and identity through the work of a graduate design studio at Rice School of Architecture. “Identities of Self and Place in Sunset Park: The Unmaking of the Gowanus Expressway,” challenges students to activate a residual urban space through a broad reading of its surrounding cultural, physical, and programmatic site conditions. The project site, located beneath the Gowanus Expressway in Brooklyn’s Sunset Park, is a typical example of how transportation infrastructure of the past bifurcated communities and sent neighborhoods into decline. Architecture designed through the lens of Place, Time, and People can produce responsive spaces that address historical injustices while allowing for multiple readings and experiences.&lt;/p&gt;&lt;p&gt;Students began their research with a design methodology based in both direct and remote observation of the project site. They examined the local conditions and expanded into the surrounding...</description>
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      <pubDate>Sun, 6 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Ha, Yen</name>
      </author>
      <author>
        <name>Phillips, Lauren</name>
      </author>
      <author>
        <name>Clifton, Andrew</name>
      </author>
      <author>
        <name>Cook, Anna</name>
      </author>
      <author>
        <name>Fritz, Anna</name>
      </author>
      <author>
        <name>LaBarbera, Jessica</name>
      </author>
      <author>
        <name>McGlone, Kim</name>
      </author>
      <author>
        <name>Talbi, Henry</name>
      </author>
      <author>
        <name>Xiong, Rita</name>
      </author>
      <author>
        <name>Yu, Kelly</name>
      </author>
      <author>
        <name>Zhang, Amy</name>
      </author>
    </item>
    <item>
      <title>Outdoor Dining and the Transformation of Public Space in New York City</title>
      <link>https://escholarship.org/uc/item/3rw3811t</link>
      <description>&lt;p&gt;New York City’s streetscapes have undergone a dramatic transformation as a result of the city’s Open Restaurants program. Established in June of 2020 to uplift the restaurant industry out of economic turmoil brought on by the COVID-19 pandemic, the program led to outdoor dining structures sprouting across the urban landscape. Due to its overall success, the city is currently preparing to launch a permanent program, which has led to conflicts between some of the city’s stakeholders as the space used for outdoor dining overlaps with public spaces such as sidewalks and streets. Drawing from urban planning and environmental psychology students’ research projects, this paper explores the ways in which outdoor dining has transformed public space in New York City using Lefebvre’s spatial theory as a guide. Over the course of a semester, students analyzed city blocks in the Bronx and Manhattan using multiple methods including historical analysis of block changes and field observations....</description>
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      <pubDate>Sun, 6 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Saphan, LinDa</name>
      </author>
      <author>
        <name>Pipitone, Jennifer M.</name>
      </author>
      <author>
        <name>Perez-Garcia, Emily</name>
      </author>
      <author>
        <name>Vieira, Angelique</name>
      </author>
      <author>
        <name>Francisco, Rossalba</name>
      </author>
    </item>
    <item>
      <title>A Daily Practice in Memories of a Lived Experience: Bridging Pune and New York City</title>
      <link>https://escholarship.org/uc/item/2q3556pw</link>
      <description>&lt;p&gt;What happens when the present (perceived or real space) is ‘conceived’ (as artwork) from memories of a lived experience?&lt;/p&gt;&lt;p&gt;According to Lefebvre, ‘representational space’ is space as directly (or lived) experienced by users through “associated images and symbols” (p. 39); one that is passively experienced or felt – “a space which the imagination seeks to change and appropriate” (1974/1991, p. 39).&lt;/p&gt;&lt;p&gt;Like New York City and perhaps other cities in urban India, Pune has been experiencing rapid transformation where the urban landscape is dotted with high-rise developments in residential, industrial, institutional and commercial sectors. However, Pune has a unique urban landscape given its geographical locational advantage of being nestled in the rich and biologically diverse Sahyadri mountain range or the Western Ghats. As a result, the city boasts of small hills that are marked by urban planners, technocrats, and those in power as bio-diverse areas - spaces where no urban...</description>
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      <pubDate>Sun, 6 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Atmakur-Javdekar, Sruthi</name>
      </author>
    </item>
    <item>
      <title>Introduction: New York City in Transformation</title>
      <link>https://escholarship.org/uc/item/1m72x15c</link>
      <description>The editors of       &lt;em&gt;Streetnotes&lt;/em&gt;       29: New York City in Transformation provide an introduction to the issue and its content.</description>
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      <pubDate>Sun, 6 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Saphan, LinDa</name>
      </author>
      <author>
        <name>Pipitone, Jennifer M.</name>
      </author>
    </item>
    <item>
      <title>Playing Chess in Public: Recreational Traditions in a Time of Crisis</title>
      <link>https://escholarship.org/uc/item/9w38g223</link>
      <description>&lt;p&gt;Based upon a series of ethnographic vignettes, interviews, participant observation, and archival research, this article profiles public chess playing in Greenwich Village, New York City.&amp;nbsp; I focus upon the famed public spaces for chess players like Washington Square Park and Union Square, and the atmosphere of anxiety and unrest due to the Covid-19 Pandemic and systemic racism surrounding the protests of the summer of 2020.&amp;nbsp; The long artistic and revolutionary history of Greenwich Village provides an intriguing context for public chess playing and the informal economy of hustling.&amp;nbsp; As the majority of the chess enthusiasts and table hosts are African American men and, given the metaphoric explanations of “chess as life,” sociopolitical context is critical.&amp;nbsp; In particular, political artistic displays and protests against police violence and systemic racism are no mere backdrop for chess playing, but intimately felt and entangled within the sense of place and...</description>
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      <pubDate>Tue, 17 May 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Korsant, Clate Joseph</name>
      </author>
    </item>
    <item>
      <title>The Guerrilla Gallery: A Rapid Ethnography about a Collaborative Public Art Installation in East Harlem</title>
      <link>https://escholarship.org/uc/item/7911262j</link>
      <description>&lt;p&gt;In the heart of East Harlem, New York City, a collective of artists called the Harlem Art Collective created the “Guerrilla Gallery”: A collaborative public art installation on a construction fence, to give residents a place to express themselves through art and messages. While East Harlem is characterized by murals depicting Puerto Rican flags and political causes, these symbols were absent in the Guerrilla Gallery, which instead exhibited predominantly Mexican cultural and political symbols. Was a territorial contestation taking place through art, a sort of identity negotiation to determine who “belongs” in the neighborhood? (Zukin, 1995) This article presents an ethnographic and photographic narrative of the Guerrilla Gallery and what it means to the people who live in the neighborhood. Using rapid ethnographic assessment procedures (Low et al., 2005), coupled with photographic cartography (Ulmer, 2017), this study presents the findings of interviews and the Guerrilla Gallery....</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7911262j</guid>
      <pubDate>Sun, 1 May 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Otero Peña, Javier Eduardo</name>
      </author>
    </item>
    <item>
      <title>Front Matter and Table of Contents</title>
      <link>https://escholarship.org/uc/item/5mv93750</link>
      <description>Front Matter and Table of Contents</description>
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      <pubDate>Fri, 11 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>cover</title>
      <link>https://escholarship.org/uc/item/3gs6t6jc</link>
      <description>cover</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3gs6t6jc</guid>
      <pubDate>Fri, 11 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>Buzzing Calligraffiti</title>
      <link>https://escholarship.org/uc/item/4rv133kf</link>
      <description>&lt;p&gt;This series of artworks explore the human perceptions of space, presence, belonging, communication, movement, resilience, and regrowth during the ongoing pandemic in New York City. In a dynamic spatial ontology, past-present-future palimpsests exist as our spatiotemporal perception of reality. Current pandemic trapped humans (including myself) in situ, and, in a way, recontextualized human social spatiability and psychogeographic perception of space, adding layers of introspection. During lockdowns, as the only means to communicate with other people was via digital technologies, entire life (work, school, religious service, exercising, entertainment, socializing, dating, etc.) moved online. This new spatiotemporal reality emerged as a form of resilience and solidarity in the time of crisis. New York City, the city that never sleeps, started to buzz again. In a dance between the real and the imaginary, the transient and the permanent, on and off screen, the virtual and the real,...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4rv133kf</guid>
      <pubDate>Sun, 30 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Popov, Milena - Nena</name>
      </author>
    </item>
    <item>
      <title>Being-with-ears: How Christian Benning Opened my Ears to the Soundscapes of New York City and Beyond</title>
      <link>https://escholarship.org/uc/item/9ws0z8mf</link>
      <description>&lt;p&gt;         This writing explores the phenomenology of everyday urban sounds, some generic, others more place specific sounds to New York, or particular places within New York with samplings from Manhattan, the Queensboro Bridge and Queens. It takes the perspective of a walker and Environmental Psychologist, a commuter on the way to work. The experience was inspired and made possible by a recital by multi-percussionist Christian Benning that introduced listeners to different sounds and music. In this writing “New York City in transformation” refers to the transformation of sounds via the experience of walking, and the transformation experienced through a newfound aesthetic and meaning to sounds as my ears had been opened: everyday sounds that previously escaped my attention, sounds that I have taken for granted, or considered as a nuisance, have transformed from noise to sound (from          &lt;em&gt;Krach&lt;/em&gt;         
                  &lt;em&gt; &lt;/em&gt;         to          &lt;em&gt;Klang&lt;/em&gt;...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9ws0z8mf</guid>
      <pubDate>Sun, 23 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Imamichi, Tomoaki D.</name>
      </author>
    </item>
    <item>
      <title>Swimming Sounds</title>
      <link>https://escholarship.org/uc/item/9tj886m9</link>
      <description>&lt;p&gt;City sounds are scarce these days in Johnstown, PA. The population of this once-thriving rust belt town has shrunk to fewer than 20K people and is now focused on outdoor recreation and the arts. The YMCA pool is one place where, even in COVID times, the community gathers in the name of wellness.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9tj886m9</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Novelli, Jo</name>
      </author>
    </item>
    <item>
      <title>Listening Point – Daily Soundscape Recordings from a Window of an Apartment in a Building Located on a Street in a Residential and Commercial Neighborhood in the City of Niterói, State of Rio de Janeiro</title>
      <link>https://escholarship.org/uc/item/9pd033bv</link>
      <description>&lt;p&gt;A month-long (February-March 2021) log of sounds and sound sources in Rio de Janeiro. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9pd033bv</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Quaresma, Marco Cardoso</name>
      </author>
    </item>
    <item>
      <title>Loud: Death by Garbage Truck</title>
      <link>https://escholarship.org/uc/item/9kc95846</link>
      <description>A writer speculates on waste sounds in the city.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9kc95846</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Thompson, MJ</name>
      </author>
    </item>
    <item>
      <title>Like Birds in A Cage:  Accounts About Social Isolation Soundscapes During the Pandemic in Brazil</title>
      <link>https://escholarship.org/uc/item/9b8600vg</link>
      <description>&lt;p&gt;This article presents and reflects upon the transformations on the soundscapes of Belo Horizonte (capital of the state of Minas Gerais, in Brazil) and the surrounding countryside areas, noticed during the current social isolation period due to the health crisis caused by the Covid-19 pandemic. The starting point is a discussion about the concepts of landscape and soundscape, upon which our work is grounded, as theorized by scholars in the fields of geography, art, and sound studies; and also, the notion of proxemic zone, which guides our understanding of the relation between the listener and their space. The article then moves on to the authors’ own experiences during these pandemic days. One has stayed put, remaining in the center of a city with a population of 2.5 million people and taking notes of the different pandemic phases through the changing soundscape. Another has left her apartment in a bohemian part of town to stay at her countryside home, replacing the musical...</description>
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      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Vianna, Graziela Mello</name>
      </author>
      <author>
        <name>Furtado, Lucianna</name>
      </author>
      <author>
        <name>Lima, Ricardo de Freitas</name>
      </author>
    </item>
    <item>
      <title>a woman, alone</title>
      <link>https://escholarship.org/uc/item/96x593t9</link>
      <description>&lt;p&gt;This essay, a metafictional account, arose from the grief and trauma of losing my mother in March of 2019, one year prior to the 2020 Pandemic shutdown. One of the formal challenges was in exploring how best to represent the soundscape of city and household she might have heard in her final hours. At the same time, it also imagines her interior soundscape, the moment of death and the transition to the afterlife she had hoped for. The essay was conceptualized as one of several "islands" in an archipelago of essays as you see them here. Each island, each essay, is rendered all the more interesting (we&amp;nbsp; hope!) in the way they are situated in this intimate yet quarantined zoom community of long standing friendships and shared intellectual vision. &lt;/p&gt;</description>
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      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Dent, Michelle</name>
      </author>
    </item>
    <item>
      <title>Routine</title>
      <link>https://escholarship.org/uc/item/8zd3v277</link>
      <description>&lt;p&gt;A daily sound report. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8zd3v277</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Rodrigues, Dan</name>
      </author>
    </item>
    <item>
      <title>When the Fugitives Decide to Stay</title>
      <link>https://escholarship.org/uc/item/8mc5p75v</link>
      <description>&lt;p&gt;"When the Fugitives Decide to Stay" looks at how language use, for many of us, marks value and non-value, and this marking becomes especially troubling under pandemic conditions. The essay juxtaposes bodily valuation and non-valuation during the AIDS epidemic and during our ongoing COVID moment, arguing that we need to expand our abilities to critique human desire and its operations.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8mc5p75v</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Bromley, Bruce</name>
      </author>
    </item>
    <item>
      <title>All Sounds Are from My Home: Nova Iguaçu, Rio de Janeiro</title>
      <link>https://escholarship.org/uc/item/7tj411kb</link>
      <description>&lt;p&gt;A journal, in which I keep track of sounds around me, on an hourly basis, for about a month. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7tj411kb</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Alves, Ilana Marina</name>
      </author>
    </item>
    <item>
      <title>While Taking My Dog for A Walk – A Sound Diary</title>
      <link>https://escholarship.org/uc/item/701211kw</link>
      <description>A two-month long sound diary.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/701211kw</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>da Luz, Daniel Ramalho Grande</name>
      </author>
    </item>
    <item>
      <title>From Confinement to Sound Encapsulation:  The Social References of Sound in Morro do Palácio, Niterói (Rio de Janeiro, Brazil)</title>
      <link>https://escholarship.org/uc/item/6kq6k72g</link>
      <description>&lt;p&gt;Lessons on soundscapes, music, and noises from the Morro do Palácio favela in Rio de Janeiro, Brazil. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6kq6k72g</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Stevenson-Déchelette, Ismaël</name>
      </author>
    </item>
    <item>
      <title>Stories in Black</title>
      <link>https://escholarship.org/uc/item/67c06801</link>
      <description>&lt;p&gt;Three poems about anti-Blackness and state violence.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/67c06801</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Anderson, Keisha-Gaye</name>
      </author>
    </item>
    <item>
      <title>A Day in Quarantine</title>
      <link>https://escholarship.org/uc/item/63b9z2kv</link>
      <description>&lt;p&gt;A day, March 8, 2021, in sounds. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/63b9z2kv</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Nix, Michael David Brasil</name>
      </author>
    </item>
    <item>
      <title>Dodging Partitions</title>
      <link>https://escholarship.org/uc/item/4qf2t5cx</link>
      <description>&lt;p&gt;This a visual investigation into partitions, which separate space and sound. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4qf2t5cx</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Durst, Khaly</name>
      </author>
    </item>
    <item>
      <title>Innings</title>
      <link>https://escholarship.org/uc/item/4cz4p50d</link>
      <description>&lt;p&gt;The first versions of this poem about sound on paper were drafted while I was writing a chapter on sounds in travel literature. On 7 May 2018 my concentration broken by human and mechanical noises from outside, I tuned in to the commentary on a cricket match at Nottingham’s Trent Bridge (a ground less than 2 miles from the city centre), and listened to the applause as the South African batsman Hashim Amla, playing for Hampshire, reached his century. As I would have been there had it not been for the chapter deadline, the poem became a reflection on the paradox of sound being both present and absent in texts. During the Covid-19 pandemic I redrafted the poem several times, more intensely aware of the differences between inside and outside, between urban and natural sounds, and of the places where they meet.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4cz4p50d</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Youngs, Timothy</name>
      </author>
    </item>
    <item>
      <title>The Sound Seasons</title>
      <link>https://escholarship.org/uc/item/4cx904vp</link>
      <description>&lt;p&gt;These pieces explore the seasons of sound in a city caught in the global pandemic. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4cx904vp</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
    </item>
    <item>
      <title>Lockdowns</title>
      <link>https://escholarship.org/uc/item/44t2h10f</link>
      <description>A short response to the sounds of lockdowns during a session of a Zoom Writing Salon initiated by Michelle Dent which involved eight former colleagues from the Department of Performance Studies at New York University.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/44t2h10f</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Brazzale, Claudia</name>
      </author>
    </item>
    <item>
      <title>Dreams Are What Music Is Made of…</title>
      <link>https://escholarship.org/uc/item/42k3z9s2</link>
      <description>&lt;p&gt;A rumination on dreams and music, in dedication to my Mom, Dad, and all our ancestors past and present. And to all that have been called home during this dramatic exodus in the vastness of space. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/42k3z9s2</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Rodriguez, Jay</name>
      </author>
    </item>
    <item>
      <title>Introduction: Sounds and Silence in the Pandemic City</title>
      <link>https://escholarship.org/uc/item/3p86145k</link>
      <description>Introduction to the Streetnotes 28:&amp;nbsp;Sounds and Silence in the Pandemic City</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3p86145k</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>La Barre, Jorge de</name>
      </author>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
    </item>
    <item>
      <title>Silenced No More</title>
      <link>https://escholarship.org/uc/item/3kj9h3zk</link>
      <description>&lt;p&gt;Several artworks from a larger project created in 2020, during the times of the pandemic and unrest, when people of color decided that they would be silenced no more. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3kj9h3zk</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Santos, Rafaela</name>
      </author>
    </item>
    <item>
      <title>BQE</title>
      <link>https://escholarship.org/uc/item/3dt6d8r2</link>
      <description>&lt;p&gt;The poem is about a snow drop hitting my window while driving under a bridge. The shape made me remember older boys with daisy bb guns shooting at parked trains near what is now the Highline. Then a kid with a snowball slams my windshield while I was deep in memory. I jumped back quickly into a sound reality.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3dt6d8r2</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Shapiro, BJay</name>
      </author>
    </item>
    <item>
      <title>Lockdown, Soundscapes, Dreams:  A Diary (July 25, 2020 – August 8, 2021)</title>
      <link>https://escholarship.org/uc/item/2vt230ng</link>
      <description>&lt;p&gt;These selected entries are from a diary that I have been keeping since the beginning of the pandemic; they document the ways in which sounds have occupied my dreams, and my reflections about a new, perhaps quieter, perhaps sinister, soundscape experience. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2vt230ng</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>La Barre, Jorge de</name>
      </author>
    </item>
    <item>
      <title>Rest in Power Portraits:  Reverberations</title>
      <link>https://escholarship.org/uc/item/2p48f8q5</link>
      <description>&lt;p&gt;A close description of a 2020 summer public art project in support of Black Lives Matter, at Grand Army Plaza, Brooklyn, New York. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2p48f8q5</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Molloy, Traci</name>
      </author>
    </item>
    <item>
      <title>Louder</title>
      <link>https://escholarship.org/uc/item/2fv8z0xd</link>
      <description>&lt;p&gt;A series of musings on listening to the city amidst pandemic motivated retreats and diminished soundscapes. It latches onto some possible lines of flight—courtesy of the author’s own experiences and others’ art.&lt;/p&gt;</description>
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      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Alley, Jason</name>
      </author>
    </item>
    <item>
      <title>Music, Pandemic, and Creative Idleness!</title>
      <link>https://escholarship.org/uc/item/2605v6dk</link>
      <description>&lt;p&gt;Musings on creative idleness. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2605v6dk</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Garnizé, Alexandre</name>
      </author>
    </item>
    <item>
      <title>Soccer Sounds, from Ingá (a middle-class neighborhood in Niterói, Rio de Janeiro)</title>
      <link>https://escholarship.org/uc/item/21r8m2v4</link>
      <description>&lt;p&gt;A sound journal, taking into account public celebrations during the pandemic. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/21r8m2v4</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Góes, Gabriel</name>
      </author>
    </item>
    <item>
      <title>Sonorities and Cities (in Times of Crisis)</title>
      <link>https://escholarship.org/uc/item/1qw0j1hn</link>
      <description>&lt;p&gt;The aim of this article is to explore some possibilities of hearing the city as a tool for an extended exploration and understanding of different aspects of urban dynamics and contradictions in socio-anthropological analysis. Starting from considerations of the secondary importance given to the sense of hearing in social research and theory, and the growing interest in the integration of all the senses for the construction of an embodied research apparatus which would contemplate the multidimensionality of everyday life, I explore two perspectives: the one contained in the different uses of the concept of soundscape, and the one referred to more recent appropriations of Henri Lefebvre's rhythmanalysis. Complementing the reflection, I use the theoretical suggestions based on sound perceptions, to produce some insights regarding the impacts of the Covid-19 pandemic on cities and everyday life.&lt;/p&gt;</description>
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      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Mendonça, Luciana Ferreira Moura</name>
      </author>
    </item>
    <item>
      <title>Listening Log #1 – Distribution</title>
      <link>https://escholarship.org/uc/item/1h35q02d</link>
      <description>&lt;p&gt;The soundscape of a single day, February 21, 2021. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1h35q02d</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Silveira, Diego da Silva</name>
      </author>
    </item>
    <item>
      <title>Mixed Speak</title>
      <link>https://escholarship.org/uc/item/0np7b5zg</link>
      <description>&lt;p&gt;This short piece addresses the challenges of being biracial and finding your own voice while listening to the conflicting voices of others: parents, grandparents, friends, mentors, teachers, coaches. I had two constraints while writing this: one, I had to emulate Jamaica Kincaid’s short story “Girl,” where a mother teaches her daughter how to be a respectable girl and not “the slut you are so bent on becoming”; and two, I had to develop this for a high school literature assignment while studying remotely during New York’s pandemic lockdown. I had no “in-person” communication other than with my immediate family, which made it even harder to find one’s own voice: you need the voices of others in order to distinguish yours from theirs. I wondered: what is sound--music? vibrations? noise? everyday sounds? silence? Will silence always protect you? &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0np7b5zg</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Cisse Toni, Moussa</name>
      </author>
    </item>
    <item>
      <title>Streetnotes 27: cover</title>
      <link>https://escholarship.org/uc/item/1jg1x21g</link>
      <description>Streetnotes 27: cover</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1jg1x21g</guid>
      <pubDate>Thu, 10 Jun 2021 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>Front Matter and Table of Contents</title>
      <link>https://escholarship.org/uc/item/0p8793j2</link>
      <description>Front Matter and Table of Contents</description>
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      <pubDate>Thu, 10 Jun 2021 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>Introduction: Walking in the Digital City</title>
      <link>https://escholarship.org/uc/item/55b6g2bx</link>
      <description>The editors introduce the special issue, 'Walking in the Digital City".</description>
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      <pubDate>Tue, 1 Jun 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Morris, Blake</name>
      </author>
      <author>
        <name>Brazzale, Claudia</name>
      </author>
    </item>
    <item>
      <title>Cell-Out: A Long-Distance Mobile Performance of  Scores, Reflections, Confessions</title>
      <link>https://escholarship.org/uc/item/6n41z9w9</link>
      <description>&lt;p&gt;“Cell-Out” is a performance, a collaborative investigative enactment of physical, spatial, and communicative mobility in urban areas, and an exploration of walking in the digital city through shifts of space, attention, and time. Claudia Brazzale and Leslie Satin approach walking as dancers whose embodied practices are based largely in Western contemporary dance techniques and somatic / contemplative forms, including early post-modern dance's cultivation of pedestrian movement; their scholarly work is grounded in autobiography and auto-ethnography. The piece centers on a series of compositional scores in which each writer directs the other toward specific actions, places, and areas of focus. Other parts of the piece contextualize and arise from these scores, weaving through the authors' scholarship on dance and space and flowing into their art lives and personal experience. Brazzale's and Satin's explorations of walking and writing as experiential, affective, digressive, phenomenological,...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6n41z9w9</guid>
      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Brazzale, Claudia</name>
      </author>
      <author>
        <name>Satin, Leslie</name>
      </author>
    </item>
    <item>
      <title>Mapping a City’s Energy: using digital storytelling to facilitate embodied experiences of urban</title>
      <link>https://escholarship.org/uc/item/5nd8d78f</link>
      <description>&lt;p&gt;This essay looks at how embodied knowledge of the city can be shaped by the intentional movement of dance and sensory mapping experiments, through a close examination of two different movement practices undertaken as part of the Dancing Bodies in Coventry(DBiC) project. The essay also explores the different ways in which embodied experiences of urban space and place are documented, as well as what the hybridisation of the digital and the bodily might mean for how we understand and navigate our urban environments.&lt;/p&gt;</description>
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      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Cisneros, Rosemary (Rosa) Elizabeth</name>
      </author>
      <author>
        <name>Crawley, Marie-Louise</name>
      </author>
      <author>
        <name>Whatley, Sarah</name>
      </author>
    </item>
    <item>
      <title>Pokéwalking in the City: Pokémon GO and the Ludic Geographies of Digital Capitalism, A View from Jaffna, Sri Lanka</title>
      <link>https://escholarship.org/uc/item/3sr418wd</link>
      <description>This article uses the author's play of Pokémon GO while conducting dissertation research on mobilities and masculinities in postwar Jaffna, Sri Lanka as a starting point for a wider consideration of ludic geographies and their increasing entanglement with digital capitalism. While new advancements in mobile and digital technologies present exciting new possibilities for occupying and moving through public spaces, we should not forget that the driving force of capitalism is to produce profits nor should we ignore the continuing social inequalities of race, gender, and caste, which also impact access to the possibilities these new technological developments represent.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3sr418wd</guid>
      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>dillon, daniel</name>
      </author>
    </item>
    <item>
      <title>CODED GEOMETRY: A Digitally Expanded Game of Psychogeography</title>
      <link>https://escholarship.org/uc/item/29b9v2qt</link>
      <description>&lt;p&gt;The materiality, aesthetics, logics and processes of digitality have infused the physical space of cities. We can no longer speak of a clear distinction between analogue, carbon-based, offline entities and digital, silicon-based, online representations. The relationship between digital technology and the city is a complex, more-than-human one in which the convergence of digital technology and the city can be shown to have expanded not just the space of the city but what the space of the city is. This article asks whether the Situationist International’s psychogeographic walking practices can be modified to research the specificity of the digital city. Through the practices of CODED GEOMETRY, a walking collective based in East London that uses performative strategies to develop a digitally expanded psychogeography, the article considers the following questions: how does it feel to walk the streets of East London when the city has been expanded by technologies that blur the boundary...</description>
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      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Wild, John</name>
      </author>
    </item>
    <item>
      <title>What Happened?: An Examination of PLAYDATE, a Cellphone-Oriented, Neighborhood-Wide, Beyond-the-Stage Play in and About Downtown Brooklyn</title>
      <link>https://escholarship.org/uc/item/28p2d92x</link>
      <description>&lt;p&gt;         PLAYDATE was a cellphone-oriented, neighborhood-wide, beyond-the-stage play. Through GoPro cameras, the performance documented a cast of roving players as they performed sequenced tasks that engaged local businesses, public facilities, and various contingencies in Downtown Brooklyn, New York. The main cast and the audience were physically separated and only viewable via social media and GPS. Posts were digitally projected in the auditorium of ISSUE Project Room, a non-profit performance venue in Downtown Brooklyn. Viewers, however, could interact with the piece through their own social media accounts. By submitting comments, questions, and likes through their cell phones, viewers became part of the work and created individual perspectives with no single vantage point. In this transcribed conversation led by PLAYDATE director, Ying Liu, two players         &lt;a&gt;[1]&lt;/a&gt;          (Kuan-Yi Chen and Kenneth Pietrobono) and audience members (John Matturri and Seth Cohen) share...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/28p2d92x</guid>
      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Liu, Ying</name>
      </author>
      <author>
        <name>Pietrobono, Kenneth</name>
      </author>
      <author>
        <name>Chen, Kuan-Yi</name>
      </author>
      <author>
        <name>Matturri, John</name>
      </author>
      <author>
        <name>Cohen, Seth</name>
      </author>
    </item>
    <item>
      <title>Strategies for Subverting the Tyranny of the Corporate Map: An Interview with Babak Fakhamzadeh</title>
      <link>https://escholarship.org/uc/item/25g073q2</link>
      <description>&lt;p&gt;A discussion on using a range of solutions to subvert corporate control of our experience in understanding and relating to our urban environment. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/25g073q2</guid>
      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Fakhamzadeh, Babak</name>
      </author>
      <author>
        <name>Brazzale, Claudia</name>
      </author>
      <author>
        <name>Morris, Blake</name>
      </author>
    </item>
    <item>
      <title>Ways of Walking</title>
      <link>https://escholarship.org/uc/item/0fd2445g</link>
      <description>&lt;p&gt;The writer has a poor sense of orientation and loses her way when she walks in cities. When this happens in Antwerp, Belgium, GPS maps and a music streaming application on her smartphone trigger the experience that she unfolds in this essay. Her aim is to explore an aspect of the temporal dynamics of contemporary life and, based on the element of loss, to demonstrate how machine, digital temporality and human, existential temporality may interact. Thanks to Kenneth Goldsmith's notion of displacement, the work of writers and artists related to Antwerp, namely Hugo Claus, Connie Palmen and Jan Fabre, references to ethnology and performance studies, and the writer’s father who was gardening through bud grafting, the experience of losing one’s way in a city with a smartphone in the hand, is restaged in writing, while loss in space encounters memory through oblivion and initiates reflection on an existential condition of loss.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0fd2445g</guid>
      <pubDate>Fri, 1 Jan 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Solakidi, Sylvia</name>
      </author>
    </item>
    <item>
      <title>Cover</title>
      <link>https://escholarship.org/uc/item/4bp893x0</link>
      <description>Cover</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4bp893x0</guid>
      <pubDate>Mon, 13 May 2019 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>Front Matter and Table of Contents</title>
      <link>https://escholarship.org/uc/item/0vk4n3hp</link>
      <description>Front Matter and Table of Contents</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0vk4n3hp</guid>
      <pubDate>Fri, 10 May 2019 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>Introduction: From Above: The Practice of Verticality</title>
      <link>https://escholarship.org/uc/item/6877p6fs</link>
      <description>Introduction to       &lt;em&gt;Streetnotes 26: From Above: The Practice of Verticality&lt;/em&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6877p6fs</guid>
      <pubDate>Thu, 9 May 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
      <author>
        <name>La Barre, Jorge de</name>
      </author>
    </item>
    <item>
      <title>Seeing What Is Up in Manhattan</title>
      <link>https://escholarship.org/uc/item/9d78p67p</link>
      <description>Photo Essay</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9d78p67p</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Martone, Denice</name>
      </author>
    </item>
    <item>
      <title>On the Contemporary Visual Experience, Part Two: The Vertical Gaze</title>
      <link>https://escholarship.org/uc/item/83j1865b</link>
      <description>&lt;p&gt;As an attempt to critically engage with the contemporary visual experience, this paper in three parts explores the horizontal, vertical, and virtual viewpoints. Its main purpose is to question the virtual realm as a place where technology allows for various visual experiences including new, digital and oblique perspectives on both horizontality and verticality. Various visual examples are taken from: selfie-taking, augmented and virtual realities (“Part One: Vir(tu)al Horizon(tal)”); architectural landscapes, aerial views, panoramas (“Part Two: The Vertical Gaze”); the photographic works of Sebastião Salgado, Yann Arthus-Bertrand, and Terry Boddie (“Part Three: Oblique Strategies”).&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/83j1865b</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>La Barre, Jorge de</name>
      </author>
    </item>
    <item>
      <title>On the Contemporary Visual Experience, Part Three: Oblique Strategies</title>
      <link>https://escholarship.org/uc/item/6410628x</link>
      <description>As an attempt to critically engage with the contemporary visual experience, this paper in three parts explores the horizontal, vertical, and virtual viewpoints. Its main purpose is to question the virtual realm as a place where technology allows for various visual experiences including new, digital and oblique perspectives on both horizontality and verticality. Various visual examples are taken from: selfie-taking, augmented and virtual realities (“Part One: Vir(tu)al Horizon(tal)”); architectural landscapes, aerial views, panoramas (“Part Two: The Vertical Gaze”); the photographic works of Sebastião Salgado, Yann Arthus-Bertrand, and Terry Boddie (“Part Three: Oblique Strategies”).</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6410628x</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>La Barre, Jorge de</name>
      </author>
    </item>
    <item>
      <title>The Busy African City: Down Below</title>
      <link>https://escholarship.org/uc/item/4kr1v68b</link>
      <description>Aerial paintings of African Cities.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4kr1v68b</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Okujeni, Toni</name>
      </author>
    </item>
    <item>
      <title>On the Contemporary Visual Experience, Part One: Vir(tu)al Horizon(tal)</title>
      <link>https://escholarship.org/uc/item/3p9375d5</link>
      <description>&lt;p&gt;As an attempt to critically engage with the contemporary visual experience, this paper in three parts explores the horizontal, vertical, and virtual viewpoints. Its main purpose is to question the virtual realm as a place where technology allows for various visual experiences including new, digital and oblique perspectives on both horizontality and verticality. Various visual examples are taken from: selfie-taking, augmented and virtual realities (“Part One: Vir(tu)al Horizon(tal)”); architectural landscapes, aerial views, panoramas (“Part Two: The Vertical Gaze”); the photographic works of Sebastião Salgado, Yann Arthus-Bertrand, and Terry Boddie (“Part Three: Oblique Strategies”).&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3p9375d5</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>La Barre, Jorge de</name>
      </author>
    </item>
    <item>
      <title>Vertically Challenged</title>
      <link>https://escholarship.org/uc/item/2p33j12v</link>
      <description>Photo Essay</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2p33j12v</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Savino, Giovanni</name>
      </author>
    </item>
    <item>
      <title>The Flaneur Looks Up:  Reading Chinatown Verticalities</title>
      <link>https://escholarship.org/uc/item/1s58d6dz</link>
      <description>&lt;p&gt;While verticality seems intrinsic to the fabric of the modern city—a concrete second nature—understanding this dimension involves negotiations of people, functions, scale, and representations, especially as mobile people transform existing cityscapes. Perhaps nowhere is this more evident than in Chinatowns worldwide, where generations of Chinese, interacting with complex cities around them, have created places for varied immigrants and dispersed descendants in public and private spaces above and below the street. Verticality here is both intimate and performative, internal and external, “real” and imagined, as this walk through the Chinatown of Philadelphia, Pennsylvania (USA) illustrates. Deciphering layers and dimensions of verticality, at the same time, expands our perceptions of both Chinatowns as places and the growth and structure of modern cities.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1s58d6dz</guid>
      <pubDate>Fri, 26 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>McDonogh, Gary W.</name>
      </author>
      <author>
        <name>Wong, Cindy Hing-Yuk</name>
      </author>
    </item>
    <item>
      <title>The Forest and the City: Rio as an Immersive Landscape</title>
      <link>https://escholarship.org/uc/item/9j31x5r0</link>
      <description>This essay aims at reflecting upon the ways aerial perspective and verticality were instrumental in reiterating a rich traditional iconography that persisted upon an image of Brazil (and South America) firmly based on traditional dichotomies such as city/jungle, wilderness/civilization, nature/culture. For this purpose, I look at a sequence of the third travel documentary (travelogue) produced in the mid-1950s using the new technology of Cinerama, Seven Wonders of the World (1956). A breathtaking aerial sequence shot in Rio epitomizes aforeign North American literal and symbolic point of view during the immediate post warperiod, combined with the overwhelming sensorial immersive realism championed by&amp;nbsp;Cinerama around the world during the immediate post-war period.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9j31x5r0</guid>
      <pubDate>Thu, 11 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Vieira, João Luiz</name>
      </author>
    </item>
    <item>
      <title>The Seasonal Fir Tree Take-Over of New York City</title>
      <link>https://escholarship.org/uc/item/74f6309j</link>
      <description>The verticality in New York City can be observed through the erection not only of constructions made by the tree sellers for their stands but also through the sprouting of tall fir trees all over the city. For one month, New York City is no longer just a mineral environment of granite and stone but one of vegetation that takes over the city. The use of the sidewalks by tree sellers shifts the urban morphology, temporarily creating a new urban space where pedestrians can look up and around instead of pass through.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/74f6309j</guid>
      <pubDate>Thu, 11 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Saphan, LinDa</name>
      </author>
      <author>
        <name>Cabrera, Kevin</name>
      </author>
    </item>
    <item>
      <title>When the Horizontal Goes Vertical  or  How Skateboarding Redefines the Urban Environment</title>
      <link>https://escholarship.org/uc/item/3rz571f7</link>
      <description>What do you do when one of the essential elements of your livelihood is being taken away from you? You adapt. This is exactly the fate that is facing today’s skateboarders in major metropolises all over the world. The invention and implementation of Hostile Architecture has jeopardized the future of skateboarding, but this is not the first time the skateboarding community has faced extinction and due to the sports growing popularity in recent years and the new influx of creative, innovative, and brave skateboarders, the sports future seems safe in the hands of adaptation. After all, the skateboarding community’s most unifying trait is its adaptability.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3rz571f7</guid>
      <pubDate>Thu, 11 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Attoma-Mathews, Aaron</name>
      </author>
    </item>
    <item>
      <title>Mexico City Morphologies</title>
      <link>https://escholarship.org/uc/item/26x7n3h7</link>
      <description>&lt;p&gt;This essay uses Google Earth images to examine urban morphologies in Mexico City. Vertical views of the world embraced by cartographers and planners have long legitimated claims to authority, truth, and temporal power. Since its introduction in 2008, Google satellite view has only reinforced such presumptions, particularly given the company's entangled relations with the U.S. Geospatial Intelligence Agency. Nevertheless, aerial photographs provide an undeniably useful source for architects and urbanists to study city form and metropolitan expansion. The vertical view is particularly valuable for its capacity to illuminate spatial relations that are otherwise difficult to trace on the ground, but which nonetheless shape everyday human experience. The goal of this essay is to discern a range of city forms in the rapidly expanding metropolis, and to contemplate the ways in which urban morphology frames everyday life in one of the world's largest conurbations.&amp;nbsp;It is part of...</description>
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      <pubDate>Thu, 11 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Heathcott, Joseph</name>
      </author>
    </item>
    <item>
      <title>An Alphabet of Disaster: 9/11 From A to Z</title>
      <link>https://escholarship.org/uc/item/93b0x2b2</link>
      <description>This is a postcard performance project about the Twin Towers, language, and memory.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/93b0x2b2</guid>
      <pubDate>Tue, 9 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
    </item>
    <item>
      <title>Standing, Walking, Dancing Tall</title>
      <link>https://escholarship.org/uc/item/8w52b0pk</link>
      <description>This is a poetic examination of how verticality becomes a threat in the context of race in the city.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8w52b0pk</guid>
      <pubDate>Tue, 9 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
    </item>
    <item>
      <title>Poetic Verticalities: Ice-Skating, Nightstands by the Curb, Hair A-Z, The Highline</title>
      <link>https://escholarship.org/uc/item/6883f9d6</link>
      <description>&lt;p&gt;         These poems attempt to capture our experiences of verticality in the city, as a daily practice. “Ice-skating” attempts to capture what it means to glide on the ice rink in the city and connect to things beyond the immediate present; “Nightstands by the Curb” records seeing two discarded nightstands by the side of the road and how in their loneliness they stand tall and significant despite the fact that their owner found them useless. In “Hair A-Z,” I list all possible variations of hair styles and accessories, as a way of seeing how hair makes us distinct, unique, tall in the city. “An Urban Riddle,” written in the voice of the elevated park, the High Line, in Manhattan, investigates what it may mean to have such an unusual green “presence” in the city. Each of these poems is paired with a photograph: some were taken on the occasion of the poem, like the ice-skating one, others, like the photographs by my friend Nikola Bradonjic—not, but we decided that they went well...</description>
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      <pubDate>Tue, 9 Apr 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
    </item>
    <item>
      <title>Airplanes and Apprehension: Nature-Society Hybrids in Planetary Perspective</title>
      <link>https://escholarship.org/uc/item/8st1w9q1</link>
      <description>&lt;p&gt;This photo essay considers the question of what it means to see the world from above. Taking airplanes as my point of departure, I discuss the ways in which flying can both galvanize and dismantle binary conceptions of nature and society. I compare the humanist version of reality inside airplane cabins with the external world, as seen by passengers through plane windows. Viewed from the sky, the boundaries of urban landscapes appear porous, highlighting the fact that cities are embedded within a wider planetary context. Nature-society hybrids are visible from above, and yet require a particular form of attention to be recognized. Human symbolism inside the cabin’s social world distracts and disenchants passengers’ environmental perceptions. However, by looking out the window, we are reminded of the fact that we are all entangled within a wondrous network of life on earth. Though associated with power, class, and economics, perhaps airplane travel can foster a change in how...</description>
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      <pubDate>Tue, 1 Jan 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Raycraft, Justin</name>
      </author>
    </item>
    <item>
      <title>Demarcating Fences: Power, Settler-Militarism, and the Carving of Urban Futenma</title>
      <link>https://escholarship.org/uc/item/8cr7v2g0</link>
      <description>&lt;p&gt;The following images highlight how the chain linked fence surrounding military installations represent power, surveillance, and verticality. By day, community members of the densely populated Ginowan-shi in Okinawa claim space on the land in front of an entrance to Marine Corps Air Station (MCAS) Futenma, with protest signs visible to all U.S. service members and Okinawan-civilian contractors of the injustice present from the settler-military force. By night, the focus shifts to an unforeseen U.S. military intervention, in conjunction with Okinawan law enforcement and construction workers, to quell the protests by reoccupying the sidewalk, pushing protesters further from the gates of the contentious site and attempting to contain their efforts away from the base.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;This series illustrates how the fence is used to reconfigure base boundaries. The fence demarcates a line between a suburban, America-occupied space and an urban, racialized and indigenous other,...</description>
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      <pubDate>Tue, 1 Jan 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Caldwell, Ethan</name>
      </author>
    </item>
    <item>
      <title>Pantoum from the 44th Floor, True Story w/ Morning Dove</title>
      <link>https://escholarship.org/uc/item/88f8g73w</link>
      <description>&lt;p&gt; "Pantoum from the 44th floor" is written in a poetic form. Pantoums originated in Malaysia in the fifteenth century.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/88f8g73w</guid>
      <pubDate>Tue, 1 Jan 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Callihan, Nicole</name>
      </author>
    </item>
    <item>
      <title>Urban “Clutter”: Stairway Landings of Shanghai</title>
      <link>https://escholarship.org/uc/item/84v4p49j</link>
      <description>&lt;p&gt;This piece presents a photographic documentation of the staircase landings of a high-rise apartment building in Shanghai in which I have been residing since August 2017. On these stairway landings rest various “stuff” that appear to be merely, “mess” or “clutter.” Amid the rush of daily life in Shanghai, I pause to think through this series of photographs. The photographs and accompanying statement reflect on the mundane objects left on the staircase landings which do not map too neatly within the urban order laid out in rapidly rising Shanghai. This piece seeks to open conversations into what could be a deeper understanding of the messiness of urban life in post-Mao China – an aesthetic or a mode of life that is constantly being revised, organized, fixed, and upgraded. &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Tue, 1 Jan 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Docot, Dada</name>
      </author>
    </item>
    <item>
      <title>Utopian Verticality: the Skyscraper and the Superhero in the American Imagination</title>
      <link>https://escholarship.org/uc/item/5xp7m6kp</link>
      <description>&lt;p&gt;This essay examines the privileged status of verticality as a sign of utopian promise and possibility in two iconic, and often symbiotic, urban symbols: &amp;nbsp;the skyscraper and the superhero.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</description>
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      <pubDate>Tue, 1 Jan 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Wasserman, Tina</name>
      </author>
    </item>
    <item>
      <title>From God’s Eye to Ground Level: Aerial LiDAR as an Avenue to a Volumetric Understanding of Urban Spaces</title>
      <link>https://escholarship.org/uc/item/1rq8t1v6</link>
      <description>Recent advances in high resolution, aerial LiDAR data collection can facilitate a more thorough understanding of three dimensional (3D) urban space across a range of viewpoints from the God’s eye view to the ground level. Using an extremely high resolution aerial LiDAR dataset collected over a 1.5km      &lt;sup&gt;2&lt;/sup&gt;       area of central Dublin, Ireland as a case study, this work pursues new vertical and volumetric understandings of the controversial Spire of Dublin. Viewing this structure in a fully elaborated, 3D environment with the capacity to experience the space from a range of perspectives enables a clearer understanding of the monument’s relative proportion to the space of the built environment both in terms of verticality and volume. Arguably, this in turn provides insight into relationships of power, modernity, tradition, and enclosure that inform a richer understanding of the arguments of both supporters and detractors of this piece of modern, public sculpture. This...</description>
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      <pubDate>Tue, 1 Jan 2019 00:00:00 +0000</pubDate>
      <author>
        <name>O'Neill, Brittney</name>
      </author>
      <author>
        <name>Laefer, Debra F</name>
      </author>
    </item>
    <item>
      <title>The Theatre of Truth? Photographs from the Halloween Parade in New York City</title>
      <link>https://escholarship.org/uc/item/8kq953jp</link>
      <description>This is a photo essay about Halloween, wearing masks and costumes, and the im/possibility of showing one’s true identity.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8kq953jp</guid>
      <pubDate>Mon, 24 Oct 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Savino, Giovanni</name>
      </author>
    </item>
    <item>
      <title>Uneasy Streets</title>
      <link>https://escholarship.org/uc/item/5pp051mc</link>
      <description>This is a small selection from the innumerable photographs that I have taken in the streets of New York in the past 20 years, while attempting to grasp subjects and their feelings.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/5pp051mc</guid>
      <pubDate>Mon, 24 Oct 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Savino, Giovanni</name>
      </author>
    </item>
    <item>
      <title>BINAA: Making Architecture in the 21st Century</title>
      <link>https://escholarship.org/uc/item/54j275dd</link>
      <description>This essay details the founding, early stages, and recent projects of BINAA (Building, INnovation, Art, and Architecture)—a forum for collaborative architecture practices.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/54j275dd</guid>
      <pubDate>Mon, 24 Oct 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Pekoglu, Burak</name>
      </author>
    </item>
    <item>
      <title>Streetnotes 25 Front Matter</title>
      <link>https://escholarship.org/uc/item/1g67j6c8</link>
      <description>Table of Contents for Streetnotes 25</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1g67j6c8</guid>
      <pubDate>Mon, 24 Oct 2016 00:00:00 +0000</pubDate>
      <author>
        <name>., .</name>
      </author>
    </item>
    <item>
      <title>A Poetic Panorama of Rio</title>
      <link>https://escholarship.org/uc/item/49v4g1nb</link>
      <description>This is a digital panorama-mosaic of drawings and paintings made by the 19th century travelers to Rio de Janeiro, Brazil. The Bay of Guanabara is a focal point in their representations, as are the vessels, which help unravel the narrative of the digital panorama, recalling not only different visions, views, and painting techniques, but also re-activating a certain social memory of Rio.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/49v4g1nb</guid>
      <pubDate>Tue, 9 Aug 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Leitão, Thiago</name>
      </author>
    </item>
    <item>
      <title>Introduction: Between Spectacle and Resistance Some Thoughts on Public Space Today</title>
      <link>https://escholarship.org/uc/item/1zg1280p</link>
      <description>Introduction: Between Spectacle and Resistance Some Thoughts on Public Space Today</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1zg1280p</guid>
      <pubDate>Tue, 9 Aug 2016 00:00:00 +0000</pubDate>
      <author>
        <name>de La Barre, Jorge</name>
      </author>
      <author>
        <name>Momchedjikova, Blagovesta</name>
      </author>
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