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    <title>Recent uclalib_tome items</title>
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    <description>Recent eScholarship items from TOME (Toward an Open Monograph Ecosystem) titles</description>
    <pubDate>Sun, 13 Sep 2026 13:01:22 +0000</pubDate>
    <item>
      <title>Fiddling Is My Joy: The Fiddle in African American Culture</title>
      <link>https://escholarship.org/uc/item/64k2c051</link>
      <description>&lt;p&gt;In &lt;em&gt;Fiddling Is My Joy&lt;/em&gt;, Jacqueline Cogdell DjeDje examines the history of fiddling among African Americans from the seventeenth to the mid-twentieth century. Although music historians acknowledge a prominent African American fiddle tradition during the era of slavery, only recently have researchers begun to closely examine the history and social implications of these musical practices. Research on African music reveals a highly developed tradition in West Africa, which dates to the eleventh or twelfth century and continues today. From these West African roots, fiddling was prominent in many African American communities between the seventeenth and nineteenth centuries, and the fiddle became an important instrument in early twentieth century blues, jazz, and jug bands. While less common in late twentieth-century African American jazz and popular music groups, the fiddle remained integral to the musicking of some Black musicians in the rural South.&lt;/p&gt;&lt;p&gt;Featured in &lt;em&gt;Fiddling...</description>
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      <pubDate>Wed, 1 Apr 2026 00:00:00 +0000</pubDate>
      <author>
        <name>DjeDje, Jacqueline C</name>
      </author>
    </item>
    <item>
      <title>Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France</title>
      <link>https://escholarship.org/uc/item/52d4d9tr</link>
      <description>Sentimental Empiricism reconsiders the legacy of eighteenth and nineteenth century empiricism and moral sentimentalism for the intellectual formation of the generation of postwar French thinkers whose work came to dominate Anglophone conversations across the humanities under the guise of “French theory.” Panagia’s book first shows what was missed in the reception of this literature in the Anglophone academy by attending to how France’s pedagogical milieu plays out church and state relations in the form of educational debates around reading practices, the aesthetics of mimesis, French imperialism, and republican universalism. Panagia then shows how such thinkers as Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault develop a sentimental empiricist critical philosophy that distances itself from dialectical critique and challenges the metaphysical premise of inherent relations, especially as it had been articulated in the tradition of Aristotelian...</description>
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      <pubDate>Fri, 11 Apr 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Panagia, Davide</name>
      </author>
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    <item>
      <title>Immaculate Sounds: The Musical Lives of Nuns in New Spain</title>
      <link>https://escholarship.org/uc/item/840240n6</link>
      <description>&lt;p&gt;In Catholic doctrine, the Immaculate Conception of the Virgin Mary is the belief that Mary, the mother of Christ, was exempt from original sin from the moment of her conception, and thereby a co-redeemer alongside her son. Praise for this complicated devotion took place in Europe throughout the medieval period and resounded in the Americas with the founding of the first convent in Mexico City under the Order of the Immaculate Conception in 1540. All other orders of nuns in New Spain branched out from this convent, spreading the Marian devotion throughout the region.&lt;/p&gt;&lt;p&gt;In this book, author Cesar D. Favila argues that the sonification of virginity and the Virgin Mary was fundamental to the promotion of the Immaculate Conception doctrine, and that this was part of a complex network of sonified practices in the lives of New Spanish nuns. These "immaculate sounds," a term Favila uses for the cloistered nuns' idealized vocalizations as well as the expression of doctrinal rhetoric...</description>
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      <pubDate>Wed, 2 Apr 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Favila, Cesar D</name>
      </author>
    </item>
    <item>
      <title>Judicial Territory: Law, Capital, and the Expansion of American Empire</title>
      <link>https://escholarship.org/uc/item/7cr2p8nv</link>
      <description>In Judicial Territory, Shaina Potts reveals how the American empire has benefited from the post-World War II expansion of United States judicial authority over the economic decisions of postcolonial governments. Introducing the term “judicial territory” to refer to the increasingly transnational space over which US courts wield authority, Potts argues that law is an essential tool for US geopolitical and economic interests. Through close examination of cases involving private US companies, on the one hand, and foreign state-owned enterprises, nationalizations, and sovereign debt, on the other, she shows that technical changes relating to the treatment of foreign sovereigns in domestic US law allowed the United States to extend its purview over global financial and economic relations, including many economic decisions of foreign governments. Throughout, Potts argues, US law has not become divorced from territoriality but instead actively remapped it; it has not merely responded...</description>
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      <pubDate>Thu, 24 Oct 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Potts, Shaina</name>
      </author>
    </item>
    <item>
      <title>The Banality of Good: The UN's Global Fight against Human Trafficking</title>
      <link>https://escholarship.org/uc/item/8gh385d6</link>
      <description>In &lt;em&gt;The Banality of Good&lt;/em&gt;, Lieba Faier examines why contemporary efforts to curb human trafficking have fallen so spectacularly short of their stated goals despite well-funded campaigns by the United Nations and its member-state governments. Focusing on Japan’s efforts to enact the UN’s counter-trafficking protocol and assist Filipina migrants working in Japan’s sex industry, Faier draws from interviews with NGO caseworkers and government officials to demonstrate how these efforts disregard the needs and perspectives of those they are designed to help. She finds that these campaigns tend to privilege bureaucracies and institutional compliance, resulting in the compromised quality of life, repatriation, and even criminalization of human trafficking survivors. Faier expands on Hannah Arendt’s idea of the “banality of evil” by coining the titular “banality of good” to describe the reality of the UN’s fight against human trafficking. Detailing the protocols that have been put...</description>
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      <pubDate>Mon, 30 Sep 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Faier, Lieba</name>
      </author>
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    <item>
      <title>Scales of Resistance: Indigenous Women’s Transborder Activism</title>
      <link>https://escholarship.org/uc/item/95s0v9gj</link>
      <description>Maylei Blackwell tells the story of how Indigenous women’s activism in Mexico and California moves in and between local, national, continental, and transborder scales.</description>
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      <pubDate>Wed, 5 Jul 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Blackwell, Maylei</name>
      </author>
    </item>
    <item>
      <title>Gendered Fortunes: Divination, Precarity, and Affect in Postsecular Turkey</title>
      <link>https://escholarship.org/uc/item/0fk291dq</link>
      <description>Zeynep K. Korkman examines Turkey’s commercial fortune-telling cafes where secular Muslim women and LGBTIQ individuals can navigate the precarities of twenty-first-century life.</description>
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      <pubDate>Mon, 1 May 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Korkman, Zeynep K.</name>
      </author>
    </item>
    <item>
      <title>Memory Construction and the Politics of Time in Neoliberal South Korea</title>
      <link>https://escholarship.org/uc/item/5n77x4fh</link>
      <description>Namhee Lee explores how social memory and neoliberal governance in post-1987 South Korea have disavowed the revolutionary politics of the past.</description>
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      <pubDate>Tue, 22 Nov 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Lee, Namhee</name>
      </author>
    </item>
    <item>
      <title>Cartographic Memory: Social Movement Activism and the Production of Space</title>
      <link>https://escholarship.org/uc/item/9cw117bm</link>
      <description>Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space.</description>
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      <pubDate>Fri, 21 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Herrera, Juan</name>
      </author>
    </item>
    <item>
      <title>Architecture and Development: Israeli Construction in Sub-Saharan Africa and the Settler Colonial Imagination, 1958-1973</title>
      <link>https://escholarship.org/uc/item/36n9s8fs</link>
      <description>In &lt;em&gt;Architecture and Development&lt;/em&gt; Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the “golden age” of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and influence between global North and global South. In analyses of the design and construction of prestigious governmental projects in Nigeria, Sierra Leone, and Ethiopia, Levin details how architects, planners, and a trade union--owned construction company staged Israel as a new center of nonaligned expertise. These actors and professionals paradoxically capitalized on their settler colonial experience in Palestine, refashioning it as an alternative to Western colonial expertise. Levin traces how Israel became involved in the modernization of governance, education, and agriculture in Africa,...</description>
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      <pubDate>Fri, 13 May 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Levin, Ayala</name>
      </author>
    </item>
    <item>
      <title>Jia Zhangke on Jia Zhangke</title>
      <link>https://escholarship.org/uc/item/02x9977w</link>
      <description>&lt;em&gt;Jia Zhangke on Jia Zhangke&lt;/em&gt; is an extended dialogue between film scholar Michael Berry and the internationally acclaimed Chinese filmmaker. Drawing from extensive interviews and public talks, this volume offers a portrait of Jia’s life, art, and approach to filmmaking. Jia and Berry’s conversations range from Jia’s childhood and formative years to extensive discussions of his major narrative films, including the classics &lt;em&gt;Xiao Wu&lt;/em&gt;, &lt;em&gt;Platform&lt;/em&gt;, &lt;em&gt;The World&lt;/em&gt;, &lt;em&gt;Still Life&lt;/em&gt;, and &lt;em&gt;A Touch of Sin&lt;/em&gt;. Jia gives a firsthand account of his influences, analyzes the Chinese film industry, and offers his thoughts on subjects such as film music, working with actors, cinematography, and screenwriting. From industry and economics to art and politics, &lt;em&gt;Jia Zhangke on Jia Zhangke&lt;/em&gt; represents the single most comprehensive document of the director’s candid thoughts on the art and challenges of filmmaking.</description>
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      <pubDate>Fri, 13 May 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Berry, Michael</name>
      </author>
    </item>
    <item>
      <title>Allegories of the Anthropocene</title>
      <link>https://escholarship.org/uc/item/9650s7k8</link>
      <description>In &lt;em&gt;Allegories of the Anthropocene&lt;/em&gt;&amp;nbsp;Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers—including poets Kamau Brathwaite and Kathy Jetñil-Kijiner, Dominican installation artist Tony Capellán, and authors Keri Hulme and Erna Brodber—whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change,...</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>DeLoughrey, Elizabeth M.</name>
      </author>
    </item>
    <item>
      <title>A Fragile Inheritance: Radical Stakes in Contemporary Indian Art</title>
      <link>https://escholarship.org/uc/item/8th6s7fc</link>
      <description>In &lt;em&gt;A Fragile Inheritance&lt;/em&gt;&amp;nbsp;Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Mathur, Saloni</name>
      </author>
    </item>
    <item>
      <title>Sacred Men: Law, Torture, and Retribution in Guam</title>
      <link>https://escholarship.org/uc/item/6220c1f2</link>
      <description>Between 1944 and 1949 the United States Navy held a war crimes tribunal that tried Japanese nationals and members of Guam's indigenous Chamorro population who had worked for Japan's military government. In &lt;em&gt;Sacred Men&lt;/em&gt;&amp;nbsp;Keith L. Camacho traces the tribunal's legacy and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property. Drawing on Giorgio Agamben's notions of bare life and Chamorro concepts of retribution, Camacho demonstrates how the U.S. tribunal used and justified the imprisonment, torture, murder, and exiling of accused Japanese and Chamorro war criminals in order to institute a new American political order. This U.S. disciplinary logic in Guam, Camacho argues, continues to directly inform the ideology used to justify the Guantánamo Bay detention center, the torture and enhanced interrogation of enemy combatants, and the American carceral state.</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Camacho, Keith L.</name>
      </author>
    </item>
    <item>
      <title>Affective Justice: The International Criminal Court and the Pan-Africanist Pushback</title>
      <link>https://escholarship.org/uc/item/320083z0</link>
      <description>Since its inception in 2001, the International Criminal Court (ICC) has been met with resistance by various African states and their leaders, who see the court as a new iteration of colonial violence and control. In &lt;em&gt;Affective Justice&lt;/em&gt;&amp;nbsp;Kamari Maxine Clarke explores the African Union's pushback against the ICC in order to theorize affect's role in shaping forms of justice in the contemporary period. Drawing on fieldwork in The Hague, the African Union in Addis Ababa, sites of postelection violence in Kenya, and Boko Haram's circuits in Northern Nigeria, Clarke formulates the concept of affective justice—an emotional response to competing interpretations of justice—to trace how affect becomes manifest in judicial practices. By detailing the effects of the ICC’s all-African indictments, she outlines how affective responses to these call into question the "objectivity" of the ICC’s mission to protect those victimized by violence and prosecute perpetrators of those crimes....</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Clarke, Kamari M</name>
      </author>
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    <item>
      <title>The Licit Life of Capitalism: US Oil in Equatorial Guinea</title>
      <link>https://escholarship.org/uc/item/2qw1g3p0</link>
      <description>The &lt;em&gt;Licit Life of Capitalism&lt;/em&gt;&amp;nbsp;is both an account of a specific capitalist project—U.S. oil companies working off the shores of Equatorial Guinea—and a sweeping theorization of more general forms and processes that facilitate diverse capitalist projects around the world. Hannah Appel draws on extensive fieldwork with managers and rig workers, lawyers and bureaucrats, the expat wives of American oil executives and the Equatoguinean women who work in their homes, to turn conventional critiques of capitalism on their head, arguing that market practices do not merely exacerbate inequality; they are made by it. People and places differentially valued by gender, race, and colonial histories are the terrain on which the rules of capitalist economy are built. Appel shows how the corporate form and the contract, offshore rigs and economic theory are the assemblages of liberalism and race, expertise and gender, technology and domesticity that enable the l&lt;em&gt;icit life of capitalism&lt;/em&gt;—practices...</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Appel, Hannah</name>
      </author>
    </item>
    <item>
      <title>Everything Man: The Form and Function of Paul Robeson</title>
      <link>https://escholarship.org/uc/item/2413s7n2</link>
      <description>From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth century's greatest icons and polymaths. In &lt;em&gt;Everything Man&lt;/em&gt;&amp;nbsp;Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone.</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Redmond, Shana L.</name>
      </author>
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    <item>
      <title>Radiation Sounds: Marshallese Music and Nuclear Silences</title>
      <link>https://escholarship.org/uc/item/10h5p3q3</link>
      <description>On March 1, 1954, the US military detonated “Castle Bravo,” its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In &lt;em&gt;Radiation Sounds&lt;/em&gt;&amp;nbsp;Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States’ silencing of information about the human radiation study. By foregrounding the centrality of the aural and sensorial in understanding nuclear testing’s long-term effects, Schwartz offers new modes of understanding...</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Schwartz, Jessica A.</name>
      </author>
    </item>
    <item>
      <title>Empire’s labor: the global army that supports U.S. wars</title>
      <link>https://escholarship.org/uc/item/0mg3k1g4</link>
      <description>&lt;p&gt;In a dramatic unveiling of the little-known world of contracted military logistics, Adam Moore examines the lives of the global army of laborers who support US overseas wars.&amp;nbsp;&lt;em&gt;Empire's Labor&amp;nbsp;&lt;/em&gt;brings us the experience of the hundreds of thousands of men and women who perform jobs such as truck drivers and administrative assistants at bases located in warzones in the Middle East and Africa. He highlights the changes the US military has undergone since the Vietnam War, when the ratio of contractors to uniformed personnel was roughly 1:6. In Afghanistan it has been as high as 4:1. This growth in logistics contracting represents a fundamental change in how the US fights wars, with the military now dependent on a huge pool of contractors recruited from around the world. It also, Moore demonstrates, has social, economic, and political implications that extend well beyond the battlefields.&lt;/p&gt;&lt;p&gt;Focusing on workers from the Philippines and Bosnia, two major sources...</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Moore, Adam</name>
      </author>
    </item>
    <item>
      <title>At the Limits of Cure</title>
      <link>https://escholarship.org/uc/item/09v9s2qh</link>
      <description>Can a history of cure be more than a history of how disease comes to an end? In 1950s Madras, an international team of researchers demonstrated that antibiotics were effective in treating tuberculosis. But just half a century later, reports out of Mumbai stoked fears about the spread of totally drug-resistant strains of the disease. Had the curable become incurable? Through an anthropological history of tuberculosis treatment in India, Bharat Jayram Venkat examines what it means to be cured, and what it means for a cure to come undone. &lt;em&gt;At the Limits of Cure&lt;/em&gt;&amp;nbsp;tells a story that stretches from the colonial period—a time of sanatoria, travel cures, and gold therapy—into a postcolonial present marked by antibiotic miracles and their failures. Venkat juxtaposes the unraveling of cure across a variety of sites: in idyllic hill stations and crowded prisons, aboard ships and on the battlefield, and through research trials and clinical encounters. If cure is frequently taken...</description>
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      <pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Venkat, Bharat J</name>
      </author>
    </item>
    <item>
      <title>The Race of Sound: Listening, Timbre, and Vocality in African American Music</title>
      <link>https://escholarship.org/uc/item/9sn4k8dr</link>
      <description>In &lt;em&gt;The Race of Sound&amp;nbsp;&lt;/em&gt;Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience,...</description>
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      <pubDate>Thu, 17 Oct 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Eidsheim, Nina Sun</name>
      </author>
    </item>
    <item>
      <title>Rancière’s Sentiments</title>
      <link>https://escholarship.org/uc/item/8pw7k452</link>
      <description>In &lt;em&gt;Rancière’s Sentiments &lt;/em&gt;Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia traces this approach by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive...</description>
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      <pubDate>Thu, 22 Feb 2018 00:00:00 +0000</pubDate>
      <author>
        <name>Panagia, Davide</name>
      </author>
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      <title>Making light : Haydn, musical camp, and the long shadow of German idealism</title>
      <link>https://escholarship.org/uc/item/8pg298r1</link>
      <description>In &lt;em&gt;Making Light&lt;/em&gt; Raymond Knapp traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. Knapp identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp—a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience—that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, Knapp outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has&amp;nbsp;mostly eluded audiences. In so doing, Knapp remaps the historiographical modes and systems of critical evaluation that dominate musicology...</description>
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      <pubDate>Wed, 21 Feb 2018 00:00:00 +0000</pubDate>
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        <name>Knapp, Raymond</name>
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