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    <title>Recent ucr_chass_complit_oapolicydeposits items</title>
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    <description>Recent eScholarship items from Department of Comparative Literature and Languages Open Access Policy Deposits</description>
    <pubDate>Sat, 20 Jun 2026 02:40:26 +0000</pubDate>
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      <title>Validating the Two-Factor Model of the Gambling Functional Assessment - Revised in a Mainland Chinese sample</title>
      <link>https://escholarship.org/uc/item/89t2j6pf</link>
      <description>Validating the Two-Factor Model of the Gambling Functional Assessment - Revised in a Mainland Chinese sample</description>
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      <pubDate>Thu, 20 Jun 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Tom, Kimberly</name>
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      <author>
        <name>Zhu, Xun</name>
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      <author>
        <name>Liu, Hsuan-Ying</name>
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      <author>
        <name>Weatherly, Jeffrey</name>
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      <title>The absent father of Sino-French cinema: contemporary Taiwanese cinema and 1950s French auteurs</title>
      <link>https://escholarship.org/uc/item/32s0v195</link>
      <description>In contemporary Sino-French cinema, father characters who are dead, long lost or geographically distant leave gaping holes in the lives of the offspring left behind. The absent fathers in Sino-French films by Taiwanese auteurs Cheng Yu-chieh, Hou Hsiao-hsien and Tsai Ming-liang serve as metaphors for French auteurs. French New Wave films constitute the majority of the intertexts; however, early 1950s French cinema and even late nineteenth-century painting reflect the expansiveness of French influence. Despite the possibility of an orientalist dynamic, Taiwanese auteurs not only pay homage to their French 'fathers', and especially New Waver Franc¸ois Truffaut, but also strike out on their own, contributing innovative work to contemporary transnational cinemas.</description>
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      <pubDate>Tue, 24 May 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Bloom, Michelle E</name>
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