<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0">
  <channel>
    <docs>http://www.rssboard.org/rss-specification</docs>
    <atom:link rel="self" type="application/rss+xml" href="https://escholarship.org/uc/ucr_chass_eng_oapolicydeposits/rss"/>
    <ttl>720</ttl>
    <title>Recent ucr_chass_eng_oapolicydeposits items</title>
    <link>https://escholarship.org/uc/ucr_chass_eng_oapolicydeposits/rss</link>
    <description>Recent eScholarship items from Department of English Open Access Policy Deposits</description>
    <pubDate>Sat, 1 Aug 2026 22:26:43 +0000</pubDate>
    <item>
      <title>Hard vacuum</title>
      <link>https://escholarship.org/uc/item/7vv8w9d1</link>
      <description>Through analysis of an educational short film, an oral history, and an sf television episode, each rehearsing human space flight, this article explores how Black women undertake the practical and imaginative tasks that make human habitation in space possible. These performances “fem[me] the future,” in the words of Afrofuturist artist and philanthropist Janelle Monáe. Nichelle Nichols’s science communications activism, Sharon McDougle’s oral history for NASA’s Johnson Space Center, and actor Dominique Tipper’s starring role in
            The Expanse
            all cast them as “space workers”: non-astronauts whose work renders the space age a pluralistic endeavor rather than a stage for reproducing heroic myths. Their roles emphasize the performative rather than constative meaning of “Black femme” to embody possible futures.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7vv8w9d1</guid>
      <pubDate>Thu, 9 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Carrington, andré</name>
        <uri>https://orcid.org/0000-0003-4274-8087</uri>
      </author>
    </item>
    <item>
      <title>From blaxploitation to fan service: watching Wakanda</title>
      <link>https://escholarship.org/uc/item/7sw8h5wt</link>
      <description>From blaxploitation to fan service: watching Wakanda</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7sw8h5wt</guid>
      <pubDate>Thu, 9 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Carrington, André</name>
        <uri>https://orcid.org/0000-0003-4274-8087</uri>
      </author>
    </item>
    <item>
      <title>Mad/Utopian/Prehistoric: Black Powers of Speculation</title>
      <link>https://escholarship.org/uc/item/1gv9r5z7</link>
      <description>Black life in the modern world makes incisive demands on the cultural politics of imaginative fiction as well as social movement rhetoric. Recent scholarship supplements the ongoing efflorescence of Afrofuturist art by reconstructing the history of speculative, utopian, and cautionary tales in Black writing. Isiah Lavender's Afrofuturism Rising and Alex Zamalin's Black Utopia join a growing body of intellectual history prepared for the task of historicizing fantastic Black aesthetics. Sami Schalk's more contemporary intervention, Bodyminds Reimagined, demonstrates the integral value of Black women's speculative fiction to rethinking the role of dis/ability - conspicuously including the radical difference signified by "madness"- in the panoply of power relations that stand to be transformed by Black radical thought in action.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1gv9r5z7</guid>
      <pubDate>Thu, 9 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Carrington, André</name>
        <uri>https://orcid.org/0000-0003-4274-8087</uri>
      </author>
    </item>
    <item>
      <title>Desiring Blackness: A Queer Orientation to Marvel’s Black Panther, 1998–2016</title>
      <link>https://escholarship.org/uc/item/0dr1c6dj</link>
      <description>Abstract The socially symbolic figure of the superhero comes into close contact with vernacular intellectual critiques of race and modernity through the much-anticipated film adaptation of Marvel’s Black Panther comics. This article analyzes the implications for queer approaches to black popular cultural production of the knowledge practices that inspire Black Panther’s depiction of an African utopia. The intertexts involved include histories, travel writings, and other comics. Focusing on the divergent treatments by authors Christopher Priest (1998–2003) and Ta-Nehisi Coates (2016) of the title character’s black female comrades-in-arms, this reading interrogates how race consciousness and colonial legacies inform the discourses of desire operating within the text. The term desiring blackness describes an orientation to reading that defers to African Americanist and black diasporic considerations to ground the task of interpretation in conditions that elicit compromise among disparate...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0dr1c6dj</guid>
      <pubDate>Thu, 9 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>carrington, andré</name>
        <uri>https://orcid.org/0000-0003-4274-8087</uri>
      </author>
    </item>
    <item>
      <title>Libraries, Archives, Properties</title>
      <link>https://escholarship.org/uc/item/00z0m4pd</link>
      <description>Libraries, Archives, Properties</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/00z0m4pd</guid>
      <pubDate>Fri, 5 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Ganim, John M</name>
      </author>
    </item>
    <item>
      <title>Thomas A. Prendergast, Poetical Dust: Poets’ Corner and the Making of Britain . (Hanley Foundation Series.) Philadelphia: University of Pennsylvania Press, 2015. Pp. xiv, 235; 19 black-and-white figures. $59.95. ISBN 978-0-8122-4750-3.</title>
      <link>https://escholarship.org/uc/item/9nb5k3pv</link>
      <description>Thomas A. Prendergast, Poetical Dust: Poets’ Corner and the Making of Britain . (Hanley Foundation Series.) Philadelphia: University of Pennsylvania Press, 2015. Pp. xiv, 235; 19 black-and-white figures. $59.95. ISBN 978-0-8122-4750-3.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9nb5k3pv</guid>
      <pubDate>Thu, 4 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Ganim, John M</name>
      </author>
    </item>
    <item>
      <title>The President's Address 2017</title>
      <link>https://escholarship.org/uc/item/5mz1f6tt</link>
      <description>The President's Address 2017</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/5mz1f6tt</guid>
      <pubDate>Thu, 4 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Ganim, John M</name>
      </author>
    </item>
    <item>
      <title>Atlas for a Destroyed World: Frank Day's Painting as Work of Nonvital Revitalization</title>
      <link>https://escholarship.org/uc/item/3wn0r52t</link>
      <description>Atlas for a Destroyed World: Frank Day's Painting as Work of Nonvital Revitalization</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3wn0r52t</guid>
      <pubDate>Wed, 26 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Leon</name>
      </author>
    </item>
    <item>
      <title>Alethurgy's Shadow</title>
      <link>https://escholarship.org/uc/item/8ds4p118</link>
      <description>Alethurgy's Shadow</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8ds4p118</guid>
      <pubDate>Wed, 1 Jan 2020 00:00:00 +0000</pubDate>
      <author>
        <name>Doyle, Jennifer</name>
      </author>
    </item>
    <item>
      <title>The Grift of Death?: The Ethics of Murder Narratives</title>
      <link>https://escholarship.org/uc/item/276607dp</link>
      <description>The Grift of Death?: The Ethics of Murder Narratives</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/276607dp</guid>
      <pubDate>Tue, 3 Sep 2019 00:00:00 +0000</pubDate>
      <author>
        <name>Baker, Courtney</name>
        <uri>https://orcid.org/0000-0002-8199-5534</uri>
      </author>
    </item>
    <item>
      <title>Harassment and the Privilege of UnknowingThe Case of Larry Nassar</title>
      <link>https://escholarship.org/uc/item/3389s08d</link>
      <description>In 2014, Amanda Thomashow filed a complaint against Larry Nassar at Michigan State University. In its report describing the ensuing investigation, the university cleared Nassar of wrongdoing. A few years later, Nassar was sent to prison for abusing hundreds of girls and women. This essay takes a close look at the report describing that investigation’s finding. Drawing from Miranda Fricker’s work on epistemic injustice, this essay considers the sexual politics of knowing and unknowing within the context of a Title IX investigation set against the backdrop of a university’s attempt to overhaul not only its policies but its sexual culture.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3389s08d</guid>
      <pubDate>Sun, 30 Dec 2018 00:00:00 +0000</pubDate>
      <author>
        <name>Doyle, Jennifer</name>
      </author>
    </item>
    <item>
      <title>Contemporary Literature from Singapore</title>
      <link>https://escholarship.org/uc/item/039050sw</link>
      <description>Abstract Literature in Singapore is written in the country’s four official languages: Chinese, English, Malay, and Tamil. The various literatures flourished in the late 19th and early 20th centuries with the rise of print culture in the British colony, but after independence in 1965, English became emphasized in both the education system and society at large as part of the new government’s attempts to modernize the country. Chinese, Malay, and Tamil were seen as mother tongue languages to provide Singaporeans with cultural ballast while English was regarded as a language for administration, business, and scientific and technological development. Correspondingly, literatures in other languages than English reached a plateau in terms of writerly output and readership during the 1970s and 1980s. However, since 1999, with the state’s implementation of the Renaissance City Plan to revitalize arts and culture in Singapore, there have been various initiatives to increase the visibility...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/039050sw</guid>
      <pubDate>Tue, 2 Jan 2018 00:00:00 +0000</pubDate>
      <author>
        <name>Gui, Weihsin</name>
        <uri>https://orcid.org/0000-0001-5392-2824</uri>
      </author>
    </item>
    <item>
      <title>Rethinking a Case of Paranoia as a Workplace Complaint</title>
      <link>https://escholarship.org/uc/item/4627m116</link>
      <description>Rethinking a Case of Paranoia as a Workplace Complaint</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4627m116</guid>
      <pubDate>Thu, 16 Nov 2017 00:00:00 +0000</pubDate>
      <author>
        <name>Doyle, Jennifer</name>
      </author>
    </item>
    <item>
      <title>Wrestling Ideology</title>
      <link>https://escholarship.org/uc/item/6sx6w357</link>
      <description>“Wrestling Ideology” absorbs the insight of recent scholarship in martial arts studies in order to analyze feminist performance art grounded in combat sports. Anchored by an analysis of Jennifer Locke's performance video Match, this essay explores how, where the “street fight” operates as the “real” for martial arts disciplines, sexual violence is positioned in martial arts discourse, and in sports more generally, as the “real” for which women athletes train. Nevertheless, physical competition between men and women is prohibited by nearly every sport. Locke's work manifests how the enforcement of that segregation lies at the heart of rape discourse.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6sx6w357</guid>
      <pubDate>Thu, 11 Feb 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Doyle, Jennifer</name>
      </author>
    </item>
    <item>
      <title>Renaissance City and Revenant Story</title>
      <link>https://escholarship.org/uc/item/0214h75w</link>
      <description>Fiona Cheong's two novels about Singapore, The Scent of the Gods and Shadow Theatre, should be read as gothic tales of self-writing in which the protagonist emerges as an objective rather than a subjective self. This essay draws on Martin Heidegger and Michel Foucault's discussion of technology and poetics, together with Jacques Rancière's conceptualization of aesthetics, to argue that Cheong's novels are a narrative renovation of an older literary genre (the gothic) for contemporary purposes. Scent's invocation of the gothic spaces complicate the allegorical yoking of family history and nation formation, while Shadow Theatre's polyphonic and gynocentric structure creates an alternative social and narrative space within heroic, patriarchal nationalism. Both novels deploy gothic tropes immanently to critique the postcolonial Singaporean state's neoliberalizing technologies that shape individuals and the entire population as entrepreneurial subjects.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0214h75w</guid>
      <pubDate>Wed, 3 Feb 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Gui, Weihsin</name>
        <uri>https://orcid.org/0000-0001-5392-2824</uri>
      </author>
    </item>
    <item>
      <title>Affect and logistic : Trollops's postal work</title>
      <link>https://escholarship.org/uc/item/87s7j291</link>
      <description>Affect and logistic : Trollops's postal work</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/87s7j291</guid>
      <pubDate>Wed, 20 Jan 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Zieger, S</name>
      </author>
    </item>
    <item>
      <title>Dirt off Her Shoulders</title>
      <link>https://escholarship.org/uc/item/9zj8185v</link>
      <description>In a discussion of the problem that Caster Semenya's velocity poses to the category woman, the introduction to this special issue shifts focus from Semenya's body (which has been the topic of much discussion during Semenya's temporary suspension from competition while officials debated whether she could compete as a woman) to the problem of being the fastest woman in the world. That move — from sex to speed (as an escape from the category of sex) — sets the tone for the special issue's consideration of athleticism as a set of discursive practices. The essays focus on queer practices that engage effeminacy, the feminine, and the female — queer figures of athleticism that cross, defy, redefine (that trans) not only categories of sex but also the category of the human.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9zj8185v</guid>
      <pubDate>Tue, 19 Jan 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Doyle, Jennifer</name>
      </author>
    </item>
    <item>
      <title>Tactical Objectivism: Recognizing the Object within the Subjective Logic of Neoliberalism in the Fiction of Tash Aw and Lydia Kwa</title>
      <link>https://escholarship.org/uc/item/4fs768qv</link>
      <description>Tactical Objectivism: Recognizing the Object within the Subjective Logic of Neoliberalism in the Fiction of Tash Aw and Lydia Kwa</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4fs768qv</guid>
      <pubDate>Tue, 19 Jan 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Gui, Weihsin</name>
        <uri>https://orcid.org/0000-0001-5392-2824</uri>
      </author>
    </item>
    <item>
      <title>Untitled</title>
      <link>https://escholarship.org/uc/item/3p58m97h</link>
      <description>This essay is a meditation on writing and reading with José Esteban Muñoz. There was a shift from feeling to sense. From affect to something different. A shared sense, a combine. Not an assemblage: something more fluid or precarious, environmental but flesh-bound. Injured or harmed but not abject. Not propertied but shared out, burning and brown. Something else: an unfinished conversation about mothers. It was another thought, a branching out.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3p58m97h</guid>
      <pubDate>Tue, 19 Jan 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Doyle, Jennifer</name>
      </author>
    </item>
    <item>
      <title>Soldadera</title>
      <link>https://escholarship.org/uc/item/0dh0r84t</link>
      <description>A series of articles exploring Nao Bustamante's work with the history of women's participation in the Mexican Revolution.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0dh0r84t</guid>
      <pubDate>Tue, 19 Jan 2016 00:00:00 +0000</pubDate>
      <author>
        <name>Arrizόn, A</name>
      </author>
      <author>
        <name>Tobias, J</name>
      </author>
      <author>
        <name>Alfaro, J</name>
      </author>
      <author>
        <name>Medina, M</name>
      </author>
      <author>
        <name>Orzulak, J</name>
      </author>
      <author>
        <name>Manshel, H</name>
      </author>
      <author>
        <name>Kraeher, R</name>
      </author>
      <author>
        <name>Zuniga, T</name>
      </author>
    </item>
  </channel>
</rss>
