Radical Modes and Methods: Decoding and Dis-Imprinting Trauma explores women-of-color’s (WOC) engagement with new, hypertextual media to consider the influence these interactions have on literary expression and form as well as self-making. I analyze Do-It-Yourself (DIY) practice(s) and politics of (re)articulation to uncover how counter-cultural engagements and (re)productions enact social transformations via coalitional feminist impulses. I (re)position the hypertext as what I call a “multilithic tool”– a tool of selfhood with which to create alternative, equitable, inclusive, and prosperous futures– given it is a complex process of producing culture in terms of multiple, intersecting or disintersecting, complementary and contradictory, instances of imprinting. I work with and within coalitional feminist practices to center WOC’s hypertextual histories with specific emphasis on Black feminist technocultural production: including hashtag activisms (e.g., #BLM, #MeToo, #SayHerName), punk ezine culture (i.e., Shotgun Seamstress), and Carol Parrot Blue’s The Dawn at My Back. I explore how the WOC who are engaging with these projects are formatting multiple ways of moving through traumatic pain/memories by forging modalities of print and (re)printing a new subjectivity for themselves. Throughout these hypertext projects, I argue, trauma is remediated as a means of “dis-imprinting trauma” altogether via the hypertext’s plasticity.