The McGurk illusion is experienced to various degrees among the general population. Previous studies have implicated the left superior temporal sulcus (STS) and auditory cortex (AC) as regions associated with this interindividual variability. We sought to further investigate the neurophysiology underlying this variability using a variant of the McGurk illusion design. Electroencephalography (EEG) was recorded while human subjects were presented with videos of a speaker uttering the consonant-vowels (CVs) /ba/ and /fa/, which were mixed and matched with audio of /ba/ and /fa/ to produce congruent and incongruent conditions. Subjects were also presented with unimodal stimuli of silent videos and audios of the CVs. They responded to whether they heard (or saw in the silent condition) /ba/ or /fa/. An illusion during the incongruent conditions was deemed successful when individuals heard the syllable conveyed by mouth movements. We hypothesized that individuals who experience the illusion more strongly should exhibit more robust desynchronization of alpha (7-12 Hz) at fronto-central and temporal sites, emphasizing more engagement of neural generators at the AC and STS. We found, however, that compared to weaker illusion perceivers, stronger illusion perceivers exhibited greater alpha synchronization at fronto-central and posterior temporal sites, which is consistent with inhibition of auditory representations. These findings suggest that stronger McGurk illusion perceivers possess more robust cross-modal sensory gating mechanisms whereby phonetic representations not conveyed by the visual system are inhibited, and in turn reinforcing perception of the visually targeted phonemes.

The efficacy of audiovisual (AV) integration is reflected in the degree of cross-modal suppression of the auditory event-related potentials (ERPs, P1-N1-P2), while stronger semantic encoding is reflected in enhanced late ERP negativities (e.g., N450). We hypothesized that increasing visual stimulus reliability should lead to more robust AV-integration and enhanced semantic prediction, reflected in suppression of auditory ERPs and enhanced N450, respectively. EEG was acquired while individuals watched and listened to clear and blurred videos of a speaker uttering intact or highly-intelligible degraded (vocoded) words and made binary judgments about word meaning (animate or inanimate). We found that intact speech evoked larger negativity between 280-527-ms than vocoded speech, suggestive of more robust semantic prediction for the intact signal. For visual reliability, we found that greater cross-modal ERP suppression occurred for clear than blurred videos prior to sound onset and for the P2 ERP. Additionally, the later semantic-related negativity tended to be larger for clear than blurred videos. These results suggest that the cross-modal effect is largely confined to suppression of early auditory networks with weak effect on networks associated with semantic prediction. However, the semantic-related visual effect on the late negativity may have been tempered by the vocoded signal's high-reliability.

Recent studies have questioned past conclusions regarding the mechanisms of the McGurk illusion, especially how McGurk susceptibility might inform our understanding of audiovisual (AV) integration. We previously proposed that the McGurk illusion is likely attributable to a default mechanism, whereby either the visual system, auditory system, or both default to specific phonemes-those implicated in the McGurk illusion. We hypothesized that the default mechanism occurs because visual stimuli with an indiscernible place of articulation (like those traditionally used in the McGurk illusion) lead to an ambiguous perceptual environment and thus a failure in AV integration. In the current study, we tested the default hypothesis as it pertains to the auditory system. Participants performed two tasks. One task was a typical McGurk illusion task, in which individuals listened to auditory-/ba/ paired with visual-/ga/ and judged what they heard. The second task was an auditory-only task, in which individuals transcribed trisyllabic words with a phoneme replaced by silence. We found that individuals' transcription of missing phonemes often defaulted to '/d/t/th/', the same phonemes often experienced during the McGurk illusion. Importantly, individuals' default rate was positively correlated with their McGurk rate. We conclude that the McGurk illusion arises when people fail to integrate visual percepts with auditory percepts, due to visual ambiguity, thus leading the auditory system to default to phonemes often implicated in the McGurk illusion.

Previous work addressing the influence of audition on visual perception has mainly been assessed using non-speech stimuli. Herein, we introduce the Audiovisual Time-Flow Illusion in spoken language, underscoring the role of audition in multisensory processing. When brief pauses were inserted into or brief portions were removed from an acoustic speech stream, individuals perceived the corresponding visual speech as "pausing" or "skipping", respectively-even though the visual stimulus was intact. When the stimulus manipulation was reversed-brief pauses were inserted into, or brief portions were removed from the visual speech stream-individuals failed to perceive the illusion in the corresponding intact auditory stream. Our findings demonstrate that in the context of spoken language, people continually realign the pace of their visual perception based on that of the auditory input. In short, the auditory modality sets the pace of the visual modality during audiovisual speech processing.

Traditionally, pitch variation in a sound stream has been integral to music identity. We attempt to expand music's definition, by demonstrating that the neural code for musicality is independent of pitch encoding. That is, pitchless sound streams can still induce music-like perception and a neurophysiological hierarchy similar to pitched melodies. Previous work reported that neural processing of sounds with no-pitch, fixed-pitch, and irregular-pitch (melodic) patterns, exhibits a right-lateralized hierarchical shift, with pitchless sounds favorably processed in Heschl's gyrus (HG), ascending laterally to nonprimary auditory areas for fixed-pitch and even more laterally for melodic patterns. The objective of this EEG study was to assess whether sound encoding maintains a similar hierarchical profile when musical perception is driven by timbre irregularities in the absence of pitch changes. Individuals listened to repetitions of three musical and three nonmusical sound-streams. The nonmusical streams were comprised of seven 200-ms segments of white, pink, or brown noise, separated by silent gaps. Musical streams were created similarly, but with all three noise types combined in a unique order within each stream to induce timbre variations and music-like perception. Subjects classified the sound streams as musical or nonmusical. Musical processing exhibited right dominant α power enhancement, followed by a lateralized increase in θ phase-locking and spectral power. The θ phase-locking was stronger in musicians than in nonmusicians. The lateralization of activity suggests higher-level auditory processing. Our findings validate the existence of a hierarchical shift, traditionally observed with pitched-melodic perception, underscoring that musicality can be achieved with timbre irregularities alone.NEW & NOTEWORTHY EEG induced by streams of pitchless noise segments varying in timbre were classified as music-like and exhibited a right-lateralized hierarchy in processing similar to pitched melodic processing. This study provides evidence that the neural-code of musicality is independent of pitch encoding. The results have implications for understanding music processing in individuals with degraded pitch perception, such as in cochlear-implant listeners, as well as the role of nonpitched sounds in the induction of music-like perceptual states.