Alon: Journal for Filipinx American and Diasporic Studies
Parent: UC Davis
eScholarship stats: History by Item for April through July, 2026
| Item | Title | Total requests | 2026-07 | 2026-06 | 2026-05 | 2026-04 |
|---|---|---|---|---|---|---|
| 145038rw | The Asian Baby Girl (ABG) Through a Filipina American Lens | 1,118 | 260 | 276 | 342 | 240 |
| 3gp9g9g5 | “From Asog to Bakla to Transpinay: Weaving a complex history of transness and decolonizing the future.” | 965 | 122 | 284 | 268 | 291 |
| 9656b4z9 | Paganninawan | 766 | 111 | 168 | 211 | 276 |
| 7678v09d | “That’s My Tomboy”: Queer Filipinx Diasporic Transmasculinities | 494 | 133 | 93 | 122 | 146 |
| 7148255f | In Defense of the X: Centering Queer, Trans, and Non-Binary Pilipina/x/os, Queer Vernacular, and the Politics of Naming | 474 | 85 | 94 | 151 | 144 |
| 9950b6pf | Filipino Formal Caregivers to the Elderly and Normalized Exploitation in the Workplace | 459 | 73 | 105 | 137 | 144 |
| 3wd7k4gc | Chaos and Order in Lino Brocka’s Insiang (1976) | 433 | 66 | 87 | 130 | 150 |
| 55r7x4k4 | Kinesthetic Interventions: Choreographies And Sounds Of The 2022 Philippine Elections | 426 | 58 | 107 | 124 | 137 |
| 2rh296bq | Scrapping Into A Knot: Pinoy Boxers, Transpacific Fans, And The Troubling of Interwar California's Racial Regimes | 418 | 145 | 78 | 116 | 79 |
| 2w51c45k | Sherwin Rio | 410 | 63 | 100 | 145 | 102 |
| 3g3872vk | The Problem with Kapwa: Challenging Assumptions of Community, Sameness, and Unity in Filipina American Feminist Fieldwork | 407 | 71 | 81 | 125 | 130 |
| 4hd690pq | NAIMAS!: The Rise of Filipino Foodways in Hawaiʻi | 369 | 72 | 90 | 112 | 95 |
| 2055v2s0 | What Emerges From a “Ruined World”: The Dueling Philippine Humanisms of Nick Joaquin | 331 | 50 | 64 | 118 | 99 |
| 1qq9115p | The “Ideal” Female Migrant as Grateful and Uncomplaining: Gendered Colonial Ideologies, Pre-Departure Orientation Sessions, and the #ungrateful Filipina | 322 | 80 | 73 | 87 | 82 |
| 1gk4q91j | Imelda’s Dreaming: Applied Theatre in Mobilizing Political Discourse in Filipino Canadian Diasporic Communities | 319 | 26 | 62 | 145 | 86 |
| 2fk9d200 | Aurality and Power: Western Art Music and the Marcos Regime | 316 | 74 | 77 | 101 | 64 |
| 9ft1h497 | Walang Arte: Gina Apostol’s Insurrecto and Filipino Non-Coherence | 315 | 66 | 65 | 107 | 77 |
| 9003g9kd | A Brief History of Filipinos in Los Angeles: On the Creation and Gentrification of Historic Filipinotown | 311 | 62 | 75 | 89 | 85 |
| 3962p2f5 | “Daytoy iti kaya’t iti, apukuk”: Refusing “sayang” in My Grandmother and I | 295 | 44 | 64 | 81 | 106 |
| 7f0492nc | The Politics of Visibility and the Politics of Appearances: Filipina Migrant Consumer Power and Its Limits | 295 | 54 | 70 | 83 | 88 |
| 3mz2q29v | Minsa’y Isang Paruparo: Memoir | 278 | 68 | 49 | 98 | 63 |
| 2tj0m7d9 | Masagana 99: Beyond Seeds, Grains, and Stalks | 268 | 45 | 46 | 99 | 78 |
| 7mq0s6dj | Hxstoriography of Filpina/x in Hawaiʻi: Our Movements, Archives, and Memories | 250 | 32 | 63 | 71 | 84 |
| 93q2j5gw | X Marks the Spot: Filipinx Futurities | 244 | 32 | 62 | 80 | 70 |
| 7sh6v0v4 | Book Review: Women Against Marcos: Stories of Filipino and Filipino American Women Who Fought a Dictator | 243 | 23 | 69 | 89 | 62 |
| 7m80277v | Review: Leeroy New’s Balete Bulate Bituka at The Bentway | 242 | 38 | 44 | 81 | 79 |
| 7485x6ft | On Filipinx: Who Gets to Name Whom? | 240 | 27 | 41 | 99 | 73 |
| 5004f5fg | Radical House/work: Revolutionary Intimacies in the US-Based Anti-Marcos Movement | 229 | 26 | 37 | 82 | 84 |
| 00w7k6kx | "OUSTING ONE MAN IS NOT ENOUGH" | 227 | 18 | 49 | 103 | 57 |
| 9pk7045w | Setting the Scene: An Introduction to FilipiNEXT | 220 | 20 | 52 | 77 | 71 |
| 6tr3f7jj | Film Review: Aswang | 219 | 19 | 47 | 87 | 66 |
| 8gr177wj | Anti-Martial Law Syllabus | 219 | 25 | 76 | 78 | 40 |
| 38h8k31n | Book Review: Care Activism: Migrant Domestic Workers, Movement-Building, and Communities of Care by Ethel Tungohan | 217 | 16 | 48 | 87 | 66 |
| 9dj6k67g | A Call to Rest: Pahinga as Resistance and Refusal | 212 | 27 | 39 | 77 | 69 |
| 46b0q60p | Et isgeng takos nan sagradoy luta ay naey (Let us tread mindfully and live forever on this sacred soil) | 205 | 64 | 39 | 62 | 40 |
| 6pj718tj | Introduction: New Filipino American Scholarship on the Marcos Era | 205 | 29 | 32 | 74 | 70 |
| 6x92v3r6 | Methodists against Martial Law: Filipino Chicagoans and the Church’s Role in a Global Crusade | 205 | 35 | 54 | 64 | 52 |
| 0cz8w28q | The Celine Archive: Decolonial and Feminist Approaches to Filipina Lives | 202 | 23 | 34 | 91 | 54 |
| 90x5d7ds | Soundwaves of Co-Resistance in Hawaiʻi: Ilokanos Reclaiming our Timek Towards Collective Liberation | 200 | 32 | 50 | 71 | 47 |
| 6fw8f5sd | Introduction: Towards an Oceanic Filipinx Studies | 199 | 24 | 41 | 82 | 52 |
| 8194t7p7 | “Hoy Get Out of the Sun!”: Filipinx Talk Story on (Anti)Blackness in Occupied Hawaiʻi | 197 | 24 | 49 | 76 | 48 |
| 3d98r8qm | A Tribute to Dr. Dean Alegado | 195 | 17 | 43 | 74 | 61 |
| 7m2061mk | Book Review: Lolas’ House: Filipino Women Living with War | 191 | 38 | 40 | 54 | 59 |
| 51g052p1 | The Power of the People | 190 | 25 | 34 | 71 | 60 |
| 7t40q3tg | Queering the Global Filipina Body: Contested Nationalisms in the Filipina/o Diaspora | 190 | 19 | 43 | 64 | 64 |
| 47x3244v | Review: Prison Dancer: The Musical—A Nod to the Filipino as a World-Class Talent | 187 | 18 | 31 | 68 | 70 |
| 55b7j0z6 | Book Review: Unsustainable Empire: Alternative Histories of Hawai’I Statehood by Dean Itsuji Saranillio | 182 | 30 | 23 | 82 | 47 |
| 6vb58537 | The Experience of Being Local As An Artist / Lumpia Love Song / Are You Filipino? | 180 | 25 | 32 | 65 | 58 |
| 7mx8v6d7 | Agit! Call to Action: Stop Asian Hate Through Anti-Imperialist International Solidarity | 179 | 18 | 36 | 66 | 59 |
| 0d44t8wx | Book Review: <em>America is Not the Heart</em> | 177 | 21 | 47 | 66 | 43 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.