Alon: Journal for Filipinx American and Diasporic Studies
Parent: UC Davis
eScholarship stats: History by Item for June through September, 2026
| Item | Title | Total requests | 2026-09 | 2026-08 | 2026-07 | 2026-06 |
|---|---|---|---|---|---|---|
| 145038rw | The Asian Baby Girl (ABG) Through a Filipina American Lens | 1,448 | 439 | 473 | 260 | 276 |
| 3gp9g9g5 | “From Asog to Bakla to Transpinay: Weaving a complex history of transness and decolonizing the future.” | 887 | 274 | 207 | 122 | 284 |
| 7678v09d | “That’s My Tomboy”: Queer Filipinx Diasporic Transmasculinities | 771 | 262 | 283 | 133 | 93 |
| 9656b4z9 | Paganninawan | 660 | 239 | 142 | 111 | 168 |
| 3wd7k4gc | Chaos and Order in Lino Brocka’s Insiang (1976) | 482 | 140 | 189 | 66 | 87 |
| 7148255f | In Defense of the X: Centering Queer, Trans, and Non-Binary Pilipina/x/os, Queer Vernacular, and the Politics of Naming | 403 | 91 | 133 | 85 | 94 |
| 9950b6pf | Filipino Formal Caregivers to the Elderly and Normalized Exploitation in the Workplace | 390 | 99 | 113 | 73 | 105 |
| 55r7x4k4 | Kinesthetic Interventions: Choreographies And Sounds Of The 2022 Philippine Elections | 340 | 55 | 120 | 58 | 107 |
| 7f0492nc | The Politics of Visibility and the Politics of Appearances: Filipina Migrant Consumer Power and Its Limits | 340 | 98 | 118 | 54 | 70 |
| 2rh296bq | Scrapping Into A Knot: Pinoy Boxers, Transpacific Fans, And The Troubling of Interwar California's Racial Regimes | 333 | 35 | 75 | 145 | 78 |
| 4hd690pq | NAIMAS!: The Rise of Filipino Foodways in Hawaiʻi | 331 | 60 | 109 | 72 | 90 |
| 2fk9d200 | Aurality and Power: Western Art Music and the Marcos Regime | 323 | 92 | 80 | 74 | 77 |
| 3g3872vk | The Problem with Kapwa: Challenging Assumptions of Community, Sameness, and Unity in Filipina American Feminist Fieldwork | 312 | 71 | 89 | 71 | 81 |
| 7m2061mk | Book Review: Lolas’ House: Filipino Women Living with War | 294 | 165 | 51 | 38 | 40 |
| 1qq9115p | The “Ideal” Female Migrant as Grateful and Uncomplaining: Gendered Colonial Ideologies, Pre-Departure Orientation Sessions, and the #ungrateful Filipina | 287 | 71 | 63 | 80 | 73 |
| 2055v2s0 | What Emerges From a “Ruined World”: The Dueling Philippine Humanisms of Nick Joaquin | 283 | 72 | 97 | 50 | 64 |
| 9003g9kd | A Brief History of Filipinos in Los Angeles: On the Creation and Gentrification of Historic Filipinotown | 280 | 88 | 55 | 62 | 75 |
| 2tj0m7d9 | Masagana 99: Beyond Seeds, Grains, and Stalks | 267 | 85 | 91 | 45 | 46 |
| 2w51c45k | Sherwin Rio | 264 | 45 | 56 | 63 | 100 |
| 3mz2q29v | Minsa’y Isang Paruparo: Memoir | 250 | 59 | 74 | 68 | 49 |
| 7sh6v0v4 | Book Review: Women Against Marcos: Stories of Filipino and Filipino American Women Who Fought a Dictator | 248 | 106 | 50 | 23 | 69 |
| 6pj718tj | Introduction: New Filipino American Scholarship on the Marcos Era | 243 | 130 | 52 | 29 | 32 |
| 8gr177wj | Anti-Martial Law Syllabus | 243 | 36 | 106 | 25 | 76 |
| 9ft1h497 | Walang Arte: Gina Apostol’s Insurrecto and Filipino Non-Coherence | 240 | 42 | 67 | 66 | 65 |
| 3962p2f5 | “Daytoy iti kaya’t iti, apukuk”: Refusing “sayang” in My Grandmother and I | 206 | 40 | 58 | 44 | 64 |
| 93q2j5gw | X Marks the Spot: Filipinx Futurities | 201 | 52 | 55 | 32 | 62 |
| 1gk4q91j | Imelda’s Dreaming: Applied Theatre in Mobilizing Political Discourse in Filipino Canadian Diasporic Communities | 190 | 60 | 42 | 26 | 62 |
| 7m80277v | Review: Leeroy New’s Balete Bulate Bituka at The Bentway | 188 | 60 | 46 | 38 | 44 |
| 7485x6ft | On Filipinx: Who Gets to Name Whom? | 174 | 78 | 28 | 27 | 41 |
| 90x5d7ds | Soundwaves of Co-Resistance in Hawaiʻi: Ilokanos Reclaiming our Timek Towards Collective Liberation | 169 | 36 | 51 | 32 | 50 |
| 0cz8w28q | The Celine Archive: Decolonial and Feminist Approaches to Filipina Lives | 164 | 66 | 41 | 23 | 34 |
| 7mq0s6dj | Hxstoriography of Filpina/x in Hawaiʻi: Our Movements, Archives, and Memories | 157 | 27 | 35 | 32 | 63 |
| 7t40q3tg | Queering the Global Filipina Body: Contested Nationalisms in the Filipina/o Diaspora | 154 | 46 | 46 | 19 | 43 |
| 9pk7045w | Setting the Scene: An Introduction to FilipiNEXT | 152 | 41 | 39 | 20 | 52 |
| 46b0q60p | Et isgeng takos nan sagradoy luta ay naey (Let us tread mindfully and live forever on this sacred soil) | 149 | 25 | 21 | 64 | 39 |
| 8zd5d0hq | BLACK HENRY, ACT III, SCENES 3 TO 10 | 147 | 45 | 55 | 17 | 30 |
| 00w7k6kx | "OUSTING ONE MAN IS NOT ENOUGH" | 144 | 31 | 46 | 18 | 49 |
| 6x92v3r6 | Methodists against Martial Law: Filipino Chicagoans and the Church’s Role in a Global Crusade | 143 | 21 | 33 | 35 | 54 |
| 51g052p1 | The Power of the People | 142 | 45 | 38 | 25 | 34 |
| 9dj6k67g | A Call to Rest: Pahinga as Resistance and Refusal | 142 | 33 | 43 | 27 | 39 |
| 6fw8f5sd | Introduction: Towards an Oceanic Filipinx Studies | 140 | 29 | 46 | 24 | 41 |
| 6tr3f7jj | Film Review: Aswang | 132 | 30 | 36 | 19 | 47 |
| 8653s61c | Care as Collective Revolution: Filipino Women’s Activist Histories and Contemporary Solidarities in Guåhan | 132 | 31 | 51 | 19 | 31 |
| 3d98r8qm | A Tribute to Dr. Dean Alegado | 131 | 31 | 40 | 17 | 43 |
| 8194t7p7 | “Hoy Get Out of the Sun!”: Filipinx Talk Story on (Anti)Blackness in Occupied Hawaiʻi | 128 | 22 | 33 | 24 | 49 |
| 3fm5v0mx | Archaeologies | 124 | 44 | 25 | 13 | 42 |
| 0d44t8wx | Book Review: <em>America is Not the Heart</em> | 122 | 30 | 24 | 21 | 47 |
| 2s15c55w | Mock Press Conference | 122 | 23 | 35 | 25 | 39 |
| 6vb58537 | The Experience of Being Local As An Artist / Lumpia Love Song / Are You Filipino? | 122 | 33 | 32 | 25 | 32 |
| 1wm2995b | Film Review: <em>The Nightcrawlers</em> | 120 | 36 | 34 | 15 | 35 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.