2016 Conference Proceedings
Parent: A Body of Knowledge Conference
eScholarship stats: History by Item for June through September, 2026
| Item | Title | Total requests | 2026-09 | 2026-08 | 2026-07 | 2026-06 |
|---|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 393 | 86 | 121 | 94 | 92 |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 260 | 80 | 57 | 60 | 63 |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 240 | 84 | 110 | 20 | 26 |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 226 | 57 | 72 | 39 | 58 |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 212 | 45 | 78 | 41 | 48 |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 149 | 47 | 41 | 19 | 42 |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 128 | 40 | 41 | 27 | 20 |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 122 | 38 | 44 | 17 | 23 |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 120 | 32 | 54 | 9 | 25 |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 117 | 44 | 30 | 21 | 22 |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 112 | 43 | 33 | 14 | 22 |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 105 | 27 | 28 | 25 | 25 |
| 84w6d37j | Time is of the essence | 103 | 22 | 33 | 18 | 30 |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 100 | 30 | 26 | 20 | 24 |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 94 | 36 | 30 | 8 | 20 |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 91 | 35 | 22 | 17 | 17 |
| 30h4m2mp | Empathy and groove in musical movement | 90 | 30 | 29 | 14 | 17 |
| 5n91f2cg | The Network and Dance, or a cognitive artifact embodied by a situated cognition | 86 | 34 | 18 | 13 | 21 |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 84 | 26 | 19 | 19 | 20 |
| 31g4p0dn | Musical Worlds and the Extended Mind | 83 | 21 | 28 | 10 | 24 |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 83 | 28 | 19 | 15 | 21 |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 82 | 33 | 17 | 15 | 17 |
| 4183z46p | Embodied Reflection | 82 | 19 | 23 | 19 | 21 |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 78 | 21 | 19 | 15 | 23 |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 73 | 20 | 20 | 9 | 24 |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 71 | 28 | 14 | 12 | 17 |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 71 | 26 | 20 | 10 | 15 |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 70 | 23 | 25 | 10 | 12 |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 69 | 19 | 24 | 9 | 17 |
| 182756v1 | Acting as Participatory Sense-Making | 68 | 22 | 12 | 13 | 21 |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 67 | 28 | 17 | 7 | 15 |
| 3pj432d4 | Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract | 67 | 14 | 23 | 9 | 21 |
| 1v24v9f9 | Shaping Experiment from the Inside Out, Abstract | 64 | 25 | 16 | 8 | 15 |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 64 | 21 | 17 | 8 | 18 |
| 7hn1r38j | The mémoire vivante project, Abstract | 64 | 18 | 20 | 7 | 19 |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 64 | 26 | 12 | 12 | 14 |
| 92j9b1j0 | Embodying Artifact Production Knowledge: From Know-how to Sensory-Motor Result Representations | 64 | 30 | 16 | 7 | 11 |
| 14w3m44x | What the body knows about teaching music, Abstract | 62 | 24 | 21 | 9 | 8 |
| 95r1p7vm | Senses of movement and embodiment in interactive artworks, Abstract | 59 | 26 | 13 | 7 | 13 |
| 6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 57 | 13 | 13 | 11 | 20 |
| 0zw4d5hx | Enabling Embodied Analogies in Intelligent Systems | 56 | 26 | 12 | 3 | 15 |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 55 | 18 | 12 | 11 | 14 |
| 7960z5wx | Using theatre and art-based pedagogy to achieve the practices of science in the student body, Abstract | 53 | 9 | 19 | 10 | 15 |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 52 | 19 | 18 | 7 | 8 |
| 0h01x426 | Augmented Reality: An Ecological Blend, Abstract | 51 | 24 | 9 | 7 | 11 |
| 3rv4m2b7 | "We-ing" in Joint Music Performance: Phenomonological Lessons with "The Danish String Quartet," Abstract | 51 | 14 | 13 | 12 | 12 |
| 1011q6zp | Embodied Encounters: The Role of the Body in Art Criticism, Abstract | 50 | 9 | 15 | 12 | 14 |
| 4sq097cc | Digital painting with music and movement: multimodal leanring in instrumental music education, Abstract | 50 | 14 | 15 | 7 | 14 |
| 5dz7g3vm | Embodied Perception in Somatic Sound, Abstract | 50 | 13 | 10 | 13 | 14 |
| 8x1240m5 | 'Feeling at one': Distribution of minds, bodies and beats in dance music, Abstract | 49 | 17 | 15 | 3 | 14 |
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