2016 Conference Proceedings
Parent: A Body of Knowledge Conference
eScholarship stats: History by Item for March through June, 2026
| Item | Title | Total requests | 2026-06 | 2026-05 | 2026-04 | 2026-03 |
|---|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 465 | 92 | 130 | 132 | 111 |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 271 | 63 | 96 | 69 | 43 |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 239 | 58 | 77 | 52 | 52 |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 234 | 48 | 74 | 76 | 36 |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 192 | 26 | 69 | 50 | 47 |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 186 | 20 | 101 | 38 | 27 |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 175 | 22 | 67 | 45 | 41 |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 170 | 25 | 46 | 58 | 41 |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 166 | 25 | 66 | 37 | 38 |
| 31g4p0dn | Musical Worlds and the Extended Mind | 165 | 24 | 59 | 38 | 44 |
| 30h4m2mp | Empathy and groove in musical movement | 162 | 17 | 85 | 41 | 19 |
| 84w6d37j | Time is of the essence | 157 | 30 | 54 | 36 | 37 |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 152 | 24 | 54 | 40 | 34 |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 149 | 23 | 55 | 39 | 32 |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 145 | 20 | 45 | 45 | 35 |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 144 | 20 | 62 | 37 | 25 |
| 5n91f2cg | The Network and Dance, or a cognitive artifact embodied by a situated cognition | 143 | 21 | 56 | 26 | 40 |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 142 | 42 | 41 | 30 | 29 |
| 0gr297z0 | Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract | 135 | 17 | 73 | 20 | 25 |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 135 | 23 | 53 | 33 | 26 |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 135 | 22 | 53 | 33 | 27 |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 134 | 24 | 46 | 37 | 27 |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 131 | 14 | 57 | 33 | 27 |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 130 | 21 | 45 | 41 | 23 |
| 3pj432d4 | Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract | 122 | 21 | 51 | 33 | 17 |
| 7960z5wx | Using theatre and art-based pedagogy to achieve the practices of science in the student body, Abstract | 122 | 15 | 49 | 31 | 27 |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 119 | 17 | 43 | 30 | 29 |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 116 | 14 | 45 | 29 | 28 |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 115 | 17 | 47 | 30 | 21 |
| 4183z46p | Embodied Reflection | 115 | 21 | 39 | 30 | 25 |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 110 | 12 | 41 | 34 | 23 |
| 268136n6 | Embodiment and Post-Human Aesthetic in Contemporary Latin American Theater and Performance, Abstract | 108 | 15 | 41 | 32 | 20 |
| 5dz7g3vm | Embodied Perception in Somatic Sound, Abstract | 108 | 14 | 33 | 30 | 31 |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 107 | 15 | 48 | 23 | 21 |
| 1011q6zp | Embodied Encounters: The Role of the Body in Art Criticism, Abstract | 106 | 14 | 46 | 27 | 19 |
| 182756v1 | Acting as Participatory Sense-Making | 105 | 21 | 39 | 25 | 20 |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 105 | 17 | 31 | 33 | 24 |
| 3rv4m2b7 | "We-ing" in Joint Music Performance: Phenomonological Lessons with "The Danish String Quartet," Abstract | 104 | 12 | 44 | 27 | 21 |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 101 | 15 | 46 | 20 | 20 |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 100 | 17 | 35 | 27 | 21 |
| 7hn1r38j | The mémoire vivante project, Abstract | 100 | 19 | 37 | 21 | 23 |
| 8x1240m5 | 'Feeling at one': Distribution of minds, bodies and beats in dance music, Abstract | 100 | 14 | 43 | 21 | 22 |
| 5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 99 | 12 | 43 | 21 | 23 |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 98 | 8 | 34 | 30 | 26 |
| 7nn1251d | The Embodied Musician: Creating the Foundation for Interpretation and Movement | 98 | 9 | 47 | 25 | 17 |
| 0h01x426 | Augmented Reality: An Ecological Blend, Abstract | 95 | 11 | 45 | 23 | 16 |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 94 | 18 | 35 | 25 | 16 |
| 8b8351vx | Joint improvisation as interaction ritual, Abstract | 94 | 6 | 52 | 22 | 14 |
| 0wx9p4rw | Art as Embodied Evolution, Abstract | 93 | 11 | 49 | 15 | 18 |
| 0zw4d5hx | Enabling Embodied Analogies in Intelligent Systems | 91 | 15 | 37 | 23 | 16 |
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