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Metaphors in music performance: from semantics and motor performance to expressive communication

Abstract

Metaphors are often used to intuitively communicate about movement. Here, expert pianists played two melodies while keeping eight different metaphors in mind, contrasting arousal level, valence direction, and metaphor type (action-related and emotion-related metaphors). Measures of keystroke timing and velocity were analyzed to assess the relative contribution of metaphor content and melodic note sequence to motor performance, alongside ratings of semantic similarity between metaphors. Using Bayesian multilevel models, results indicate that the arousal level of the metaphor has the most influence on keystroke force, average tempo, and tempo variability. Additionally, interactions with valence are seen for the timing measures, and for both valence and type in force. No effects of the melody sequence were found. Similarity ratings of metaphor pairs indicate that mental similarities largely mirror performance similarities. These findings show the potential effects of mental imagery on motor performance and have implications for teaching complex movements in practical settings.

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