UC San Diego

The paintings included in my thesis exhibition, No Future, consist of one singular body of work, or a series, based on photographs of paper sculptures, prompted by finding a mis-filed book titled Creating with Paper by Pauline Johnson, University of Washington Press, 1958, edition from 1975. This book was found because I made holograms.

This isn’t a tribute, or a statement about the position of craft within the expanded field of art, it may be appropriation.

This is an exercise in following coincidence.