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L’uomo è l’animale irritato. Una rilettura distopico-odeporica de Il pianeta irritabile di Paolo Volponi

  • Author(s): Pifferi, Stefano
  • et al.
Creative Commons 'BY-NC' version 4.0 license
Abstract

Looking at italian contemporary literature, specifically novels, there are some literary works that emerges with predominance for their precursory blend of genres and also socio-cultural perspectives. This is the case of Paolo Volponi’s Il pianeta irritabile, a sort of stratified novel in which sci-fi, fable, bildungsroman, allegory, social complaint, experimentation on language, philosophy enquiries etc. form a new way of analyzing the complexity of a modernity totally involved in an economic and capitalistic trend, renewing the idea of a literature that is conflict and also a warning for the future generations. This paper intends to address and often overlooked issue for an approach to the Volponi’s novel that is at the same time a dystopian one, for the environmental issue, for example, but also for the “post-apocalyptic” point of view, but especially an hodoeporic one, because the macro-phenomenon of voyage intended as a transformation force is an undeniable fulcrum of the entire novel.

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