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Shadows of romanticism

  • Author(s): Worthington, Scott
  • et al.
Abstract

This brief essay acted as program notes to accompany a recital given on April 8, 2011. It argues that while the works by Kurtág, Sciarrino, Xenakis, and myself might have extremely different surfaces, an underlying attention and attraction to 19th century music pervades them. The two- fold nature of shadows is used as a metaphor to describe this interaction

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