MELA Notes

Turkish political theater of the 1960s-1970s was a genre that galvanized both its intellectual proponents and drew the ire of state authorities. Deeply marked by the work of Bertolt Brecht produced some half a century earlier, the stage became an important setting where the broader violence between far-left groups, far-right groups, and the government was recast in literary form. During his doctoral research on the influence of German Marxism on Turkish political theater, former U.S. Peace Corps volunteer Albert Nekimken collected plays, works of theatrical criticism, periodicals, short stories, novels, and rare recordings of performances, among other materials. The Albert Nekimken Turkish Theater Collection, primarily composed of Nekimken’s research materials, began to grow as playwrights, intellectuals, and others contributed interviews or gifted materials to the young scholar in the mid-to-late 1970s. These works were acquired by Nekimken at a time of rampant political censorship and  ntellectual persecution–exemplified by the fact that many of the publications and performances in the collection were banned or subject to great censorship by the Turkish government. Among the works in the collection are those by well-known writers such as Orhan Asena, Engin Cezzar, Güngör Dilmen, Muhsin Ertuğrul, Nâzım Hikmet, Orhan Kemal, Aziz Nesin, and Haldun Taner. This newly described and processed collection held in the Booth Family Center for Special Collections at Georgetown University offers new directions to students and scholars of political theater, the history of Modern Turkey, Turkish-German literary exchanges, and intellectual histories of the Cold War. The collection also gives educators hoping to bring primary sources into the classroom new pedagogical tools to explore histories of censorship, erasure, and contentious politics.