UC San Diego

Displaced histories name Hmong racial subjection as a project of displacing them from both the nation and history through war and knowledge production. This racial formation is constitutive of the United States so-called "secret war" in Laos (1961-1975) that was quietly and publicly known yet not made much of. Laos has been viewed as a Cold War "pawn" to the superpowers of the US and Soviet Union, and it constituted a crucial yet marginal position in relation to the Vietnam War. This dissertation investigates how the war as a historical period is also a project of knowledge production. Thus the war's secrecy not only hid US violence against Hmong and Laos but also produced racial knowledge to configure Hmong as gendered racial subjects who are primitive and exist outside of historical time. Furthermore, secrecy is a gendered racial configuration because it involved the twin projects of militarism and rescue. Secrecy's production of Hmong outside of history is how they have been configured as racial subjects because historical absence is a product of racial formation. Therefore, Hmong racial subjection highlights how history is a nation-state project and a signifier of one's emergence in modernity. This dissertation excavates history as it relates to nation and belonging because the war was not a secret for Hmong who were recruited by the CIA to fight as proxy US soldiers and bore the brunt of the violence. I argue that Hmong refugees/Americans contend with the forgetting of their history as part of a process to formulate histories and belonging in displacement. Hmong maintain that they saved US American lives in Laos yet their experiences in the US do not reflect the sacrifices they made to the US government. An estimated 35,000 Hmong died in battle while disease and starvation caused the death of almost one- third of Hmong in Laos when forced to flee from their homes. The soldiers, their families, and Hmong civilians fleeing from this invisible war in 1975 and years afterwards were targets of political persecution due to their collaboration with the US. Thus I foreground the refugee figure as a site to unravel the structure of secrecy as a fundamental function of state-making, particularly US democracy since World War II. It also opens up the questions about nation, race, US empire, belonging, and knowledge production. Yet the Hmong refugee also constitutes an embodied category that activates nuanced responses to US historical amnesia and convoluted treatment. My analysis employs the "refugee archive" to emphasize Hmong displaced histories as a perspective to doing historical analysis that understands the past in relation to the present