Pacific Arts: The Journal of the Pacific Arts Association
Parent: UC Santa Cruz
eScholarship stats: Breakdown by Item for June through September, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 6rh9d5bh | Pacific Arts N.S. Vol. 23 No. 2 (2023-24) | 1,268 | 936 | 332 | 73.8% |
| 6t7143nw | Preparations for Landing—Paemanu: Tauraka Toi | 579 | 405 | 174 | 69.9% |
| 5j21m80v | “I Sengsong San Diego”: The Chamoru Cultural Festival and the Formation of a Chamoru Diasporic Community | 513 | 410 | 103 | 79.9% |
| 53h3b4np | ʻAe Kai Rising: Trans-Oceanic Communities of Cultural Imagination | 510 | 426 | 84 | 83.5% |
| 9mh3k7zk | Exhibition Review: Paradise Camp at the Aotearoa/New Zealand Pavilion of the 59th Venice Biennale | 497 | 300 | 197 | 60.4% |
| 4r89j7k5 | Pacific Arts N.S. Vol. 24, No. 1 (2024) | 496 | 460 | 36 | 92.7% |
| 00w843tk | “Tattoo the Women, but Not the Men”: Female Tattooing in Tonga | 492 | 138 | 354 | 28.0% |
| 6zh5b6xs | Home and Belonging: An Interview with Artist Jewel Block | 488 | 385 | 103 | 78.9% |
| 92c161s7 | Watsonville is in the Heart: Documenting Histories of Transpacific Filipino Migration in the Pajaro Valley | 488 | 378 | 110 | 77.5% |
| 3xq6280g | SALTWATER / Interconnectivity | 478 | 405 | 73 | 84.7% |
| 05g769gk | Ground into Place | 476 | 365 | 111 | 76.7% |
| 73k4s2c9 | Special Issue "Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa" | 466 | 402 | 64 | 86.3% |
| 6172k5f8 | Shell Rings of Power: Gender Relations in Material Culture Production on the Aitape Islands, Papua New Guinea | 461 | 401 | 60 | 87.0% |
| 1260p63q | Special Issue "Art and Environment in Oceania" | 459 | 425 | 34 | 92.6% |
| 0b00t1gg | Pacific Arts N.S. Vol. 26, No. 1 (2026) | 449 | 371 | 78 | 82.6% |
| 2gd9j917 | The Mataisau Clan of Fiji: Roles and Responsibilities | 425 | 101 | 324 | 23.8% |
| 9280n3g3 | Complexly Gendered Objects: An Analysis of a Piece of Tevau Collected by Wilhelm Joest on Nendö | 419 | 318 | 101 | 75.9% |
| 7t16n5t9 | Exhibition Review: Ancestry and Kinship in Yolŋu Curation | 413 | 366 | 47 | 88.6% |
| 3z59s1ft | Between the Betweenness: Restoring the Vā | 408 | 373 | 35 | 91.4% |
| 6p79x488 | Kaili Chun: The Native Artist as Storyteller and Steward of the Land and the Water | 391 | 301 | 90 | 77.0% |
| 0603v36s | “Our Gallery is the Heiau”: A Discussion of the Revitalization of Hawaiian Wood Carving | 384 | 228 | 156 | 59.4% |
| 9554q8t1 | Special Issue "Pacific Island Worlds: Oceanic Dis/Positions" | 354 | 310 | 44 | 87.6% |
| 30b918j9 | Studying and Conserving a Barkcloth from the Musée Cantonal d’Archéologie et d’Histoire, Lausanne, Switzerland | 334 | 277 | 57 | 82.9% |
| 1hh6q0qm | Pacific Arts N.S. Vol. 25, No. 1 (2025) | 333 | 278 | 55 | 83.5% |
| 6p40x83z | Pacific Arts Vol. 21 No. 1 (2021) | 318 | 260 | 58 | 81.8% |
| 1v173988 | Tātara e maru ana: Renewing Ancestral Connections with the Sacred Rain Cape of Waiapu Kōkā Hūhua | 316 | 215 | 101 | 68.0% |
| 7gf8616w | Angels in West Papua. In Memoriam Donatus Moiwend | 314 | 204 | 110 | 65.0% |
| 3ph6q655 | Pacific Arts N.S. Vol. 25, No. 2 (2025) | 308 | 270 | 38 | 87.7% |
| 18c5p5jv | ARTventures: Art and Life in the Contemporary Pacific | 306 | 197 | 109 | 64.4% |
| 8hj0m6d1 | Reactivation and Reconnection at the Chamorro Latte Ceremony at the Bishop Museum | 285 | 214 | 71 | 75.1% |
| 0516q9rb | Artists Concern: Visualising Environmental Destruction in Papua New Guinea | 284 | 46 | 238 | 16.2% |
| 1fg192dp | Adorning the Ears: On Marquesan Ear Ornamentation | 276 | 73 | 203 | 26.4% |
| 350437g1 | History, Culture, and A Tale of Two Queens: Exploring the Ngatu in ‘Amui ‘i Mu‘a/Ancient Futures at Hastings City Art Gallery Te Whare Toi o Heretaunga, 2023, with a Preface by Elham Salari | 270 | 145 | 125 | 53.7% |
| 5zp727jr | Belatedly and Finally: The Early Time of the Indigenous in the Concurrent Contemporary | 263 | 97 | 166 | 36.9% |
| 4v2393jz | Announcements | 260 | 137 | 123 | 52.7% |
| 15k0w0f6 | Announcements | 243 | 158 | 85 | 65.0% |
| 8z45x79s | Gestures of Survivance: Angela Tiatia’s Lick and Feminist Environmental Performance Art in Oceania | 241 | 54 | 187 | 22.4% |
| 5h06s8mt | Pacific Arts N.S. Vol. 23 No. 1 (2023) | 240 | 192 | 48 | 80.0% |
| 06c835v1 | The Future of our Roots and the Land: The Re-vival of the Atayal Weaving Material Ramie | 239 | 96 | 143 | 40.2% |
| 6db23955 | Book Series Review: Pacific Presences, 9 vol., Nicholas Thomas (general editor) | 239 | 127 | 112 | 53.1% |
| 16m186zr | Traditional Amis Architecture and Its Environment in a Contemporary Context | 234 | 41 | 193 | 17.5% |
| 2f97m81n | Kilenge Nausang Singsing (West New Britain, 1977–1978): A VisuaI Essay | 229 | 168 | 61 | 73.4% |
| 0fs8g50p | Exhibition Review: Project Banaba, Bernice Pauahi Bishop Museum | 224 | 167 | 57 | 74.6% |
| 0x75r98x | ʻAmui ʻi Muʻa/Ancient Futures Conference, Tonga, October 2019 | 221 | 152 | 69 | 68.8% |
| 9xg3292t | The Healer’s Wound (Exhibition and Artist’s Book) | 220 | 155 | 65 | 70.5% |
| 2bk05539 | Book Review: Sea of Islands: Exploring Objects, Stories, and Memories from Oceania, by Carol E. Mayer | 219 | 124 | 95 | 56.6% |
| 5cq307zj | Irony and Ephemerality: Siapo in the Exhibition Atalilo: Motifs in Sāmoan Material Culture (2024) | 219 | 170 | 49 | 77.6% |
| 27z9v52k | Past and Present Ancient Futures | 217 | 170 | 47 | 78.3% |
| 2n55f7jn | ʻAmui ʻi Muʻa/Ancient Futures: An Artist Re-flection | 214 | 168 | 46 | 78.5% |
| 0wz8226k | The ASB Polyfest: The Construction of Transnational Pacific Cultural Spaces in Auckland, Aotearoa New Zealand | 213 | 90 | 123 | 42.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.