Pacific Arts: The Journal of the Pacific Arts Association
Parent: UC Santa Cruz
eScholarship stats: History by Item for June through September, 2026
| Item | Title | Total requests | 2026-09 | 2026-08 | 2026-07 | 2026-06 |
|---|---|---|---|---|---|---|
| 6rh9d5bh | Pacific Arts N.S. Vol. 23 No. 2 (2023-24) | 1,268 | 210 | 359 | 430 | 269 |
| 6t7143nw | Preparations for Landing—Paemanu: Tauraka Toi | 579 | 89 | 154 | 136 | 200 |
| 5j21m80v | “I Sengsong San Diego”: The Chamoru Cultural Festival and the Formation of a Chamoru Diasporic Community | 513 | 75 | 133 | 108 | 197 |
| 53h3b4np | ʻAe Kai Rising: Trans-Oceanic Communities of Cultural Imagination | 510 | 47 | 122 | 130 | 211 |
| 9mh3k7zk | Exhibition Review: Paradise Camp at the Aotearoa/New Zealand Pavilion of the 59th Venice Biennale | 497 | 81 | 117 | 116 | 183 |
| 4r89j7k5 | Pacific Arts N.S. Vol. 24, No. 1 (2024) | 496 | 126 | 152 | 70 | 148 |
| 00w843tk | “Tattoo the Women, but Not the Men”: Female Tattooing in Tonga | 492 | 97 | 149 | 115 | 131 |
| 6zh5b6xs | Home and Belonging: An Interview with Artist Jewel Block | 488 | 56 | 114 | 120 | 198 |
| 92c161s7 | Watsonville is in the Heart: Documenting Histories of Transpacific Filipino Migration in the Pajaro Valley | 488 | 72 | 106 | 118 | 192 |
| 3xq6280g | SALTWATER / Interconnectivity | 478 | 54 | 99 | 108 | 217 |
| 05g769gk | Ground into Place | 476 | 66 | 105 | 115 | 190 |
| 73k4s2c9 | Special Issue "Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa" | 466 | 57 | 109 | 118 | 182 |
| 6172k5f8 | Shell Rings of Power: Gender Relations in Material Culture Production on the Aitape Islands, Papua New Guinea | 461 | 72 | 101 | 104 | 184 |
| 1260p63q | Special Issue "Art and Environment in Oceania" | 459 | 71 | 129 | 122 | 137 |
| 0b00t1gg | Pacific Arts N.S. Vol. 26, No. 1 (2026) | 449 | 82 | 131 | 102 | 134 |
| 2gd9j917 | The Mataisau Clan of Fiji: Roles and Responsibilities | 425 | 87 | 94 | 126 | 118 |
| 9280n3g3 | Complexly Gendered Objects: An Analysis of a Piece of Tevau Collected by Wilhelm Joest on Nendö | 419 | 65 | 81 | 95 | 178 |
| 7t16n5t9 | Exhibition Review: Ancestry and Kinship in Yolŋu Curation | 413 | 44 | 103 | 101 | 165 |
| 3z59s1ft | Between the Betweenness: Restoring the Vā | 408 | 40 | 91 | 104 | 173 |
| 6p79x488 | Kaili Chun: The Native Artist as Storyteller and Steward of the Land and the Water | 391 | 46 | 83 | 114 | 148 |
| 0603v36s | “Our Gallery is the Heiau”: A Discussion of the Revitalization of Hawaiian Wood Carving | 384 | 64 | 165 | 70 | 85 |
| 9554q8t1 | Special Issue "Pacific Island Worlds: Oceanic Dis/Positions" | 354 | 34 | 72 | 97 | 151 |
| 30b918j9 | Studying and Conserving a Barkcloth from the Musée Cantonal d’Archéologie et d’Histoire, Lausanne, Switzerland | 334 | 47 | 77 | 83 | 127 |
| 1hh6q0qm | Pacific Arts N.S. Vol. 25, No. 1 (2025) | 333 | 85 | 94 | 63 | 91 |
| 6p40x83z | Pacific Arts Vol. 21 No. 1 (2021) | 318 | 46 | 79 | 73 | 120 |
| 1v173988 | Tātara e maru ana: Renewing Ancestral Connections with the Sacred Rain Cape of Waiapu Kōkā Hūhua | 316 | 44 | 75 | 80 | 117 |
| 7gf8616w | Angels in West Papua. In Memoriam Donatus Moiwend | 314 | 38 | 75 | 69 | 132 |
| 3ph6q655 | Pacific Arts N.S. Vol. 25, No. 2 (2025) | 308 | 77 | 89 | 48 | 94 |
| 18c5p5jv | ARTventures: Art and Life in the Contemporary Pacific | 306 | 40 | 62 | 65 | 139 |
| 8hj0m6d1 | Reactivation and Reconnection at the Chamorro Latte Ceremony at the Bishop Museum | 285 | 76 | 58 | 53 | 98 |
| 0516q9rb | Artists Concern: Visualising Environmental Destruction in Papua New Guinea | 284 | 77 | 120 | 46 | 41 |
| 1fg192dp | Adorning the Ears: On Marquesan Ear Ornamentation | 276 | 97 | 75 | 40 | 64 |
| 350437g1 | History, Culture, and A Tale of Two Queens: Exploring the Ngatu in ‘Amui ‘i Mu‘a/Ancient Futures at Hastings City Art Gallery Te Whare Toi o Heretaunga, 2023, with a Preface by Elham Salari | 270 | 87 | 84 | 30 | 69 |
| 5zp727jr | Belatedly and Finally: The Early Time of the Indigenous in the Concurrent Contemporary | 263 | 47 | 75 | 62 | 79 |
| 4v2393jz | Announcements | 260 | 118 | 43 | 43 | 56 |
| 15k0w0f6 | Announcements | 243 | 47 | 50 | 54 | 92 |
| 8z45x79s | Gestures of Survivance: Angela Tiatia’s Lick and Feminist Environmental Performance Art in Oceania | 241 | 81 | 70 | 31 | 59 |
| 5h06s8mt | Pacific Arts N.S. Vol. 23 No. 1 (2023) | 240 | 41 | 45 | 64 | 90 |
| 06c835v1 | The Future of our Roots and the Land: The Re-vival of the Atayal Weaving Material Ramie | 239 | 38 | 62 | 56 | 83 |
| 6db23955 | Book Series Review: Pacific Presences, 9 vol., Nicholas Thomas (general editor) | 239 | 73 | 62 | 56 | 48 |
| 16m186zr | Traditional Amis Architecture and Its Environment in a Contemporary Context | 234 | 46 | 105 | 29 | 54 |
| 2f97m81n | Kilenge Nausang Singsing (West New Britain, 1977–1978): A VisuaI Essay | 229 | 56 | 53 | 41 | 79 |
| 0fs8g50p | Exhibition Review: Project Banaba, Bernice Pauahi Bishop Museum | 224 | 51 | 61 | 42 | 70 |
| 0x75r98x | ʻAmui ʻi Muʻa/Ancient Futures Conference, Tonga, October 2019 | 221 | 43 | 48 | 41 | 89 |
| 9xg3292t | The Healer’s Wound (Exhibition and Artist’s Book) | 220 | 53 | 51 | 38 | 78 |
| 2bk05539 | Book Review: Sea of Islands: Exploring Objects, Stories, and Memories from Oceania, by Carol E. Mayer | 219 | 88 | 46 | 39 | 46 |
| 5cq307zj | Irony and Ephemerality: Siapo in the Exhibition Atalilo: Motifs in Sāmoan Material Culture (2024) | 219 | 61 | 47 | 79 | 32 |
| 27z9v52k | Past and Present Ancient Futures | 217 | 40 | 41 | 57 | 79 |
| 2n55f7jn | ʻAmui ʻi Muʻa/Ancient Futures: An Artist Re-flection | 214 | 38 | 47 | 54 | 75 |
| 0wz8226k | The ASB Polyfest: The Construction of Transnational Pacific Cultural Spaces in Auckland, Aotearoa New Zealand | 213 | 40 | 48 | 48 | 77 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.