Pacific Arts: The Journal of the Pacific Arts Association
Parent: UC Santa Cruz
eScholarship stats: History by Item for August through November, 2024
| Item | Title | Total requests | 2024-11 | 2024-10 | 2024-09 | 2024-08 |
|---|---|---|---|---|---|---|
| 00w843tk | “Tattoo the Women, but Not the Men”: Female Tattooing in Tonga | 305 | 175 | 39 | 37 | 54 |
| 2gd9j917 | The Mataisau Clan of Fiji: Roles and Responsibilities | 167 | 35 | 45 | 32 | 55 |
| 81b2f26x | ʻĀina in Contemporary Art of Hawaiʻi | 110 | 24 | 31 | 22 | 33 |
| 7t16n5t9 | Exhibition Review: Ancestry and Kinship in Yolŋu Curation | 108 | 27 | 13 | 37 | 31 |
| 8x36j9d3 | Learning to Surf (Seʻe) on a Wave, from Island to Urbanesia | 107 | 13 | 21 | 27 | 46 |
| 0xz7j5z0 | Mana i te Whenua: Relationships with Place and Sovereignty | 106 | 22 | 22 | 19 | 43 |
| 8z45x79s | Gestures of Survivance: Angela Tiatia’s Lick and Feminist Environmental Performance Art in Oceania | 104 | 35 | 24 | 21 | 24 |
| 9gq79727 | Curating Pacific Art in the United States: A Roundtable Discussion | 103 | 23 | 80 | ||
| 4bv6d581 | Creative Practice and Pedagogy with the Marshall Islands: Navigating a Critical Call-and-Response | 101 | 24 | 77 | ||
| 5zp727jr | Belatedly and Finally: The Early Time of the Indigenous in the Concurrent Contemporary | 99 | 22 | 28 | 16 | 33 |
| 1zc8p4dx | Photographing Matrilineal Power and Prestige in the Hawaiian Kingdom | 85 | 18 | 67 | ||
| 3w73k2mz | Exhibition Review Nā Māla: Layered Landscapes of Kona Coffee Heritage, curated by Mina Elison. Donkey Mill Art Center, Kona, Hawaiʻi, October 24, 2020 – December 12, 2020. | 85 | 15 | 22 | 19 | 29 |
| 0fs8g50p | Exhibition Review: Project Banaba, Bernice Pauahi Bishop Museum | 82 | 22 | 60 | ||
| 1fg192dp | Adorning the Ears: On Marquesan Ear Ornamentation | 82 | 6 | 15 | 7 | 54 |
| 1kt7k6t4 | nothing important happened today: An Interview with Vernon Ah Kee | 81 | 13 | 26 | 8 | 34 |
| 4t62m737 | Pacific Presences: A Retrospect | 81 | 15 | 66 | ||
| 6sn1w9wt | Snail Paradise Trilogy: A Series by Chang En-man | 81 | 24 | 19 | 12 | 26 |
| 08r6w8pn | Partnership, Collaboration, and Community Engagement: Reflections on Applied Repatriation in a Small Museum | 79 | 19 | 60 | ||
| 6db23955 | Book Series Review: Pacific Presences, 9 vol., Nicholas Thomas (general editor) | 77 | 13 | 64 | ||
| 44f4d693 | Pacific Arts N.S. Vol. 22 No. 1 (2022) | 74 | 16 | 19 | 15 | 24 |
| 16m186zr | Traditional Amis Architecture and Its Environment in a Contemporary Context | 71 | 3 | 11 | 7 | 50 |
| 4r89j7k5 | Pacific Arts N.S. Vol. 24, No. 1 (2024) | 71 | 18 | 53 | ||
| 6st508tf | The Āpuakehau Stream, its Role in Waikīkī, and Muliwai (2022) | 71 | 18 | 53 | ||
| 6cm3p20q | Across Country: Waterlines | 70 | 6 | 11 | 10 | 43 |
| 0516q9rb | Artists Concern: Visualising Environmental Destruction in Papua New Guinea | 69 | 11 | 19 | 13 | 26 |
| 4b79w9v6 | Making Room for Earth in Hawaiʻi: Sean Connelly’s A Small Area of Land | 68 | 15 | 20 | 20 | 13 |
| 51p8w8t6 | “Who Are We Without Land?”: Climate Change, Place, and Identity in the Work of Joycelin Kauc Leahy | 68 | 33 | 4 | 2 | 29 |
| 9xg3292t | The Healer’s Wound (Exhibition and Artist’s Book) | 68 | 16 | 52 | ||
| 06c835v1 | The Future of our Roots and the Land: The Re-vival of the Atayal Weaving Material Ramie | 67 | 8 | 14 | 9 | 36 |
| 34w1g7x9 | Pacific Arts N.S. Vol. 24, No. 1 (2024) | 65 | 24 | 41 | ||
| 3z59s1ft | Between the Betweenness: Restoring the Vā | 63 | 6 | 16 | 10 | 31 |
| 89s702ss | Canoe Carvings from Western Solomon Islands: The Operative Efficacy of Simultaneous Visual Presences | 62 | 9 | 20 | 6 | 27 |
| 0wz8226k | The ASB Polyfest: The Construction of Transnational Pacific Cultural Spaces in Auckland, Aotearoa New Zealand | 60 | 12 | 14 | 14 | 20 |
| 1ws3x76f | An Evolution of Teaching Art in Sāmoa | 58 | 6 | 10 | 7 | 35 |
| 9mh3k7zk | Exhibition Review: Paradise Camp at the Aotearoa/New Zealand Pavilion of the 59th Venice Biennale | 58 | 7 | 17 | 4 | 30 |
| 2pj6g8w4 | A Journey of Healing, Discovery, and Transformation: Hohou Te Rongo | 56 | 3 | 15 | 9 | 29 |
| 7vn3n7z9 | Obituary: Roger Boulay (1943—2024) | 55 | 12 | 43 | ||
| 0cn206gx | Announcements | 54 | 16 | 38 | ||
| 54p491cm | Seeking Gender Identity in the Contexts of Atayal: An Art Project | 53 | 8 | 14 | 4 | 27 |
| 73k4s2c9 | Special Issue "Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa" | 53 | 9 | 9 | 9 | 26 |
| 92c161s7 | Watsonville is in the Heart: Documenting Histories of Transpacific Filipino Migration in the Pajaro Valley | 53 | 5 | 18 | 7 | 23 |
| 30b918j9 | Studying and Conserving a Barkcloth from the Musée Cantonal d’Archéologie et d’Histoire, Lausanne, Switzerland | 52 | 2 | 11 | 8 | 31 |
| 5r57z76s | Coastal Cannibals: Industry and Occupation on Whangārei Te Rerenga Paraoa | 52 | 4 | 7 | 6 | 35 |
| 6p79x488 | Kaili Chun: The Native Artist as Storyteller and Steward of the Land and the Water | 52 | 8 | 11 | 7 | 26 |
| 0q75s3gt | Announcements | 51 | 1 | 13 | 5 | 32 |
| 3dj984zp | Project Banaba: A Dialogue on Exhibition Collaboration and Methods | 51 | 6 | 17 | 15 | 13 |
| 2st0x4wj | Media Review: Whakapapa/Algorithms | 48 | 13 | 9 | 7 | 19 |
| 8p41f4f8 | Natalie Robertson: Toxic Waters | 48 | 8 | 11 | 12 | 17 |
| 8xq767c6 | Pacific Arts N.S. Vol. 23 No. 2 (2023-24) | 48 | 2 | 9 | 13 | 24 |
| 6172k5f8 | Shell Rings of Power: Gender Relations in Material Culture Production on the Aitape Islands, Papua New Guinea | 47 | 6 | 10 | 10 | 21 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.