react/review: a responsive journal for art & architecture
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for March through June, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 1sn1j0jk | Pagan Metal Gods: The Use of Mythology and White Supremacy National Socialist Black Metal | 238 | 43 | 195 | 18.1% |
| 5624k78q | Black Metal, White Supremacy, and Fraught Masculinity | 211 | 9 | 202 | 4.3% |
| 4744m5dr | Inefficient, Unsustainable, and Fragmentary: The Rauschenberg Combines as Disabled Bodies | 166 | 38 | 128 | 22.9% |
| 1d7530zh | react/review vol. 4, subversion zones: bodies and spaces at the threshold | 148 | 32 | 116 | 21.6% |
| 2701c3hr | Insights from Ecology for Health: Design Guide for Fostering Human Health and Biodiversity in Cities | 145 | 27 | 118 | 18.6% |
| 3gh0g1f0 | Introduction: Inhabiting the Uninhabitable at Oakland’s Wood Street Encampment | 129 | 17 | 112 | 13.2% |
| 2833367t | For Play and Pleasure | 127 | 17 | 110 | 13.4% |
| 19f2870f | Against 'Nomadism' as Analytic: Pilgrimage Tents at the Hajj Terminal and Mary of Victory, Wigratzbad | 117 | 29 | 88 | 24.8% |
| 55h741bk | Dreaming Out Loud: Aphantasia and the Contingencies of Artistic Imagination | 95 | 30 | 65 | 31.6% |
| 8bn3x7z6 | A Hybrid Avant-Garde: Kati Horna’s Balance between Artist Autonomy and Political Engagement | 93 | 23 | 70 | 24.7% |
| 8mv5w21w | Skating the Surrounds: Chemi Rosado-Seijo’s <em>El Bowl</em> in La Perla, Puerto Rico | 89 | 22 | 67 | 24.7% |
| 1wj5g2gf | In/Visibility: Beijing Queer Film Festival and Alternative Queer Space | 87 | 38 | 49 | 43.7% |
| 4481216x | You Can Be Sure of Shell: Oil, Empire, and Landscape in Interwar Britain | 83 | 14 | 69 | 16.9% |
| 8t63k6bz | Red Tide and the Anthropological Divide at Lake Merritt in Oakland, California | 80 | 11 | 69 | 13.8% |
| 9hk2n4qb | Pineal/Perineal: The Anthropological Divide at Monkey Hill | 73 | 13 | 60 | 17.8% |
| 95s7r33q | The Body and the City: Walking Barcelona with las Milicianas and Eileen O’Shaughnessy | 63 | 10 | 53 | 15.9% |
| 8jp105fm | “From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale | 61 | 16 | 45 | 26.2% |
| 13p549gw | Painting Viciously: Antonio Saura’s Monsters and The Francoist Dictatorship (1939-1975) | 54 | 8 | 46 | 14.8% |
| 1542j6p1 | Skyscraper Churches and Material Disestablishment at the Fifth Churches of Christ Scientist | 51 | 4 | 47 | 7.8% |
| 27w7t1c8 | Black Magnolia: Counter-Narrating a Plantation Tourist Site | 49 | 21 | 28 | 42.9% |
| 68d3v4t2 | Front Matter | 49 | 7 | 42 | 14.3% |
| 5hg7q078 | At Home in the Wild: Race, Power, and Domesticity in the Transatlantic Wallpapers of Zuber & Co. | 48 | 21 | 27 | 43.8% |
| 256159kd | Outside of Architecture: Between Mediating and Navigating the Air | 43 | 5 | 38 | 11.6% |
| 4ph3p3h2 | Surveillant Movements: Policing and Spatial Production in East German Housing | 43 | 16 | 27 | 37.2% |
| 0nb91316 | Saints and Zinesters: Fandom and Legacy in the Zine St. Sucia | 34 | 9 | 25 | 26.5% |
| 208939mx | The Lure of the Lash: Spectacular Violence and White Ethnonationalism at an Australian Convict Site | 33 | 5 | 28 | 15.2% |
| 5kb2t56m | react/review vol. 3, fields of force: navigating power in space, place, and landscape | 31 | 2 | 29 | 6.5% |
| 0fq4r01p | Crafting Interiority, or the Evolutionary Objectivity of Vibrating Worlds: An Introduction to Adolf Behne’s “Biology and Cubism” (1915) | 30 | 10 | 20 | 33.3% |
| 1k37x5f9 | Author & Editor Biographies | 30 | 15 | 15 | 50.0% |
| 30d5c44n | Revolution, Renewable: Subsoil Political Ecologies in Rivera’s Song of the Earth | 30 | 5 | 25 | 16.7% |
| 86n0w0gh | Considering Afrofuturism and the Built Environment | 28 | 7 | 21 | 25.0% |
| 2dt5k6sd | Confection and the Aesthetic of Collapse: Luis Vasquez La Roche’s Sugar Cane Field Performances | 26 | 6 | 20 | 23.1% |
| 3gf94944 | A Gendered Response to a Watchful Gaze | 26 | 3 | 23 | 11.5% |
| 5nv0h7jr | Collapsing Autopia: Feliza Bursztyn’s Chatarras | 26 | 5 | 21 | 19.2% |
| 4rh898sp | Improvising Field Research in COVID-era Hackerspaces | 24 | 3 | 21 | 12.5% |
| 4v3691ph | Doorway to Dissidence: The 1979 Doors Exhibition in the GDR | 24 | 8 | 16 | 33.3% |
| 6cw2w05v | Author & Editor Biographies | 24 | 5 | 19 | 20.8% |
| 6h1115cp | All Along the Bell Tower: An Analysis of Surveillance and Affect on the Johns Hopkins University Homewood Campus | 24 | 4 | 20 | 16.7% |
| 89t4v6wr | Introduction: the spirit in the shadow | 24 | 4 | 20 | 16.7% |
| 2tc7f46v | Reflections on Haunting the Canon: The Super-phenomena in Art | 22 | 2 | 20 | 9.1% |
| 5328n741 | react/review vol. 2, "The Spirit in the Shadow" (2022) | 22 | 8 | 14 | 36.4% |
| 2f18h8dh | The Landscapes & Material Culture of Empire | 21 | 3 | 18 | 14.3% |
| 3v39k5wt | Views of a United Nation | 20 | 3 | 17 | 15.0% |
| 8r7553vj | Introduction: fields of force | 20 | 0 | 20 | 0.0% |
| 5f05n8vj | Churches in a Secular Skyline: Fields of Force and Urban Change | 19 | 3 | 16 | 15.8% |
| 5c13g1gh | Plenary Affections | 18 | 3 | 15 | 16.7% |
| 1744s5pk | BOOK REVIEW: Christopher P. Heuer, Into the White: The Renaissance Arctic and the End of the Image | 17 | 2 | 15 | 11.8% |
| 3d66s2g7 | Alternative Modes of Mapping | 17 | 3 | 14 | 17.6% |
| 4rc0f9fm | Crafting Environmental Citizens | 17 | 2 | 15 | 11.8% |
| 7615n0jq | Sydney Cain’s Spiritual Refusals amidst the Afterlives of Slavery | 16 | 5 | 11 | 31.3% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.