react/review: a responsive journal for art & architecture
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for June through September, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 5328n741 | react/review vol. 2, "The Spirit in the Shadow" (2022) | 1,545 | 428 | 1,117 | 27.7% |
| 1d7530zh | react/review vol. 4, subversion zones: bodies and spaces at the threshold | 917 | 458 | 459 | 49.9% |
| 1sn1j0jk | Pagan Metal Gods: The Use of Mythology and White Supremacy National Socialist Black Metal | 886 | 72 | 814 | 8.1% |
| 5hg7q078 | At Home in the Wild: Race, Power, and Domesticity in the Transatlantic Wallpapers of Zuber & Co. | 576 | 262 | 314 | 45.5% |
| 4ph3p3h2 | Surveillant Movements: Policing and Spatial Production in East German Housing | 484 | 369 | 115 | 76.2% |
| 2833367t | For Play and Pleasure | 480 | 419 | 61 | 87.3% |
| 3jk7r6g9 | An Archive within an Archive or, Archive as Repertoire | 473 | 67 | 406 | 14.2% |
| 4481216x | You Can Be Sure of Shell: Oil, Empire, and Landscape in Interwar Britain | 465 | 222 | 243 | 47.7% |
| 2tc7f46v | Reflections on Haunting the Canon: The Super-phenomena in Art | 459 | 347 | 112 | 75.6% |
| 80z3k2r4 | react/review vol. 1, "Representation, Materiality, & the Environment" (2021) | 437 | 369 | 68 | 84.4% |
| 27w7t1c8 | Black Magnolia: Counter-Narrating a Plantation Tourist Site | 426 | 218 | 208 | 51.2% |
| 3d06k66v | Trending Today, Forgotten Tomorrow: The Ephemerality of AI- Generated Art on Civitai | 423 | 103 | 320 | 24.3% |
| 9141d48p | react/review vol. 5, from ephemeral to obsolete: the vanishing historical object | 399 | 343 | 56 | 86.0% |
| 2dt5k6sd | Confection and the Aesthetic of Collapse: Luis Vasquez La Roche’s Sugar Cane Field Performances | 333 | 238 | 95 | 71.5% |
| 9fw1z43z | Scans, Residues, Misrecognitions and Other Materialities of Loss | 321 | 257 | 64 | 80.1% |
| 5624k78q | Black Metal, White Supremacy, and Fraught Masculinity | 315 | 71 | 244 | 22.5% |
| 9hk2n4qb | Pineal/Perineal: The Anthropological Divide at Monkey Hill | 285 | 122 | 163 | 42.8% |
| 95d700gg | Front matter | 277 | 231 | 46 | 83.4% |
| 8jp105fm | “From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale | 271 | 209 | 62 | 77.1% |
| 0nb91316 | Saints and Zinesters: Fandom and Legacy in the Zine St. Sucia | 270 | 145 | 125 | 53.7% |
| 8mv5w21w | Skating the Surrounds: Chemi Rosado-Seijo’s <em>El Bowl</em> in La Perla, Puerto Rico | 269 | 81 | 188 | 30.1% |
| 5kb2t56m | react/review vol. 3, fields of force: navigating power in space, place, and landscape | 260 | 145 | 115 | 55.8% |
| 13p549gw | Painting Viciously: Antonio Saura’s Monsters and The Francoist Dictatorship (1939-1975) | 258 | 85 | 173 | 32.9% |
| 8fw7g7wj | Scallop-Bound Sea-Mosses and the Tensions of Local Sentimentality, Natural Theology, and Oceanic Imperialism | 255 | 84 | 171 | 32.9% |
| 1ws0d8f6 | react/review vol. 6, imagining the local | 251 | 70 | 181 | 27.9% |
| 1wj5g2gf | In/Visibility: Beijing Queer Film Festival and Alternative Queer Space | 236 | 45 | 191 | 19.1% |
| 7mx6q84s | Introduction: Representation, Materiality, & the Environment | 236 | 194 | 42 | 82.2% |
| 6h1115cp | All Along the Bell Tower: An Analysis of Surveillance and Affect on the Johns Hopkins University Homewood Campus | 235 | 125 | 110 | 53.2% |
| 0fq4r01p | Crafting Interiority, or the Evolutionary Objectivity of Vibrating Worlds: An Introduction to Adolf Behne’s “Biology and Cubism” (1915) | 228 | 78 | 150 | 34.2% |
| 8bn3x7z6 | A Hybrid Avant-Garde: Kati Horna’s Balance between Artist Autonomy and Political Engagement | 220 | 111 | 109 | 50.5% |
| 4zm818m5 | Diffracting Place: A Critical GeoExt Mapping of Glenferrie | 216 | 73 | 143 | 33.8% |
| 95s7r33q | The Body and the City: Walking Barcelona with las Milicianas and Eileen O’Shaughnessy | 198 | 85 | 113 | 42.9% |
| 1pn3r04w | Housing Histories: Dreams Built Upon Dismantled Dreams | 188 | 48 | 140 | 25.5% |
| 1542j6p1 | Skyscraper Churches and Material Disestablishment at the Fifth Churches of Christ Scientist | 185 | 87 | 98 | 47.0% |
| 5nv0h7jr | Collapsing Autopia: Feliza Bursztyn’s Chatarras | 180 | 57 | 123 | 31.7% |
| 2vm2f733 | Tradition and Transformation: Co-Designing with the Fishing Communities of Nyandiwa | 179 | 54 | 125 | 30.2% |
| 3j96g3fd | EXHIBITION REVIEW: Shigeko Kubota at Shigeko Kubota Video Art Foundation, Beacon | 179 | 52 | 127 | 29.1% |
| 55h741bk | Dreaming Out Loud: Aphantasia and the Contingencies of Artistic Imagination | 171 | 68 | 103 | 39.8% |
| 3zs9b4dq | Community Formation: Public Art, Classrooms, and Museums as Anchors of Collective Thought | 169 | 28 | 141 | 16.6% |
| 3wk133tc | Memory's Typography | 168 | 48 | 120 | 28.6% |
| 8tq5s21z | Living documents: the role of audience members in the (after)lives of participatory and ephemeral art practices | 162 | 64 | 98 | 39.5% |
| 8t63k6bz | Red Tide and the Anthropological Divide at Lake Merritt in Oakland, California | 160 | 69 | 91 | 43.1% |
| 256159kd | Outside of Architecture: Between Mediating and Navigating the Air | 159 | 58 | 101 | 36.5% |
| 19f2870f | Against 'Nomadism' as Analytic: Pilgrimage Tents at the Hajj Terminal and Mary of Victory, Wigratzbad | 156 | 85 | 71 | 54.5% |
| 6rp2w0r6 | Housing, Class, and Care: Community-Engaged Fieldwork in Examining Neighborhood Care Practices | 152 | 49 | 103 | 32.2% |
| 89t4v6wr | Introduction: the spirit in the shadow | 150 | 72 | 78 | 48.0% |
| 8vp8g130 | Denial and Dissolution – Architecture’s Futile Battle Against Entropy | 147 | 59 | 88 | 40.1% |
| 4744m5dr | Inefficient, Unsustainable, and Fragmentary: The Rauschenberg Combines as Disabled Bodies | 146 | 80 | 66 | 54.8% |
| 67g3q4pn | Housing Histories: Autoconstruction and Architecture in Benedict Canyon | 143 | 44 | 99 | 30.8% |
| 5c13g1gh | Plenary Affections | 139 | 54 | 85 | 38.8% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.