react/review: a responsive journal for art & architecture
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for July through October, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 1sn1j0jk | Pagan Metal Gods: The Use of Mythology and White Supremacy National Socialist Black Metal | 233 | 48 | 185 | 20.6% |
| 5624k78q | Black Metal, White Supremacy, and Fraught Masculinity | 170 | 25 | 145 | 14.7% |
| 1d7530zh | react/review vol. 4, subversion zones: bodies and spaces at the threshold | 132 | 50 | 82 | 37.9% |
| 55h741bk | Dreaming Out Loud: Aphantasia and the Contingencies of Artistic Imagination | 118 | 36 | 82 | 30.5% |
| 2833367t | For Play and Pleasure | 117 | 23 | 94 | 19.7% |
| 2701c3hr | Insights from Ecology for Health: Design Guide for Fostering Human Health and Biodiversity in Cities | 114 | 47 | 67 | 41.2% |
| 3gh0g1f0 | Introduction: Inhabiting the Uninhabitable at Oakland’s Wood Street Encampment | 95 | 26 | 69 | 27.4% |
| 4744m5dr | Inefficient, Unsustainable, and Fragmentary: The Rauschenberg Combines as Disabled Bodies | 90 | 31 | 59 | 34.4% |
| 8t63k6bz | Red Tide and the Anthropological Divide at Lake Merritt in Oakland, California | 86 | 42 | 44 | 48.8% |
| 1wj5g2gf | In/Visibility: Beijing Queer Film Festival and Alternative Queer Space | 76 | 25 | 51 | 32.9% |
| 8mv5w21w | Skating the Surrounds: Chemi Rosado-Seijo’s <em>El Bowl</em> in La Perla, Puerto Rico | 75 | 26 | 49 | 34.7% |
| 5hg7q078 | At Home in the Wild: Race, Power, and Domesticity in the Transatlantic Wallpapers of Zuber & Co. | 73 | 35 | 38 | 47.9% |
| 8jp105fm | “From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale | 70 | 36 | 34 | 51.4% |
| 13p549gw | Painting Viciously: Antonio Saura’s Monsters and The Francoist Dictatorship (1939-1975) | 68 | 12 | 56 | 17.6% |
| 4481216x | You Can Be Sure of Shell: Oil, Empire, and Landscape in Interwar Britain | 68 | 15 | 53 | 22.1% |
| 208939mx | The Lure of the Lash: Spectacular Violence and White Ethnonationalism at an Australian Convict Site | 65 | 35 | 30 | 53.8% |
| 9hk2n4qb | Pineal/Perineal: The Anthropological Divide at Monkey Hill | 65 | 22 | 43 | 33.8% |
| 95s7r33q | The Body and the City: Walking Barcelona with las Milicianas and Eileen O’Shaughnessy | 64 | 27 | 37 | 42.2% |
| 0nb91316 | Saints and Zinesters: Fandom and Legacy in the Zine St. Sucia | 61 | 19 | 42 | 31.1% |
| 4ph3p3h2 | Surveillant Movements: Policing and Spatial Production in East German Housing | 58 | 19 | 39 | 32.8% |
| 4rh898sp | Improvising Field Research in COVID-era Hackerspaces | 58 | 35 | 23 | 60.3% |
| 0fq4r01p | Crafting Interiority, or the Evolutionary Objectivity of Vibrating Worlds: An Introduction to Adolf Behne’s “Biology and Cubism” (1915) | 55 | 33 | 22 | 60.0% |
| 5nv0h7jr | Collapsing Autopia: Feliza Bursztyn’s Chatarras | 55 | 31 | 24 | 56.4% |
| 256159kd | Outside of Architecture: Between Mediating and Navigating the Air | 54 | 25 | 29 | 46.3% |
| 2dt5k6sd | Confection and the Aesthetic of Collapse: Luis Vasquez La Roche’s Sugar Cane Field Performances | 54 | 26 | 28 | 48.1% |
| 2f18h8dh | The Landscapes & Material Culture of Empire | 54 | 22 | 32 | 40.7% |
| 1744s5pk | BOOK REVIEW: Christopher P. Heuer, Into the White: The Renaissance Arctic and the End of the Image | 53 | 23 | 30 | 43.4% |
| 8bn3x7z6 | A Hybrid Avant-Garde: Kati Horna’s Balance between Artist Autonomy and Political Engagement | 53 | 20 | 33 | 37.7% |
| 19f2870f | Against 'Nomadism' as Analytic: Pilgrimage Tents at the Hajj Terminal and Mary of Victory, Wigratzbad | 51 | 14 | 37 | 27.5% |
| 5gm726g1 | Front matter | 51 | 29 | 22 | 56.9% |
| 1542j6p1 | Skyscraper Churches and Material Disestablishment at the Fifth Churches of Christ Scientist | 50 | 12 | 38 | 24.0% |
| 27w7t1c8 | Black Magnolia: Counter-Narrating a Plantation Tourist Site | 50 | 25 | 25 | 50.0% |
| 6h1115cp | All Along the Bell Tower: An Analysis of Surveillance and Affect on the Johns Hopkins University Homewood Campus | 48 | 24 | 24 | 50.0% |
| 2tc7f46v | Reflections on Haunting the Canon: The Super-phenomena in Art | 47 | 26 | 21 | 55.3% |
| 30d5c44n | Revolution, Renewable: Subsoil Political Ecologies in Rivera’s Song of the Earth | 47 | 15 | 32 | 31.9% |
| 3gf94944 | A Gendered Response to a Watchful Gaze | 46 | 23 | 23 | 50.0% |
| 7615n0jq | Sydney Cain’s Spiritual Refusals amidst the Afterlives of Slavery | 46 | 26 | 20 | 56.5% |
| 8r7553vj | Introduction: fields of force | 46 | 18 | 28 | 39.1% |
| 95d700gg | Front matter | 43 | 17 | 26 | 39.5% |
| 3v39k5wt | Views of a United Nation | 42 | 17 | 25 | 40.5% |
| 80z3k2r4 | react/review vol. 1, "Representation, Materiality, & the Environment" (2021) | 42 | 21 | 21 | 50.0% |
| 89t4v6wr | Introduction: the spirit in the shadow | 42 | 18 | 24 | 42.9% |
| 5328n741 | react/review vol. 2, "The Spirit in the Shadow" (2022) | 41 | 20 | 21 | 48.8% |
| 5f05n8vj | Churches in a Secular Skyline: Fields of Force and Urban Change | 41 | 10 | 31 | 24.4% |
| 5kb2t56m | react/review vol. 3, fields of force: navigating power in space, place, and landscape | 41 | 22 | 19 | 53.7% |
| 86n0w0gh | Considering Afrofuturism and the Built Environment | 41 | 14 | 27 | 34.1% |
| 1dw3k27x | Un-Mapping Water Labor: Quantitative Slippages in Occupied Cairo | 40 | 19 | 21 | 47.5% |
| 6cm2t3s6 | EXHIBITION REVIEW: Toward Our Digital Futures, a review of @socialdistancegallery | 40 | 22 | 18 | 55.0% |
| 9rg7f04s | A Nationally Rooted Response to Chauvinism | 39 | 9 | 30 | 23.1% |
| 4v3691ph | Doorway to Dissidence: The 1979 Doors Exhibition in the GDR | 38 | 13 | 25 | 34.2% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.