react/review: a responsive journal for art & architecture
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for August through November, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 1sn1j0jk | Pagan Metal Gods: The Use of Mythology and White Supremacy National Socialist Black Metal | 227 | 50 | 177 | 22.0% |
| 5624k78q | Black Metal, White Supremacy, and Fraught Masculinity | 165 | 24 | 141 | 14.5% |
| 55h741bk | Dreaming Out Loud: Aphantasia and the Contingencies of Artistic Imagination | 128 | 38 | 90 | 29.7% |
| 1d7530zh | react/review vol. 4, subversion zones: bodies and spaces at the threshold | 102 | 42 | 60 | 41.2% |
| 2701c3hr | Insights from Ecology for Health: Design Guide for Fostering Human Health and Biodiversity in Cities | 91 | 41 | 50 | 45.1% |
| 2833367t | For Play and Pleasure | 84 | 20 | 64 | 23.8% |
| 4744m5dr | Inefficient, Unsustainable, and Fragmentary: The Rauschenberg Combines as Disabled Bodies | 77 | 34 | 43 | 44.2% |
| 1wj5g2gf | In/Visibility: Beijing Queer Film Festival and Alternative Queer Space | 73 | 22 | 51 | 30.1% |
| 3gh0g1f0 | Introduction: Inhabiting the Uninhabitable at Oakland’s Wood Street Encampment | 71 | 22 | 49 | 31.0% |
| 8t63k6bz | Red Tide and the Anthropological Divide at Lake Merritt in Oakland, California | 70 | 33 | 37 | 47.1% |
| 4481216x | You Can Be Sure of Shell: Oil, Empire, and Landscape in Interwar Britain | 69 | 15 | 54 | 21.7% |
| 5hg7q078 | At Home in the Wild: Race, Power, and Domesticity in the Transatlantic Wallpapers of Zuber & Co. | 68 | 28 | 40 | 41.2% |
| 8mv5w21w | Skating the Surrounds: Chemi Rosado-Seijo’s <em>El Bowl</em> in La Perla, Puerto Rico | 68 | 25 | 43 | 36.8% |
| 13p549gw | Painting Viciously: Antonio Saura’s Monsters and The Francoist Dictatorship (1939-1975) | 67 | 12 | 55 | 17.9% |
| 8jp105fm | “From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale | 65 | 26 | 39 | 40.0% |
| 95s7r33q | The Body and the City: Walking Barcelona with las Milicianas and Eileen O’Shaughnessy | 64 | 26 | 38 | 40.6% |
| 0nb91316 | Saints and Zinesters: Fandom and Legacy in the Zine St. Sucia | 62 | 17 | 45 | 27.4% |
| 1542j6p1 | Skyscraper Churches and Material Disestablishment at the Fifth Churches of Christ Scientist | 62 | 16 | 46 | 25.8% |
| 9hk2n4qb | Pineal/Perineal: The Anthropological Divide at Monkey Hill | 60 | 22 | 38 | 36.7% |
| 208939mx | The Lure of the Lash: Spectacular Violence and White Ethnonationalism at an Australian Convict Site | 57 | 27 | 30 | 47.4% |
| 4ph3p3h2 | Surveillant Movements: Policing and Spatial Production in East German Housing | 55 | 20 | 35 | 36.4% |
| 8bn3x7z6 | A Hybrid Avant-Garde: Kati Horna’s Balance between Artist Autonomy and Political Engagement | 53 | 22 | 31 | 41.5% |
| 8r7553vj | Introduction: fields of force | 52 | 16 | 36 | 30.8% |
| 2dt5k6sd | Confection and the Aesthetic of Collapse: Luis Vasquez La Roche’s Sugar Cane Field Performances | 50 | 23 | 27 | 46.0% |
| 5nv0h7jr | Collapsing Autopia: Feliza Bursztyn’s Chatarras | 50 | 29 | 21 | 58.0% |
| 0fq4r01p | Crafting Interiority, or the Evolutionary Objectivity of Vibrating Worlds: An Introduction to Adolf Behne’s “Biology and Cubism” (1915) | 48 | 27 | 21 | 56.3% |
| 4rh898sp | Improvising Field Research in COVID-era Hackerspaces | 48 | 26 | 22 | 54.2% |
| 1744s5pk | BOOK REVIEW: Christopher P. Heuer, Into the White: The Renaissance Arctic and the End of the Image | 47 | 18 | 29 | 38.3% |
| 19f2870f | Against 'Nomadism' as Analytic: Pilgrimage Tents at the Hajj Terminal and Mary of Victory, Wigratzbad | 47 | 13 | 34 | 27.7% |
| 3gf94944 | A Gendered Response to a Watchful Gaze | 46 | 21 | 25 | 45.7% |
| 256159kd | Outside of Architecture: Between Mediating and Navigating the Air | 45 | 19 | 26 | 42.2% |
| 5gm726g1 | Front matter | 44 | 24 | 20 | 54.5% |
| 89t4v6wr | Introduction: the spirit in the shadow | 44 | 17 | 27 | 38.6% |
| 2f18h8dh | The Landscapes & Material Culture of Empire | 43 | 16 | 27 | 37.2% |
| 5kb2t56m | react/review vol. 3, fields of force: navigating power in space, place, and landscape | 43 | 21 | 22 | 48.8% |
| 7615n0jq | Sydney Cain’s Spiritual Refusals amidst the Afterlives of Slavery | 43 | 19 | 24 | 44.2% |
| 86n0w0gh | Considering Afrofuturism and the Built Environment | 43 | 13 | 30 | 30.2% |
| 5f05n8vj | Churches in a Secular Skyline: Fields of Force and Urban Change | 42 | 8 | 34 | 19.0% |
| 27w7t1c8 | Black Magnolia: Counter-Narrating a Plantation Tourist Site | 40 | 18 | 22 | 45.0% |
| 2tc7f46v | Reflections on Haunting the Canon: The Super-phenomena in Art | 40 | 22 | 18 | 55.0% |
| 6h1115cp | All Along the Bell Tower: An Analysis of Surveillance and Affect on the Johns Hopkins University Homewood Campus | 40 | 20 | 20 | 50.0% |
| 4v3691ph | Doorway to Dissidence: The 1979 Doors Exhibition in the GDR | 38 | 12 | 26 | 31.6% |
| 6cm2t3s6 | EXHIBITION REVIEW: Toward Our Digital Futures, a review of @socialdistancegallery | 35 | 21 | 14 | 60.0% |
| 1dw3k27x | Un-Mapping Water Labor: Quantitative Slippages in Occupied Cairo | 34 | 15 | 19 | 44.1% |
| 3v39k5wt | Views of a United Nation | 34 | 14 | 20 | 41.2% |
| 9rg7f04s | A Nationally Rooted Response to Chauvinism | 34 | 8 | 26 | 23.5% |
| 5328n741 | react/review vol. 2, "The Spirit in the Shadow" (2022) | 33 | 12 | 21 | 36.4% |
| 80z3k2r4 | react/review vol. 1, "Representation, Materiality, & the Environment" (2021) | 33 | 14 | 19 | 42.4% |
| 95d700gg | Front matter | 32 | 8 | 24 | 25.0% |
| 68d3v4t2 | Front Matter | 31 | 9 | 22 | 29.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.