react/review: a responsive journal for art & architecture
Parent: UC Santa Barbara
eScholarship stats: History by Item for May through August, 2024
| Item | Title | Total requests | 2024-08 | 2024-07 | 2024-06 | 2024-05 |
|---|---|---|---|---|---|---|
| 5624k78q | Black Metal, White Supremacy, and Fraught Masculinity | 216 | 58 | 42 | 58 | 58 |
| 1sn1j0jk | Pagan Metal Gods: The Use of Mythology and White Supremacy National Socialist Black Metal | 215 | 60 | 61 | 43 | 51 |
| 1d7530zh | react/review vol. 4, subversion zones: bodies and spaces at the threshold | 187 | 41 | 45 | 48 | 53 |
| 2701c3hr | Insights from Ecology for Health: Design Guide for Fostering Human Health and Biodiversity in Cities | 164 | 39 | 36 | 41 | 48 |
| 3gh0g1f0 | Introduction: Inhabiting the Uninhabitable at Oakland’s Wood Street Encampment | 151 | 28 | 38 | 40 | 45 |
| 2833367t | For Play and Pleasure | 149 | 34 | 40 | 27 | 48 |
| 4744m5dr | Inefficient, Unsustainable, and Fragmentary: The Rauschenberg Combines as Disabled Bodies | 145 | 29 | 29 | 33 | 54 |
| 55h741bk | Dreaming Out Loud: Aphantasia and the Contingencies of Artistic Imagination | 111 | 25 | 21 | 19 | 46 |
| 8t63k6bz | Red Tide and the Anthropological Divide at Lake Merritt in Oakland, California | 92 | 32 | 22 | 9 | 29 |
| 8mv5w21w | Skating the Surrounds: Chemi Rosado-Seijo’s <em>El Bowl</em> in La Perla, Puerto Rico | 81 | 22 | 19 | 13 | 27 |
| 9hk2n4qb | Pineal/Perineal: The Anthropological Divide at Monkey Hill | 77 | 24 | 11 | 17 | 25 |
| 5hg7q078 | At Home in the Wild: Race, Power, and Domesticity in the Transatlantic Wallpapers of Zuber & Co. | 75 | 29 | 26 | 11 | 9 |
| 95s7r33q | The Body and the City: Walking Barcelona with las Milicianas and Eileen O’Shaughnessy | 70 | 29 | 12 | 10 | 19 |
| 1wj5g2gf | In/Visibility: Beijing Queer Film Festival and Alternative Queer Space | 69 | 22 | 18 | 12 | 17 |
| 4481216x | You Can Be Sure of Shell: Oil, Empire, and Landscape in Interwar Britain | 69 | 22 | 17 | 17 | 13 |
| 208939mx | The Lure of the Lash: Spectacular Violence and White Ethnonationalism at an Australian Convict Site | 68 | 32 | 18 | 14 | 4 |
| 8jp105fm | “From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale | 66 | 24 | 22 | 13 | 7 |
| 13p549gw | Painting Viciously: Antonio Saura’s Monsters and The Francoist Dictatorship (1939-1975) | 65 | 20 | 17 | 15 | 13 |
| 0nb91316 | Saints and Zinesters: Fandom and Legacy in the Zine St. Sucia | 61 | 30 | 14 | 6 | 11 |
| 4rh898sp | Improvising Field Research in COVID-era Hackerspaces | 61 | 30 | 17 | 8 | 6 |
| 27w7t1c8 | Black Magnolia: Counter-Narrating a Plantation Tourist Site | 60 | 23 | 15 | 15 | 7 |
| 19f2870f | Against 'Nomadism' as Analytic: Pilgrimage Tents at the Hajj Terminal and Mary of Victory, Wigratzbad | 59 | 11 | 12 | 10 | 26 |
| 256159kd | Outside of Architecture: Between Mediating and Navigating the Air | 59 | 23 | 18 | 10 | 8 |
| 8bn3x7z6 | A Hybrid Avant-Garde: Kati Horna’s Balance between Artist Autonomy and Political Engagement | 58 | 13 | 13 | 12 | 20 |
| 2dt5k6sd | Confection and the Aesthetic of Collapse: Luis Vasquez La Roche’s Sugar Cane Field Performances | 57 | 28 | 15 | 9 | 5 |
| 0fq4r01p | Crafting Interiority, or the Evolutionary Objectivity of Vibrating Worlds: An Introduction to Adolf Behne’s “Biology and Cubism” (1915) | 56 | 28 | 15 | 7 | 6 |
| 1542j6p1 | Skyscraper Churches and Material Disestablishment at the Fifth Churches of Christ Scientist | 55 | 23 | 13 | 9 | 10 |
| 5nv0h7jr | Collapsing Autopia: Feliza Bursztyn’s Chatarras | 52 | 28 | 15 | 5 | 4 |
| 5gm726g1 | Front matter | 51 | 29 | 14 | 5 | 3 |
| 1744s5pk | BOOK REVIEW: Christopher P. Heuer, Into the White: The Renaissance Arctic and the End of the Image | 50 | 26 | 14 | 6 | 4 |
| 4ph3p3h2 | Surveillant Movements: Policing and Spatial Production in East German Housing | 50 | 21 | 12 | 11 | 6 |
| 6h1115cp | All Along the Bell Tower: An Analysis of Surveillance and Affect on the Johns Hopkins University Homewood Campus | 49 | 25 | 11 | 7 | 6 |
| 7615n0jq | Sydney Cain’s Spiritual Refusals amidst the Afterlives of Slavery | 49 | 27 | 12 | 6 | 4 |
| 2f18h8dh | The Landscapes & Material Culture of Empire | 48 | 20 | 16 | 10 | 2 |
| 68d3v4t2 | Front Matter | 47 | 11 | 10 | 10 | 16 |
| 30d5c44n | Revolution, Renewable: Subsoil Political Ecologies in Rivera’s Song of the Earth | 46 | 11 | 24 | 7 | 4 |
| 2tc7f46v | Reflections on Haunting the Canon: The Super-phenomena in Art | 45 | 25 | 13 | 6 | 1 |
| 5kb2t56m | react/review vol. 3, fields of force: navigating power in space, place, and landscape | 45 | 18 | 13 | 8 | 6 |
| 3gf94944 | A Gendered Response to a Watchful Gaze | 43 | 22 | 9 | 7 | 5 |
| 3v39k5wt | Views of a United Nation | 42 | 16 | 14 | 7 | 5 |
| 4v3691ph | Doorway to Dissidence: The 1979 Doors Exhibition in the GDR | 42 | 16 | 11 | 9 | 6 |
| 7mx6q84s | Introduction: Representation, Materiality, & the Environment | 41 | 15 | 14 | 9 | 3 |
| 80z3k2r4 | react/review vol. 1, "Representation, Materiality, & the Environment" (2021) | 41 | 22 | 13 | 5 | 1 |
| 8r7553vj | Introduction: fields of force | 41 | 19 | 12 | 7 | 3 |
| 95d700gg | Front matter | 41 | 15 | 17 | 8 | 1 |
| 6cw2w05v | Author & Editor Biographies | 38 | 15 | 11 | 6 | 6 |
| 89t4v6wr | Introduction: the spirit in the shadow | 38 | 19 | 12 | 6 | 1 |
| 1dw3k27x | Un-Mapping Water Labor: Quantitative Slippages in Occupied Cairo | 37 | 14 | 14 | 6 | 3 |
| 6cm2t3s6 | EXHIBITION REVIEW: Toward Our Digital Futures, a review of @socialdistancegallery | 37 | 19 | 10 | 7 | 1 |
| 4rc0f9fm | Crafting Environmental Citizens | 36 | 16 | 11 | 7 | 2 |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.