react/review: a responsive journal for art & architecture
Parent: UC Santa Barbara
eScholarship stats: History by Item for August through November, 2024
| Item | Title | Total requests | 2024-11 | 2024-10 | 2024-09 | 2024-08 |
|---|---|---|---|---|---|---|
| 1sn1j0jk | Pagan Metal Gods: The Use of Mythology and White Supremacy National Socialist Black Metal | 227 | 55 | 54 | 58 | 60 |
| 5624k78q | Black Metal, White Supremacy, and Fraught Masculinity | 165 | 37 | 43 | 27 | 58 |
| 55h741bk | Dreaming Out Loud: Aphantasia and the Contingencies of Artistic Imagination | 128 | 31 | 41 | 31 | 25 |
| 1d7530zh | react/review vol. 4, subversion zones: bodies and spaces at the threshold | 102 | 15 | 25 | 21 | 41 |
| 2701c3hr | Insights from Ecology for Health: Design Guide for Fostering Human Health and Biodiversity in Cities | 91 | 13 | 25 | 14 | 39 |
| 2833367t | For Play and Pleasure | 84 | 7 | 32 | 11 | 34 |
| 4744m5dr | Inefficient, Unsustainable, and Fragmentary: The Rauschenberg Combines as Disabled Bodies | 77 | 16 | 18 | 14 | 29 |
| 1wj5g2gf | In/Visibility: Beijing Queer Film Festival and Alternative Queer Space | 73 | 15 | 24 | 12 | 22 |
| 3gh0g1f0 | Introduction: Inhabiting the Uninhabitable at Oakland’s Wood Street Encampment | 71 | 14 | 17 | 12 | 28 |
| 8t63k6bz | Red Tide and the Anthropological Divide at Lake Merritt in Oakland, California | 70 | 6 | 17 | 15 | 32 |
| 4481216x | You Can Be Sure of Shell: Oil, Empire, and Landscape in Interwar Britain | 69 | 18 | 16 | 13 | 22 |
| 5hg7q078 | At Home in the Wild: Race, Power, and Domesticity in the Transatlantic Wallpapers of Zuber & Co. | 68 | 21 | 11 | 7 | 29 |
| 8mv5w21w | Skating the Surrounds: Chemi Rosado-Seijo’s <em>El Bowl</em> in La Perla, Puerto Rico | 68 | 12 | 19 | 15 | 22 |
| 13p549gw | Painting Viciously: Antonio Saura’s Monsters and The Francoist Dictatorship (1939-1975) | 67 | 16 | 20 | 11 | 20 |
| 8jp105fm | “From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale | 65 | 17 | 18 | 6 | 24 |
| 95s7r33q | The Body and the City: Walking Barcelona with las Milicianas and Eileen O’Shaughnessy | 64 | 12 | 13 | 10 | 29 |
| 0nb91316 | Saints and Zinesters: Fandom and Legacy in the Zine St. Sucia | 62 | 15 | 13 | 4 | 30 |
| 1542j6p1 | Skyscraper Churches and Material Disestablishment at the Fifth Churches of Christ Scientist | 62 | 25 | 8 | 6 | 23 |
| 9hk2n4qb | Pineal/Perineal: The Anthropological Divide at Monkey Hill | 60 | 6 | 14 | 16 | 24 |
| 208939mx | The Lure of the Lash: Spectacular Violence and White Ethnonationalism at an Australian Convict Site | 57 | 10 | 11 | 4 | 32 |
| 4ph3p3h2 | Surveillant Movements: Policing and Spatial Production in East German Housing | 55 | 9 | 18 | 7 | 21 |
| 8bn3x7z6 | A Hybrid Avant-Garde: Kati Horna’s Balance between Artist Autonomy and Political Engagement | 53 | 13 | 19 | 8 | 13 |
| 8r7553vj | Introduction: fields of force | 52 | 18 | 12 | 3 | 19 |
| 2dt5k6sd | Confection and the Aesthetic of Collapse: Luis Vasquez La Roche’s Sugar Cane Field Performances | 50 | 11 | 6 | 5 | 28 |
| 5nv0h7jr | Collapsing Autopia: Feliza Bursztyn’s Chatarras | 50 | 10 | 6 | 6 | 28 |
| 0fq4r01p | Crafting Interiority, or the Evolutionary Objectivity of Vibrating Worlds: An Introduction to Adolf Behne’s “Biology and Cubism” (1915) | 48 | 8 | 9 | 3 | 28 |
| 4rh898sp | Improvising Field Research in COVID-era Hackerspaces | 48 | 7 | 7 | 4 | 30 |
| 1744s5pk | BOOK REVIEW: Christopher P. Heuer, Into the White: The Renaissance Arctic and the End of the Image | 47 | 8 | 7 | 6 | 26 |
| 19f2870f | Against 'Nomadism' as Analytic: Pilgrimage Tents at the Hajj Terminal and Mary of Victory, Wigratzbad | 47 | 8 | 16 | 12 | 11 |
| 3gf94944 | A Gendered Response to a Watchful Gaze | 46 | 9 | 8 | 7 | 22 |
| 256159kd | Outside of Architecture: Between Mediating and Navigating the Air | 45 | 9 | 7 | 6 | 23 |
| 5gm726g1 | Front matter | 44 | 7 | 7 | 1 | 29 |
| 89t4v6wr | Introduction: the spirit in the shadow | 44 | 14 | 8 | 3 | 19 |
| 2f18h8dh | The Landscapes & Material Culture of Empire | 43 | 5 | 8 | 10 | 20 |
| 5kb2t56m | react/review vol. 3, fields of force: navigating power in space, place, and landscape | 43 | 15 | 8 | 2 | 18 |
| 7615n0jq | Sydney Cain’s Spiritual Refusals amidst the Afterlives of Slavery | 43 | 9 | 5 | 2 | 27 |
| 86n0w0gh | Considering Afrofuturism and the Built Environment | 43 | 10 | 14 | 6 | 13 |
| 5f05n8vj | Churches in a Secular Skyline: Fields of Force and Urban Change | 42 | 11 | 11 | 6 | 14 |
| 27w7t1c8 | Black Magnolia: Counter-Narrating a Plantation Tourist Site | 40 | 5 | 8 | 4 | 23 |
| 2tc7f46v | Reflections on Haunting the Canon: The Super-phenomena in Art | 40 | 6 | 8 | 1 | 25 |
| 6h1115cp | All Along the Bell Tower: An Analysis of Surveillance and Affect on the Johns Hopkins University Homewood Campus | 40 | 3 | 7 | 5 | 25 |
| 4v3691ph | Doorway to Dissidence: The 1979 Doors Exhibition in the GDR | 38 | 11 | 9 | 2 | 16 |
| 6cm2t3s6 | EXHIBITION REVIEW: Toward Our Digital Futures, a review of @socialdistancegallery | 35 | 5 | 8 | 3 | 19 |
| 1dw3k27x | Un-Mapping Water Labor: Quantitative Slippages in Occupied Cairo | 34 | 8 | 10 | 2 | 14 |
| 3v39k5wt | Views of a United Nation | 34 | 6 | 9 | 3 | 16 |
| 9rg7f04s | A Nationally Rooted Response to Chauvinism | 34 | 8 | 7 | 6 | 13 |
| 5328n741 | react/review vol. 2, "The Spirit in the Shadow" (2022) | 33 | 8 | 9 | 7 | 9 |
| 80z3k2r4 | react/review vol. 1, "Representation, Materiality, & the Environment" (2021) | 33 | 4 | 6 | 1 | 22 |
| 95d700gg | Front matter | 32 | 6 | 6 | 5 | 15 |
| 68d3v4t2 | Front Matter | 31 | 5 | 9 | 6 | 11 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.