TRANSIT
Parent: Department of German
eScholarship stats: Breakdown by Item for June through September, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 579 | 168 | 411 | 29.0% |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 499 | 110 | 389 | 22.0% |
| 1hh9d5h5 | Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant | 491 | 354 | 137 | 72.1% |
| 7nm7g8vt | Good-bye, Germany! | 415 | 130 | 285 | 31.3% |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 382 | 60 | 322 | 15.7% |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 375 | 164 | 211 | 43.7% |
| 4fr0n8bw | Ming Wong’s Imitations | 360 | 184 | 176 | 51.1% |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 341 | 197 | 144 | 57.8% |
| 7b1182cz | Visible | 323 | 242 | 81 | 74.9% |
| 9vv4c23p | Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em> , and the Spaces of German | 313 | 66 | 247 | 21.1% |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 309 | 111 | 198 | 35.9% |
| 3r61h87r | The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em> | 305 | 142 | 163 | 46.6% |
| 1nd8r83v | The Courtyard in the Mirror | 268 | 58 | 210 | 21.6% |
| 9sh6n99m | When Texts Travel: Edward Dmytryk’s The Blue Angel (1959) Remake | 248 | 40 | 208 | 16.1% |
| 1wq90314 | The Fourth Memory | 244 | 92 | 152 | 37.7% |
| 6rs845mn | Spoofing Herzog and Herzog Spoofing | 239 | 143 | 96 | 59.8% |
| 8pg5p41w | The Digital Archive of Diaspora: Blogging (Post)Migration | 232 | 46 | 186 | 19.8% |
| 2kd19619 | Archival Dispersals: Literary Magazines as Mobile and Fragmentary Archives | 230 | 52 | 178 | 22.6% |
| 51t4z80h | Displacement vs. Mobility; or, Who Owns the World: An Aesthetic Inquiry into Infrastructure, Common Possession, and Violence in Karim Aïnouz’s Documentary Film Central Airport THF (2017) | 229 | 64 | 165 | 27.9% |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 223 | 71 | 152 | 31.8% |
| 55t4v110 | Pamuk’s Dis-orient: Reassembling Kafka’s Castle in Snow (2002) | 218 | 71 | 147 | 32.6% |
| 9pf4z6vx | Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries | 218 | 86 | 132 | 39.4% |
| 4rs3335n | Istanbul Next Wave and Other Turkish Art Exhibits: From Governance of Culture to Governance through Culture | 217 | 144 | 73 | 66.4% |
| 0fq2m874 | Countermemory and the (Turkish-)German Theatrical Archive: Reading the Documentary Remains of Emine Sevgi Özdamar’s Karagöz in Alamania (1986) | 213 | 44 | 169 | 20.7% |
| 0n29d6wr | Serdar Somuncu: Turkish German Comedy as Transnational Intervention | 213 | 37 | 176 | 17.4% |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 213 | 59 | 154 | 27.7% |
| 6382b28h | Travelling without Moving: Physical and Linguistic Mobility in Yoko Tawada's <em>Überseezungen</em> | 212 | 56 | 156 | 26.4% |
| 23t4g25g | Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film | 208 | 48 | 160 | 23.1% |
| 2p76v205 | Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past | 207 | 43 | 164 | 20.8% |
| 1qw9r66b | Yüksel Yavuz’s <em>Kleine Freiheit / A Little Bit of Freedom</em> | 206 | 39 | 167 | 18.9% |
| 4g5466t3 | Migration as Textual Strategy in Barbara Honigmann's 'Eine Liebe aus Nichts' (1991) | 203 | 32 | 171 | 15.8% |
| 97j2t1q1 | From Colonial to Neoliberal Times: German Agents of Tourism Development and Business in Diani, Kenya | 200 | 59 | 141 | 29.5% |
| 4qc3v86m | Jews, Ethnicity and Identity in Early Modern Hamburg | 199 | 60 | 139 | 30.2% |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 198 | 61 | 137 | 30.8% |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em> , by Wolfram Wette | 196 | 51 | 145 | 26.0% |
| 7xh9710d | The New Diversity and the New Public: Impressions of dOCUMENTA (13) | 195 | 100 | 95 | 51.3% |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 194 | 38 | 156 | 19.6% |
| 44s393tx | Introduction: Reexamining Turkish German Archive(s) | 193 | 32 | 161 | 16.6% |
| 9vv631q8 | Dejima and Huis Ten Bosch – Two Dutch Cities in Japan | 193 | 99 | 94 | 51.3% |
| 5sg5r8ms | Stefan Zweig's Fear of Postcolonialism | 191 | 45 | 146 | 23.6% |
| 4p03k913 | The Hour of Assembly | 187 | 33 | 154 | 17.6% |
| 0r8044wd | PROJECT ONE: WorldLiterature@UCLA Tracking International Publics with Goethe | 186 | 84 | 102 | 45.2% |
| 0hr618pc | The Reconciliatory Potential of Objects in Stefan Chwin’s novel Death in Danzig | 185 | 57 | 128 | 30.8% |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 183 | 44 | 139 | 24.0% |
| 2qs5b2f3 | Remediating Fassbinder in Video Installations by Ming Wong and Branwen Okpako | 178 | 52 | 126 | 29.2% |
| 3399f59t | Deterritorialized Travels: Notes on World, Earth, and Literature in the Work of Deleuze and Guattari | 176 | 57 | 119 | 32.4% |
| 62k1445w | Remembering and Remapping Breslaff: Resurfacing German and Queer Topographies in Contemporary Polish Literature | 176 | 78 | 98 | 44.3% |
| 2t99f3ck | Escaping the Hamster Wheel: Creative Remembrance in Traveling Archives | 170 | 84 | 86 | 49.4% |
| 72n41932 | German in Transit | 169 | 73 | 96 | 43.2% |
| 7dx4811v | Hardboiled Performance and Affective Intimacy: Remediations of Racism in the Cenk Batu Tatorte | 169 | 53 | 116 | 31.4% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.