TRANSIT
Parent: Department of German
eScholarship stats: Breakdown by Item for February through May, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 1,017 | 207 | 810 | 20.4% |
| 05v6x4cz | Language | 297 | 190 | 107 | 64.0% |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 247 | 34 | 213 | 13.8% |
| 1nd8r83v | The Courtyard in the Mirror | 240 | 170 | 70 | 70.8% |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 238 | 25 | 213 | 10.5% |
| 3f08h6rr | “With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016) | 222 | 12 | 210 | 5.4% |
| 3vr5v24v | Emotionale Landschaften der Migration: Von unsichtbaren Grenzen, Nicht-Ankommen und dem Tod in Stanišićs Herkunft und Varatharajahs Vor der Zunahme der Zeichen | 207 | 36 | 171 | 17.4% |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 194 | 56 | 138 | 28.9% |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 179 | 46 | 133 | 25.7% |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 157 | 77 | 80 | 49.0% |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em>, by Wolfram Wette | 156 | 15 | 141 | 9.6% |
| 6ns880hg | "Where Europe Begins": A Selection from the Short Story | 152 | 108 | 44 | 71.1% |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 150 | 42 | 108 | 28.0% |
| 7nm7g8vt | Good-bye, Germany! | 133 | 19 | 114 | 14.3% |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 132 | 31 | 101 | 23.5% |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 128 | 15 | 113 | 11.7% |
| 91n8m3w0 | "Meine eigene Geschichte": Identity Construction Through Reading in Abbas Khider's Der falsche Inder | 121 | 29 | 92 | 24.0% |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 119 | 46 | 73 | 38.7% |
| 2t99f3ck | Escaping the Hamster Wheel: Creative Remembrance in Traveling Archives | 119 | 63 | 56 | 52.9% |
| 4h2456f7 | Das deutsche Kolonialerbe in der Jugendkolonialliteratur der BRD und der DDR | 119 | 38 | 81 | 31.9% |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 119 | 26 | 93 | 21.8% |
| 4fr0n8bw | Ming Wong’s Imitations | 118 | 29 | 89 | 24.6% |
| 40c0p443 | Towards a European Postmigrant Aesthetics: Christian Petzold's Transit (2018), Phoenix (2014), and Jerichow (2008) | 116 | 12 | 104 | 10.3% |
| 9gp0f163 | Multilingual Development in Germany in the Crossfire of Ideology and Politics: Monolingual and Multilingual Expectations, Polylingual Practices | 114 | 67 | 47 | 58.8% |
| 4tc204x4 | The Archive, the Activist, and the Audience, or Black European Studies: A Comparative Interdisciplinary Study of Identities, Positionalities, and Differences | 112 | 23 | 89 | 20.5% |
| 9vv4c23p | Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em>, and the Spaces of German | 112 | 15 | 97 | 13.4% |
| 8v8324k1 | Privileges | 111 | 59 | 52 | 53.2% |
| 1fg5301x | Not Another Exilic Movie: Alienation and the Everyday in Shahid Saless's Reifezeit and Tagebuch eines Liebenden | 107 | 7 | 100 | 6.5% |
| 3823n7jn | BOOK REVIEW: The Naked Eye, by Yoko Tawada | 105 | 49 | 56 | 46.7% |
| 39j1t7dk | The Figure of the Exiled Writer in Comparison: Intertextuality in Lion Feuchtwanger's Exil (1940) and Abbas Khider's Der falsche Inder (2008) | 105 | 30 | 75 | 28.6% |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 104 | 16 | 88 | 15.4% |
| 9pf4z6vx | Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries | 104 | 18 | 86 | 17.3% |
| 8wm4w20x | November: A Film Treatment | 102 | 14 | 88 | 13.7% |
| 42k4j4t4 | Sex | 101 | 12 | 89 | 11.9% |
| 9tb3h0dw | Black German by Theodor Michael | 100 | 10 | 90 | 10.0% |
| 6kx510p3 | "Biohaus": The Bauhaus and the Biopolitics of Global Space | 98 | 29 | 69 | 29.6% |
| 1qw9r66b | Yüksel Yavuz’s <em>Kleine Freiheit / A Little Bit of Freedom</em> | 97 | 8 | 89 | 8.2% |
| 7b1182cz | Visible | 96 | 43 | 53 | 44.8% |
| 93t927vj | The Cousin | 93 | 20 | 73 | 21.5% |
| 7sd2s0v6 | How Does Arriving Feel? Modulating a Cinematic Sense of Commonality | 92 | 9 | 83 | 9.8% |
| 14z3z257 | BOOK REVIEW: Fatima El-Tayeb, European Others | 91 | 8 | 83 | 8.8% |
| 6t02590p | Ernst Lubitsch & the Transnational Twenties: The Student Prince in Old Heidelberg (USA 1927) | 91 | 11 | 80 | 12.1% |
| 4qc3v86m | Jews, Ethnicity and Identity in Early Modern Hamburg | 90 | 21 | 69 | 23.3% |
| 5gc5q4hv | Between Victim and Perpetrator Imaginary: The Implicated Subject in Works by Rachel Seiffert and Cate Shortland | 89 | 17 | 72 | 19.1% |
| 0992s897 | Songs of the Refugees | 88 | 21 | 67 | 23.9% |
| 4cx996r7 | My Place | 88 | 23 | 65 | 26.1% |
| 6k17145d | Narratives and Counternarratives of German Borderscapes in Olivia Wenzel's 1000 Serpentinen Angst | 88 | 16 | 72 | 18.2% |
| 6rf6z24d | "I was received by the city as I stepped into the world again" | 88 | 14 | 74 | 15.9% |
| 3r61h87r | The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em> | 87 | 33 | 54 | 37.9% |
| 5sg5r8ms | Stefan Zweig's Fear of Postcolonialism | 87 | 10 | 77 | 11.5% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.