TRANSIT
Parent: Department of German
eScholarship stats: Breakdown by Item for January through April, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 3,014 | 291 | 2,723 | 9.7% |
| 3f08h6rr | “With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016) | 220 | 14 | 206 | 6.4% |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 203 | 61 | 142 | 30.0% |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 196 | 37 | 159 | 18.9% |
| 3vr5v24v | Emotionale Landschaften der Migration: Von unsichtbaren Grenzen, Nicht-Ankommen und dem Tod in Stanišićs Herkunft und Varatharajahs Vor der Zunahme der Zeichen | 196 | 39 | 157 | 19.9% |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 179 | 25 | 154 | 14.0% |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 176 | 41 | 135 | 23.3% |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em>, by Wolfram Wette | 162 | 13 | 149 | 8.0% |
| 7nm7g8vt | Good-bye, Germany! | 162 | 19 | 143 | 11.7% |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 159 | 83 | 76 | 52.2% |
| 1nd8r83v | The Courtyard in the Mirror | 158 | 90 | 68 | 57.0% |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 155 | 42 | 113 | 27.1% |
| 6ns880hg | "Where Europe Begins": A Selection from the Short Story | 152 | 110 | 42 | 72.4% |
| 05v6x4cz | Language | 134 | 105 | 29 | 78.4% |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 131 | 36 | 95 | 27.5% |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 129 | 16 | 113 | 12.4% |
| 4h2456f7 | Das deutsche Kolonialerbe in der Jugendkolonialliteratur der BRD und der DDR | 124 | 43 | 81 | 34.7% |
| 40c0p443 | Towards a European Postmigrant Aesthetics: Christian Petzold's Transit (2018), Phoenix (2014), and Jerichow (2008) | 118 | 18 | 100 | 15.3% |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 118 | 18 | 100 | 15.3% |
| 9vv4c23p | Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em>, and the Spaces of German | 118 | 19 | 99 | 16.1% |
| 8v8324k1 | Privileges | 115 | 66 | 49 | 57.4% |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 111 | 41 | 70 | 36.9% |
| 4fr0n8bw | Ming Wong’s Imitations | 108 | 26 | 82 | 24.1% |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 108 | 27 | 81 | 25.0% |
| 9gp0f163 | Multilingual Development in Germany in the Crossfire of Ideology and Politics: Monolingual and Multilingual Expectations, Polylingual Practices | 108 | 73 | 35 | 67.6% |
| 91n8m3w0 | "Meine eigene Geschichte": Identity Construction Through Reading in Abbas Khider's Der falsche Inder | 106 | 24 | 82 | 22.6% |
| 7sd2s0v6 | How Does Arriving Feel? Modulating a Cinematic Sense of Commonality | 103 | 8 | 95 | 7.8% |
| 3pz8z9z1 | In the Postmonolingual Condition: Karin Sander’s <em>Wordsearch</em> and Yoko Tawada’s Wordplay | 102 | 23 | 79 | 22.5% |
| 3hv706g2 | Amigo Armado | 100 | 6 | 94 | 6.0% |
| 4rw9f66w | Fears | 100 | 8 | 92 | 8.0% |
| 3823n7jn | BOOK REVIEW: The Naked Eye, by Yoko Tawada | 99 | 50 | 49 | 50.5% |
| 1x84x67r | Willkommenskultur: A Computational and Socio-linguistic Study of Modern German Discourse on Migrant Populations | 97 | 8 | 89 | 8.2% |
| 0992s897 | Songs of the Refugees | 95 | 20 | 75 | 21.1% |
| 14z3z257 | BOOK REVIEW: Fatima El-Tayeb, European Others | 93 | 7 | 86 | 7.5% |
| 7dx4811v | Hardboiled Performance and Affective Intimacy: Remediations of Racism in the Cenk Batu Tatorte | 93 | 7 | 86 | 7.5% |
| 9tb3h0dw | Black German by Theodor Michael | 93 | 10 | 83 | 10.8% |
| 39j1t7dk | The Figure of the Exiled Writer in Comparison: Intertextuality in Lion Feuchtwanger's Exil (1940) and Abbas Khider's Der falsche Inder (2008) | 92 | 29 | 63 | 31.5% |
| 93t927vj | The Cousin | 92 | 22 | 70 | 23.9% |
| 7b1182cz | Visible | 91 | 47 | 44 | 51.6% |
| 8wm4w20x | November: A Film Treatment | 91 | 19 | 72 | 20.9% |
| 6k17145d | Narratives and Counternarratives of German Borderscapes in Olivia Wenzel's 1000 Serpentinen Angst | 90 | 24 | 66 | 26.7% |
| 97j2t1q1 | From Colonial to Neoliberal Times: German Agents of Tourism Development and Business in Diani, Kenya | 90 | 38 | 52 | 42.2% |
| 9pf4z6vx | Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries | 89 | 16 | 73 | 18.0% |
| 1fg5301x | Not Another Exilic Movie: Alienation and the Everyday in Shahid Saless's Reifezeit and Tagebuch eines Liebenden | 88 | 8 | 80 | 9.1% |
| 4130n258 | BOOK REVIEW: Amerika und die deutschsprachige Literatur nach 1848. Migration – kultureller Austausch – frühe Globalisierung, hrsg. von Christof Hamann, Ute Gerhard, und Walter Grünzweig | 88 | 8 | 80 | 9.1% |
| 1h59512w | PROJECT TWO: Patterns of the Anthemion: Discovering Networks of Coincidence in W.G. Sebald’s Die Ausgewanderten | 87 | 10 | 77 | 11.5% |
| 3r61h87r | The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em> | 87 | 31 | 56 | 35.6% |
| 61g6h274 | Train Journeys in Postmemorial Narratives of Heimatverlust: Reinhard Jirgl’s Die Unvollendeten and Sabrina Janesch’s Katzenberge | 87 | 19 | 68 | 21.8% |
| 6w635760 | Home | 87 | 25 | 62 | 28.7% |
| 2gq4t3b0 | Ungehaltene neue deutsche Literatur | 86 | 10 | 76 | 11.6% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.