Department of Comparative Literature
Parent: UC Berkeley
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 03d7j97v | Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas | 630 | 194 | 436 | 30.8% |
| 1pc602bp | Imagining Democracy, Punishment, and Infinity: Giovanni Battista Piranesi’s <em>Carceri d’invenzione</em> | 595 | 36 | 559 | 6.1% |
| 07p7s98p | This American Voice: The Odd Timbre of a New Standard in Public Radio | 310 | 96 | 214 | 31.0% |
| 55w079x8 | The Sonic Turn | 278 | 184 | 94 | 66.2% |
| 3885p1gd | Who is a Yid? Reading the journal Der Yid beyond the Hebraist – Yiddishist binary | 228 | 166 | 62 | 72.8% |
| 4z54z97g | Excerpt from <em>Domestic Subjects: Gender, Citizenship, and Law in Native American Literature</em> | 223 | 74 | 149 | 33.2% |
| 2c33x22k | The Detective Turned Freudian Psychoanalyst: “Detective Fever” and Confession in Wilkie Collins’ <em>The Moonstone</em> | 188 | 36 | 152 | 19.1% |
| 2sp7x9m6 | Skeletons in the Hebrew Closet: Yiddish Translations of “In the City of Killing” by Y. L. Peretz and H. N. Bialik and the Conflict over Revival | 180 | 76 | 104 | 42.2% |
| 85s9j07m | Forgotten Histories of the AudiobookTape, Text, Speech, and Sound from Esteban Montejo and Miguel Barnet’s Biografía de un cimarrón to Andy Warhol’s a: a novel | 167 | 31 | 136 | 18.6% |
| 0zg0d1jp | IntroductionLanguage-in-Use and Literary Fieldwork | 164 | 38 | 126 | 23.2% |
| 98f383v0 | Formative Modernists: Ordinary Sympathy, Sublime Provocation, and Ethics in Thomas Mann and Virginia Woolf | 161 | 62 | 99 | 38.5% |
| 12m2s61g | Real-to-ReelSocial Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works | 154 | 37 | 117 | 24.0% |
| 5wb7s5m0 | “Rigoberta's Listener”: The Significance of Sound in Testimonio | 150 | 42 | 108 | 28.0% |
| 72c055gs | Dreams of a Jewish Queen: A Literary Itinerary of National-Sexual Desires, from the Book of Esther to Aaron Zeitlin’s Esterke | 105 | 29 | 76 | 27.6% |
| 7px7g98f | Realismo sonoro y fidelidad literaria: Las obras de cinta de Eduardo Costa | 97 | 21 | 76 | 21.6% |
| 2w15n2mp | The Mark of the Detail: Universalism, Type, Difference | 89 | 42 | 47 | 47.2% |
| 3jh3f56x | Revival and Decay: On the Politics of Gothic Ambivalences in Modern Hebrew Literature | 88 | 28 | 60 | 31.8% |
| 15v12688 | No Transmitter: Clandestine Radio Listening Communities in Ricardo Piglia's <em>The Absent City</em> | 81 | 32 | 49 | 39.5% |
| 2m19v015 | In the Cards: Prophecy and the Gamble of Language in Borges's "El truco" | 66 | 20 | 46 | 30.3% |
| 7g06j721 | The Archaeology of a Discipline and the Discipline To Come | 53 | 13 | 40 | 24.5% |
| 0dq0h1c2 | Diane...The Personal Voice Recorder in Twin Peaks | 50 | 0 | 50 | 0.0% |
| 188172zg | Wireless materials: radio cultures in Ireland, Latin America, and the United States at the mid-century | 44 | 18 | 26 | 40.9% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.