Department of Comparative Literature
Parent: UC Berkeley
eScholarship stats: Breakdown by Item for May through August, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 03d7j97v | Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas | 177 | 67 | 110 | 37.9% |
| 55w079x8 | The Sonic Turn | 100 | 80 | 20 | 80.0% |
| 12m2s61g | Real-to-ReelSocial Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works | 89 | 5 | 84 | 5.6% |
| 2c33x22k | The Detective Turned Freudian Psychoanalyst: “Detective Fever” and Confession in Wilkie Collins’ <em>The Moonstone</em> | 83 | 22 | 61 | 26.5% |
| 2sp7x9m6 | Skeletons in the Hebrew Closet: Yiddish Translations of “In the City of Killing” by Y. L. Peretz and H. N. Bialik and the Conflict over Revival | 75 | 19 | 56 | 25.3% |
| 4z54z97g | Excerpt from <em>Domestic Subjects: Gender, Citizenship, and Law in Native American Literature</em> | 57 | 12 | 45 | 21.1% |
| 188172zg | Wireless materials: radio cultures in Ireland, Latin America, and the United States at the mid-century | 52 | 27 | 25 | 51.9% |
| 1pc602bp | Imagining Democracy, Punishment, and Infinity: Giovanni Battista Piranesi’s <em>Carceri d’invenzione</em> | 47 | 12 | 35 | 25.5% |
| 7px7g98f | Realismo sonoro y fidelidad literaria: Las obras de cinta de Eduardo Costa | 45 | 19 | 26 | 42.2% |
| 2w15n2mp | The Mark of the Detail: Universalism, Type, Difference | 36 | 16 | 20 | 44.4% |
| 07p7s98p | This American Voice: The Odd Timbre of a New Standard in Public Radio | 33 | 7 | 26 | 21.2% |
| 85s9j07m | Forgotten Histories of the AudiobookTape, Text, Speech, and Sound from Esteban Montejo and Miguel Barnet’s Biografía de un cimarrón to Andy Warhol’s a: a novel | 31 | 15 | 16 | 48.4% |
| 98f383v0 | Formative Modernists: Ordinary Sympathy, Sublime Provocation, and Ethics in Thomas Mann and Virginia Woolf | 31 | 6 | 25 | 19.4% |
| 2m19v015 | In the Cards: Prophecy and the Gamble of Language in Borges's "El truco" | 29 | 9 | 20 | 31.0% |
| 0dq0h1c2 | Diane...The Personal Voice Recorder in Twin Peaks | 26 | 0 | 26 | 0.0% |
| 0zg0d1jp | IntroductionLanguage-in-Use and Literary Fieldwork | 25 | 8 | 17 | 32.0% |
| 5wb7s5m0 | “Rigoberta's Listener”: The Significance of Sound in Testimonio | 25 | 9 | 16 | 36.0% |
| 15v12688 | No Transmitter: Clandestine Radio Listening Communities in Ricardo Piglia's <em>The Absent City</em> | 23 | 11 | 12 | 47.8% |
| 7g06j721 | The Archaeology of a Discipline and the Discipline To Come | 21 | 5 | 16 | 23.8% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.