Department of Comparative Literature
Parent: UC Berkeley
eScholarship stats: History by Item for June through September, 2026
| Item | Title | Total requests | 2026-09 | 2026-08 | 2026-07 | 2026-06 |
|---|---|---|---|---|---|---|
| 03d7j97v | Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas | 1,074 | 275 | 122 | 60 | 617 |
| 07p7s98p | This American Voice: The Odd Timbre of a New Standard in Public Radio | 414 | 65 | 102 | 81 | 166 |
| 55w079x8 | The Sonic Turn | 336 | 45 | 69 | 74 | 148 |
| 5wb7s5m0 | “Rigoberta's Listener”: The Significance of Sound in Testimonio | 326 | 33 | 50 | 29 | 214 |
| 85s9j07m | Forgotten Histories of the AudiobookTape, Text, Speech, and Sound from Esteban Montejo and Miguel Barnet’s Biografía de un cimarrón to Andy Warhol’s a: a novel | 325 | 20 | 80 | 23 | 202 |
| 1pc602bp | Imagining Democracy, Punishment, and Infinity: Giovanni Battista Piranesi’s <em>Carceri d’invenzione</em> | 305 | 96 | 63 | 28 | 118 |
| 3885p1gd | Who is a Yid? Reading the journal Der Yid beyond the Hebraist – Yiddishist binary | 224 | 58 | 52 | 46 | 68 |
| 4z54z97g | Excerpt from <em>Domestic Subjects: Gender, Citizenship, and Law in Native American Literature</em> | 222 | 64 | 52 | 32 | 74 |
| 12m2s61g | Real-to-ReelSocial Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works | 214 | 36 | 20 | 44 | 114 |
| 0zg0d1jp | IntroductionLanguage-in-Use and Literary Fieldwork | 210 | 39 | 44 | 33 | 94 |
| 2sp7x9m6 | Skeletons in the Hebrew Closet: Yiddish Translations of “In the City of Killing” by Y. L. Peretz and H. N. Bialik and the Conflict over Revival | 184 | 53 | 47 | 39 | 45 |
| 2c33x22k | The Detective Turned Freudian Psychoanalyst: “Detective Fever” and Confession in Wilkie Collins’ <em>The Moonstone</em> | 168 | 55 | 57 | 21 | 35 |
| 98f383v0 | Formative Modernists: Ordinary Sympathy, Sublime Provocation, and Ethics in Thomas Mann and Virginia Woolf | 158 | 40 | 46 | 26 | 46 |
| 7px7g98f | Realismo sonoro y fidelidad literaria: Las obras de cinta de Eduardo Costa | 123 | 24 | 26 | 23 | 50 |
| 15v12688 | No Transmitter: Clandestine Radio Listening Communities in Ricardo Piglia's <em>The Absent City</em> | 113 | 19 | 29 | 11 | 54 |
| 72c055gs | Dreams of a Jewish Queen: A Literary Itinerary of National-Sexual Desires, from the Book of Esther to Aaron Zeitlin’s Esterke | 104 | 23 | 42 | 10 | 29 |
| 2w15n2mp | The Mark of the Detail: Universalism, Type, Difference | 93 | 18 | 17 | 16 | 42 |
| 2m19v015 | In the Cards: Prophecy and the Gamble of Language in Borges's "El truco" | 83 | 19 | 17 | 8 | 39 |
| 3jh3f56x | Revival and Decay: On the Politics of Gothic Ambivalences in Modern Hebrew Literature | 76 | 11 | 26 | 11 | 28 |
| 0dq0h1c2 | Diane...The Personal Voice Recorder in Twin Peaks | 60 | 22 | 6 | 2 | 30 |
| 7g06j721 | The Archaeology of a Discipline and the Discipline To Come | 49 | 14 | 14 | 4 | 17 |
| 188172zg | Wireless materials: radio cultures in Ireland, Latin America, and the United States at the mid-century | 41 | 8 | 10 | 8 | 15 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.