Department of Comparative Literature
Parent: UC Berkeley
eScholarship stats: History by Item for January through April, 2024
| Item | Title | Total requests | 2024-04 | 2024-03 | 2024-02 | 2024-01 |
|---|---|---|---|---|---|---|
| 03d7j97v | Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas | 622 | 151 | 222 | 163 | 86 |
| 4z54z97g | Excerpt from <em>Domestic Subjects: Gender, Citizenship, and Law in Native American Literature</em> | 295 | 28 | 12 | 38 | 217 |
| 2sp7x9m6 | Skeletons in the Hebrew Closet: Yiddish Translations of “In the City of Killing” by Y. L. Peretz and H. N. Bialik and the Conflict over Revival | 87 | 31 | 24 | 13 | 19 |
| 2c33x22k | The Detective Turned Freudian Psychoanalyst: “Detective Fever” and Confession in Wilkie Collins’ <em>The Moonstone</em> | 86 | 35 | 22 | 14 | 15 |
| 55w079x8 | The Sonic Turn | 74 | 33 | 9 | 16 | 16 |
| 1pc602bp | Imagining Democracy, Punishment, and Infinity: Giovanni Battista Piranesi’s <em>Carceri d’invenzione</em> | 58 | 10 | 21 | 13 | 14 |
| 12m2s61g | Real-to-ReelSocial Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works | 42 | 15 | 6 | 12 | 9 |
| 07p7s98p | This American Voice: The Odd Timbre of a New Standard in Public Radio | 39 | 3 | 12 | 12 | 12 |
| 7px7g98f | Realismo sonoro y fidelidad literaria: Las obras de cinta de Eduardo Costa | 30 | 7 | 6 | 6 | 11 |
| 98f383v0 | Formative Modernists: Ordinary Sympathy, Sublime Provocation, and Ethics in Thomas Mann and Virginia Woolf | 27 | 3 | 11 | 4 | 9 |
| 5wb7s5m0 | “Rigoberta's Listener”: The Significance of Sound in Testimonio | 26 | 10 | 7 | 4 | 5 |
| 85s9j07m | Forgotten Histories of the AudiobookTape, Text, Speech, and Sound from Esteban Montejo and Miguel Barnet’s Biografía de un cimarrón to Andy Warhol’s a: a novel | 25 | 8 | 2 | 8 | 7 |
| 2w15n2mp | The Mark of the Detail: Universalism, Type, Difference | 16 | 5 | 6 | 4 | 1 |
| 0dq0h1c2 | Diane...The Personal Voice Recorder in Twin Peaks | 14 | 4 | 3 | 3 | 4 |
| 15v12688 | No Transmitter: Clandestine Radio Listening Communities in Ricardo Piglia's <em>The Absent City</em> | 13 | 1 | 4 | 5 | 3 |
| 0zg0d1jp | IntroductionLanguage-in-Use and Literary Fieldwork | 9 | 2 | 3 | 1 | 3 |
| 2m19v015 | In the Cards: Prophecy and the Gamble of Language in Borges's "El truco" | 9 | 4 | 1 | 3 | 1 |
| 7g06j721 | The Archaeology of a Discipline and the Discipline To Come | 6 | 2 | 1 | 2 | 1 |
| 188172zg | Wireless materials: radio cultures in Ireland, Latin America, and the United States at the mid-century | 3 | 2 | 1 |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.