Global Urban Humanities/Future Histories Lab
Parent: UC Berkeley
eScholarship stats: Breakdown by Item for May through August, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 38g666th | <em>P[art]icipatory Urbanisms- an anthology</em>, University of California, Berkeley (2015) | 1,050 | 937 | 113 | 89.2% |
| 4rs1c45v | <em>Embodying Peripheries,</em> Firenze University Press (2022) | 846 | 794 | 52 | 93.9% |
| 63d1t4fr | Art + Village + City in the Pearl River Delta | 514 | 110 | 404 | 21.4% |
| 1tt7c1bq | <em>P[art]icipatory Urbanisms- Interviews with Urban Practioners, </em>University of California, Berkeley (2015) | 365 | 332 | 33 | 91.0% |
| 3tx0n16c | Archiving as Social Justice Practice <strong>| </strong>Summer 2022 Studio Course | 363 | 52 | 311 | 14.3% |
| 53m4m68h | Berlin:The Guilt Environment | Spring 2020 Studio Course | 253 | 184 | 69 | 72.7% |
| 6jp8d6n5 | Art + Village + City in the Pearl River Delta<em> (2015)</em> | 251 | 177 | 74 | 70.5% |
| 1zh114k8 | Designing by Radical Indigenism- <em>in Landscape Architecture Frontiers (2020)</em> | 243 | 157 | 86 | 64.6% |
| 0bg0k4pd | City of One Thousand Temples | 238 | 148 | 90 | 62.2% |
| 5mh2f2h8 | Radical History of Chinatown: Designing a Digital Tour | Spring 2023 Studio Course | 238 | 189 | 49 | 79.4% |
| 0h32m6fg | Art+Village+City- <em>in Thresholds (2016)</em> | 234 | 138 | 96 | 59.0% |
| 9v64g49s | The Buzz Studio: Planning Equitable Cities for People and Pollinators | Spring 2022 Studio Course | 234 | 170 | 64 | 72.6% |
| 1wt9d2zs | Water's Pilgrimage in Rome | 232 | 164 | 68 | 70.7% |
| 70h0p22z | Concrete's Many Fair-Faces | 229 | 188 | 41 | 82.1% |
| 7dc4t2wz | Borderwall Urbanism | Spring 2018 Studio Course | 220 | 188 | 32 | 85.5% |
| 8648n3ws | <strong>Siteworks: Understanding Place through Design and Performance | </strong>Spring 2018 Studio Course | 213 | 169 | 44 | 79.3% |
| 011364b0 | Blacksmith Caravans on the Move | 210 | 138 | 72 | 65.7% |
| 7685c7cq | East Bay Revolution: Urban Spaces of Protest and Counterculture Practice | Spring 2020 Studio Course | 210 | 173 | 37 | 82.4% |
| 2wk1f2rv | Sites of Representation | 208 | 180 | 28 | 86.5% |
| 4772f7hg | Ziyaretler | 203 | 187 | 16 | 92.1% |
| 3k34w1fg | Urban Place Making/ Performing Rural Memories | 193 | 178 | 15 | 92.2% |
| 365461jf | Review of Colorless Tsukuru Tazaki and His Years of Pilgrimage | 179 | 38 | 141 | 21.2% |
| 3v00t20h | Spatial Scale and the Urban Everyday: The Physiology as a Traveling Genre (Paris: St. Petersburg, Tiflis)- in<em> The Cambridge History of World Literature (2021)</em> | 177 | 97 | 80 | 54.8% |
| 01f2x1sm | New Orleans: Historical Memory and Urban Design | Spring 2019 Studio Course | 176 | 116 | 60 | 65.9% |
| 46m3912n | <em>Borderwall Urbanisms: Dispatches from the US/Mexico Border</em>, University of California, Berkeley (2018) | 160 | 112 | 48 | 70.0% |
| 8nf5c8kk | <strong>Art+Village+City in the Pearl River Delta </strong>| Spring 2015 Studio course | 160 | 102 | 58 | 63.8% |
| 44z5r8kr | “For the Love of People” Berkeley's Rainbow Sign and the Secret History of the Black Arts Movement in <em>Current Research in Digital History (2019)</em> | 154 | 47 | 107 | 30.5% |
| 0wt7x71f | Journey to Juazeiro | 144 | 66 | 78 | 45.8% |
| 33h894f1 | Mexico City: Materiality, Performance and Power- <em>in Thesis Report from the Universidad Autónoma Metropolitana, Unidad Cuajimalpa (2016)</em> | 142 | 93 | 49 | 65.5% |
| 0sf7t3vs | Art, Cinema, and Life Outside the Imperial Ring | 131 | 52 | 79 | 39.7% |
| 3572z0cw | Mapping and its Discontents | Fall 2013 Symposium | 127 | 92 | 35 | 72.4% |
| 0bx12481 | Kingship, Buddhism and the Forging of a Region | 123 | 74 | 49 | 60.2% |
| 29h9z2nv | The Battle of the Bulb: Nature, Culture and Art at a San Francisco Bay Landfill- <em>in Boom California (2016)</em> | 123 | 32 | 91 | 26.0% |
| 2rv680fr | Place-Based Storytelling Techniques and Technologies | Fall 2021 Colloquium | 122 | 57 | 65 | 46.7% |
| 4p39n8qm | National Parks and Regional Parks: Telling History in Parks | Brian Holt & Kelli English (Lecture, 80 minutes) | 118 | 0 | 118 | 0.0% |
| 5xz8q46p | Populism, art and the city: An interdisciplinary pedagogy for our time- <em>in Journal of Urban Cultural Studies (2018)</em> | 116 | 43 | 73 | 37.1% |
| 1km4m2xf | Practicing Geohumanities- <em>in GeoHumanities (2015)</em> | 114 | 24 | 90 | 21.1% |
| 14b1x3b4 | Monumental Hydraulics: Diego Rivera’s Lerma Waterworks and the Water Temples of San Francisco- <em>in Boom California (2016)</em> | 113 | 38 | 75 | 33.6% |
| 80b0k814 | Public Space: Placemaking and Performance | Spring 2015 Studio Course | 113 | 44 | 69 | 38.9% |
| 9966s4vx | <strong>Public Art and Social Justice: Mapping Mural Art and Narratives | </strong>Summer 2021 Studio Course | 112 | 41 | 71 | 36.6% |
| 0zv7x6cv | The Museum and the City: Reimagining the Oakland Mueum of California and its Neighborhoods | Spring 2016 Studio Course | 102 | 48 | 54 | 47.1% |
| 0x938378 | GeoGuessr's Digital Pilgrimages | 101 | 42 | 59 | 41.6% |
| 2kd4q2pz | Border Crossing: Interdisciplinary Experiments in the Global Urban Humanities | Fall 2018 Symposium | 100 | 29 | 71 | 29.0% |
| 14g4k50p | Keynote Speaker | Mapping and Its Discontents Symposium | Denis Wood (Lecture, 63 minutes) | 97 | 0 | 97 | 0.0% |
| 0m8953bx | Techniques of Memory: Landscape, Iconoclasm, Medium and Power | Spring 2019 Symposium | 95 | 37 | 58 | 38.9% |
| 0m12q2ks | The Rhetoric of Return | 91 | 44 | 47 | 48.4% |
| 36s8t1bk | Temporary Flows & Ephemeral Cities | 91 | 43 | 48 | 47.3% |
| 0nn843jw | The Neighborhood in the <em>Morro: </em>Heterogeneity, Difference, and Emergence in a Periphery of the Global South- <em>in Lo Squaderno (2019)</em> | 90 | 36 | 54 | 40.0% |
| 00v1575t | Orientation to the Global Urban Humanities e-Archive | 89 | 31 | 58 | 34.8% |
| 9qx7231g | A Fistful of Barley | 89 | 35 | 54 | 39.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.