Global Urban Humanities/Future Histories Lab
Parent: UC Berkeley
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 38g666th | <em>P[art]icipatory Urbanisms- an anthology</em>, University of California, Berkeley (2015) | 648 | 545 | 103 | 84.1% |
| 4rs1c45v | <em>Embodying Peripheries,</em> Firenze University Press (2022) | 595 | 558 | 37 | 93.8% |
| 63d1t4fr | Art + Village + City in the Pearl River Delta | 459 | 101 | 358 | 22.0% |
| 1zh114k8 | Designing by Radical Indigenism- <em>in Landscape Architecture Frontiers (2020)</em> | 276 | 127 | 149 | 46.0% |
| 3tx0n16c | Archiving as Social Justice Practice <strong>| </strong>Summer 2022 Studio Course | 258 | 35 | 223 | 13.6% |
| 1wt9d2zs | Water's Pilgrimage in Rome | 256 | 203 | 53 | 79.3% |
| 0h32m6fg | Art+Village+City- <em>in Thresholds (2016)</em> | 229 | 137 | 92 | 59.8% |
| 1tt7c1bq | <em>P[art]icipatory Urbanisms- Interviews with Urban Practioners, </em>University of California, Berkeley (2015) | 226 | 188 | 38 | 83.2% |
| 6jp8d6n5 | Art + Village + City in the Pearl River Delta<em> (2015)</em> | 218 | 134 | 84 | 61.5% |
| 7dc4t2wz | Borderwall Urbanism | Spring 2018 Studio Course | 208 | 160 | 48 | 76.9% |
| 70h0p22z | Concrete's Many Fair-Faces | 207 | 148 | 59 | 71.5% |
| 53m4m68h | Berlin:The Guilt Environment | Spring 2020 Studio Course | 201 | 148 | 53 | 73.6% |
| 9v64g49s | The Buzz Studio: Planning Equitable Cities for People and Pollinators | Spring 2022 Studio Course | 197 | 148 | 49 | 75.1% |
| 5mh2f2h8 | Radical History of Chinatown: Designing a Digital Tour | Spring 2023 Studio Course | 190 | 148 | 42 | 77.9% |
| 8648n3ws | <strong>Siteworks: Understanding Place through Design and Performance | </strong>Spring 2018 Studio Course | 186 | 137 | 49 | 73.7% |
| 0bg0k4pd | City of One Thousand Temples | 178 | 106 | 72 | 59.6% |
| 4772f7hg | Ziyaretler | 177 | 147 | 30 | 83.1% |
| 011364b0 | Blacksmith Caravans on the Move | 172 | 113 | 59 | 65.7% |
| 365461jf | Review of Colorless Tsukuru Tazaki and His Years of Pilgrimage | 162 | 13 | 149 | 8.0% |
| 7685c7cq | East Bay Revolution: Urban Spaces of Protest and Counterculture Practice | Spring 2020 Studio Course | 161 | 135 | 26 | 83.9% |
| 2wk1f2rv | Sites of Representation | 158 | 123 | 35 | 77.8% |
| 3k34w1fg | Urban Place Making/ Performing Rural Memories | 157 | 129 | 28 | 82.2% |
| 44z5r8kr | “For the Love of People” Berkeley's Rainbow Sign and the Secret History of the Black Arts Movement in <em>Current Research in Digital History (2019)</em> | 151 | 41 | 110 | 27.2% |
| 3v00t20h | Spatial Scale and the Urban Everyday: The Physiology as a Traveling Genre (Paris: St. Petersburg, Tiflis)- in<em> The Cambridge History of World Literature (2021)</em> | 148 | 67 | 81 | 45.3% |
| 01f2x1sm | New Orleans: Historical Memory and Urban Design | Spring 2019 Studio Course | 143 | 98 | 45 | 68.5% |
| 1km4m2xf | Practicing Geohumanities- <em>in GeoHumanities (2015)</em> | 132 | 25 | 107 | 18.9% |
| 2rv680fr | Place-Based Storytelling Techniques and Technologies | Fall 2021 Colloquium | 132 | 57 | 75 | 43.2% |
| 29h9z2nv | The Battle of the Bulb: Nature, Culture and Art at a San Francisco Bay Landfill- <em>in Boom California (2016)</em> | 128 | 34 | 94 | 26.6% |
| 33h894f1 | Mexico City: Materiality, Performance and Power- <em>in Thesis Report from the Universidad Autónoma Metropolitana, Unidad Cuajimalpa (2016)</em> | 126 | 74 | 52 | 58.7% |
| 46m3912n | <em>Borderwall Urbanisms: Dispatches from the US/Mexico Border</em>, University of California, Berkeley (2018) | 124 | 79 | 45 | 63.7% |
| 3572z0cw | Mapping and its Discontents | Fall 2013 Symposium | 123 | 72 | 51 | 58.5% |
| 0sf7t3vs | Art, Cinema, and Life Outside the Imperial Ring | 122 | 38 | 84 | 31.1% |
| 14b1x3b4 | Monumental Hydraulics: Diego Rivera’s Lerma Waterworks and the Water Temples of San Francisco- <em>in Boom California (2016)</em> | 120 | 40 | 80 | 33.3% |
| 8nf5c8kk | <strong>Art+Village+City in the Pearl River Delta </strong>| Spring 2015 Studio course | 119 | 60 | 59 | 50.4% |
| 5xz8q46p | Populism, art and the city: An interdisciplinary pedagogy for our time- <em>in Journal of Urban Cultural Studies (2018)</em> | 114 | 36 | 78 | 31.6% |
| 9966s4vx | <strong>Public Art and Social Justice: Mapping Mural Art and Narratives | </strong>Summer 2021 Studio Course | 98 | 35 | 63 | 35.7% |
| 0wt7x71f | Journey to Juazeiro | 95 | 25 | 70 | 26.3% |
| 80b0k814 | Public Space: Placemaking and Performance | Spring 2015 Studio Course | 93 | 32 | 61 | 34.4% |
| 4p39n8qm | National Parks and Regional Parks: Telling History in Parks | Brian Holt & Kelli English (Lecture, 80 minutes) | 86 | 0 | 86 | 0.0% |
| 25f6h5c7 | Anxieties of interdisciplinarity: Project in the Urban Humanities | Fall 2014 Symposium | 84 | 17 | 67 | 20.2% |
| 0m8953bx | Techniques of Memory: Landscape, Iconoclasm, Medium and Power | Spring 2019 Symposium | 80 | 30 | 50 | 37.5% |
| 2kd4q2pz | Border Crossing: Interdisciplinary Experiments in the Global Urban Humanities | Fall 2018 Symposium | 80 | 27 | 53 | 33.8% |
| 0bx12481 | Kingship, Buddhism and the Forging of a Region | 78 | 38 | 40 | 48.7% |
| 36s8t1bk | Temporary Flows & Ephemeral Cities | 76 | 28 | 48 | 36.8% |
| 1tc592bb | Angel Island Oratorio | By Huang Ruo, Conducted by Wei Cheng, Performed by the Berkeley Chamber Chorus and the Del Sol Quartet (Excerpts, 3 min) | 75 | 0 | 75 | 0.0% |
| 0cb8h6zj | Waves of Data: Illuminating Pathways with San Leandro Lights- <em>in Boom California (2016)</em> | 74 | 18 | 56 | 24.3% |
| 0nn843jw | The Neighborhood in the <em>Morro: </em>Heterogeneity, Difference, and Emergence in a Periphery of the Global South- <em>in Lo Squaderno (2019)</em> | 73 | 27 | 46 | 37.0% |
| 9qx7231g | A Fistful of Barley | 73 | 26 | 47 | 35.6% |
| 6657d0ww | Nearing Nanjing, 1938 | 72 | 17 | 55 | 23.6% |
| 7507x6j7 | Reimagining the Urban: Bay Area Connections Across the Arts & Public Space | Fall 2013 Symposium | 71 | 31 | 40 | 43.7% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.