Global Urban Humanities/Future Histories Lab
Parent: UC Berkeley
eScholarship stats: History by Item for April through July, 2024
Item | Title | Total requests | 2024-07 | 2024-06 | 2024-05 | 2024-04 |
---|---|---|---|---|---|---|
38g666th | <em>P[art]icipatory Urbanisms- an anthology</em>, University of California, Berkeley (2015) | 156 | 42 | 13 | 37 | 64 |
1zh114k8 | Designing by Radical Indigenism- <em>in Landscape Architecture Frontiers (2020)</em> | 53 | 19 | 13 | 12 | 9 |
9966s4vx | <strong>Public Art and Social Justice: Mapping Mural Art and Narratives | </strong>Summer 2021 Studio Course | 50 | 15 | 6 | 19 | 10 |
3tx0n16c | Archiving as Social Justice Practice <strong>| </strong>Summer 2022 Studio Course | 46 | 13 | 9 | 6 | 18 |
5xz8q46p | Populism, art and the city: An interdisciplinary pedagogy for our time- <em>in Journal of Urban Cultural Studies (2018)</em> | 45 | 18 | 10 | 11 | 6 |
6jp8d6n5 | Art + Village + City in the Pearl River Delta<em> (2015)</em> | 38 | 15 | 6 | 9 | 8 |
8648n3ws | <strong>Siteworks: Understanding Place through Design and Performance | </strong>Spring 2018 Studio Course | 38 | 14 | 4 | 5 | 15 |
8nf5c8kk | <strong>Art+Village+City in the Pearl River Delta </strong>| Spring 2015 Studio course | 37 | 8 | 10 | 6 | 13 |
4rs1c45v | <em>Embodying Peripheries,</em> Firenze University Press (2022) | 32 | 19 | 8 | 5 | |
83f7f0ng | Yuriko Kamiya Oral History- A Year in Infamy | Miya Rosenthal (Documentary, 20 minutes) | 32 | 12 | 6 | 14 | |
3v00t20h | Spatial Scale and the Urban Everyday: The Physiology as a Traveling Genre (Paris: St. Petersburg, Tiflis)- in<em> The Cambridge History of World Literature (2021)</em> | 31 | 20 | 5 | 4 | 2 |
33h894f1 | Mexico City: Materiality, Performance and Power- <em>in Thesis Report from the Universidad Autónoma Metropolitana, Unidad Cuajimalpa (2016)</em> | 29 | 13 | 9 | 3 | 4 |
0h32m6fg | Art+Village+City- <em>in Thresholds (2016)</em> | 28 | 11 | 11 | 4 | 2 |
63d1t4fr | Art + Village + City in the Pearl River Delta | 27 | 14 | 5 | 6 | 2 |
46m3912n | <em>Borderwall Urbanisms: Dispatches from the US/Mexico Border</em>, University of California, Berkeley (2018) | 24 | 15 | 4 | 2 | 3 |
44z5r8kr | “For the Love of People” Berkeley's Rainbow Sign and the Secret History of the Black Arts Movement in <em>Current Research in Digital History (2019)</em> | 22 | 13 | 4 | 3 | 2 |
2pm5c04g | Urban Pilgrimage- <em>in Room One Thousand (2015)</em> | 21 | 12 | 5 | 1 | 3 |
7db699jj | Walking in Place:Using AR to Recover Fillmore’s Redevelopment Histories | Michael Epstein and Tianna (Lecture, 28 minutes) | 21 | 8 | 3 | 10 | |
05x6q8mj | Uneven Modernity and the Peripheral City: Between Ethnography History and Literature in Tbilisi | Reading Cities, Sensing Cities Colloquium | Harsha Ram (Lecture, 50 minutes) | 20 | 8 | 6 | 6 | |
1km4m2xf | Practicing Geohumanities- <em>in GeoHumanities (2015)</em> | 20 | 5 | 5 | 6 | 4 |
4kh9n35s | Undoing Time: Art and Histories of Incarceration | Julio Morales (Lecture, 75 minutes) | 20 | 7 | 3 | 7 | 3 |
0fp552sd | Maps and Urban Form | Mapping and Its Discontents (Lecture, 62 minutes) | 19 | 6 | 4 | 9 | |
0m8953bx | <strong>BORDER CROSSINGS: INTERDISCIPLINARY EXPERIMENTS IN THE GLOBAL URBAN HUMANITIES- </strong>SYMPOSIA | 19 | 9 | 2 | 4 | 4 |
0w28s3mx | Mellon Mashup- Session One: The Geohumanities Project | 19 | 10 | 3 | 3 | 3 |
19r621c8 | What is Site in Site-Specific Art? Comparing Practices | Reimagining the Urban Symposium (Lecture, 82 minutes) | 19 | 8 | 3 | 8 | |
2ng5r169 | Preventing Erasure: How the Angel Island Immigration Station Was Saved | Ed Tepporn (Lecture, 76 minutes) | 19 | 7 | 3 | 2 | 7 |
01f2x1sm | <strong>COLLECTION OF EXHIBITIONS-</strong> GLOBAL URBAN HUMANITIES AT WORK | 18 | 10 | 2 | 5 | 1 |
14g4k50p | Keynote Speaker | Mapping and Its Discontents Symposium | Denis Wood (Lecture, 63 minutes) | 18 | 7 | 3 | 8 | |
3gm5j068 | Cheyenne Concepcion- The Borderlands Archive Installation (Documentary, 1 minute) | 18 | 5 | 2 | 11 | |
3qd8m20p | Panel 1: Modernity in Process: Creative Practice, Urban Experience and the City | Art, Politics, and the City in Mexico and China Symposium (Lecture, 124 minutes) | 18 | 6 | 2 | 10 | |
6sq1v8j3 | Art+Village+City in China | Reading Cities, Sensing Cities Colloquium | Margaret Crawford and Winnie Wong (Lecture, 22 minutes) | 18 | 3 | 4 | 11 | |
89m8v6n8 | From 1904 Dublin to the Megacity: Public Access in Ulysses and Katarina Schröter’s The Visitor | Reading Cities, Sensing Cities Colloquium | Catherine Flynn (Lecture, 55 minutes) | 18 | 2 | 2 | 14 | |
8p33z2mp | The Inside-Out Museum/The Inside-Out University- <em>in Boom California (2016)</em> | 18 | 10 | 3 | 4 | 1 |
15h944s8 | The Tokyo Model: Lessons in Slum Non-Clearance from the World's First "Megacity" | Reading Cities, Sensing Cities Colloquium | Jordan Sand (Lecture, 60 minutes) | 17 | 5 | 4 | 8 | |
26x1t9dm | Creativity and "Class": Bay Area Urban Experiments | Reimagining the Urban Symposium (Lecture, 80 minutes) | 17 | 5 | 5 | 7 | |
2kd4q2pz | <strong>COLLECTION OF SYMPOSIA-</strong> GLOBAL URBAN HUMANITIES AT WORK | 17 | 9 | 2 | 3 | 3 |
517586sc | Within these Walls - Conversations with Creative Collaborators and Dancers of the Next Generation | Lenora Lee (Documentary, 15 minutes) | 17 | 7 | 3 | 5 | 2 |
5nv572fr | Indigenous Memory and Nature Interact: Native Californian Stories | Greg Sarris and Beth Piatote (Lecture, 75 minutes) | 17 | 6 | 3 | 5 | 3 |
8jq8n62j | What Are the Urban Humanities?- <em>in Boom California (2016)</em> | 17 | 9 | 5 | 3 | |
8x9837zx | Rooted in Place: Radical South Asian Storytelling Blooms in Berkeley | Barnali Ghosh (Lecture, 77 minutes) | 17 | 6 | 3 | 8 | |
9gp2r6ks | Illegal: the Theater of the Angel Island Immigration Station’s Paper Sons | Skyler Chin, Jeffrey Lo, and Sita Sunil (Lecture, 73 minutes) | 17 | 6 | 3 | 6 | 2 |
0hm9x57t | Teatro Campesino | Kinan Valdez (Documentary, 1 minute) | 16 | 4 | 2 | 10 | |
19f603km | Concluding Panel | Mapping and Its Discontents Symposium (Lecture, 54 minutes) | 16 | 5 | 3 | 8 | |
3j18d8hm | Siteworks- A Surprise Party (Documentary, 3 minutes) | 16 | 5 | 2 | 9 | |
7nc3m68z | Closing Remarks of Art, Politics, and the City in Mexico and China Symposium | Maite Zubiaurre and Michael Dear (Lecture, 50 minutes) | 16 | 5 | 2 | 9 | |
7x78n7km | On-line/Off-line: Digital Connection in Urban and Suburban Space | Reimagining the Urban Symposium (Lecture, 80 minutes) | 16 | 4 | 2 | 10 | |
9188z0t0 | Urban Humanities and the Creative Practitioner- <em>in Boom California (2016)</em> | 16 | 10 | 3 | 2 | 1 |
0nn843jw | The Neighborhood in the <em>Morro: </em>Heterogeneity, Difference, and Emergence in a Periphery of the Global South- <em>in Lo Squaderno (2019)</em> | 15 | 9 | 3 | 2 | 1 |
60n915c5 | Border-thinking Through Wartime Incarceration Environments | Lynne Horiuchi and Anoma Peris (Lecture, 87 minutes) | 15 | 5 | 4 | 5 | 1 |
7xd4s48k | Border Crossings: Interdisciplinary Experiments in the Global Urban Humanities | Part 4 of 4 (Lecture, 25 minutes) | 15 | 2 | 2 | 11 |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.