Room One Thousand
Parent: Department of Architecture
eScholarship stats: Breakdown by Item for March through June, 2025
Item | Title | Total requests | Download | View-only | %Dnld |
---|---|---|---|---|---|
9zc3j356 | The Art of Mud Building in Djenné, Mali | 130 | 71 | 59 | 54.6% |
1h99r3k0 | Debating “Democracy”: The International Union of Architects and the Cold War Politics of Expertise | 126 | 27 | 99 | 21.4% |
25f1r08h | A Container and Its Contents: Re-Reading Tomás Maldonado’s Design, Nature, and Revolution: Toward a Critical Ecology (1970, trans. 1972) | 110 | 17 | 93 | 15.5% |
60b551vb | City of One Thousand Temples | 103 | 17 | 86 | 16.5% |
18f9p6np | Temporary Flows & Ephemeral Cities | 100 | 31 | 69 | 31.0% |
1rr6730h | Environmental Autobiography | 98 | 27 | 71 | 27.6% |
51d4f86f | Art, Cinema, and Life Outside the Imperial Ring | 91 | 47 | 44 | 51.6% |
85m8f9b8 | Sites of Representation | 90 | 7 | 83 | 7.8% |
9xw7702k | Book Review: Peggy Deamer's "The Architect as Worker" | 90 | 30 | 60 | 33.3% |
9rx186d7 | The Note | 88 | 33 | 55 | 37.5% |
0m40f595 | The Rhetoric of Return | 82 | 19 | 63 | 23.2% |
5275768f | Saturated FAT: Replete Image in Architecture | 79 | 7 | 72 | 8.9% |
41p985tw | From the Fields to the City Gates | 78 | 8 | 70 | 10.3% |
10g1v3rz | Housing the Dead: A lense through local densification patterns | 76 | 15 | 61 | 19.7% |
48g7p0cg | The Seduction of the Glass Box | 75 | 8 | 67 | 10.7% |
61s916g9 | Fear and Bernard of Clairvaux's Living Stones | 71 | 7 | 64 | 9.9% |
6g46r2qh | Petropolises: A Quest for Soft Infrastructure as Water-Based Urbanisms of the Floating Frontier City | 71 | 4 | 67 | 5.6% |
2d94c0mk | Modelling architecture in the world of expertise | 69 | 12 | 57 | 17.4% |
8bz4059w | Landscapes and Ladles: Joan Didion's Where I Was From | 67 | 10 | 57 | 14.9% |
6k71z8xx | Overlap/Succesion/Sedimentation | 66 | 6 | 60 | 9.1% |
7416t44v | A Career at the Hinge: Paul Groth and Cultural Landscape Studies | 63 | 14 | 49 | 22.2% |
82v623pq | Little Boxes: High Tech and the Silicon Valley | 62 | 11 | 51 | 17.7% |
0rv8v3fs | Review of Colorless Tsukuru Tazaki and His Years of Pilgrimage | 61 | 5 | 56 | 8.2% |
3mt1550t | Who What When Where How Why | 61 | 3 | 58 | 4.9% |
87b164db | Researching Architectural Research | 61 | 4 | 57 | 6.6% |
5gg4q7v8 | GeoGuessr's Digital Pilgrimages | 57 | 12 | 45 | 21.1% |
6sq020zz | Aether House | 56 | 3 | 53 | 5.4% |
6tq4c6js | Eiffel’s Apartment and the Architecture of Dreams | 56 | 27 | 29 | 48.2% |
0mt5n9x2 | Dynamic Ceramic | 55 | 4 | 51 | 7.3% |
2q49h698 | First Kill All the Experts | 55 | 5 | 50 | 9.1% |
4t87g8bw | Reading a Drawer | 54 | 12 | 42 | 22.2% |
91b4d524 | Spaces of Complexity On Not-Knowing, Un- Learning and ‘Panoramas of Possibilties’ | 53 | 12 | 41 | 22.6% |
2zn5f32k | Introduction | 52 | 9 | 43 | 17.3% |
5q72z90w | Father, Child, & Ban - Nine Square Novel | 52 | 5 | 47 | 9.6% |
1678061j | A Reverse History of Modernism: What Connects Prague to Le Corbusier? | 51 | 19 | 32 | 37.3% |
3j47g590 | De Vieux-Montréal à Kahnawa:ké | 51 | 10 | 41 | 19.6% |
6xd232bc | Losing My Religion in Oaxaca | 51 | 4 | 47 | 7.8% |
73j961b9 | Contents | 51 | 5 | 46 | 9.8% |
0kd7813b | Ziyaretler | 49 | 3 | 46 | 6.1% |
4h65h2qg | A Fistful of Barley | 49 | 5 | 44 | 10.2% |
2878k5gt | Reflections on a Drawing | 48 | 4 | 44 | 8.3% |
1zn5s734 | The Miniature Monuments of ACE Architects | 47 | 6 | 41 | 12.8% |
5r12b298 | Journey to Juazeiro | 47 | 4 | 43 | 8.5% |
3rw8z7kh | City of the Captive Audience | 46 | 3 | 43 | 6.5% |
4550q9jz | Urban Pilgrimage | 46 | 6 | 40 | 13.0% |
5rf3s68g | Scenes of Sun City | 46 | 15 | 31 | 32.6% |
06v9t36f | A World of Play: Architecture on the Carpet and the Work of Brenda and Robert Vale | 45 | 5 | 40 | 11.1% |
9dz2d7zx | Transitional Objects: The Postwar Werkbund and the Design of New, West-German Subjects (1948-1968) | 45 | 9 | 36 | 20.0% |
6bv9k7q8 | In Demonstration | 44 | 4 | 40 | 9.1% |
8vn4g2jd | Kingship, Buddhism and the Forging of a Region | 44 | 3 | 41 | 6.8% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.