Room One Thousand
Parent: Department of Architecture
eScholarship stats: History by Item for April through July, 2024
Item | Title | Total requests | 2024-07 | 2024-06 | 2024-05 | 2024-04 |
---|---|---|---|---|---|---|
60b551vb | City of One Thousand Temples | 292 | 50 | 55 | 67 | 120 |
1h99r3k0 | Debating “Democracy”: The International Union of Architects and the Cold War Politics of Expertise | 146 | 36 | 26 | 36 | 48 |
25f1r08h | A Container and Its Contents: Re-Reading Tomás Maldonado’s Design, Nature, and Revolution: Toward a Critical Ecology (1970, trans. 1972) | 112 | 28 | 30 | 24 | 30 |
9zc3j356 | The Art of Mud Building in Djenné, Mali | 99 | 22 | 15 | 28 | 34 |
1rr6730h | Environmental Autobiography | 95 | 24 | 29 | 24 | 18 |
18f9p6np | Temporary Flows & Ephemeral Cities | 89 | 34 | 17 | 15 | 23 |
48g7p0cg | The Seduction of the Glass Box | 82 | 27 | 28 | 13 | 14 |
61s916g9 | Fear and Bernard of Clairvaux's Living Stones | 76 | 29 | 23 | 6 | 18 |
85m8f9b8 | Sites of Representation | 76 | 31 | 20 | 8 | 17 |
0m40f595 | The Rhetoric of Return | 74 | 27 | 31 | 7 | 9 |
6g46r2qh | Petropolises: A Quest for Soft Infrastructure as Water-Based Urbanisms of the Floating Frontier City | 74 | 27 | 25 | 7 | 15 |
10g1v3rz | Housing the Dead: A lense through local densification patterns | 72 | 16 | 8 | 26 | 22 |
41p985tw | From the Fields to the City Gates | 70 | 26 | 27 | 5 | 12 |
4t87g8bw | Reading a Drawer | 70 | 14 | 15 | 10 | 31 |
7416t44v | A Career at the Hinge: Paul Groth and Cultural Landscape Studies | 66 | 13 | 6 | 22 | 25 |
9xw7702k | Book Review: Peggy Deamer's "The Architect as Worker" | 65 | 18 | 7 | 25 | 15 |
0kd7813b | Ziyaretler | 60 | 26 | 24 | 5 | 5 |
2d94c0mk | Modelling architecture in the world of expertise | 60 | 17 | 14 | 13 | 16 |
91b4d524 | Spaces of Complexity On Not-Knowing, Un- Learning and ‘Panoramas of Possibilties’ | 58 | 14 | 17 | 13 | 14 |
82v623pq | Little Boxes: High Tech and the Silicon Valley | 57 | 14 | 9 | 16 | 18 |
2878k5gt | Reflections on a Drawing | 56 | 27 | 18 | 7 | 4 |
0rv8v3fs | Review of Colorless Tsukuru Tazaki and His Years of Pilgrimage | 52 | 18 | 10 | 2 | 22 |
0mt5n9x2 | Dynamic Ceramic | 48 | 12 | 8 | 12 | 16 |
5gg4q7v8 | GeoGuessr's Digital Pilgrimages | 48 | 15 | 8 | 16 | 9 |
6k71z8xx | Overlap/Succesion/Sedimentation | 47 | 16 | 7 | 12 | 12 |
2zn5f32k | Introduction | 45 | 20 | 5 | 10 | 10 |
3rw8z7kh | City of the Captive Audience | 45 | 11 | 7 | 12 | 15 |
5q72z90w | Father, Child, & Ban - Nine Square Novel | 44 | 14 | 8 | 12 | 10 |
87b164db | Researching Architectural Research | 44 | 9 | 7 | 14 | 14 |
4h06x4gm | Center for the Built Environment: tools & technologies for performance | 43 | 14 | 5 | 13 | 11 |
6sq020zz | Aether House | 41 | 8 | 8 | 12 | 13 |
6tq4c6js | Eiffel’s Apartment and the Architecture of Dreams | 40 | 20 | 7 | 4 | 9 |
73j961b9 | Contents | 40 | 11 | 8 | 11 | 10 |
3mt1550t | Who What When Where How Why | 39 | 11 | 7 | 10 | 11 |
2q49h698 | First Kill All the Experts | 38 | 12 | 5 | 13 | 8 |
5275768f | Saturated FAT: Replete Image in Architecture | 37 | 14 | 5 | 9 | 9 |
9rx186d7 | The Note | 36 | 9 | 6 | 11 | 10 |
7hq5t8mm | Water's Pilgrimage in Rome | 33 | 11 | 9 | 7 | 6 |
1678061j | A Reverse History of Modernism: What Connects Prague to Le Corbusier? | 32 | 16 | 4 | 9 | 3 |
0m87s8p1 | Concrete's Many Fair-Faces | 30 | 12 | 8 | 3 | 7 |
5rf3s68g | Scenes of Sun City | 28 | 12 | 6 | 2 | 8 |
6k69x342 | Blacksmith Caravans on the Move | 28 | 9 | 6 | 3 | 10 |
9dz2d7zx | Transitional Objects: The Postwar Werkbund and the Design of New, West-German Subjects (1948-1968) | 28 | 16 | 5 | 3 | 4 |
1zn5s734 | The Miniature Monuments of ACE Architects | 27 | 16 | 6 | 2 | 3 |
51d4f86f | Art, Cinema, and Life Outside the Imperial Ring | 26 | 11 | 7 | 1 | 7 |
8vn4g2jd | Kingship, Buddhism and the Forging of a Region | 26 | 9 | 7 | 6 | 4 |
58r4x9nb | 60 Panes of Faith: Embracing the Past, Embodying the Future | 25 | 18 | 6 | 1 | |
61w3h53x | Nearing Nanjing, 1938 | 25 | 13 | 8 | 1 | 3 |
6bv9k7q8 | In Demonstration | 25 | 13 | 7 | 1 | 4 |
4h65h2qg | A Fistful of Barley | 23 | 10 | 5 | 5 | 3 |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.