Streetnotes
Parent: University Library
eScholarship stats: Breakdown by Item for July through October, 2024
Item | Title | Total requests | Download | View-only | %Dnld |
---|---|---|---|---|---|
9w38g223 | Playing Chess in Public: Recreational Traditions in a Time of Crisis | 1,013 | 948 | 65 | 93.6% |
93b0x2b2 | An Alphabet of Disaster: 9/11 From A to Z | 203 | 27 | 176 | 13.3% |
8mc5p75v | When the Fugitives Decide to Stay | 167 | 13 | 154 | 7.8% |
3rw3811t | Outdoor Dining and the Transformation of Public Space in New York City | 158 | 48 | 110 | 30.4% |
5bp6w6cp | Altman on Jacobs on Dior: Fashion Through Fractals and Archives | 137 | 39 | 98 | 28.5% |
6n41z9w9 | Cell-Out: A Long-Distance Mobile Performance of Scores, Reflections, Confessions | 134 | 21 | 113 | 15.7% |
4dv2g2n9 | Fashioning African Cities: The Case of Johannesburg, Lagos and Douala | 133 | 29 | 104 | 21.8% |
25g073q2 | Strategies for Subverting the Tyranny of the Corporate Map: An Interview with Babak Fakhamzadeh | 130 | 7 | 123 | 5.4% |
3c60k4bj | Streetstyle: an Interview with Susan B. Kaiser | 124 | 37 | 87 | 29.8% |
4q48m4fr | Honolulu, Oceanic Urbanism | 117 | 22 | 95 | 18.8% |
26x7n3h7 | Mexico City Morphologies | 116 | 34 | 82 | 29.3% |
5xp7m6kp | Utopian Verticality: the Skyscraper and the Superhero in the American Imagination | 115 | 26 | 89 | 22.6% |
76m8p91h | Bryant Park, New York: Strangers in Public Spaces | 115 | 32 | 83 | 27.8% |
3jm7r145 | Creating Spaces of Transborder Play: Indigenous Mexican Migrants in California and the Game of Pelota Mixteca | 114 | 22 | 92 | 19.3% |
3v62q7mv | Leerstand / The Quality of Emptiness | 108 | 10 | 98 | 9.3% |
1th2m58k | The Philadelphia School Closing Photo Collective: Photography as Documentation, Public Participation, and Community Resistance | 107 | 8 | 99 | 7.5% |
2d60n9js | There Are People Who Look Indecent in Clean Linen | 107 | 26 | 81 | 24.3% |
8cr7v2g0 | Demarcating Fences: Power, Settler-Militarism, and the Carving of Urban Futenma | 103 | 22 | 81 | 21.4% |
0051d5vf | Streetnotes 25 Cover | 102 | 9 | 93 | 8.8% |
8kk3p0ws | Manhattan’s "Dirty Urban Landscapes" | 95 | 7 | 88 | 7.4% |
9qk007jk | Streetnotes 20 Front Matter | 91 | 6 | 85 | 6.6% |
9j31x5r0 | The Forest and the City: Rio as an Immersive Landscape | 90 | 6 | 84 | 6.7% |
46c8x4bf | Streetnotes 20 Cover | 89 | 7 | 82 | 7.9% |
4bk2p4j0 | Identities of Self and Place in Sunset Park: The Unmaking of the Gowanus Expressway | 85 | 45 | 40 | 52.9% |
9fz590md | Cover for Issue 23 | 84 | 7 | 77 | 8.3% |
4v79b7fz | “Space shapes a person; constraints free the soul”: Watercolour sketches of Moscow panel-block apartments on the eve of demolition. | 82 | 38 | 44 | 46.3% |
79v2j4d1 | Urban Journeys of the Rhizomatic Line | 82 | 35 | 47 | 42.7% |
7p30j74g | Argul Weave: Local Skills Meet Global Design Practices or Activating Turkey’s Hinterland Potential | 82 | 7 | 75 | 8.5% |
2gk5k117 | Tilted Upwards | 80 | 39 | 41 | 48.8% |
5mh630x7 | Capturing Memories in My Sketchbook | 80 | 43 | 37 | 53.8% |
3rz571f7 | When the Horizontal Goes Vertical or How Skateboarding Redefines the Urban Environment | 76 | 24 | 52 | 31.6% |
16x8z5qs | Seoul 2022 | 70 | 31 | 39 | 44.3% |
3tz0b8bk | cover 30 | 70 | 34 | 36 | 48.6% |
3sq2n3vk | Street Life of Children in 20th Century New York | 67 | 23 | 44 | 34.3% |
9b8600vg | Like Birds in A Cage: Accounts About Social Isolation Soundscapes During the Pandemic in Brazil | 67 | 31 | 36 | 46.3% |
5mt5f3h6 | Winter Drawings on the Université de Montréal Campus | 66 | 30 | 36 | 45.5% |
2q3556pw | A Daily Practice in Memories of a Lived Experience: Bridging Pune and New York City | 65 | 37 | 28 | 56.9% |
7911262j | The Guerrilla Gallery: A Rapid Ethnography about a Collaborative Public Art Installation in East Harlem | 65 | 27 | 38 | 41.5% |
72w0d49r | Religion and the Artification of Graffiti in the Olympic City : A Look at the Walls of Rio de Janeiro | 64 | 20 | 44 | 31.3% |
1qc2n79j | Public Space in the Making: A Rotterdam Experiment | 63 | 31 | 32 | 49.2% |
9t90f18j | Our Home(s) and/on Native Land: Spectacular Re-Visions and Refusals at Vancouver’s 2010 Winter Olympic Games | 63 | 22 | 41 | 34.9% |
30h2c042 | Introduction: Sketchbook: Drawing the City | 62 | 14 | 48 | 22.6% |
4812431x | Euro-Chic Berlin: Fashion’s Bread & Butter | 59 | 32 | 27 | 54.2% |
7bz4r4sw | Possible Counter-Histories: Artivism and Popular Action in Morro da Providência, Rio de Janeiro | 56 | 26 | 30 | 46.4% |
2vt230ng | Lockdown, Soundscapes, Dreams: A Diary (July 25, 2020 – August 8, 2021) | 55 | 28 | 27 | 50.9% |
6877p6fs | Introduction: From Above: The Practice of Verticality | 55 | 32 | 23 | 58.2% |
84v4p49j | Urban “Clutter”: Stairway Landings of Shanghai | 55 | 18 | 37 | 32.7% |
28p2d92x | What Happened?: An Examination of PLAYDATE, a Cellphone-Oriented, Neighborhood-Wide, Beyond-the-Stage Play in and About Downtown Brooklyn | 54 | 22 | 32 | 40.7% |
9fd6h8h6 | Nailed It: Producing and Consuming in Tokyo's Nail Industry | 54 | 23 | 31 | 42.6% |
29b9v2qt | CODED GEOMETRY: A Digitally Expanded Game of Psychogeography | 53 | 24 | 29 | 45.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.