Streetnotes
Parent: University Library
eScholarship stats: History by Item for January through April, 2025
| Item | Title | Total requests | 2025-04 | 2025-03 | 2025-02 | 2025-01 |
|---|---|---|---|---|---|---|
| 3sq2n3vk | Street Life of Children in 20th Century New York | 157 | 53 | 40 | 42 | 22 |
| 4dv2g2n9 | Fashioning African Cities: The Case of Johannesburg, Lagos and Douala | 136 | 36 | 28 | 34 | 38 |
| 8mc5p75v | When the Fugitives Decide to Stay | 135 | 32 | 43 | 27 | 33 |
| 3rw3811t | Outdoor Dining and the Transformation of Public Space in New York City | 133 | 31 | 35 | 33 | 34 |
| 93b0x2b2 | An Alphabet of Disaster: 9/11 From A to Z | 126 | 40 | 30 | 35 | 21 |
| 79v2j4d1 | Urban Journeys of the Rhizomatic Line | 122 | 42 | 23 | 33 | 24 |
| 76m8p91h | Bryant Park, New York: Strangers in Public Spaces | 120 | 37 | 27 | 24 | 32 |
| 7p30j74g | Argul Weave: Local Skills Meet Global Design Practices or Activating Turkey’s Hinterland Potential | 120 | 19 | 34 | 27 | 40 |
| 9w38g223 | Playing Chess in Public: Recreational Traditions in a Time of Crisis | 116 | 32 | 25 | 37 | 22 |
| 6n41z9w9 | Cell-Out: A Long-Distance Mobile Performance of Scores, Reflections, Confessions | 106 | 16 | 38 | 33 | 19 |
| 26x7n3h7 | Mexico City Morphologies | 98 | 22 | 18 | 33 | 25 |
| 5bp6w6cp | Altman on Jacobs on Dior: Fashion Through Fractals and Archives | 98 | 18 | 30 | 24 | 26 |
| 4q48m4fr | Honolulu, Oceanic Urbanism | 96 | 39 | 20 | 20 | 17 |
| 8kk3p0ws | Manhattan’s "Dirty Urban Landscapes" | 93 | 19 | 25 | 23 | 26 |
| 7911262j | The Guerrilla Gallery: A Rapid Ethnography about a Collaborative Public Art Installation in East Harlem | 88 | 24 | 25 | 12 | 27 |
| 5xp7m6kp | Utopian Verticality: the Skyscraper and the Superhero in the American Imagination | 84 | 10 | 20 | 26 | 28 |
| 8cr7v2g0 | Demarcating Fences: Power, Settler-Militarism, and the Carving of Urban Futenma | 83 | 19 | 14 | 28 | 22 |
| 1th2m58k | The Philadelphia School Closing Photo Collective: Photography as Documentation, Public Participation, and Community Resistance | 81 | 21 | 23 | 17 | 20 |
| 9t90f18j | Our Home(s) and/on Native Land: Spectacular Re-Visions and Refusals at Vancouver’s 2010 Winter Olympic Games | 81 | 17 | 29 | 21 | 14 |
| 5mh630x7 | Capturing Memories in My Sketchbook | 80 | 20 | 26 | 18 | 16 |
| 9j31x5r0 | The Forest and the City: Rio as an Immersive Landscape | 75 | 13 | 20 | 21 | 21 |
| 84v4p49j | Urban “Clutter”: Stairway Landings of Shanghai | 73 | 9 | 15 | 18 | 31 |
| 9qk007jk | Streetnotes 20 Front Matter | 72 | 11 | 17 | 24 | 20 |
| 2d60n9js | There Are People Who Look Indecent in Clean Linen | 71 | 11 | 17 | 19 | 24 |
| 30h2c042 | Introduction: Sketchbook: Drawing the City | 71 | 15 | 20 | 21 | 15 |
| 46c8x4bf | Streetnotes 20 Cover | 71 | 13 | 21 | 17 | 20 |
| 9fz590md | Cover for Issue 23 | 70 | 14 | 22 | 13 | 21 |
| 25g073q2 | Strategies for Subverting the Tyranny of the Corporate Map: An Interview with Babak Fakhamzadeh | 69 | 14 | 20 | 18 | 17 |
| 3v62q7mv | Leerstand / The Quality of Emptiness | 69 | 13 | 14 | 21 | 21 |
| 4v79b7fz | “Space shapes a person; constraints free the soul”: Watercolour sketches of Moscow panel-block apartments on the eve of demolition. | 68 | 24 | 17 | 13 | 14 |
| 3jm7r145 | Creating Spaces of Transborder Play: Indigenous Mexican Migrants in California and the Game of Pelota Mixteca | 66 | 9 | 17 | 17 | 23 |
| 3sr418wd | Pokéwalking in the City: Pokémon GO and the Ludic Geographies of Digital Capitalism, A View from Jaffna, Sri Lanka | 65 | 32 | 13 | 13 | 7 |
| 2gk5k117 | Tilted Upwards | 64 | 21 | 17 | 16 | 10 |
| 339598d3 | Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles | 63 | 15 | 26 | 13 | 9 |
| 0cf8m7zg | Excerpts from THE ROMANCE OF SIAM: A POCKET GUIDE | 62 | 4 | 7 | 39 | 12 |
| 1t32x8w9 | Orality and Memory in the Carnival of Cádiz, Spain: Identity, Urban Space, and Socio-Political Transgression | 59 | 19 | 18 | 12 | 10 |
| 29b9v2qt | CODED GEOMETRY: A Digitally Expanded Game of Psychogeography | 57 | 22 | 19 | 11 | 5 |
| 7718903g | Seeing Gentrification Behind the Window of a Sicilian Bakery: Reflexive Ethnography and documentary practice in Brooklyn | 56 | 11 | 11 | 19 | 15 |
| 1s58d6dz | The Flaneur Looks Up: Reading Chinatown Verticalities | 55 | 8 | 10 | 18 | 19 |
| 5xr2g39h | The Urban Presence of Sketchers | 55 | 21 | 12 | 13 | 9 |
| 1qw0j1hn | Sonorities and Cities (in Times of Crisis) | 54 | 16 | 15 | 11 | 12 |
| 3rz571f7 | When the Horizontal Goes Vertical or How Skateboarding Redefines the Urban Environment | 54 | 18 | 10 | 7 | 19 |
| 6792r7tk | Front Matter and Table of Contents 30 | 54 | 19 | 13 | 10 | 12 |
| 72w0d49r | Religion and the Artification of Graffiti in the Olympic City : A Look at the Walls of Rio de Janeiro | 54 | 12 | 19 | 17 | 6 |
| 8wv0k142 | City Sketches (2018-2021) | 54 | 22 | 16 | 8 | 8 |
| 54d4r244 | By Caricature Artists in Times Square (series) | 53 | 15 | 8 | 14 | 16 |
| 16x8z5qs | Seoul 2022 | 52 | 17 | 19 | 9 | 7 |
| 3c60k4bj | Streetstyle: an Interview with Susan B. Kaiser | 52 | 12 | 16 | 13 | 11 |
| 4gz6x3kz | Dumbo, Brooklyn | 52 | 10 | 16 | 17 | 9 |
| 5nd8d78f | Mapping a City’s Energy: using digital storytelling to facilitate embodied experiences of urban | 52 | 12 | 11 | 12 | 17 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.