Department of Art
Parent: UC Irvine
eScholarship stats: Breakdown by Item for June through September, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 96q1h7xz | Painting is a whale | 127 | 85 | 42 | 66.9% |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 125 | 41 | 84 | 32.8% |
| 3s7118mr | The potential of dance as embodied learning | 109 | 35 | 74 | 32.1% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 96 | 4 | 92 | 4.2% |
| 5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 91 | 4 | 87 | 4.4% |
| 0142h57x | Studied Sentiments: A Look at Jennifer Doyle's Hold it Against Me: Difficulty and Emotion in Contemporary Art | 85 | 2 | 83 | 2.4% |
| 09d8c49k | Notes on Art and Transcendance | 83 | 6 | 77 | 7.2% |
| 6w42d6p2 | FCJ-132 Towards a Performative Aesthetics of Interactivity | 72 | 29 | 43 | 40.3% |
| 7xq2t8bh | 40 Volume | 58 | 25 | 33 | 43.1% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 54 | 7 | 47 | 13.0% |
| 9qk5765m | Dress, Score, Tether | 51 | 33 | 18 | 64.7% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 50 | 31 | 19 | 62.0% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 50 | 35 | 15 | 70.0% |
| 9gp8s1cn | Dear Camilla (On 54 Bones Gleaning the Storm) | 48 | 28 | 20 | 58.3% |
| 30h4m2mp | Empathy and groove in musical movement | 47 | 27 | 20 | 57.4% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 46 | 22 | 24 | 47.8% |
| 3z93s2xc | And You Are the Wound | 44 | 23 | 21 | 52.3% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 42 | 30 | 12 | 71.4% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 42 | 28 | 14 | 66.7% |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 41 | 10 | 31 | 24.4% |
| 3bd443pp | Art and the Realization of Living: The cognitive reuse of neural networks | 37 | 24 | 13 | 64.9% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 37 | 14 | 23 | 37.8% |
| 63c7w29v | Taxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman | 36 | 17 | 19 | 47.2% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 35 | 18 | 17 | 51.4% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 34 | 21 | 13 | 61.8% |
| 182756v1 | Acting as Participatory Sense-Making | 31 | 8 | 23 | 25.8% |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 31 | 12 | 19 | 38.7% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 31 | 11 | 20 | 35.5% |
| 90m0g1s1 | Cyclops and Slashes | 31 | 16 | 15 | 51.6% |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 29 | 17 | 12 | 58.6% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 28 | 6 | 22 | 21.4% |
| 84w6d37j | Time is of the essence | 28 | 14 | 14 | 50.0% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 28 | 13 | 15 | 46.4% |
| 3wf8g2bt | bill of rights for bodies when the are born on planet earth | 27 | 5 | 22 | 18.5% |
| 9638m2nx | In Conversation with Fred Moten | 27 | 8 | 19 | 29.6% |
| 36b624tw | In Conversation with Alan Gilbert | 26 | 5 | 21 | 19.2% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 26 | 8 | 18 | 30.8% |
| 8jt826tj | Performing Arts Incorporated: Poetics of Physical Labor, Abstract | 26 | 8 | 18 | 30.8% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 25 | 4 | 21 | 16.0% |
| 0qj66829 | Editor's Note | 23 | 2 | 21 | 8.7% |
| 6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 23 | 6 | 17 | 26.1% |
| 74q577s0 | Sleeping, Hiding, Dropping Out – Coordinates for a Poetics on Evasion | 23 | 9 | 14 | 39.1% |
| 8rf9g0mp | Bird Song Diamond installation in Large Space, Abstract | 23 | 5 | 18 | 21.7% |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 22 | 6 | 16 | 27.3% |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 22 | 5 | 17 | 22.7% |
| 6m10z8c8 | Mosh Phenomenology | 22 | 10 | 12 | 45.5% |
| 7hn1r38j | The mémoire vivante project, Abstract | 22 | 7 | 15 | 31.8% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 22 | 8 | 14 | 36.4% |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 22 | 7 | 15 | 31.8% |
| 9n90931f | Closing Comments | 22 | 4 | 18 | 18.2% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.