Department of Art
Parent: UC Irvine
eScholarship stats: Breakdown by Item for February through May, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 151 | 31 | 120 | 20.5% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 92 | 6 | 86 | 6.5% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 63 | 7 | 56 | 11.1% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 47 | 3 | 44 | 6.4% |
| 63c7w29v | Taxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman | 45 | 22 | 23 | 48.9% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 43 | 11 | 32 | 25.6% |
| 7xq2t8bh | 40 Volume | 42 | 0 | 42 | 0.0% |
| 6w42d6p2 | Towards a performative aesthetics of interactivity | 39 | 9 | 30 | 23.1% |
| 96q1h7xz | Painting is a whale | 39 | 9 | 30 | 23.1% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 36 | 20 | 16 | 55.6% |
| 0142h57x | Studied Sentiments: A Look at Jennifer Doyle's Hold it Against Me: Difficulty and Emotion in Contemporary Art | 34 | 1 | 33 | 2.9% |
| 5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 32 | 1 | 31 | 3.1% |
| 36b624tw | In Conversation with Alan Gilbert | 30 | 3 | 27 | 10.0% |
| 3wf8g2bt | bill of rights for bodies when the are born on planet earth | 30 | 0 | 30 | 0.0% |
| 9gp8s1cn | Dear Camilla (On 54 Bones Gleaning the Storm) | 28 | 3 | 25 | 10.7% |
| 3z93s2xc | And You Are the Wound | 25 | 1 | 24 | 4.0% |
| 90m0g1s1 | Cyclops and Slashes | 25 | 0 | 25 | 0.0% |
| 4183z46p | Embodied Reflection | 23 | 13 | 10 | 56.5% |
| 30h4m2mp | Empathy and groove in musical movement | 22 | 13 | 9 | 59.1% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 21 | 3 | 18 | 14.3% |
| 0qj66829 | Editor's Note | 20 | 0 | 20 | 0.0% |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 20 | 0 | 20 | 0.0% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 20 | 10 | 10 | 50.0% |
| 9638m2nx | In Conversation with Fred Moten | 20 | 9 | 11 | 45.0% |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 19 | 2 | 17 | 10.5% |
| 9qk5765m | Dress, Score, Tether | 19 | 0 | 19 | 0.0% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 18 | 8 | 10 | 44.4% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 18 | 15 | 3 | 83.3% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 17 | 11 | 6 | 64.7% |
| 09d8c49k | Notes on Art and Transcendance | 16 | 3 | 13 | 18.8% |
| 7hn1r38j | The mémoire vivante project, Abstract | 16 | 0 | 16 | 0.0% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 16 | 7 | 9 | 43.8% |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 15 | 5 | 10 | 33.3% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 15 | 8 | 7 | 53.3% |
| 0gr297z0 | Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract | 13 | 3 | 10 | 23.1% |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 13 | 4 | 9 | 30.8% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 12 | 5 | 7 | 41.7% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 12 | 2 | 10 | 16.7% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 12 | 6 | 6 | 50.0% |
| 1011q6zp | Embodied Encounters: The Role of the Body in Art Criticism, Abstract | 11 | 2 | 9 | 18.2% |
| 182756v1 | Acting as Participatory Sense-Making | 11 | 2 | 9 | 18.2% |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 11 | 3 | 8 | 27.3% |
| 6m10z8c8 | Mosh Phenomenology | 11 | 9 | 2 | 81.8% |
| 74q577s0 | Sleeping, Hiding, Dropping Out – Coordinates for a Poetics on Evasion | 11 | 8 | 3 | 72.7% |
| 8b8351vx | Joint improvisation as interaction ritual, Abstract | 11 | 0 | 11 | 0.0% |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 10 | 2 | 8 | 20.0% |
| 3bd443pp | Art and the Realization of Living: The cognitive reuse of neural networks | 10 | 3 | 7 | 30.0% |
| 7nn1251d | The Embodied Musician: Creating the Foundation for Interpretation and Movement | 10 | 6 | 4 | 60.0% |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 10 | 1 | 9 | 10.0% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 9 | 2 | 7 | 22.2% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.