Department of Art
Parent: UC Irvine
eScholarship stats: Breakdown by Item for June through September, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 393 | 122 | 271 | 31.0% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 260 | 175 | 85 | 67.3% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 240 | 108 | 132 | 45.0% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 226 | 31 | 195 | 13.7% |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 212 | 163 | 49 | 76.9% |
| 96q1h7xz | Painting is a whale | 184 | 70 | 114 | 38.0% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 149 | 35 | 114 | 23.5% |
| 6w42d6p2 | FCJ-132 Towards a Performative Aesthetics of Interactivity | 144 | 70 | 74 | 48.6% |
| 90m0g1s1 | Cyclops and Slashes | 139 | 72 | 67 | 51.8% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 128 | 34 | 94 | 26.6% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 122 | 51 | 71 | 41.8% |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 120 | 37 | 83 | 30.8% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 117 | 27 | 90 | 23.1% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 112 | 18 | 94 | 16.1% |
| 6m10z8c8 | Mosh Phenomenology | 106 | 28 | 78 | 26.4% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 105 | 15 | 90 | 14.3% |
| 84w6d37j | Time is of the essence | 103 | 55 | 48 | 53.4% |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 100 | 25 | 75 | 25.0% |
| 63c7w29v | Taxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman | 96 | 31 | 65 | 32.3% |
| 7xq2t8bh | 40 Volume | 95 | 10 | 85 | 10.5% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 94 | 24 | 70 | 25.5% |
| 3wf8g2bt | bill of rights for bodies when the are born on planet earth | 91 | 8 | 83 | 8.8% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 91 | 23 | 68 | 25.3% |
| 30h4m2mp | Empathy and groove in musical movement | 90 | 35 | 55 | 38.9% |
| 3z93s2xc | And You Are the Wound | 90 | 19 | 71 | 21.1% |
| 5n91f2cg | The Network and Dance, or a cognitive artifact embodied by a situated cognition | 86 | 22 | 64 | 25.6% |
| 9qk5765m | Dress, Score, Tether | 86 | 23 | 63 | 26.7% |
| 09d8c49k | Notes on Art and Transcendance | 84 | 20 | 64 | 23.8% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 84 | 34 | 50 | 40.5% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 83 | 20 | 63 | 24.1% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 83 | 18 | 65 | 21.7% |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 82 | 16 | 66 | 19.5% |
| 4183z46p | Embodied Reflection | 82 | 32 | 50 | 39.0% |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 78 | 15 | 63 | 19.2% |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 73 | 13 | 60 | 17.8% |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 71 | 14 | 57 | 19.7% |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 71 | 15 | 56 | 21.1% |
| 5pk059ht | Slippery When Wet | 70 | 23 | 47 | 32.9% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 70 | 25 | 45 | 35.7% |
| 9638m2nx | In Conversation with Fred Moten | 69 | 20 | 49 | 29.0% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 69 | 14 | 55 | 20.3% |
| 182756v1 | Acting as Participatory Sense-Making | 68 | 22 | 46 | 32.4% |
| 36b624tw | In Conversation with Alan Gilbert | 68 | 11 | 57 | 16.2% |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 67 | 9 | 58 | 13.4% |
| 3pj432d4 | Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract | 67 | 12 | 55 | 17.9% |
| 1v24v9f9 | Shaping Experiment from the Inside Out, Abstract | 64 | 12 | 52 | 18.8% |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 64 | 15 | 49 | 23.4% |
| 7hn1r38j | The mémoire vivante project, Abstract | 64 | 7 | 57 | 10.9% |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 64 | 3 | 61 | 4.7% |
| 92j9b1j0 | Embodying Artifact Production Knowledge: From Know-how to Sensory-Motor Result Representations | 64 | 11 | 53 | 17.2% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.