Department of Art
Parent: UC Irvine
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 406 | 123 | 283 | 30.3% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 311 | 145 | 166 | 46.6% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 271 | 173 | 98 | 63.8% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 241 | 48 | 193 | 19.9% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 240 | 28 | 212 | 11.7% |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 205 | 159 | 46 | 77.6% |
| 14r2p87x | Virtual Reality as the End of the Enlightenment Project | 171 | 13 | 158 | 7.6% |
| 96q1h7xz | Painting is a whale | 166 | 59 | 107 | 35.5% |
| 6w42d6p2 | FCJ-132 Towards a Performative Aesthetics of Interactivity | 162 | 70 | 92 | 43.2% |
| 6m10z8c8 | Mosh Phenomenology | 156 | 41 | 115 | 26.3% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 154 | 37 | 117 | 24.0% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 151 | 40 | 111 | 26.5% |
| 90m0g1s1 | Cyclops and Slashes | 144 | 75 | 69 | 52.1% |
| 7xq2t8bh | 40 Volume | 142 | 18 | 124 | 12.7% |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 135 | 53 | 82 | 39.3% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 134 | 28 | 106 | 20.9% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 130 | 54 | 76 | 41.5% |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 124 | 32 | 92 | 25.8% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 124 | 32 | 92 | 25.8% |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 123 | 35 | 88 | 28.5% |
| 30h4m2mp | Empathy and groove in musical movement | 119 | 46 | 73 | 38.7% |
| 84w6d37j | Time is of the essence | 119 | 53 | 66 | 44.5% |
| 3pj432d4 | Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract | 112 | 31 | 81 | 27.7% |
| 63c7w29v | Taxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman | 110 | 43 | 67 | 39.1% |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 108 | 27 | 81 | 25.0% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 108 | 34 | 74 | 31.5% |
| 5n91f2cg | The Network and Dance, or a cognitive artifact embodied by a situated cognition | 100 | 23 | 77 | 23.0% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 100 | 27 | 73 | 27.0% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 99 | 27 | 72 | 27.3% |
| 182756v1 | Acting as Participatory Sense-Making | 98 | 31 | 67 | 31.6% |
| 6vq5d685 | Technopoly: The Surrender of Culture to Technology | 98 | 13 | 85 | 13.3% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 97 | 25 | 72 | 25.8% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 96 | 33 | 63 | 34.4% |
| 3wf8g2bt | bill of rights for bodies when the are born on planet earth | 96 | 11 | 85 | 11.5% |
| 58s8p9wj | Virtual Reality as the End of the Enlightenment Project | 96 | 6 | 90 | 6.3% |
| 09d8c49k | Notes on Art and Transcendance | 93 | 29 | 64 | 31.2% |
| 9qk5765m | Dress, Score, Tether | 92 | 28 | 64 | 30.4% |
| 4183z46p | Embodied Reflection | 90 | 29 | 61 | 32.2% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 90 | 38 | 52 | 42.2% |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 90 | 20 | 70 | 22.2% |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 89 | 24 | 65 | 27.0% |
| 5jn108nj | Deathbeds | 88 | 12 | 76 | 13.6% |
| 5pk059ht | Slippery When Wet | 88 | 27 | 61 | 30.7% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 87 | 36 | 51 | 41.4% |
| 3z93s2xc | And You Are the Wound | 86 | 25 | 61 | 29.1% |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 85 | 11 | 74 | 12.9% |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 84 | 12 | 72 | 14.3% |
| 6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 81 | 28 | 53 | 34.6% |
| 7hn1r38j | The mémoire vivante project, Abstract | 79 | 18 | 61 | 22.8% |
| 92j9b1j0 | Embodying Artifact Production Knowledge: From Know-how to Sensory-Motor Result Representations | 78 | 17 | 61 | 21.8% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.