Department of Art

eScholarship stats: History by Item for March through June, 2026

Item	Title	Total requests	2026-06	2026-05	2026-04	2026-03
3s7118mr	The potential of dance as embodied learning	465	92	130	132	111
5zq0v7sg	Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm	271	63	96	69	43
53g1153x	Multisensorial experiences and embodied knowledge of professional dancers in ballet practices	239	58	77	52	52
7548b88w	Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica	234	48	74	76	36
78286968	Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract	192	26	69	50	47
9d18w5dr	An Introduction to Radical Embodied Cognitive Neuroscience	186	20	101	38	27
96q1h7xz	Painting is a whale	185	50	63	38	34
0qr0z45g	Music Emergent: Autopoiesis and Connected Worlds	175	22	67	45	41
3z93s2xc	And You Are the Wound	171	30	69	38	34
3j9916pw	Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism	170	25	46	58	41
24n07548	A path from Irvine: Theatrical and anthropological explorations of self-knowledge	166	25	66	37	38
90m0g1s1	Cyclops and Slashes	166	41	59	35	31
31g4p0dn	Musical Worlds and the Extended Mind	165	24	59	38	44
6m10z8c8	Mosh Phenomenology	164	28	63	39	34
30h4m2mp	Empathy and groove in musical movement	162	17	85	41	19
6w42d6p2	FCJ-132 Towards a Performative Aesthetics of Interactivity	161	24	42	47	48
63c7w29v	Taxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman	157	29	55	47	26
84w6d37j	Time is of the essence	157	30	54	36	37
7xq2t8bh	40 Volume	153	29	61	29	34
2xq2r74j	John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em>	152	24	54	40	34
0g42b9bq	Interdisciplinary Approaches to Interaction, Abstract	149	23	55	39	32
91g306ds	Untying the Knot of Dance Movement Expertise: An Enactive Approach	145	20	45	45	35
5p60z4ps	Aesthetics of Adaptive Behaviors in Agent-based Art	144	20	62	37	25
5n91f2cg	The Network and Dance, or a cognitive artifact embodied by a situated cognition	143	21	56	26	40
9p66b2bj	Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones	142	42	41	30	29
0gr297z0	Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract	135	17	73	20	25
81w0g89c	Pedagogia del corpo-Embodied Pedagogy: An Italian perspective	135	23	53	33	26
9956k3v8	From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art	135	22	53	33	27
91z955mk	Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory	134	24	46	37	27
1ds0r585	De-Anthropologising the Human and its Impact on Racism: A Third World Perspective	131	14	57	33	27
36b624tw	In Conversation with Alan Gilbert	130	22	56	34	18
8680g0tb	To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition	130	21	45	41	23
9qk5765m	Dress, Score, Tether	129	27	48	23	31
09d8c49k	Notes on Art and Transcendance	126	12	64	24	26
3wf8g2bt	bill of rights for bodies when the are born on planet earth	126	21	41	30	34
9gp8s1cn	Dear Camilla (On 54 Bones Gleaning the Storm)	123	13	60	27	23
3pj432d4	Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract	122	21	51	33	17
7960z5wx	Using theatre and art-based pedagogy to achieve the practices of science in the student body, Abstract	122	15	49	31	27
0qj66829	Editor's Note	121	12	51	34	24
06k3f9gh	Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract	119	17	43	30	29
8tq236vs	Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract	116	14	45	29	28
0qc615zz	If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract	115	17	47	30	21
4183z46p	Embodied Reflection	115	21	39	30	25
0142h57x	Studied Sentiments: A Look at Jennifer Doyle's Hold it Against Me: Difficulty and Emotion in Contemporary Art	114	9	51	35	19
5pk059ht	Slippery When Wet	112	21	42	23	26
8dd5979n	Joint improvisation in the arts practices: Entrainment, engagement, and expert skill	110	12	41	34	23
268136n6	Embodiment and Post-Human Aesthetic in Contemporary Latin American Theater and Performance, Abstract	108	15	41	32	20
5dz7g3vm	Embodied Perception in Somatic Sound, Abstract	108	14	33	30	31
9cc0g10n	Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles	107	15	48	23	21
1011q6zp	Embodied Encounters: The Role of the Body in Art Criticism, Abstract	106	14	46	27	19

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