Integrated Composition, Improvisation and Technology (ICIT)

Parent: UC Irvine

eScholarship stats: Breakdown by Item for August through November, 2024

ItemTitleTotal requestsDownloadView-only%Dnld
4hw036wsThe Rumpus821811.2%
7hf4q6w5Asian Americans and Creative Music Legacies68274139.7%
9dm8t6vhThinking Telematically: Improvising Music Worlds Under COVID and Beyond626569.7%
8v0022bdThe ‘E’ in NIME: Musical Expression with New Computer Interfaces60213935.0%
3n70x2dvTime, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play56342260.7%
6qd4d7nvAesthetic Considerations in the Use of “Virtual” Music Instruments49193038.8%
3p4375n5Gestural Control of Music Using the Vicon 8 Motion Capture System46153132.6%
9n2184wsImprovising in a different clave: Steve Coleman and AfroCuba de Matanzas44261859.1%
3w9072psRelational Music: A Participatory Approach Towards Live Experimental Electronic Music36122433.3%
7pn8c747Resonating Abstractions3425973.5%
50j6x5crall nearness pauses, while a star can grow3062420.0%
7ww3h3xxRealtime Stochastic Decision Making for Music Composition and Improvisation2891932.1%
0p09t56hFace to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble27121544.4%
6fv361x5for instance, today27131448.1%
2mr1f1t8In the In-Between250250.0%
2wp6n3tmI, Alone250250.0%
4970q025Haibun250250.0%
8gk671qq18 Points of Coincidence240240.0%
0x85j9tdEXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION23121152.2%
13t7r5w0Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media2391439.1%
2cd323drFor Zero230230.0%
3z79z8hf(Cycles) America230230.0%
5t46v6khDetermining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) 2314960.9%
8gn0194rShadow Play230230.0%
625285wzNew Polyphonies: Score Streams, Improvisation and Telepresence2181338.1%
6r01k343Networked music performance: An introduction for musicians and educators2171433.3%
993192mkUpon Reflection210210.0%
9tt9s9k0Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology2131814.3%
6h74r7r6There's Just One Thing You Need To Know200200.0%
19c8535rRiley's Revenge190190.0%
8d57f43pRitualized Performance in the Networked Era1951426.3%
9fx7g1qhCycles Interrupted190190.0%
0sf178kcNow & Tomorrow170170.0%
5xj593zkLine/Phase Minutiae170170.0%
6q56j765Insta-pene-playtion (Interproviplaytion II)170170.0%
8844q6kpPoint of No Arrival170170.0%
8pw4s0gbSomewhere In The Upstream, in memory of Yusef Lateef (1920-2013)1771041.2%
31t392zjFar Cries: Part 1, Ansan160160.0%
3309r97mFalsetas Móviles160160.0%
33d9d1cmIndignant Minority Scheme160160.0%
5qb21800This and That160160.0%
4zt310czEntropy150150.0%
5bn4m9fjTrans (Interproviplaytion V)150150.0%
7ck721n4STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE1531220.0%
24b296c3Forget the Pixel146842.9%
71j6w686A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION140140.0%
70p7v3z0Play for Me (Interproviplaytion III)130130.0%
7ws9x4dhCultural ‘Content’ in Korean Music Made with Computers134930.8%
8766r1b7Programming New Realtime DSP Possibilities with MSP101910.0%
8798j4z1Mannam (Interproviplaytion VI)100100.0%

Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.