Integrated Composition, Improvisation and Technology (ICIT)

Parent: UC Irvine

eScholarship stats: History by Item for August through November, 2024

ItemTitleTotal requests2024-112024-102024-092024-08
4hw036wsThe Rumpus8212252421
7hf4q6w5Asian Americans and Creative Music Legacies6822211015
9dm8t6vhThinking Telematically: Improvising Music Worlds Under COVID and Beyond62119735
8v0022bdThe ‘E’ in NIME: Musical Expression with New Computer Interfaces6016141911
3n70x2dvTime, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play5613111121
6qd4d7nvAesthetic Considerations in the Use of “Virtual” Music Instruments49917914
3p4375n5Gestural Control of Music Using the Vicon 8 Motion Capture System46122266
9n2184wsImprovising in a different clave: Steve Coleman and AfroCuba de Matanzas44410327
3w9072psRelational Music: A Participatory Approach Towards Live Experimental Electronic Music3669120
7pn8c747Resonating Abstractions3416225
50j6x5crall nearness pauses, while a star can grow306969
7ww3h3xxRealtime Stochastic Decision Making for Music Composition and Improvisation2897210
0p09t56hFace to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble2744316
6fv361x5for instance, today2715318
2mr1f1t8In the In-Between257918
2wp6n3tmI, Alone253814
4970q025Haibun257108
8gk671qq18 Points of Coincidence2451117
0x85j9tdEXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION238213
13t7r5w0Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media2328112
2cd323drFor Zero235819
3z79z8hf(Cycles) America2317312
5t46v6khDetermining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) 232417
8gn0194rShadow Play234910
625285wzNew Polyphonies: Score Streams, Improvisation and Telepresence211839
6r01k343Networked music performance: An introduction for musicians and educators214656
993192mkUpon Reflection21498
9tt9s9k0Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology2128110
6h74r7r6There's Just One Thing You Need To Know203719
19c8535rRiley's Revenge193817
8d57f43pRitualized Performance in the Networked Era191756
9fx7g1qhCycles Interrupted19379
0sf178kcNow & Tomorrow17287
5xj593zkLine/Phase Minutiae174517
6q56j765Insta-pene-playtion (Interproviplaytion II)171835
8844q6kpPoint of No Arrival17818
8pw4s0gbSomewhere In The Upstream, in memory of Yusef Lateef (1920-2013)172339
31t392zjFar Cries: Part 1, Ansan165524
3309r97mFalsetas Móviles1679
33d9d1cmIndignant Minority Scheme162716
5qb21800This and That16169
4zt310czEntropy153318
5bn4m9fjTrans (Interproviplaytion V)151311
7ck721n4STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE153435
24b296c3Forget the Pixel143110
71j6w686A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION141814
70p7v3z0Play for Me (Interproviplaytion III)13364
7ws9x4dhCultural ‘Content’ in Korean Music Made with Computers131327
8766r1b7Programming New Realtime DSP Possibilities with MSP10415
8798j4z1Mannam (Interproviplaytion VI)10235

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