Chicano Studies Research Center
Parent: UCLA
eScholarship stats: Breakdown by Item for June through September, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 2dt752tn | Remembering Coyolxauhqui as a Birthing Text | 212 | 111 | 101 | 52.4% |
| 7pn7m7jn | Chicana/o Movement Pedagogical Legacies: Indigenous Consciousness, Critical Pedagogy, and Constructing Paths to Decolonization | 94 | 13 | 81 | 13.8% |
| 8w86f42s | Mi Abuelo Camina La Tierra Con Nobleza y Paz | 90 | 6 | 84 | 6.7% |
| 3ks2318z | Against the Mirror | 85 | 3 | 82 | 3.5% |
| 5sr9n3db | An 'Epic Journey' in Community Based Learning: Teaching and Learning in a Chicana and Chicano Studies Classroom | 63 | 9 | 54 | 14.3% |
| 2nc3b4pn | Grace Peña Delgado’s Making the Chinese Mexican: Global Migration, Localism, and Exclusion in the U.S.-Mexico Borderlands | 48 | 17 | 31 | 35.4% |
| 6963w0hn | A Critical Educator’s Testimonio Against the Current Post-Racial Fallacy: A Call to Action | 43 | 12 | 31 | 27.9% |
| 2p4885qc | Introducing Regeneración Tlacuilolli: UCLA Raza Studies Journal | 33 | 8 | 25 | 24.2% |
| 3cv7816g | A veces lo que deseas no es mejor de lo que tienes | 31 | 5 | 26 | 16.1% |
| 2dd9f7j3 | El Día en Que Llovio Obsidiana | 30 | 7 | 23 | 23.3% |
| 18z22942 | The Adelante Oral History Project as a Site of Decolonial Potential in Transforming School Curriculums | 27 | 2 | 25 | 7.4% |
| 8w75t839 | Roberto Ramón Lint Sagarena’s Aztlán and Arcadia: Religion, Ethnicity, and the Creation of Place | 26 | 5 | 21 | 19.2% |
| 76k5m1kp | Un viaje al otro lado del cerco | 25 | 5 | 20 | 20.0% |
| 9f89s29t | Contributors | 24 | 4 | 20 | 16.7% |
| 9sb5k00t | In This Issue | 24 | 3 | 21 | 12.5% |
| 2z75x5rx | Front Matter | 23 | 2 | 21 | 8.7% |
| 94b4r8fh | Obras Maestras | 23 | 4 | 19 | 17.4% |
| 712289j9 | Miktlampa: Organic Trascription of the Self | 22 | 7 | 15 | 31.8% |
| 8wg176kp | Table of Contents | 22 | 3 | 19 | 13.6% |
| 8wq0p8gn | Ciudadana Fronteriza | 22 | 7 | 15 | 31.8% |
| 32k77882 | Evil | 21 | 4 | 17 | 19.0% |
| 50f2f397 | Arrangements | 21 | 4 | 17 | 19.0% |
| 6k66q58r | Table of Contents | 21 | 2 | 19 | 9.5% |
| 6mn651hp | I Know Homeboy | 21 | 8 | 13 | 38.1% |
| 7519q5q0 | Declaration of Independence | 21 | 8 | 13 | 38.1% |
| 0t1128j2 | Contributors | 20 | 7 | 13 | 35.0% |
| 3bp116cc | Autobiografía literaria | 20 | 2 | 18 | 10.0% |
| 6ws4q6qx | Mumbling of Prayers | 20 | 4 | 16 | 20.0% |
| 9vp8q0rc | Mi Corazón | 20 | 5 | 15 | 25.0% |
| 11k3x9pp | You bring out...La Mujer Que Soy Ahora | 19 | 4 | 15 | 21.1% |
| 3v85p7k9 | Monarquita de Obsidiana | 19 | 3 | 16 | 15.8% |
| 47b623h9 | Epilogue | 19 | 5 | 14 | 26.3% |
| 8867f5ds | Darius V Echeverría's <em>Aztlán Arizona: Mexican American Educational Empowerment, 1968-1978</em> | 19 | 6 | 13 | 31.6% |
| 61k09622 | Bárbara O. Reyes' <em>Private Women, Public Lives: Gender and the Missions of Californias</em> | 18 | 3 | 15 | 16.7% |
| 7k466415 | El Poder Ver | 18 | 4 | 14 | 22.2% |
| 8k32c2ds | Tomás S. Sandoval's <em>Latinos at the Golden Gate: Creating Community and Identity in San Francisco</em> | 18 | 6 | 12 | 33.3% |
| 8xk9r9tc | (Mataseshimashita) Gracias Por Esperar | 18 | 5 | 13 | 27.8% |
| 1gh8w0m6 | Chican@...? | 17 | 2 | 15 | 11.8% |
| 5749j9vs | Amantes de Lluvia | 16 | 4 | 12 | 25.0% |
| 5xc4263t | Danzers | 15 | 2 | 13 | 13.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.