Chicano Studies Research Center
Parent: UCLA
eScholarship stats: History by Item for June through September, 2024
Item | Title | Total requests | 2024-09 | 2024-08 | 2024-07 | 2024-06 |
---|---|---|---|---|---|---|
2dt752tn | Remembering Coyolxauhqui as a Birthing Text | 212 | 62 | 63 | 43 | 44 |
7pn7m7jn | Chicana/o Movement Pedagogical Legacies: Indigenous Consciousness, Critical Pedagogy, and Constructing Paths to Decolonization | 94 | 41 | 17 | 22 | 14 |
8w86f42s | Mi Abuelo Camina La Tierra Con Nobleza y Paz | 90 | 13 | 24 | 25 | 28 |
3ks2318z | Against the Mirror | 85 | 13 | 29 | 22 | 21 |
5sr9n3db | An 'Epic Journey' in Community Based Learning: Teaching and Learning in a Chicana and Chicano Studies Classroom | 63 | 34 | 9 | 13 | 7 |
2nc3b4pn | Grace Peña Delgado’s Making the Chinese Mexican: Global Migration, Localism, and Exclusion in the U.S.-Mexico Borderlands | 48 | 11 | 10 | 12 | 15 |
6963w0hn | A Critical Educator’s Testimonio Against the Current Post-Racial Fallacy: A Call to Action | 43 | 6 | 12 | 15 | 10 |
2p4885qc | Introducing Regeneración Tlacuilolli: UCLA Raza Studies Journal | 33 | 2 | 11 | 14 | 6 |
3cv7816g | A veces lo que deseas no es mejor de lo que tienes | 31 | 4 | 8 | 12 | 7 |
2dd9f7j3 | El Día en Que Llovio Obsidiana | 30 | 1 | 7 | 14 | 8 |
18z22942 | The Adelante Oral History Project as a Site of Decolonial Potential in Transforming School Curriculums | 27 | 3 | 7 | 11 | 6 |
8w75t839 | Roberto Ramón Lint Sagarena’s Aztlán and Arcadia: Religion, Ethnicity, and the Creation of Place | 26 | 2 | 6 | 11 | 7 |
76k5m1kp | Un viaje al otro lado del cerco | 25 | 1 | 11 | 8 | 5 |
9f89s29t | Contributors | 24 | 1 | 10 | 8 | 5 |
9sb5k00t | In This Issue | 24 | 1 | 8 | 8 | 7 |
2z75x5rx | Front Matter | 23 | 1 | 8 | 10 | 4 |
94b4r8fh | Obras Maestras | 23 | 8 | 11 | 4 | |
712289j9 | Miktlampa: Organic Trascription of the Self | 22 | 1 | 5 | 9 | 7 |
8wg176kp | Table of Contents | 22 | 3 | 9 | 6 | 4 |
8wq0p8gn | Ciudadana Fronteriza | 22 | 1 | 9 | 6 | 6 |
32k77882 | Evil | 21 | 2 | 8 | 7 | 4 |
50f2f397 | Arrangements | 21 | 6 | 8 | 7 | |
6k66q58r | Table of Contents | 21 | 1 | 7 | 9 | 4 |
6mn651hp | I Know Homeboy | 21 | 1 | 8 | 9 | 3 |
7519q5q0 | Declaration of Independence | 21 | 4 | 6 | 5 | 6 |
0t1128j2 | Contributors | 20 | 7 | 10 | 3 | |
3bp116cc | Autobiografía literaria | 20 | 5 | 9 | 6 | |
6ws4q6qx | Mumbling of Prayers | 20 | 8 | 8 | 4 | |
9vp8q0rc | Mi Corazón | 20 | 7 | 8 | 5 | |
11k3x9pp | You bring out...La Mujer Que Soy Ahora | 19 | 8 | 7 | 4 | |
3v85p7k9 | Monarquita de Obsidiana | 19 | 1 | 7 | 6 | 5 |
47b623h9 | Epilogue | 19 | 8 | 7 | 4 | |
8867f5ds | Darius V Echeverría's <em>Aztlán Arizona: Mexican American Educational Empowerment, 1968-1978</em> | 19 | 1 | 7 | 7 | 4 |
61k09622 | Bárbara O. Reyes' <em>Private Women, Public Lives: Gender and the Missions of Californias</em> | 18 | 6 | 5 | 4 | 3 |
7k466415 | El Poder Ver | 18 | 5 | 9 | 4 | |
8k32c2ds | Tomás S. Sandoval's <em>Latinos at the Golden Gate: Creating Community and Identity in San Francisco</em> | 18 | 1 | 5 | 6 | 6 |
8xk9r9tc | (Mataseshimashita) Gracias Por Esperar | 18 | 9 | 6 | 3 | |
1gh8w0m6 | Chican@...? | 17 | 6 | 8 | 3 | |
5749j9vs | Amantes de Lluvia | 16 | 1 | 8 | 4 | 3 |
5xc4263t | Danzers | 15 | 7 | 5 | 3 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.