UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: Breakdown by Item for March through June, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 2ws0z1vj | Children Are Making It Big (for EVERYONE ELSE): The Need for CHILD LABOR LAWS Protecting Child Influencers | 1,328 | 301 | 1,027 | 22.7% |
| 8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 761 | 389 | 372 | 51.1% |
| 4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 563 | 85 | 478 | 15.1% |
| 86m9b9qr | Tonya Harding's Case: Contractual Due Process, the Amateur Athlete, and the American Ideal of Fair Play | 562 | 521 | 41 | 92.7% |
| 15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 494 | 440 | 54 | 89.1% |
| 1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 438 | 341 | 97 | 77.9% |
| 0p9231pp | Rules of the Game: Are the Rules and Mechanics of Video Games Copyrightable? | 425 | 112 | 313 | 26.4% |
| 88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 352 | 238 | 114 | 67.6% |
| 056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 337 | 118 | 219 | 35.0% |
| 0442v3gk | Post Post-Paramount Decrees: The Evolution of Antitrust Concerns as the Film Industry Transforms | 320 | 98 | 222 | 30.6% |
| 4m93289m | Trifling and Gambling With Virtual Money | 320 | 228 | 92 | 71.3% |
| 6nz6s5bk | Case-by-Case: Most Sound Recording Copyright Assignments Should be Terminable | 319 | 37 | 282 | 11.6% |
| 1mv4704s | Audio Pastiche: Digital Sampling, Intermediate Copying, Fair Use | 259 | 203 | 56 | 78.4% |
| 6228x10b | The Price of Celebrity: Valuing the Right of Publicity in Calculating Compensatory Damages | 240 | 23 | 217 | 9.6% |
| 96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 234 | 140 | 94 | 59.8% |
| 7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 230 | 52 | 178 | 22.6% |
| 1x26m3w2 | The Visual Artist and the Law of Defamation | 210 | 148 | 62 | 70.5% |
| 4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 208 | 39 | 169 | 18.8% |
| 3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 207 | 56 | 151 | 27.1% |
| 6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 198 | 87 | 111 | 43.9% |
| 0xj116dt | The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements | 185 | 121 | 64 | 65.4% |
| 5s8331vp | Students, Athletes, and Employees: An Evolving Distinction | 184 | 33 | 151 | 17.9% |
| 4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 183 | 25 | 158 | 13.7% |
| 7g87m864 | Section 230 of the Communications Decency Act: A "Good Samaritan" Law Without the Requirement of Acting as a "Good Samaritan" | 182 | 129 | 53 | 70.9% |
| 8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 182 | 46 | 136 | 25.3% |
| 8sw2722p | NFTs and the Art World – What's Real, and What's Not | 182 | 108 | 74 | 59.3% |
| 3g70x78x | Digital Sampling: A Cultural Perspective | 178 | 125 | 53 | 70.2% |
| 41d817dg | Let Them Authenticate: Deterring Art Fraud | 178 | 55 | 123 | 30.9% |
| 459900ct | How to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement | 175 | 144 | 31 | 82.3% |
| 2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 166 | 64 | 102 | 38.6% |
| 7z58n0x8 | Multiple Identities: Why the Right of Publicity Should Be a Federal Law | 159 | 90 | 69 | 56.6% |
| 2152q2t4 | Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape | 157 | 52 | 105 | 33.1% |
| 406064n4 | “Oh [Yes], She Betta [Should]!”: Dolling Up Drag Queens’ Intellectual Property Rights | 154 | 73 | 81 | 47.4% |
| 2tk5h9h1 | Conflicts of Interest and the Shifting Paradigm of Athlete Representation | 151 | 77 | 74 | 51.0% |
| 7k678644 | Let’s Get Ready to Unbundle! It’s Time for the UFC to Offer Individual Fights For Purchase | 151 | 53 | 98 | 35.1% |
| 05h5f32h | The Trouble with Mergers Is . . . | 150 | 61 | 89 | 40.7% |
| 1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 149 | 48 | 101 | 32.2% |
| 9t888611 | The Mass Appeal of <em>The Practice</em> and <em>Ally McBeal</em>: An In-Depth Analysis of the Impact of these Television Shows on the Public's Perception of Attorneys | 149 | 33 | 116 | 22.1% |
| 84b725b5 | Does Exploiting a Child Amount to Employing a Child? The FLSA's Child Labor Provisions and Children on Reality Television | 145 | 72 | 73 | 49.7% |
| 0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 143 | 55 | 88 | 38.5% |
| 6cw1p518 | Shedding Light on Copyright Trolls: An Analysis of Mass Copyright Litigation in the Age of Statutory Damages | 142 | 77 | 65 | 54.2% |
| 4b2909vc | NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM | 140 | 50 | 90 | 35.7% |
| 4bd4n43d | [SONG ENDS] – Why Movie and Television Producers Should Stop Using Copyright as an Excuse Not to Caption Song Lyrics | 136 | 20 | 116 | 14.7% |
| 1g64067m | <em>Reel Justice--The Courtroom Goes to the Movies</em> by Michael Asimow and Paul Bergman. Kansas City, Missouri: Andrews & McMeel, 1996. Approx. 300 pp. | 133 | 82 | 51 | 61.7% |
| 1bw8d13j | "The Simpsons" and the Law: Revealing Truth and Justice to the Masses | 132 | 52 | 80 | 39.4% |
| 1nc6n14s | A Full 360: How the 360 Deal Challenges the Historical Resistance to Establishing a Fiduciary Duty Between Artist and Label | 132 | 72 | 60 | 54.5% |
| 9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 127 | 52 | 75 | 40.9% |
| 77j602d0 | Written on the Body: Intellectual Property Rights in Tattoos, Makeup, and Other Body Art | 126 | 66 | 60 | 52.4% |
| 4mt0k30h | Fighting Chinese Censorship of U.S. Films by Denying Filmmakers U.S. Government Assistance: An Examination of the Proposed SCRIPT Act | 125 | 28 | 97 | 22.4% |
| 7z90x3xg | Copyright Cartels or Legitimate Joint Ventures? What the MusicNet and Pressplay Litigation Means for the Entertainment Industry's New Distribution Models | 123 | 16 | 107 | 13.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.