UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 5,758 | 148 | 5,610 | 2.6% |
| 0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 2,321 | 1,985 | 336 | 85.5% |
| 0p9231pp | Rules of the Game: Are the Rules and Mechanics of Video Games Copyrightable? | 1,649 | 550 | 1,099 | 33.4% |
| 4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 1,401 | 125 | 1,276 | 8.9% |
| 1bs5j3fg | Play It Again, HAL: Evaluating Fair Use in Generative Music Artificial Intelligence Training | 1,324 | 599 | 725 | 45.2% |
| 2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 964 | 131 | 833 | 13.6% |
| 0zg193zk | Indianizing Hollywood: The Debate Over Copyright Infringement By Bollywood | 924 | 364 | 560 | 39.4% |
| 2ws0z1vj | Children Are Making It Big (for EVERYONE ELSE): The Need for CHILD LABOR LAWS Protecting Child Influencers | 886 | 287 | 599 | 32.4% |
| 0xj116dt | The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements | 844 | 475 | 369 | 56.3% |
| 056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 809 | 451 | 358 | 55.7% |
| 88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 804 | 569 | 235 | 70.8% |
| 6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 754 | 216 | 538 | 28.6% |
| 4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 751 | 163 | 588 | 21.7% |
| 91w312gd | MP3: SECOND VERSE | 703 | 630 | 73 | 89.6% |
| 77j602d0 | Written on the Body: Intellectual Property Rights in Tattoos, Makeup, and Other Body Art | 660 | 178 | 482 | 27.0% |
| 1x26m3w2 | The Visual Artist and the Law of Defamation | 603 | 286 | 317 | 47.4% |
| 0442v3gk | Post Post-Paramount Decrees: The Evolution of Antitrust Concerns as the Film Industry Transforms | 590 | 241 | 349 | 40.8% |
| 7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 566 | 273 | 293 | 48.2% |
| 5b72j5s4 | The Demise of the Long-Term Personal Services Contract in the Music Industry: Artistic Freedom Against Company Profit | 552 | 400 | 152 | 72.5% |
| 49r0552n | Understanding the Evolution of Signing Bonuses and Guaranteed Money in the National Football League: Preparing for the 2011 Collective Bargaining Negotiations | 534 | 298 | 236 | 55.8% |
| 8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 532 | 191 | 341 | 35.9% |
| 4bd4n43d | [SONG ENDS] – Why Movie and Television Producers Should Stop Using Copyright as an Excuse Not to Caption Song Lyrics | 529 | 138 | 391 | 26.1% |
| 6nz6s5bk | Case-by-Case: Most Sound Recording Copyright Assignments Should be Terminable | 524 | 66 | 458 | 12.6% |
| 96d414rm | "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System | 515 | 384 | 131 | 74.6% |
| 5jb1n5ss | Tackling the Economic Duress Problem with the NFL Franchise Tag | 509 | 278 | 231 | 54.6% |
| 4zr6d8wt | Flagrant Foul: Racism in "The Ron Artest Fight" | 508 | 191 | 317 | 37.6% |
| 4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 492 | 257 | 235 | 52.2% |
| 7t00r79n | Inside the FBI Inspections of Adult Movie Company Age-Verification Records: A Dialogue with Special Agent Chuck Joyner | 491 | 281 | 210 | 57.2% |
| 96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 491 | 328 | 163 | 66.8% |
| 1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 488 | 163 | 325 | 33.4% |
| 1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 486 | 367 | 119 | 75.5% |
| 9bn0j3mh | Fair Comment: Restoring the Rightful Scope of Fair Use and Free Speech after <em>Elster</em> and <em>Warhol</em> | 480 | 245 | 235 | 51.0% |
| 3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 440 | 160 | 280 | 36.4% |
| 6kb1r01z | Out at Home: Why the Major League Baseball Advanced Media Agreement May Violate Antitrust Law | 413 | 361 | 52 | 87.4% |
| 15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 403 | 287 | 116 | 71.2% |
| 0sg7k4cn | SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era? | 379 | 320 | 59 | 84.4% |
| 4m93289m | Trifling and Gambling With Virtual Money | 376 | 142 | 234 | 37.8% |
| 0d4518tp | All Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League | 375 | 205 | 170 | 54.7% |
| 03z7d1h2 | The Conflicts Between Intellectual Property Protections when a Character Enters the Public Domain | 362 | 290 | 72 | 80.1% |
| 9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 344 | 167 | 177 | 48.5% |
| 0h10609z | <em>Boxing</em> Basinger: Oral Contracts and the Manager's Privilege on the Ropes in Hollywood* | 341 | 129 | 212 | 37.8% |
| 7z58n0x8 | Multiple Identities: Why the Right of Publicity Should Be a Federal Law | 332 | 284 | 48 | 85.5% |
| 2tk5h9h1 | Conflicts of Interest and the Shifting Paradigm of Athlete Representation | 329 | 215 | 114 | 65.3% |
| 41d817dg | Let Them Authenticate: Deterring Art Fraud | 328 | 96 | 232 | 29.3% |
| 459900ct | How to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement | 326 | 197 | 129 | 60.4% |
| 84b725b5 | Does Exploiting a Child Amount to Employing a Child? The FLSA's Child Labor Provisions and Children on Reality Television | 326 | 186 | 140 | 57.1% |
| 61k2v6tz | From Mozart to Hip-Hop: The Impact of <em>Bridgeport v. Dimension Films</em> on Musical Creativity | 318 | 243 | 75 | 76.4% |
| 4pq7547z | Bringing Balance to the Antitrust Force: Revising the Paramount Decrees for the Modern Motion Picture Market | 314 | 172 | 142 | 54.8% |
| 04p9153p | Give Me A ©: Refashioning the Supreme Court's Decision in Star Athletica v. Varsity Into an Art-First Approach to Copyright Protection for Fashion Designers | 313 | 221 | 92 | 70.6% |
| 86m9b9qr | Tonya Harding's Case: Contractual Due Process, the Amateur Athlete, and the American Ideal of Fair Play | 313 | 226 | 87 | 72.2% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.