UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: Breakdown by Item for May through August, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 10,161 | 166 | 9,995 | 1.6% |
| 0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 2,520 | 2,195 | 325 | 87.1% |
| 0xj116dt | The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements | 1,371 | 970 | 401 | 70.8% |
| 4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 1,323 | 136 | 1,187 | 10.3% |
| 0zg193zk | Indianizing Hollywood: The Debate Over Copyright Infringement By Bollywood | 1,257 | 551 | 706 | 43.8% |
| 1bs5j3fg | Play It Again, HAL: Evaluating Fair Use in Generative Music Artificial Intelligence Training | 1,256 | 649 | 607 | 51.7% |
| 0p9231pp | Rules of the Game: Are the Rules and Mechanics of Video Games Copyrightable? | 1,218 | 292 | 926 | 24.0% |
| 2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 1,181 | 156 | 1,025 | 13.2% |
| 88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 1,169 | 937 | 232 | 80.2% |
| 056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 908 | 503 | 405 | 55.4% |
| 77j602d0 | Written on the Body: Intellectual Property Rights in Tattoos, Makeup, and Other Body Art | 852 | 174 | 678 | 20.4% |
| 2ws0z1vj | Children Are Making It Big (for EVERYONE ELSE): The Need for CHILD LABOR LAWS Protecting Child Influencers | 837 | 207 | 630 | 24.7% |
| 1x26m3w2 | The Visual Artist and the Law of Defamation | 737 | 378 | 359 | 51.3% |
| 8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 725 | 311 | 414 | 42.9% |
| 6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 724 | 222 | 502 | 30.7% |
| 4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 717 | 142 | 575 | 19.8% |
| 0442v3gk | Post Post-Paramount Decrees: The Evolution of Antitrust Concerns as the Film Industry Transforms | 700 | 310 | 390 | 44.3% |
| 49r0552n | Understanding the Evolution of Signing Bonuses and Guaranteed Money in the National Football League: Preparing for the 2011 Collective Bargaining Negotiations | 697 | 493 | 204 | 70.7% |
| 91w312gd | MP3: SECOND VERSE | 660 | 581 | 79 | 88.0% |
| 4m93289m | Trifling and Gambling With Virtual Money | 651 | 330 | 321 | 50.7% |
| 1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 637 | 146 | 491 | 22.9% |
| 1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 633 | 495 | 138 | 78.2% |
| 96d414rm | "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System | 611 | 461 | 150 | 75.5% |
| 7t00r79n | Inside the FBI Inspections of Adult Movie Company Age-Verification Records: A Dialogue with Special Agent Chuck Joyner | 594 | 355 | 239 | 59.8% |
| 96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 590 | 415 | 175 | 70.3% |
| 7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 573 | 327 | 246 | 57.1% |
| 5jb1n5ss | Tackling the Economic Duress Problem with the NFL Franchise Tag | 571 | 298 | 273 | 52.2% |
| 15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 566 | 407 | 159 | 71.9% |
| 5b72j5s4 | The Demise of the Long-Term Personal Services Contract in the Music Industry: Artistic Freedom Against Company Profit | 563 | 377 | 186 | 67.0% |
| 84b725b5 | Does Exploiting a Child Amount to Employing a Child? The FLSA's Child Labor Provisions and Children on Reality Television | 494 | 334 | 160 | 67.6% |
| 6kb1r01z | Out at Home: Why the Major League Baseball Advanced Media Agreement May Violate Antitrust Law | 491 | 419 | 72 | 85.3% |
| 9bn0j3mh | Fair Comment: Restoring the Rightful Scope of Fair Use and Free Speech after <em>Elster</em> and <em>Warhol</em> | 491 | 199 | 292 | 40.5% |
| 7z58n0x8 | Multiple Identities: Why the Right of Publicity Should Be a Federal Law | 490 | 409 | 81 | 83.5% |
| 4zr6d8wt | Flagrant Foul: Racism in "The Ron Artest Fight" | 469 | 236 | 233 | 50.3% |
| 6nz6s5bk | Case-by-Case: Most Sound Recording Copyright Assignments Should be Terminable | 460 | 84 | 376 | 18.3% |
| 0d4518tp | All Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League | 456 | 226 | 230 | 49.6% |
| 61k2v6tz | From Mozart to Hip-Hop: The Impact of <em>Bridgeport v. Dimension Films</em> on Musical Creativity | 444 | 333 | 111 | 75.0% |
| 86m9b9qr | Tonya Harding's Case: Contractual Due Process, the Amateur Athlete, and the American Ideal of Fair Play | 432 | 299 | 133 | 69.2% |
| 3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 427 | 151 | 276 | 35.4% |
| 9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 417 | 174 | 243 | 41.7% |
| 4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 403 | 142 | 261 | 35.2% |
| 0sg7k4cn | SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era? | 386 | 252 | 134 | 65.3% |
| 2c85662f | Rebirth and Rejuvenation in a Digital Hollywood: The Challenge Computer-Simulated Celebrities Present for California's Antiquated Right of Publicity | 385 | 273 | 112 | 70.9% |
| 92n3k361 | The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant | 385 | 263 | 122 | 68.3% |
| 08v2z121 | Can Google be Liable for Trademark Infringement? A Look at the "Trademark Use" Requirement as Applied to Google AdWords | 381 | 266 | 115 | 69.8% |
| 2tk5h9h1 | Conflicts of Interest and the Shifting Paradigm of Athlete Representation | 378 | 265 | 113 | 70.1% |
| 4mc8v9j3 | Network Television and the Digital Threat | 365 | 148 | 217 | 40.5% |
| 459900ct | How to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement | 362 | 236 | 126 | 65.2% |
| 7mq6r2rb | Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced | 362 | 249 | 113 | 68.8% |
| 4b2909vc | NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM | 358 | 186 | 172 | 52.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.