UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: Breakdown by Item for June through September, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 515 | 70 | 445 | 13.6% |
| 8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 477 | 304 | 173 | 63.7% |
| 15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 419 | 377 | 42 | 90.0% |
| 4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 385 | 80 | 305 | 20.8% |
| 8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 242 | 57 | 185 | 23.6% |
| 3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 209 | 80 | 129 | 38.3% |
| 7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 194 | 46 | 148 | 23.7% |
| 88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 193 | 152 | 41 | 78.8% |
| 056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 187 | 82 | 105 | 43.9% |
| 4b89f43k | Drawing the Line Between Personal Managers and Talent Agents: <em>Waisbren v. Peppercorn</em> | 168 | 97 | 71 | 57.7% |
| 3r22g6bc | The Inequitable Taxation of Low- and Mid-Income Performing Artists | 166 | 57 | 109 | 34.3% |
| 8sw2722p | NFTs and the Art World – What's Real, and What's Not | 166 | 125 | 41 | 75.3% |
| 92n3k361 | The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant | 144 | 51 | 93 | 35.4% |
| 3g70x78x | Digital Sampling: A Cultural Perspective | 141 | 127 | 14 | 90.1% |
| 6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 140 | 101 | 39 | 72.1% |
| 5pt6643c | An Alternative Operating Model for the Record Industry Based on the Development and Application of Non-Traditional Financial Models | 129 | 23 | 106 | 17.8% |
| 7g87m864 | Section 230 of the Communications Decency Act: A "Good Samaritan" Law Without the Requirement of Acting as a "Good Samaritan" | 127 | 93 | 34 | 73.2% |
| 1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 123 | 78 | 45 | 63.4% |
| 96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 123 | 94 | 29 | 76.4% |
| 9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 123 | 95 | 28 | 77.2% |
| 6s30w7pt | Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism | 119 | 36 | 83 | 30.3% |
| 4qm6r8br | A Public Press? Evaluating the Viability of Government Subsidies for the Newspaper Industry | 118 | 80 | 38 | 67.8% |
| 1bw8d13j | "The Simpsons" and the Law: Revealing Truth and Justice to the Masses | 117 | 80 | 37 | 68.4% |
| 4m93289m | Trifling and Gambling With Virtual Money | 107 | 51 | 56 | 47.7% |
| 1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 106 | 56 | 50 | 52.8% |
| 9nx765zs | The Pas de Deux Between Unionization and Federal Arts Funding: Why Congress Must Address Its Overcorrection That Impeded the Freelance Dance Industry | 103 | 29 | 74 | 28.2% |
| 4b2909vc | NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM | 101 | 63 | 38 | 62.4% |
| 5xt7w38p | <em>Dastar</em> Through European Eyes: Effects of the Public Domain on Transatlantic Trade | 101 | 28 | 73 | 27.7% |
| 459900ct | How to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement | 95 | 62 | 33 | 65.3% |
| 1g64067m | <em>Reel Justice--The Courtroom Goes to the Movies</em> by Michael Asimow and Paul Bergman. Kansas City, Missouri: Andrews & McMeel, 1996. Approx. 300 pp. | 93 | 68 | 25 | 73.1% |
| 4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 92 | 31 | 61 | 33.7% |
| 406064n4 | “Oh [Yes], She Betta [Should]!”: Dolling Up Drag Queens’ Intellectual Property Rights | 89 | 48 | 41 | 53.9% |
| 2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 88 | 50 | 38 | 56.8% |
| 4n00j4j3 | The Internet Doesn’t Forget: Redefining Privacy Through an American Right to Be Forgotten | 88 | 46 | 42 | 52.3% |
| 08v2z121 | Can Google be Liable for Trademark Infringement? A Look at the "Trademark Use" Requirement as Applied to Google AdWords | 87 | 68 | 19 | 78.2% |
| 2tk5h9h1 | Conflicts of Interest and the Shifting Paradigm of Athlete Representation | 87 | 54 | 33 | 62.1% |
| 41d817dg | Let Them Authenticate: Deterring Art Fraud | 80 | 56 | 24 | 70.0% |
| 512516md | The Right(s) of Publicity in California: Is Three Really Greater Than One? | 78 | 25 | 53 | 32.1% |
| 65j2b16p | The Application of the Sales Comparison Affiliate Transaction Provision to New, In-House Streaming Transactions Involving Historical Television Programs, and Their Impact on Profit Participants | 78 | 60 | 18 | 76.9% |
| 4mc8v9j3 | Network Television and the Digital Threat | 77 | 51 | 26 | 66.2% |
| 4r36h9d9 | The Unintended Consequence of the Miller-Ayala Athlete Agents Act: Depriving Student Athletes of Effective Legal Representation | 75 | 63 | 12 | 84.0% |
| 6cw1p518 | Shedding Light on Copyright Trolls: An Analysis of Mass Copyright Litigation in the Age of Statutory Damages | 74 | 48 | 26 | 64.9% |
| 0d4518tp | All Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League | 73 | 50 | 23 | 68.5% |
| 05h5f32h | The Trouble with Mergers Is . . . | 71 | 37 | 34 | 52.1% |
| 9t888611 | The Mass Appeal of <em>The Practice</em> and <em>Ally McBeal</em>: An In-Depth Analysis of the Impact of these Television Shows on the Public's Perception of Attorneys | 71 | 57 | 14 | 80.3% |
| 0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 70 | 30 | 40 | 42.9% |
| 0sg7k4cn | SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era? | 70 | 57 | 13 | 81.4% |
| 0zg193zk | Indianizing Hollywood: The Debate Over Copyright Infringement By Bollywood | 70 | 31 | 39 | 44.3% |
| 7z58n0x8 | Multiple Identities: Why the Right of Publicity Should Be a Federal Law | 70 | 51 | 19 | 72.9% |
| 7gx469xn | The Role of Novelty in a California Idea Submission Case | 69 | 56 | 13 | 81.2% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.