UCLA Entertainment Law Review

Parent: UCLA School of Law

eScholarship stats: History by Item for June through September, 2024

ItemTitleTotal requests2024-092024-082024-072024-06
4bj7x2tbRestrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code515149101163102
8m05g3fdThe Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business477113105130129
15x9v864Drugs in Cinema: Separating the Myths from Reality4199495116114
4cj0r474PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol385957375142
8g28626815 Minutes of Shame? Copyright Issues in Celebrity Sex Videos24291466441
3hn5m3vrReality Bites: The Limits of Intellectual Property Protection for Reality Television Shows20945506549
7n4322vmThe Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry19448444854
88z2z7wmDiscovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California19330514765
056242s2Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation18749345450
4b89f43kDrawing the Line Between Personal Managers and Talent Agents: <em>Waisbren v. Peppercorn</em>16833474840
3r22g6bcThe Inequitable Taxation of Low- and Mid-Income Performing Artists16643544524
8sw2722pNFTs and the Art World – What's Real, and What's Not16637574923
92n3k361The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant14419365534
3g70x78xDigital Sampling: A Cultural Perspective14130213753
6xg2x20xNot Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry14030413336
5pt6643cAn Alternative Operating Model for the Record Industry Based on the Development and Application of Non-Traditional Financial Models12917373639
7g87m864Section 230 of the Communications Decency Act: A "Good Samaritan" Law Without the Requirement of Acting as a "Good Samaritan"12720443726
1g32z0dxDangerous Bodies: Freak Shows, Expression, and Exploitation12318323340
96h003jtFirst World Problems:' A Fair Use Analysis of Internet Memes12318353535
9s1555npBowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants?12317274336
6s30w7ptLegitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism11915363533
4qm6r8brA Public Press? Evaluating the Viability of Government Subsidies for the Newspaper Industry11817253244
1bw8d13j"The Simpsons" and the Law: Revealing Truth and Justice to the Masses11721333132
4m93289mTrifling and Gambling With Virtual Money10730273713
1x38s0hjThe Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation10617282635
9nx765zsThe Pas de Deux Between Unionization and Federal Arts Funding: Why Congress Must Address Its Overcorrection That Impeded the Freelance Dance Industry10329312320
4b2909vcNEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM10115342725
5xt7w38p<em>Dastar</em> Through European Eyes: Effects of the Public Domain on Transatlantic Trade10119292825
459900ctHow to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement9518153626
1g64067m<em>Reel Justice--The Courtroom Goes to the Movies</em> by Michael Asimow and Paul Bergman. Kansas City, Missouri: Andrews &amp; McMeel, 1996. Approx. 300 pp.9325201731
4q22v4rdSending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients9217313113
406064n4“Oh [Yes], She Betta [Should]!”: Dolling Up Drag Queens’ Intellectual Property Rights8916232525
2q46j1kbRap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials8818352510
4n00j4j3The Internet Doesn’t Forget: Redefining Privacy Through an American Right to Be Forgotten8814273314
08v2z121Can Google be Liable for Trademark Infringement? A Look at the "Trademark Use" Requirement as Applied to Google AdWords876213723
2tk5h9h1Conflicts of Interest and the Shifting Paradigm of Athlete Representation878402019
41d817dgLet Them Authenticate: Deterring Art Fraud8013162328
512516mdThe Right(s) of Publicity in California: Is Three Really Greater Than One?7814192124
65j2b16pThe Application of the Sales Comparison Affiliate Transaction Provision to New, In-House Streaming Transactions Involving Historical Television Programs, and Their Impact on Profit Participants7849578
4mc8v9j3Network Television and the Digital Threat774242029
4r36h9d9The Unintended Consequence of the Miller-Ayala Athlete Agents Act: Depriving Student Athletes of Effective Legal Representation759292116
6cw1p518Shedding Light on Copyright Trolls: An Analysis of Mass Copyright Litigation in the Age of Statutory Damages7412292013
0d4518tpAll Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League7311181925
05h5f32hThe Trouble with Mergers Is . . .7116251416
9t888611The Mass Appeal of <em>The Practice</em> and <em>Ally McBeal</em>: An In-Depth Analysis of the Impact of these Television Shows on the Public's Perception of Attorneys716332111
0n29d9kqCelebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation7014212015
0sg7k4cnSPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era?705312311
0zg193zkIndianizing Hollywood: The Debate Over Copyright Infringement By Bollywood7012102424
7z58n0x8Multiple Identities: Why the Right of Publicity Should Be a Federal Law7011251717
7gx469xnThe Role of Novelty in a California Idea Submission Case694212618

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