UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: History by Item for May through August, 2026
| Item | Title | Total requests | 2026-08 | 2026-07 | 2026-06 | 2026-05 |
|---|---|---|---|---|---|---|
| 8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 10,161 | 2,112 | 1,267 | 4,733 | 2,049 |
| 0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 2,520 | 835 | 985 | 416 | 284 |
| 0xj116dt | The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements | 1,371 | 351 | 241 | 288 | 491 |
| 4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 1,323 | 555 | 174 | 322 | 272 |
| 0zg193zk | Indianizing Hollywood: The Debate Over Copyright Infringement By Bollywood | 1,257 | 332 | 386 | 291 | 248 |
| 1bs5j3fg | Play It Again, HAL: Evaluating Fair Use in Generative Music Artificial Intelligence Training | 1,256 | 428 | 317 | 275 | 236 |
| 0p9231pp | Rules of the Game: Are the Rules and Mechanics of Video Games Copyrightable? | 1,218 | 495 | 294 | 246 | 183 |
| 2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 1,181 | 347 | 523 | 180 | 131 |
| 88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 1,169 | 238 | 302 | 308 | 321 |
| 056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 908 | 240 | 307 | 169 | 192 |
| 77j602d0 | Written on the Body: Intellectual Property Rights in Tattoos, Makeup, and Other Body Art | 852 | 204 | 257 | 240 | 151 |
| 2ws0z1vj | Children Are Making It Big (for EVERYONE ELSE): The Need for CHILD LABOR LAWS Protecting Child Influencers | 837 | 288 | 121 | 186 | 242 |
| 1x26m3w2 | The Visual Artist and the Law of Defamation | 737 | 199 | 235 | 176 | 127 |
| 8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 725 | 175 | 97 | 209 | 244 |
| 6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 724 | 189 | 143 | 242 | 150 |
| 4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 717 | 262 | 129 | 123 | 203 |
| 0442v3gk | Post Post-Paramount Decrees: The Evolution of Antitrust Concerns as the Film Industry Transforms | 700 | 188 | 113 | 236 | 163 |
| 49r0552n | Understanding the Evolution of Signing Bonuses and Guaranteed Money in the National Football League: Preparing for the 2011 Collective Bargaining Negotiations | 697 | 184 | 157 | 117 | 239 |
| 91w312gd | MP3: SECOND VERSE | 660 | 189 | 239 | 127 | 105 |
| 4m93289m | Trifling and Gambling With Virtual Money | 651 | 133 | 111 | 206 | 201 |
| 1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 637 | 147 | 77 | 198 | 215 |
| 1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 633 | 180 | 99 | 130 | 224 |
| 96d414rm | "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System | 611 | 179 | 148 | 116 | 168 |
| 7t00r79n | Inside the FBI Inspections of Adult Movie Company Age-Verification Records: A Dialogue with Special Agent Chuck Joyner | 594 | 182 | 119 | 136 | 157 |
| 96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 590 | 159 | 125 | 149 | 157 |
| 7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 573 | 181 | 146 | 82 | 164 |
| 5jb1n5ss | Tackling the Economic Duress Problem with the NFL Franchise Tag | 571 | 164 | 127 | 142 | 138 |
| 15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 566 | 114 | 122 | 136 | 194 |
| 5b72j5s4 | The Demise of the Long-Term Personal Services Contract in the Music Industry: Artistic Freedom Against Company Profit | 563 | 148 | 170 | 95 | 150 |
| 84b725b5 | Does Exploiting a Child Amount to Employing a Child? The FLSA's Child Labor Provisions and Children on Reality Television | 494 | 120 | 57 | 198 | 119 |
| 6kb1r01z | Out at Home: Why the Major League Baseball Advanced Media Agreement May Violate Antitrust Law | 491 | 157 | 163 | 75 | 96 |
| 9bn0j3mh | Fair Comment: Restoring the Rightful Scope of Fair Use and Free Speech after <em>Elster</em> and <em>Warhol</em> | 491 | 123 | 79 | 172 | 117 |
| 7z58n0x8 | Multiple Identities: Why the Right of Publicity Should Be a Federal Law | 490 | 109 | 81 | 116 | 184 |
| 4zr6d8wt | Flagrant Foul: Racism in "The Ron Artest Fight" | 469 | 185 | 76 | 87 | 121 |
| 6nz6s5bk | Case-by-Case: Most Sound Recording Copyright Assignments Should be Terminable | 460 | 176 | 58 | 105 | 121 |
| 0d4518tp | All Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League | 456 | 113 | 87 | 95 | 161 |
| 61k2v6tz | From Mozart to Hip-Hop: The Impact of <em>Bridgeport v. Dimension Films</em> on Musical Creativity | 444 | 103 | 99 | 77 | 165 |
| 86m9b9qr | Tonya Harding's Case: Contractual Due Process, the Amateur Athlete, and the American Ideal of Fair Play | 432 | 84 | 62 | 89 | 197 |
| 3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 427 | 161 | 60 | 75 | 131 |
| 9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 417 | 112 | 69 | 105 | 131 |
| 4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 403 | 127 | 71 | 94 | 111 |
| 0sg7k4cn | SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era? | 386 | 111 | 50 | 131 | 94 |
| 2c85662f | Rebirth and Rejuvenation in a Digital Hollywood: The Challenge Computer-Simulated Celebrities Present for California's Antiquated Right of Publicity | 385 | 93 | 103 | 83 | 106 |
| 92n3k361 | The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant | 385 | 57 | 39 | 128 | 161 |
| 08v2z121 | Can Google be Liable for Trademark Infringement? A Look at the "Trademark Use" Requirement as Applied to Google AdWords | 381 | 61 | 62 | 103 | 155 |
| 2tk5h9h1 | Conflicts of Interest and the Shifting Paradigm of Athlete Representation | 378 | 104 | 48 | 86 | 140 |
| 4mc8v9j3 | Network Television and the Digital Threat | 365 | 99 | 95 | 70 | 101 |
| 459900ct | How to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement | 362 | 114 | 52 | 88 | 108 |
| 7mq6r2rb | Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced | 362 | 54 | 62 | 75 | 171 |
| 4b2909vc | NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM | 358 | 71 | 57 | 80 | 150 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.