UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: History by Item for June through September, 2024
Item | Title | Total requests | 2024-09 | 2024-08 | 2024-07 | 2024-06 |
---|---|---|---|---|---|---|
4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 515 | 149 | 101 | 163 | 102 |
8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 477 | 113 | 105 | 130 | 129 |
15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 419 | 94 | 95 | 116 | 114 |
4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 385 | 95 | 73 | 75 | 142 |
8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 242 | 91 | 46 | 64 | 41 |
3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 209 | 45 | 50 | 65 | 49 |
7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 194 | 48 | 44 | 48 | 54 |
88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 193 | 30 | 51 | 47 | 65 |
056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 187 | 49 | 34 | 54 | 50 |
4b89f43k | Drawing the Line Between Personal Managers and Talent Agents: <em>Waisbren v. Peppercorn</em> | 168 | 33 | 47 | 48 | 40 |
3r22g6bc | The Inequitable Taxation of Low- and Mid-Income Performing Artists | 166 | 43 | 54 | 45 | 24 |
8sw2722p | NFTs and the Art World – What's Real, and What's Not | 166 | 37 | 57 | 49 | 23 |
92n3k361 | The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant | 144 | 19 | 36 | 55 | 34 |
3g70x78x | Digital Sampling: A Cultural Perspective | 141 | 30 | 21 | 37 | 53 |
6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 140 | 30 | 41 | 33 | 36 |
5pt6643c | An Alternative Operating Model for the Record Industry Based on the Development and Application of Non-Traditional Financial Models | 129 | 17 | 37 | 36 | 39 |
7g87m864 | Section 230 of the Communications Decency Act: A "Good Samaritan" Law Without the Requirement of Acting as a "Good Samaritan" | 127 | 20 | 44 | 37 | 26 |
1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 123 | 18 | 32 | 33 | 40 |
96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 123 | 18 | 35 | 35 | 35 |
9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 123 | 17 | 27 | 43 | 36 |
6s30w7pt | Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism | 119 | 15 | 36 | 35 | 33 |
4qm6r8br | A Public Press? Evaluating the Viability of Government Subsidies for the Newspaper Industry | 118 | 17 | 25 | 32 | 44 |
1bw8d13j | "The Simpsons" and the Law: Revealing Truth and Justice to the Masses | 117 | 21 | 33 | 31 | 32 |
4m93289m | Trifling and Gambling With Virtual Money | 107 | 30 | 27 | 37 | 13 |
1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 106 | 17 | 28 | 26 | 35 |
9nx765zs | The Pas de Deux Between Unionization and Federal Arts Funding: Why Congress Must Address Its Overcorrection That Impeded the Freelance Dance Industry | 103 | 29 | 31 | 23 | 20 |
4b2909vc | NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM | 101 | 15 | 34 | 27 | 25 |
5xt7w38p | <em>Dastar</em> Through European Eyes: Effects of the Public Domain on Transatlantic Trade | 101 | 19 | 29 | 28 | 25 |
459900ct | How to Stop the Fast Break: An Evaluation of the "Three-Peat" Trademark and the FTC's Role in Trademark Law Enforcement | 95 | 18 | 15 | 36 | 26 |
1g64067m | <em>Reel Justice--The Courtroom Goes to the Movies</em> by Michael Asimow and Paul Bergman. Kansas City, Missouri: Andrews & McMeel, 1996. Approx. 300 pp. | 93 | 25 | 20 | 17 | 31 |
4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 92 | 17 | 31 | 31 | 13 |
406064n4 | “Oh [Yes], She Betta [Should]!”: Dolling Up Drag Queens’ Intellectual Property Rights | 89 | 16 | 23 | 25 | 25 |
2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 88 | 18 | 35 | 25 | 10 |
4n00j4j3 | The Internet Doesn’t Forget: Redefining Privacy Through an American Right to Be Forgotten | 88 | 14 | 27 | 33 | 14 |
08v2z121 | Can Google be Liable for Trademark Infringement? A Look at the "Trademark Use" Requirement as Applied to Google AdWords | 87 | 6 | 21 | 37 | 23 |
2tk5h9h1 | Conflicts of Interest and the Shifting Paradigm of Athlete Representation | 87 | 8 | 40 | 20 | 19 |
41d817dg | Let Them Authenticate: Deterring Art Fraud | 80 | 13 | 16 | 23 | 28 |
512516md | The Right(s) of Publicity in California: Is Three Really Greater Than One? | 78 | 14 | 19 | 21 | 24 |
65j2b16p | The Application of the Sales Comparison Affiliate Transaction Provision to New, In-House Streaming Transactions Involving Historical Television Programs, and Their Impact on Profit Participants | 78 | 4 | 9 | 57 | 8 |
4mc8v9j3 | Network Television and the Digital Threat | 77 | 4 | 24 | 20 | 29 |
4r36h9d9 | The Unintended Consequence of the Miller-Ayala Athlete Agents Act: Depriving Student Athletes of Effective Legal Representation | 75 | 9 | 29 | 21 | 16 |
6cw1p518 | Shedding Light on Copyright Trolls: An Analysis of Mass Copyright Litigation in the Age of Statutory Damages | 74 | 12 | 29 | 20 | 13 |
0d4518tp | All Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League | 73 | 11 | 18 | 19 | 25 |
05h5f32h | The Trouble with Mergers Is . . . | 71 | 16 | 25 | 14 | 16 |
9t888611 | The Mass Appeal of <em>The Practice</em> and <em>Ally McBeal</em>: An In-Depth Analysis of the Impact of these Television Shows on the Public's Perception of Attorneys | 71 | 6 | 33 | 21 | 11 |
0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 70 | 14 | 21 | 20 | 15 |
0sg7k4cn | SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era? | 70 | 5 | 31 | 23 | 11 |
0zg193zk | Indianizing Hollywood: The Debate Over Copyright Infringement By Bollywood | 70 | 12 | 10 | 24 | 24 |
7z58n0x8 | Multiple Identities: Why the Right of Publicity Should Be a Federal Law | 70 | 11 | 25 | 17 | 17 |
7gx469xn | The Role of Novelty in a California Idea Submission Case | 69 | 4 | 21 | 26 | 18 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.