Department of Education
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for April through July, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3m68352h | Book Review: The Aftermath of Feminism: Gender, Culture and Social Change by Angela McRobbie | 805 | 318 | 487 | 39.5% |
| 5fj9g4xx | Book Review: The Purity Myth: How America’s Obsession with Virginity is Hurting Young Women by Jessica Valenti | 524 | 293 | 231 | 55.9% |
| 5st9c8c4 | Give Me Something to Sing About’: intertexuality in Once More With Feeling | 481 | 59 | 422 | 12.3% |
| 5kt6s812 | Adolescent gang involvement: The role of individual, family, peer, and school factors in a multilevel perspective | 434 | 110 | 324 | 25.3% |
| 5xw0x3gc | The impossible charm of Messiaen's <i>Chronochromie</i> | 417 | 205 | 212 | 49.2% |
| 9bv3f0hp | Book Review: Dude, You’re A Fag: Masculinity and Sexuality in High School by C.J. Pascoe. | 344 | 104 | 240 | 30.2% |
| 35g8m8f7 | From Pulsation to Sensation: Virtuosity and Modernism in Ligeti’s First and Ninth Piano Études | 322 | 89 | 233 | 27.6% |
| 98g4d1r6 | Second language acquisition | 309 | 56 | 253 | 18.1% |
| 01p301wx | Did Someone Say Post-Spectral?’ The Orchestral Imaginary in Millenial Works by Tulve, Dalbavie, and Haas | 297 | 200 | 97 | 67.3% |
| 3tz160nq | Finding Space Beyond Variables: An Analytical Review of Urban Space and Social Inequalities | 280 | 56 | 224 | 20.0% |
| 6v77c7tj | The Inequitable Treatment of English Learners in California’s Public Schools | 270 | 97 | 173 | 35.9% |
| 9bp6f677 | A Latent Transition Mixture Model Using the Three-Step Specification | 266 | 147 | 119 | 55.3% |
| 2724q6fv | Acquisition of L2 Mandarin Chinese tones with learner-created tone visualizations | 256 | 105 | 151 | 41.0% |
| 4wx8q33n | German Liberalism, Nationalism, and Humanism in Hanslick’s Writings on Brahms | 254 | 71 | 183 | 28.0% |
| 72m382mk | Dehumanization of the Black American Female: An American/Hawaiian Experience | 252 | 78 | 174 | 31.0% |
| 5xn297x9 | Codes, constraints, and the loss of control in Ligeti’s keyboard works | 251 | 142 | 109 | 56.6% |
| 8w9186zw | Richard Steinitz, György Ligeti: Music of the Imagination (London: Faber and Faber, 2003), ISBN 0 571 17631 3 (hb) | 245 | 93 | 152 | 38.0% |
| 03b7k2km | The Inequitable Treatment of English Learners in California's Public Schools | 236 | 42 | 194 | 17.8% |
| 99b2p9tg | Automata in extremis : Mauro Lanza's sublime sound machines | 231 | 58 | 173 | 25.1% |
| 1h30s015 | Intro to Quantum Harmony: Chords in Superposition | 227 | 67 | 160 | 29.5% |
| 51b6v47q | CONTEMPORARY OPERA AND THE FAILURE OF LANGUAGE | 227 | 109 | 118 | 48.0% |
| 56c980gf | Book Review: Stripped: Inside the Lives of Exotic Dancers by Bernadette Barton | 222 | 125 | 97 | 56.3% |
| 4wm040z4 | Only the Truth! <i>Camelia la Tejana's Many Truths</i> | 220 | 121 | 99 | 55.0% |
| 58v5s45t | 'Composing the Sound itself;’ Secondary Parameters and Structure in the Music of Ligeti | 210 | 92 | 118 | 43.8% |
| 1hj164pd | An Explosive Confrontation Messiaen and the Post-War Avant-Garde | 207 | 73 | 134 | 35.3% |
| 8wx964ww | 'Are you dead, like us?’ The Liminal Status of the Undead in the Music of Ligeti | 204 | 64 | 140 | 31.4% |
| 8h87277q | Boobs, Boxing, and Bombs: Problematizing the Entertainment of Spike TV | 202 | 58 | 144 | 28.7% |
| 1dk9k9d6 | Genre as emigre The return of the repressed in Ligeti's Second Quartet | 199 | 105 | 94 | 52.8% |
| 89p0m2tk | Brahms's Ascending Circle: Hölderlin, Schicksalslied and the Process of Recollection | 198 | 79 | 119 | 39.9% |
| 9kp2h7v0 | Gravitational wave and CMB probes of axion kination | 196 | 129 | 67 | 65.8% |
| 2fp1g1cw | The ‘Other’ of the Exotic: Balinese Music as ‘Grammatical Paradigm’ in the Music of Ligeti | 190 | 52 | 138 | 27.4% |
| 9n2184ws | Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas | 188 | 45 | 143 | 23.9% |
| 7064b4mc | Book Review: Getting Off: Pornography and the End of Masculinity by Robert Jensen | 187 | 53 | 134 | 28.3% |
| 2p7505c1 | Brahms as a Vanishing Point in the Music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6 | 180 | 77 | 103 | 42.8% |
| 86m528db | Career Decisionmaking: Perspectives of Low-Income Urban Youth | 178 | 96 | 82 | 53.9% |
| 3n77w95w | Book Review: Respectably Queer: Diversity Culture in LGBT Activist Organizations By Jane Ward | 177 | 67 | 110 | 37.9% |
| 7hf4q6w5 | Asian Americans and Creative Music Legacies | 176 | 61 | 115 | 34.7% |
| 65d6v84n | Understanding and Addressing the California Latino Achievement Gap in Early Elementary School | 175 | 41 | 134 | 23.4% |
| 7fs5n5hx | Initiating a Culturally Responsive Discourse of Same Sex Attraction among African American Males | 173 | 84 | 89 | 48.6% |
| 11g7m8wc | Utopias and Their Discontents: Ligeti's Reception History as Modernist Meta-Narrative | 168 | 71 | 97 | 42.3% |
| 5m416586 | Player vs. Monster: The Making and Breaking of Videogame Monstrosity | 167 | 101 | 66 | 60.5% |
| 3s27h884 | "Tone-color, movement, changing harmonic planes: Cognition, Constraints and Conceptual Blends in Modernist Music," | 164 | 47 | 117 | 28.7% |
| 6gw8h8k0 | Radio and Collective Identity in the 2006 Oaxacan Uprising | 164 | 45 | 119 | 27.4% |
| 8xz8z27j | Book Review: How Does It Feel To Be A Problem? by Moustafa Bayoumi | 163 | 51 | 112 | 31.3% |
| 8pw4s0gb | Somewhere In The Upstream, in memory of Yusef Lateef (1920-2013) | 161 | 107 | 54 | 66.5% |
| 54w4g8dn | "Wordless Judaism like the Songs of Mendelssohn"? Hanslick, Mendelssohn, and Cultural Politics in Late-Nineteenth Century Vienna | 160 | 68 | 92 | 42.5% |
| 2n75r1mj | El Cajón del Mariachi: Schemata of a Vernacular Genre | 159 | 96 | 63 | 60.4% |
| 4x8082z1 | Traumatic Stress, Systemic Oppression, and Resilience in Post-Katrina New Orleans | 158 | 36 | 122 | 22.8% |
| 5734n13w | Challenges in Classifying Students with Emotional Disturbance: Perspectives of Appraisal Professionals | 158 | 53 | 105 | 33.5% |
| 3294j8bv | Brahms's Poetic Allusions through Hanslick's Critical Lens | 157 | 50 | 107 | 31.8% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.