Department of Education
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for June through September, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 5st9c8c4 | Give Me Something to Sing About’: intertexuality in Once More With Feeling | 617 | 48 | 569 | 7.8% |
| 3m68352h | Book Review: The Aftermath of Feminism: Gender, Culture and Social Change by Angela McRobbie | 524 | 128 | 396 | 24.4% |
| 5fj9g4xx | Book Review: The Purity Myth: How America’s Obsession with Virginity is Hurting Young Women by Jessica Valenti | 406 | 193 | 213 | 47.5% |
| 5kt6s812 | Adolescent gang involvement: The role of individual, family, peer, and school factors in a multilevel perspective | 397 | 140 | 257 | 35.3% |
| 9bv3f0hp | Book Review: Dude, You’re A Fag: Masculinity and Sexuality in High School by C.J. Pascoe. | 392 | 152 | 240 | 38.8% |
| 72m382mk | Dehumanization of the Black American Female: An American/Hawaiian Experience | 362 | 82 | 280 | 22.7% |
| 5xw0x3gc | The impossible charm of Messiaen's <i>Chronochromie</i> | 328 | 116 | 212 | 35.4% |
| 2n75r1mj | El Cajón del Mariachi: Schemata of a Vernacular Genre | 296 | 253 | 43 | 85.5% |
| 98g4d1r6 | Second language acquisition | 267 | 56 | 211 | 21.0% |
| 7fs5n5hx | Initiating a Culturally Responsive Discourse of Same Sex Attraction among African American Males | 260 | 211 | 49 | 81.2% |
| 9bp6f677 | A Latent Transition Mixture Model Using the Three-Step Specification | 254 | 130 | 124 | 51.2% |
| 01p301wx | Did Someone Say Post-Spectral?’ The Orchestral Imaginary in Millenial Works by Tulve, Dalbavie, and Haas | 235 | 154 | 81 | 65.5% |
| 8h87277q | Boobs, Boxing, and Bombs: Problematizing the Entertainment of Spike TV | 234 | 61 | 173 | 26.1% |
| 1h30s015 | Intro to Quantum Harmony: Chords in Superposition | 224 | 60 | 164 | 26.8% |
| 6v77c7tj | The Inequitable Treatment of English Learners in California’s Public Schools | 219 | 84 | 135 | 38.4% |
| 3tz160nq | Finding Space Beyond Variables: An Analytical Review of Urban Space and Social Inequalities | 217 | 45 | 172 | 20.7% |
| 2724q6fv | Acquisition of L2 Mandarin Chinese tones with learner-created tone visualizations | 213 | 80 | 133 | 37.6% |
| 6km380kg | The Schoenberg/Brahms Critical Tradition Reconsidered | 206 | 72 | 134 | 35.0% |
| 9n2184ws | Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas | 205 | 28 | 177 | 13.7% |
| 51b6v47q | CONTEMPORARY OPERA AND THE FAILURE OF LANGUAGE | 204 | 92 | 112 | 45.1% |
| 99b2p9tg | Automata in extremis : Mauro Lanza's sublime sound machines | 201 | 42 | 159 | 20.9% |
| 7dr6g6fv | Contact and the Continuum of White Women's Racial Awareness | 200 | 99 | 101 | 49.5% |
| 35g8m8f7 | From Pulsation to Sensation: Virtuosity and Modernism in Ligeti’s First and Ninth Piano Études | 190 | 90 | 100 | 47.4% |
| 58v5s45t | 'Composing the Sound itself;’ Secondary Parameters and Structure in the Music of Ligeti | 189 | 48 | 141 | 25.4% |
| 8w9186zw | Richard Steinitz, György Ligeti: Music of the Imagination (London: Faber and Faber, 2003), ISBN 0 571 17631 3 (hb) | 189 | 47 | 142 | 24.9% |
| 3567g18k | Language and culture learning in higher education via telecollaboration | 187 | 117 | 70 | 62.6% |
| 8wx964ww | 'Are you dead, like us?’ The Liminal Status of the Undead in the Music of Ligeti | 187 | 47 | 140 | 25.1% |
| 9kp2h7v0 | Gravitational wave and CMB probes of axion kination | 178 | 141 | 37 | 79.2% |
| 7064b4mc | Book Review: Getting Off: Pornography and the End of Masculinity by Robert Jensen | 176 | 38 | 138 | 21.6% |
| 1hj164pd | An Explosive Confrontation Messiaen and the Post-War Avant-Garde | 171 | 96 | 75 | 56.1% |
| 5xn297x9 | Codes, constraints, and the loss of control in Ligeti’s keyboard works | 171 | 96 | 75 | 56.1% |
| 89p0m2tk | Brahms's Ascending Circle: Hölderlin, Schicksalslied and the Process of Recollection | 171 | 68 | 103 | 39.8% |
| 2fp1g1cw | The ‘Other’ of the Exotic: Balinese Music as ‘Grammatical Paradigm’ in the Music of Ligeti | 170 | 35 | 135 | 20.6% |
| 4wm040z4 | Only the Truth! <i>Camelia la Tejana's Many Truths</i> | 160 | 97 | 63 | 60.6% |
| 56c980gf | Book Review: Stripped: Inside the Lives of Exotic Dancers by Bernadette Barton | 158 | 57 | 101 | 36.1% |
| 03b7k2km | The Inequitable Treatment of English Learners in California's Public Schools | 155 | 37 | 118 | 23.9% |
| 3sx6k97n | Brahms as a Vanishing Point in the Music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6 | 145 | 57 | 88 | 39.3% |
| 6w42d6p2 | FCJ-132 Towards a Performative Aesthetics of Interactivity | 144 | 70 | 74 | 48.6% |
| 8nz587px | In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann's "Neue Bahnen" | 144 | 43 | 101 | 29.9% |
| 6gw8h8k0 | Radio and Collective Identity in the 2006 Oaxacan Uprising | 142 | 18 | 124 | 12.7% |
| 9xq189kp | Book Review: Lydia's Open Door: Inside Mexico's Most Modern Brothel By Patty Kelly | 141 | 24 | 117 | 17.0% |
| 1dk9k9d6 | Genre as emigre The return of the repressed in Ligeti's Second Quartet | 139 | 85 | 54 | 61.2% |
| 2p7505c1 | Brahms as a Vanishing Point in the Music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6 | 138 | 56 | 82 | 40.6% |
| 4wx8q33n | German Liberalism, Nationalism, and Humanism in Hanslick’s Writings on Brahms | 138 | 60 | 78 | 43.5% |
| 7hf4q6w5 | Asian Americans and Creative Music Legacies | 137 | 47 | 90 | 34.3% |
| 3n77w95w | Book Review: Respectably Queer: Diversity Culture in LGBT Activist Organizations By Jane Ward | 131 | 42 | 89 | 32.1% |
| 4x8082z1 | Traumatic Stress, Systemic Oppression, and Resilience in Post-Katrina New Orleans | 131 | 29 | 102 | 22.1% |
| 5m416586 | Player vs. Monster: The Making and Breaking of Videogame Monstrosity | 127 | 68 | 59 | 53.5% |
| 5734n13w | Challenges in Classifying Students with Emotional Disturbance: Perspectives of Appraisal Professionals | 125 | 48 | 77 | 38.4% |
| 3294j8bv | Brahms's Poetic Allusions through Hanslick's Critical Lens | 123 | 43 | 80 | 35.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.