Open Access Policy Deposits
Parent: Department of English
eScholarship stats: History by Item for December, 2024 through March, 2025
| Item | Title | Total requests | 2025-03 | 2025-02 | 2025-01 | 2024-12 |
|---|---|---|---|---|---|---|
| 5gc857tw | The Meaning of the Digital Humanities | 318 | 77 | 73 | 92 | 76 |
| 23h6v6x8 | The state of the digital humanities | 195 | 54 | 46 | 61 | 34 |
| 2b12683k | "Dataveillance and Countervailance" | 172 | 52 | 32 | 50 | 38 |
| 8mx2s7qq | World Literature | 141 | 38 | 34 | 54 | 15 |
| 33v8c3xx | The Power of Formalism: The New Historicism | 140 | 40 | 42 | 30 | 28 |
| 45m8t3xb | Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse | 124 | 37 | 34 | 37 | 16 |
| 2xw2v7bt | The Journal of World Literature: The Chinese Scriptworld | 113 | 38 | 25 | 35 | 15 |
| 2zc805t4 | “Who are these people?”: Anthropomorphism, Dehumanization and the Question of the OtherMy thanks to Larry Squire for his encouragement and comments on an earlier draft, to Joseph McCrudden for alerting me to Leopold’s cat in his unpublished paper and to the ICLA literary theory committee for their 2012 meeting on animals. | 104 | 22 | 27 | 25 | 30 |
| 0r2200zw | Borges and AI | 94 | 22 | 24 | 23 | 25 |
| 9p08q4wq | "Algorithmic Translations" | 89 | 23 | 27 | 24 | 15 |
| 9kf4x4pc | Rocket Theory | 84 | 25 | 16 | 12 | 31 |
| 6pb8q42t | RED DOT SIGHT | 74 | 25 | 17 | 24 | 8 |
| 8847v06r | The Asemic at the End of the World | 71 | 20 | 10 | 23 | 18 |
| 87g1b7hk | Securing with algorithms: Knowledge, decision, sovereignty | 68 | 15 | 18 | 16 | 19 |
| 65z3479m | "In the wake of Ovid's unicorn" | 62 | 16 | 25 | 13 | 8 |
| 41j5b4jx | The First Professional: The Women Writers’ Suffrage League | 61 | 16 | 19 | 16 | 10 |
| 5nd7453p | Political Activism and Women's Modernism | 58 | 4 | 22 | 16 | 16 |
| 4b51t5kv | The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf | 56 | 9 | 16 | 14 | 17 |
| 1t98x642 | Txtual Practice | 55 | 5 | 18 | 26 | 6 |
| 3b79g6q7 | "Does AI Have a Future?" | 55 | 16 | 10 | 10 | 19 |
| 4jq9p6vz | Communicating Liberty: the Newspapers of the British Empire as a Matrix for the American Revolution | 55 | 8 | 15 | 18 | 14 |
| 01x5v98g | Mobile Media Poetics | 53 | 11 | 16 | 18 | 8 |
| 3nt8x916 | Breaking the Code of The Matrix; or, Hacking Hollywood to Liberate Film | 52 | 15 | 17 | 9 | 11 |
| 9p67x23g | Henry Fielding | 51 | 15 | 15 | 6 | 15 |
| 3197s6zp | Code.surface || Code.depth | 50 | 13 | 18 | 13 | 6 |
| 0m87j6n1 | Working Under Precarity: Work Affect and Emotional Labor | 47 | 16 | 12 | 15 | 4 |
| 6bm7c99d | Local Transcendence: Cultural Criticism, Postmodernism, and the Romanticism of Detail | 46 | 17 | 13 | 7 | 9 |
| 8453532n | "Inter Alia: Aliens and AI" | 45 | 12 | 15 | 10 | 8 |
| 3345019x | Hacking the Voice of the Shuttle: The Growth and Death of a Boundary Object | 44 | 6 | 18 | 16 | 4 |
| 8t8633qs | Digital Humanities for the Next Five Minutes | 41 | 5 | 13 | 13 | 10 |
| 21t7g1q1 | The Future of Technology and the University | 37 | 15 | 15 | 6 | 1 |
| 5vt7j6m8 | Igaz Torteneten Alapul (Hungarian Translation of "Based on a True Story") | 37 | 5 | 7 | 15 | 10 |
| 83m0m08x | Playing With Unicorns: <i>AI Dungeon</i> and Citizen NLP | 34 | 12 | 13 | 7 | 2 |
| 1z8739qv | The Future of Literary History | 31 | 13 | 12 | 4 | 2 |
| 0331v09w | “After 9/11: Wiring Networks for Security and Liberty” | 30 | 15 | 10 | 2 | 3 |
| 2tc8p10q | The Shape of Transnational American Studies: Good and Excellent News | 30 | 6 | 12 | 6 | 6 |
| 94c2r4hr | Mediating women's suffrage literature | 29 | 6 | 4 | 16 | 3 |
| 7827v5wg | Translitteraties: le big bang de la lecture en ligne | 28 | 8 | 10 | 7 | 3 |
| 0dd6k9gt | Future of Public Higher Education in California | 27 | 6 | 9 | 8 | 4 |
| 3mb1z52c | 10 Print Chr$(205. 5+rnd(1)); : Goto 10 | 27 | 12 | 9 | 2 | 4 |
| 56t2b9bf | The Book of Ashes: Authorial Instructions, Incorporations, and House Rules in Jimmy Corrigan: The Smartest Kid on Earth | 27 | 9 | 10 | 4 | 4 |
| 2hm0z00n | Special Editor’s Note | 26 | 9 | 7 | 8 | 2 |
| 5vh3q5bg | 50% Laughter, 50% Despair: A Dialogue with Jarett Kobek. | 26 | 8 | 8 | 6 | 4 |
| 7tc3h7tq | Review of Feminist Media history: Suffrage, Periodicals and the Public Sphere, by Maria Dicenzo with L. Delap and L. Ryann | 26 | 5 | 9 | 8 | 4 |
| 5hh648xb | Elizabeth Robins | 25 | 11 | 9 | 4 | 1 |
| 9rg5g6t3 | Women Writers Suffrage League | 25 | 6 | 12 | 7 | |
| 147887rn | The ‘hard’ problem from a literary perspective: on cognitive literary criticism | 24 | 8 | 7 | 7 | 2 |
| 1k9093bs | Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves | 23 | 3 | 10 | 1 | 9 |
| 41d2f9kq | Scriptworlds | 23 | 3 | 11 | 1 | 8 |
| 59g711b7 | South of Pico: African American Artists in Los Angeles in the 1960s and 1970s | 22 | 3 | 15 | 2 | 2 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.