Open Access Policy Deposits
Parent: Department of English
eScholarship stats: History by Item for March through June, 2025
| Item | Title | Total requests | 2025-06 | 2025-05 | 2025-04 | 2025-03 |
|---|---|---|---|---|---|---|
| 5gc857tw | The Meaning of the Digital Humanities | 338 | 91 | 94 | 76 | 77 |
| 45m8t3xb | Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse | 255 | 136 | 45 | 37 | 37 |
| 2b12683k | "Dataveillance and Countervailance" | 234 | 57 | 66 | 59 | 52 |
| 2xw2v7bt | The Journal of World Literature: The Chinese Scriptworld | 203 | 105 | 32 | 28 | 38 |
| 23h6v6x8 | The state of the digital humanities | 175 | 52 | 38 | 31 | 54 |
| 8mx2s7qq | World Literature | 146 | 46 | 33 | 29 | 38 |
| 33v8c3xx | The Power of Formalism: The New Historicism | 139 | 28 | 30 | 41 | 40 |
| 3mb1z52c | 10 Print Chr$(205. 5+rnd(1)); : Goto 10 | 112 | 49 | 17 | 34 | 12 |
| 3nt8x916 | Breaking the Code of The Matrix; or, Hacking Hollywood to Liberate Film | 112 | 56 | 27 | 14 | 15 |
| 65z3479m | "In the wake of Ovid's unicorn" | 111 | 31 | 38 | 26 | 16 |
| 8847v06r | The Asemic at the End of the World | 110 | 37 | 28 | 25 | 20 |
| 0m87j6n1 | Working Under Precarity: Work Affect and Emotional Labor | 108 | 48 | 18 | 26 | 16 |
| 1t98x642 | Txtual Practice | 105 | 28 | 50 | 22 | 5 |
| 9kf4x4pc | Rocket Theory | 104 | 40 | 21 | 18 | 25 |
| 9p08q4wq | "Algorithmic Translations" | 99 | 41 | 20 | 15 | 23 |
| 6bm7c99d | Local Transcendence: Cultural Criticism, Postmodernism, and the Romanticism of Detail | 93 | 27 | 23 | 26 | 17 |
| 87g1b7hk | Securing with algorithms: Knowledge, decision, sovereignty | 89 | 27 | 18 | 29 | 15 |
| 2zc805t4 | “Who are these people?”: Anthropomorphism, Dehumanization and the Question of the OtherMy thanks to Larry Squire for his encouragement and comments on an earlier draft, to Joseph McCrudden for alerting me to Leopold’s cat in his unpublished paper and to the ICLA literary theory committee for their 2012 meeting on animals. | 88 | 14 | 29 | 23 | 22 |
| 9p67x23g | Henry Fielding | 88 | 33 | 25 | 15 | 15 |
| 6pb8q42t | RED DOT SIGHT | 87 | 25 | 18 | 19 | 25 |
| 0dd6k9gt | Future of Public Higher Education in California | 85 | 50 | 13 | 16 | 6 |
| 21t7g1q1 | The Future of Technology and the University | 84 | 30 | 24 | 15 | 15 |
| 5vh3q5bg | 50% Laughter, 50% Despair: A Dialogue with Jarett Kobek. | 81 | 24 | 24 | 25 | 8 |
| 0r2200zw | Borges and AI | 78 | 25 | 20 | 11 | 22 |
| 3b79g6q7 | "Does AI Have a Future?" | 78 | 33 | 19 | 10 | 16 |
| 1dk7s9tg | Metempsychosis and Chiasmatic Encounters: On Margaret Drabble's The Red Queen | 77 | 57 | 9 | 5 | 6 |
| 41j5b4jx | The First Professional: The Women Writers’ Suffrage League | 74 | 23 | 18 | 17 | 16 |
| 1z8739qv | The Future of Literary History | 71 | 38 | 13 | 7 | 13 |
| 4jq9p6vz | Communicating Liberty: the Newspapers of the British Empire as a Matrix for the American Revolution | 70 | 26 | 16 | 20 | 8 |
| 01x5v98g | Mobile Media Poetics | 69 | 34 | 13 | 11 | 11 |
| 2hw247qx | Computable Culture and the Closure of the Media Paradigm | 69 | 33 | 16 | 15 | 5 |
| 83m0m08x | Playing With Unicorns: <i>AI Dungeon</i> and Citizen NLP | 67 | 22 | 22 | 11 | 12 |
| 2tc8p10q | The Shape of Transnational American Studies: Good and Excellent News | 65 | 30 | 21 | 8 | 6 |
| 1k9093bs | Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves | 61 | 36 | 13 | 9 | 3 |
| 8453532n | "Inter Alia: Aliens and AI" | 61 | 31 | 9 | 9 | 12 |
| 7gv8n2bz | Humor, Literacy and Chicano Culture | 60 | 24 | 24 | 8 | 4 |
| 0331v09w | “After 9/11: Wiring Networks for Security and Liberty” | 56 | 21 | 12 | 8 | 15 |
| 3197s6zp | Code.surface || Code.depth | 54 | 19 | 10 | 12 | 13 |
| 8t8633qs | Digital Humanities for the Next Five Minutes | 52 | 25 | 14 | 8 | 5 |
| 4g60w6wf | Suffrage and Virginia Woolf: 'The Mass Behind the Single Voice' | 51 | 22 | 8 | 16 | 5 |
| 4b51t5kv | The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf | 50 | 19 | 9 | 13 | 9 |
| 2r66q4j0 | Where Is Cultural Criticism in the Digital Humanities? | 49 | 16 | 16 | 9 | 8 |
| 3345019x | Hacking the Voice of the Shuttle: The Growth and Death of a Boundary Object | 49 | 18 | 17 | 8 | 6 |
| 5vt7j6m8 | Igaz Torteneten Alapul (Hungarian Translation of "Based on a True Story") | 49 | 15 | 26 | 3 | 5 |
| 56t2b9bf | The Book of Ashes: Authorial Instructions, Incorporations, and House Rules in Jimmy Corrigan: The Smartest Kid on Earth | 47 | 19 | 11 | 8 | 9 |
| 5nd7453p | Political Activism and Women's Modernism | 47 | 18 | 16 | 9 | 4 |
| 2hm0z00n | Special Editor’s Note | 46 | 16 | 11 | 10 | 9 |
| 58m5n4r0 | How to Do Things with Deep Learning Code | 44 | 21 | 17 | 3 | 3 |
| 27r7n3h4 | From Reading to Social Computing | 43 | 23 | 10 | 8 | 2 |
| 34t1s6h2 | From the Universal to the Nation: The Question of Language and Writing in Twentieth Century Korea by Lim HyungTaek, The Journal of World Literature Vol. 1 No. 2 | 42 | 22 | 7 | 7 | 6 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.