Open Access Policy Deposits
Parent: Department of English
eScholarship stats: History by Item for September through December, 2024
| Item | Title | Total requests | 2024-12 | 2024-11 | 2024-10 | 2024-09 |
|---|---|---|---|---|---|---|
| 5gc857tw | The Meaning of the Digital Humanities | 350 | 72 | 87 | 97 | 94 |
| 23h6v6x8 | The state of the digital humanities | 140 | 32 | 23 | 48 | 37 |
| 2b12683k | "Dataveillance and Countervailance" | 112 | 37 | 32 | 27 | 16 |
| 0r2200zw | Borges and AI | 111 | 22 | 33 | 34 | 22 |
| 33v8c3xx | The Power of Formalism: The New Historicism | 98 | 24 | 26 | 32 | 16 |
| 8mx2s7qq | World Literature | 86 | 11 | 25 | 28 | 22 |
| 9kf4x4pc | Rocket Theory | 82 | 29 | 23 | 14 | 16 |
| 65z3479m | "In the wake of Ovid's unicorn" | 71 | 6 | 22 | 28 | 15 |
| 2zc805t4 | “Who are these people?”: Anthropomorphism, Dehumanization and the Question of the OtherMy thanks to Larry Squire for his encouragement and comments on an earlier draft, to Joseph McCrudden for alerting me to Leopold’s cat in his unpublished paper and to the ICLA literary theory committee for their 2012 meeting on animals. | 70 | 24 | 19 | 17 | 10 |
| 2xw2v7bt | The Journal of World Literature: The Chinese Scriptworld | 67 | 13 | 9 | 22 | 23 |
| 45m8t3xb | Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse | 66 | 14 | 15 | 16 | 21 |
| 41j5b4jx | The First Professional: The Women Writers’ Suffrage League | 65 | 8 | 15 | 17 | 25 |
| 87g1b7hk | Securing with algorithms: Knowledge, decision, sovereignty | 65 | 17 | 17 | 16 | 15 |
| 4jq9p6vz | Communicating Liberty: the Newspapers of the British Empire as a Matrix for the American Revolution | 55 | 14 | 17 | 17 | 7 |
| 8847v06r | The Asemic at the End of the World | 54 | 8 | 11 | 18 | 17 |
| 3nt8x916 | Breaking the Code of The Matrix; or, Hacking Hollywood to Liberate Film | 50 | 11 | 12 | 17 | 10 |
| 9p67x23g | Henry Fielding | 50 | 14 | 8 | 16 | 12 |
| 3b79g6q7 | "Does AI Have a Future?" | 47 | 16 | 7 | 19 | 5 |
| 5nd7453p | Political Activism and Women's Modernism | 45 | 13 | 8 | 13 | 11 |
| 9p08q4wq | "Algorithmic Translations" | 45 | 14 | 8 | 16 | 7 |
| 83m0m08x | Playing With Unicorns: <i>AI Dungeon</i> and Citizen NLP | 44 | 2 | 10 | 22 | 10 |
| 01x5v98g | Mobile Media Poetics | 43 | 5 | 14 | 17 | 7 |
| 0m87j6n1 | Working Under Precarity: Work Affect and Emotional Labor | 43 | 3 | 18 | 14 | 8 |
| 6pb8q42t | Red Dot Sight | 41 | 5 | 6 | 21 | 9 |
| 4b51t5kv | The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf | 40 | 16 | 6 | 11 | 7 |
| 8453532n | "Inter Alia: Aliens and AI" | 38 | 6 | 16 | 10 | 6 |
| 1t98x642 | Txtual Practice | 29 | 6 | 10 | 9 | 4 |
| 3mb1z52c | 10 Print Chr$(205. 5+rnd(1)); : Goto 10 | 27 | 1 | 12 | 8 | 6 |
| 8t8633qs | Digital Humanities for the Next Five Minutes | 27 | 9 | 2 | 13 | 3 |
| 3197s6zp | Code.surface || Code.depth | 26 | 4 | 2 | 13 | 7 |
| 3345019x | Hacking the Voice of the Shuttle: The Growth and Death of a Boundary Object | 26 | 2 | 5 | 13 | 6 |
| 6sx1s460 | The Dilemma of Cognitive Literary Criticism | 25 | 4 | 7 | 8 | 6 |
| 5vh3q5bg | 50% Laughter, 50% Despair: A Dialogue with Jarett Kobek. | 22 | 3 | 6 | 13 | |
| 1dk7s9tg | Metempsychosis and Chiasmatic Encounters: On Margaret Drabble's The Red Queen | 21 | 2 | 5 | 11 | 3 |
| 6bm7c99d | Local Transcendence: Cultural Criticism, Postmodernism, and the Romanticism of Detail | 21 | 8 | 4 | 7 | 2 |
| 0dd6k9gt | Future of Public Higher Education in California | 20 | 4 | 8 | 6 | 2 |
| 5vt7j6m8 | Igaz Torteneten Alapul (Hungarian Translation of "Based on a True Story") | 20 | 7 | 3 | 9 | 1 |
| 9rg5g6t3 | Women Writers Suffrage League | 20 | 5 | 9 | 6 | |
| 8s54755r | Science and Literature: Reflections on Interdisciplinarity and Modes of Knowledge | 19 | 7 | 11 | 1 | |
| 94c2r4hr | Mediating women's suffrage literature | 19 | 3 | 5 | 7 | 4 |
| 147887rn | The ‘hard’ problem from a literary perspective: on cognitive literary criticism | 18 | 1 | 6 | 7 | 4 |
| 1k9093bs | Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves | 18 | 7 | 2 | 9 | |
| 2hw247qx | Computable Culture and the Closure of the Media Paradigm | 18 | 3 | 3 | 10 | 2 |
| 2tc8p10q | The Shape of Transnational American Studies: Good and Excellent News | 18 | 4 | 5 | 7 | 2 |
| 4g60w6wf | Suffrage and Virginia Woolf: 'The Mass Behind the Single Voice' | 18 | 3 | 2 | 6 | 7 |
| 56t2b9bf | The Book of Ashes: Authorial Instructions, Incorporations, and House Rules in Jimmy Corrigan: The Smartest Kid on Earth | 18 | 4 | 4 | 5 | 5 |
| 1dv7p7fd | Writing the Vote: Suffrage, Gender and Politics | 17 | 2 | 1 | 7 | 7 |
| 41d2f9kq | Scriptworlds | 17 | 7 | 1 | 6 | 3 |
| 7tc3h7tq | Review of Feminist Media history: Suffrage, Periodicals and the Public Sphere, by Maria Dicenzo with L. Delap and L. Ryann | 17 | 3 | 7 | 6 | 1 |
| 5j54p05j | Big Brother! Dear Leader!: On Transparency and Emotional Policing | 16 | 2 | 7 | 5 | 2 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.