UC Santa Cruz Electronic Theses and Dissertations
Parent: UC Santa Cruz
eScholarship stats: Breakdown by Item for December, 2023 through March, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 0bj2x4ch | Erotic Hypnosis Fetishism: Implications for Sexual Identity Development, Consent, Minority Stress and Intersectionality | 5,592 | 271 | 5,321 | 4.8% |
| 0s71f0cw | Storming Fortresses: A Political History Of Chess In The Soviet Union, 1917-1948 | 1,419 | 211 | 1,208 | 14.9% |
| 1m25b5j5 | The Science of Level Design: Design Patterns and Analysis of Player Behavior in First-person Shooter Levels | 1,071 | 172 | 899 | 16.1% |
| 6pr85793 | The “Privileged Dago”?: Race, Citizenship and Sicilians in the Jim Crow Gulf South, 1870-1924 | 845 | 29 | 816 | 3.4% |
| 6tw5q816 | Indoctrinated Incoherence: An Institutional Theory of Traumatic Experience | 751 | 64 | 687 | 8.5% |
| 95353216 | Conjuring Freedom: Reconstructions and Revisions of Neo-Slave Narratives | 703 | 594 | 109 | 84.5% |
| 9jv4v5nw | "Please Do Not Feed the Homeless:" The Role of Stereotyping and Media Framing on the Criminalization of Homelessness | 664 | 157 | 507 | 23.6% |
| 2jr6h026 | The Hardboiled and the Haunted: Race, Masculinity, and the Asian American Detective | 645 | 71 | 574 | 11.0% |
| 5w65w7jh | Demystifying the Craft Production: A Case Study of the Craft-made Guitar Industry in the Global Economy | 567 | 56 | 511 | 9.9% |
| 5174c4rp | “That’s Not Me”: STEM Stereotypes, Self-Concepts, and Motivation | 549 | 24 | 525 | 4.4% |
| 2sm4c6gn | Hollywood's Spies: Jewish Infiltration of Nazi and Pro-Nazi Groups in Los Angeles, 1933-1941 | 535 | 81 | 454 | 15.1% |
| 7s71b95x | The Comparative Geographies of Servitude: Servitude, Slavery, and Ideology in the 17th-and 18th-Century Anglo-American Atlantic | 508 | 6 | 502 | 1.2% |
| 4nv8q7qh | Settler Modernism: Alfred Stieglitz's The Steerage and the Vicissitudes of Whiteness, 1890-1930 | 456 | 32 | 424 | 7.0% |
| 4pc1d3h6 | Destroyer of Worlds: War and Apocalypse in the Nuclear Epoch | 439 | 133 | 306 | 30.3% |
| 37k2q168 | Counter/Public: The Politics of Committed Film in the Philippines | 435 | 47 | 388 | 10.8% |
| 0fn558gq | Expressive Design Tools: Procedural Content Generation for Game Designers | 400 | 16 | 384 | 4.0% |
| 47x6k9j8 | Survey of Generative AI in Architecture and Design | 394 | 155 | 239 | 39.3% |
| 1rf0z30v | Filipino Poethics: Reading the Philippines Beyond the Object/Subject Divide | 360 | 71 | 289 | 19.7% |
| 6dd1s8sj | Everyday Imaginings Under the Lion Rock: An Analysis of Identity Formation in Hong Kong | 345 | 79 | 266 | 22.9% |
| 87z489hj | Opening Up the Northwest: Reimagining Xi'an and the Modern Chinese Frontier | 333 | 70 | 263 | 21.0% |
| 35n2h2b2 | Making Up People and Styles of Scientific Reasoning: An Articulation of Hacking's Philosophy of the Human Sciences | 330 | 29 | 301 | 8.8% |
| 68w9w3pz | Caught in Comparisons: Japanese Salmon in an Uneven World | 322 | 42 | 280 | 13.0% |
| 63b2j65k | Early Music and Latin America. Transhistorical Views on the Coloniality of Sound | 316 | 96 | 220 | 30.4% |
| 8q0059bk | The Hermeneutics of Ephemerality: Digital Media and Radical Politics in Postsocialist China | 316 | 249 | 67 | 78.8% |
| 0cs5c52m | stability.gpt: Combining GPT-4 and Stable Diffusion to Generate Storybooks that are Textually and Visually Cohesive | 304 | 32 | 272 | 10.5% |
| 0t39d9kn | Blackness and the Writing of Sound in Modernity | 297 | 21 | 276 | 7.1% |
| 8dw380vb | Synthesis of Boronic Acids and Esters from Pinacolborane and Aminoborane Under Ambient Magnesium-, Iodine-, and Zinc-Mediated Conditions | 292 | 33 | 259 | 11.3% |
| 4d22b3fr | Indigenous Genocidal Tracings: Slavery, Transracial Adoption, and the Indian Child Welfare Act | 291 | 34 | 257 | 11.7% |
| 8r31q9ht | Quantum Consciousness and the Search for a New Paradigm: How Science Can be Spiritual | 288 | 32 | 256 | 11.1% |
| 5g85p0h7 | Governing Armenia: The Politics of Development and the Making of Global Diaspora | 281 | 228 | 53 | 81.1% |
| 1340j5h2 | Curating Simulated Storyworlds | 277 | 91 | 186 | 32.9% |
| 79f5b1s9 | Listening for History: Studies on Retro and the Temporalities of Popular Music | 270 | 88 | 182 | 32.6% |
| 348146c1 | Impact of Binaural Beats on Heart Rate Variability | 263 | 13 | 250 | 4.9% |
| 2sv7q1pm | Syntax & Information Structure: The Grammar of English Inversions | 262 | 57 | 205 | 21.8% |
| 75x28210 | Sons of Exile: The United Irishmen in Transnational Perspective 1791-1827 | 248 | 41 | 207 | 16.5% |
| 2m6426kq | Beyond Two Homelands: Migration and Transnationalism of Japanese Americans in the Pacific, 1930-1955 | 245 | 17 | 228 | 6.9% |
| 3260s35t | Deciphering The Ecological Impact Of The Passenger Pigeon: A Synthesis Of Paleogenetics, Paleoecology, Morphology, And Physiology | 238 | 27 | 211 | 11.3% |
| 00x5x9wz | Building Verbs in Maltese | 236 | 27 | 209 | 11.4% |
| 5q36t6j9 | Pentecostal Missionary Training: Cultivating Body Logics, Converting Missionaries, Building A Movement | 235 | 178 | 57 | 75.7% |
| 6xz8m0jf | Belonging in the Pampas: Ecologies of Conquest and Survival in Argentina's Heartland | 233 | 35 | 198 | 15.0% |
| 48x3j58s | Blood and Ink: Russian and Soviet Jewish Chroniclers of Catastrophe from World War I to World War II | 228 | 64 | 164 | 28.1% |
| 9gq229h4 | Responsiveness in Narrative Systems | 227 | 70 | 157 | 30.8% |
| 3s50f2r3 | Directing Fefu and Her Friends | 226 | 203 | 23 | 89.8% |
| 6157r67m | A Tale of Two Christianities: the Religiopolitical Clash Over Climate Change Within America's Dominant Religion | 224 | 54 | 170 | 24.1% |
| 72n1q0vz | No Somos Animales: Indigenous Survival and Perseverance in 19th Century Santa Cruz, California | 224 | 71 | 153 | 31.7% |
| 98c6j416 | Software Instruments | 224 | 51 | 173 | 22.8% |
| 4rn402db | The Stabilization, Exploration, and Expression of Computer Game History | 222 | 57 | 165 | 25.7% |
| 29x7m219 | Methods for Nanopore Genome Assembly and Phasing | 220 | 15 | 205 | 6.8% |
| 6nk2s73b | Conservative Nutrition: The Industrial Food Supply and Its Critics, 1915-1985 | 217 | 67 | 150 | 30.9% |
| 7ks9x9gk | "NEVER TRUST THE TELLER," HE SAID. "TRUST THE TALE": NARRATIVE TECHNIQUE FROM THE ARABIAN NIGHTS TO POSTMODERN ADAPTATIONS BY RABIH ALAMEDDINE AND PIER PASOLINI | 217 | 38 | 179 | 17.5% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.