Department of Communication
Parent: UC San Diego
eScholarship stats: Breakdown by Item for June through September, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 9tj5n3jx | Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry | 1,226 | 204 | 1,022 | 16.6% |
| 35r3r43x | Hanging Out, Messing Around, and Geeking Out Kids Living and Learning with New Media | 1,049 | 310 | 739 | 29.6% |
| 2x10h7rs | The cultural work of microwork | 599 | 125 | 474 | 20.9% |
| 10c125z3 | Turkopticon | 586 | 154 | 432 | 26.3% |
| 7m6819ch | Wall Street’s Content Wars: Financing Media Consolidation | 579 | 124 | 455 | 21.4% |
| 1tk3886v | Disruptive Fixation School Reform and the Pitfalls of Techno-Idealism | 485 | 21 | 464 | 4.3% |
| 8s3781tx | Algorithms of Suspicion | 451 | 105 | 346 | 23.3% |
| 37h1675z | The Future Is Rosie?: Disempowering Arguments About Automation and What to Do About It | 372 | 205 | 167 | 55.1% |
| 6xk920pj | Difference and Dependence among Digital Workers: The Case of Amazon Mechanical Turk | 362 | 81 | 281 | 22.4% |
| 61p1m9s2 | Hostile remixes on YouTube: A new constraint on pro-FARC counterpublics in Colombia | 350 | 76 | 274 | 21.7% |
| 5x60j08s | Green Magic: On Technologies of Enchantment at Apple's Corporate Headquarters | 311 | 47 | 264 | 15.1% |
| 4vs431tv | The Work of Art in the Age of Digital Fragility | 310 | 77 | 233 | 24.8% |
| 7gx0z2bv | We Are Dynamo | 303 | 64 | 239 | 21.1% |
| 48k0j3km | Critical Affects | 293 | 98 | 195 | 33.4% |
| 6j30k3t9 | Hackathons and the Cultivation of Platform Dependence | 268 | 54 | 214 | 20.1% |
| 73t260cm | Encyclopedia Entry — Counterpublic | 247 | 86 | 161 | 34.8% |
| 7tf014rq | Guerras Verdes | 243 | 224 | 19 | 92.2% |
| 3mz2d0kk | The Labor of Maintaining and Scaling Free and Open-Source Software Projects | 241 | 58 | 183 | 24.1% |
| 3px8m88x | The cultural life of objectsThe cultural life of objects | 216 | 43 | 173 | 19.9% |
| 6r820956 | Making Algorithms Public: Reimagining Auditing from Matters of Fact to Matters of Concern | 203 | 100 | 103 | 49.3% |
| 1fg9972n | Can Smartness Fail? The Charisma of High Tech as Class Politics | 201 | 43 | 158 | 21.4% |
| 6z42z6sc | Fools Banished from the Kingdom: Remapping Geographies of Gang Violence between the Americas (Los Angeles and San Salvador) | 199 | 87 | 112 | 43.7% |
| 7c34v77k | The Art of Opacity | 188 | 147 | 41 | 78.2% |
| 21g0r5wf | Managed by code: Worker problems on Amazon's Mechanical Turk platform | 187 | 92 | 95 | 49.2% |
| 33q5t84v | Hackathons and the Making of Entrepreneurial Citizenship | 186 | 76 | 110 | 40.9% |
| 3t613329 | The global social problem film | 172 | 56 | 116 | 32.6% |
| 06w4d22x | Transportation for Smart and Equitable Cities: Integrating Taxis and Mass Transit for Access, Emissions Reduction, and Planning | 154 | 71 | 83 | 46.1% |
| 0gn9c3tc | Pacifista, between Vice and Virtue: Funding Digital Journalism for a “Generation of Peace” in Colombia | 149 | 40 | 109 | 26.8% |
| 64g8x6kr | Gangster in guerilla face | 147 | 46 | 101 | 31.3% |
| 4310j15t | Hackathons: Labor, Politics, and the Organization of Public Passions | 143 | 18 | 125 | 12.6% |
| 2ct6w5hw | THE POLITICS OF DESIGN, DESIGN AS POLITICS | 137 | 17 | 120 | 12.4% |
| 58f444ks | AsiaA Fallacy of Misplaced Concreteness | 133 | 48 | 85 | 36.1% |
| 96q771w6 | Broken Promises of Civic Innovation: Technological, Organizational, Fiscal, and Equity Challenges of GE Current CityIQ | 131 | 42 | 89 | 32.1% |
| 89d7826n | How Secrecy Leads to Bad Public Technology | 125 | 32 | 93 | 25.6% |
| 8qv553nf | Guests of the Guerrilla: Integrated Spectacle and Disintegrating Peace, an Ethnographic Analysis of the FARC's Tenth (and Final?) Guerrilla Conference | 125 | 46 | 79 | 36.8% |
| 4zb7n6rd | How Things Work | 121 | 39 | 82 | 32.2% |
| 79s981pj | Turkopticon: From Software to Worker Organizing: On Organizing Form as Emergent Strategy (2009-2024) | 118 | 66 | 52 | 55.9% |
| 6wk0x2hq | Guns, germs, and public history: A conversation with Jennifer Tucker | 116 | 70 | 46 | 60.3% |
| 5pg995cg | Philosophy of the Social Sciences | 112 | 67 | 45 | 59.8% |
| 6q44z9dr | CARNEY LANDIS AND THE PSYCHOSEXUAL LANDSCAPE OF TOUCH IN MID-20TH-CENTURY AMERICA | 112 | 20 | 92 | 17.9% |
| 8r24d81w | THE OLD AND NEW OF DIGITAL HISTORY | 111 | 29 | 82 | 26.1% |
| 44q90809 | Categorical misalignment: Making autism(s) in big data biobanking | 105 | 25 | 80 | 23.8% |
| 6141v40q | “Design Thinking”: Defending Silicon Valley at the Apex of Global Labor Hierarchies | 102 | 0 | 102 | 0.0% |
| 6308c4bt | THE MULTIPLE BODIES OF THE MEDICAL RECORD: Towards a Sociology of an Artifact | 101 | 56 | 45 | 55.4% |
| 4gc7k24q | What is digital labor and how does it change us? Heteromation and other stories of computing and capitalism | 99 | 39 | 60 | 39.4% |
| 3sr1b8qr | From critical design to critical infrastructure: lessons from turkopticon | 98 | 16 | 82 | 16.3% |
| 2h92w3n7 | Participatory Design Research as a Practice for Systemic Repair: Doing Hand-in-Hand Math Research with Families | 93 | 19 | 74 | 20.4% |
| 46n0r2b0 | Putting the digital growth machine in place: Shifting growth genres in Silicon Valley’s urban politics | 90 | 41 | 49 | 45.6% |
| 831136x2 | Reshaping History: The Intersection of Radical and Women's History | 87 | 43 | 44 | 49.4% |
| 9bv7t56j | The CIA in Hollywood: how the agency shapes film and television | 85 | 17 | 68 | 20.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.