A Body of Knowledge Conference
Parent: Department of Art
eScholarship stats: Breakdown by Item for July through October, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 145 | 49 | 96 | 33.8% |
| 3s7118mr | The potential of dance as embodied learning | 130 | 40 | 90 | 30.8% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 93 | 4 | 89 | 4.3% |
| 5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 89 | 4 | 85 | 4.5% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 59 | 7 | 52 | 11.9% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 52 | 34 | 18 | 65.4% |
| 30h4m2mp | Empathy and groove in musical movement | 50 | 28 | 22 | 56.0% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 48 | 33 | 15 | 68.8% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 45 | 20 | 25 | 44.4% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 44 | 29 | 15 | 65.9% |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 42 | 16 | 26 | 38.1% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 40 | 14 | 26 | 35.0% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 39 | 19 | 20 | 48.7% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 39 | 26 | 13 | 66.7% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 38 | 10 | 28 | 26.3% |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 37 | 8 | 29 | 21.6% |
| 3bd443pp | Art and the Realization of Living: The cognitive reuse of neural networks | 37 | 24 | 13 | 64.9% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 36 | 19 | 17 | 52.8% |
| 182756v1 | Acting as Participatory Sense-Making | 35 | 10 | 25 | 28.6% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 34 | 12 | 22 | 35.3% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 34 | 13 | 21 | 38.2% |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 34 | 19 | 15 | 55.9% |
| 84w6d37j | Time is of the essence | 29 | 13 | 16 | 44.8% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 28 | 12 | 16 | 42.9% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 28 | 4 | 24 | 14.3% |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 26 | 7 | 19 | 26.9% |
| 8jt826tj | Performing Arts Incorporated: Poetics of Physical Labor, Abstract | 26 | 8 | 18 | 30.8% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 25 | 7 | 18 | 28.0% |
| 7hn1r38j | The mémoire vivante project, Abstract | 24 | 7 | 17 | 29.2% |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 24 | 6 | 18 | 25.0% |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 24 | 5 | 19 | 20.8% |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 23 | 5 | 18 | 21.7% |
| 4183z46p | Embodied Reflection | 23 | 8 | 15 | 34.8% |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 22 | 6 | 16 | 27.3% |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 22 | 4 | 18 | 18.2% |
| 5dz7g3vm | Embodied Perception in Somatic Sound, Abstract | 22 | 5 | 17 | 22.7% |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 22 | 6 | 16 | 27.3% |
| 6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 22 | 5 | 17 | 22.7% |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 21 | 4 | 17 | 19.0% |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 21 | 4 | 17 | 19.0% |
| 8rf9g0mp | Bird Song Diamond installation in Large Space, Abstract | 21 | 4 | 17 | 19.0% |
| 1011q6zp | Embodied Encounters: The Role of the Body in Art Criticism, Abstract | 20 | 5 | 15 | 25.0% |
| 1v24v9f9 | Shaping Experiment from the Inside Out, Abstract | 20 | 5 | 15 | 25.0% |
| 338644bd | Embodied dreaming and improvisation in public and private places: contribution of neurophenomenology and art practice to subjectivity research, Abstract | 20 | 6 | 14 | 30.0% |
| 3pj432d4 | Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract | 20 | 4 | 16 | 20.0% |
| 7nn1251d | The Embodied Musician: Creating the Foundation for Interpretation and Movement | 20 | 6 | 14 | 30.0% |
| 15848256 | Am I here or there? Space and Action in Aesthetic Experience, Abstract | 19 | 3 | 16 | 15.8% |
| 268136n6 | Embodiment and Post-Human Aesthetic in Contemporary Latin American Theater and Performance, Abstract | 19 | 3 | 16 | 15.8% |
| 2q45763f | The concept of joint body schema in educational practices in the performing arts, Abstract | 19 | 3 | 16 | 15.8% |
| 5n91f2cg | The Network and Dance, or a cognitive artifact embodied by a situated cognition | 19 | 4 | 15 | 21.1% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.