A Body of Knowledge Conference
Parent: Department of Art
eScholarship stats: Breakdown by Item for May through August, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 109 | 30 | 79 | 27.5% |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 89 | 22 | 67 | 24.7% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 80 | 3 | 77 | 3.8% |
| 5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 80 | 4 | 76 | 5.0% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 62 | 9 | 53 | 14.5% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 53 | 30 | 23 | 56.6% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 53 | 37 | 16 | 69.8% |
| 30h4m2mp | Empathy and groove in musical movement | 52 | 31 | 21 | 59.6% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 48 | 33 | 15 | 68.8% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 47 | 22 | 25 | 46.8% |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 45 | 10 | 35 | 22.2% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 44 | 30 | 14 | 68.2% |
| 3bd443pp | Art and the Realization of Living: The cognitive reuse of neural networks | 39 | 26 | 13 | 66.7% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 37 | 8 | 29 | 21.6% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 37 | 13 | 24 | 35.1% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 37 | 22 | 15 | 59.5% |
| 182756v1 | Acting as Participatory Sense-Making | 33 | 9 | 24 | 27.3% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 33 | 14 | 19 | 42.4% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 31 | 12 | 19 | 38.7% |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 30 | 11 | 19 | 36.7% |
| 84w6d37j | Time is of the essence | 30 | 16 | 14 | 53.3% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 29 | 14 | 15 | 48.3% |
| 7hn1r38j | The mémoire vivante project, Abstract | 28 | 7 | 21 | 25.0% |
| 8jt826tj | Performing Arts Incorporated: Poetics of Physical Labor, Abstract | 26 | 8 | 18 | 30.8% |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 26 | 16 | 10 | 61.5% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 25 | 5 | 20 | 20.0% |
| 8rf9g0mp | Bird Song Diamond installation in Large Space, Abstract | 24 | 5 | 19 | 20.8% |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 23 | 6 | 17 | 26.1% |
| 4183z46p | Embodied Reflection | 23 | 10 | 13 | 43.5% |
| 7nn1251d | The Embodied Musician: Creating the Foundation for Interpretation and Movement | 23 | 6 | 17 | 26.1% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 23 | 11 | 12 | 47.8% |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 23 | 4 | 19 | 17.4% |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 22 | 6 | 16 | 27.3% |
| 6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 22 | 6 | 16 | 27.3% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 22 | 8 | 14 | 36.4% |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 21 | 6 | 15 | 28.6% |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 21 | 5 | 16 | 23.8% |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 20 | 4 | 16 | 20.0% |
| 15848256 | Am I here or there? Space and Action in Aesthetic Experience, Abstract | 20 | 6 | 14 | 30.0% |
| 8b8351vx | Joint improvisation as interaction ritual, Abstract | 20 | 4 | 16 | 20.0% |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 20 | 7 | 13 | 35.0% |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 19 | 5 | 14 | 26.3% |
| 1011q6zp | Embodied Encounters: The Role of the Body in Art Criticism, Abstract | 19 | 4 | 15 | 21.1% |
| 268136n6 | Embodiment and Post-Human Aesthetic in Contemporary Latin American Theater and Performance, Abstract | 18 | 3 | 15 | 16.7% |
| 5n91f2cg | The Network and Dance, or a cognitive artifact embodied by a situated cognition | 18 | 6 | 12 | 33.3% |
| 0gr297z0 | Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract | 17 | 2 | 15 | 11.8% |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 17 | 4 | 13 | 23.5% |
| 1v24v9f9 | Shaping Experiment from the Inside Out, Abstract | 17 | 5 | 12 | 29.4% |
| 8x1240m5 | 'Feeling at one': Distribution of minds, bodies and beats in dance music, Abstract | 17 | 4 | 13 | 23.5% |
| 95r1p7vm | Senses of movement and embodiment in interactive artworks, Abstract | 17 | 3 | 14 | 17.6% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.