A Body of Knowledge Conference
Parent: Department of Art
eScholarship stats: Breakdown by Item for February through May, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3s7118mr | The potential of dance as embodied learning | 250 | 82 | 168 | 32.8% |
| 3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 82 | 2 | 80 | 2.4% |
| 6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 61 | 18 | 43 | 29.5% |
| 0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 54 | 1 | 53 | 1.9% |
| 5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 54 | 14 | 40 | 25.9% |
| 5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 52 | 2 | 50 | 3.8% |
| 31g4p0dn | Musical Worlds and the Extended Mind | 46 | 8 | 38 | 17.4% |
| 8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 46 | 19 | 27 | 41.3% |
| 30h4m2mp | Empathy and groove in musical movement | 43 | 12 | 31 | 27.9% |
| 9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 41 | 3 | 38 | 7.3% |
| 38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 39 | 9 | 30 | 23.1% |
| 5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 37 | 4 | 33 | 10.8% |
| 78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 37 | 8 | 29 | 21.6% |
| 0gr297z0 | Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract | 36 | 4 | 32 | 11.1% |
| 84w6d37j | Time is of the essence | 35 | 9 | 26 | 25.7% |
| 06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 34 | 3 | 31 | 8.8% |
| 0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 34 | 1 | 33 | 2.9% |
| 24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 34 | 3 | 31 | 8.8% |
| 4183z46p | Embodied Reflection | 34 | 16 | 18 | 47.1% |
| 81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 33 | 11 | 22 | 33.3% |
| 8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 33 | 10 | 23 | 30.3% |
| 5dz7g3vm | Embodied Perception in Somatic Sound, Abstract | 32 | 2 | 30 | 6.3% |
| 5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 32 | 5 | 27 | 15.6% |
| 8b8351vx | Joint improvisation as interaction ritual, Abstract | 32 | 5 | 27 | 15.6% |
| 9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 32 | 2 | 30 | 6.3% |
| 7nn1251d | The Embodied Musician: Creating the Foundation for Interpretation and Movement | 31 | 5 | 26 | 16.1% |
| 53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 30 | 5 | 25 | 16.7% |
| 7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 30 | 4 | 26 | 13.3% |
| 0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 29 | 4 | 25 | 13.8% |
| 8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 29 | 0 | 29 | 0.0% |
| 8x1240m5 | 'Feeling at one': Distribution of minds, bodies and beats in dance music, Abstract | 29 | 4 | 25 | 13.8% |
| 2q45763f | The concept of joint body schema in educational practices in the performing arts, Abstract | 26 | 4 | 22 | 15.4% |
| 338644bd | Embodied dreaming and improvisation in public and private places: contribution of neurophenomenology and art practice to subjectivity research, Abstract | 26 | 2 | 24 | 7.7% |
| 7960z5wx | Using theatre and art-based pedagogy to achieve the practices of science in the student body, Abstract | 26 | 4 | 22 | 15.4% |
| 7wg5p48x | Participatory sense-making in dance improvisation, Abstract | 26 | 1 | 25 | 3.8% |
| 2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 25 | 5 | 20 | 20.0% |
| 91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 24 | 2 | 22 | 8.3% |
| 1ds0r585 | De-Anthropologising the Human and its Impact on Racism: A Third World Perspective | 23 | 5 | 18 | 21.7% |
| 268136n6 | Embodiment and Post-Human Aesthetic in Contemporary Latin American Theater and Performance, Abstract | 23 | 3 | 20 | 13.0% |
| 5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 23 | 12 | 11 | 52.2% |
| 6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 23 | 3 | 20 | 13.0% |
| 7hn1r38j | The mémoire vivante project, Abstract | 23 | 3 | 20 | 13.0% |
| 15848256 | Am I here or there? Space and Action in Aesthetic Experience, Abstract | 20 | 4 | 16 | 20.0% |
| 0wx9p4rw | Art as Embodied Evolution, Abstract | 19 | 3 | 16 | 15.8% |
| 9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 19 | 3 | 16 | 15.8% |
| 91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 18 | 5 | 13 | 27.8% |
| 9956k3v8 | From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art | 18 | 5 | 13 | 27.8% |
| 9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 18 | 4 | 14 | 22.2% |
| 3pj432d4 | Hand Scroll and the Seeing: An Embodied Analysis of Chinese Traditional Painting, Abstract | 17 | 3 | 14 | 17.6% |
| 1v24v9f9 | Shaping Experiment from the Inside Out, Abstract | 16 | 4 | 12 | 25.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.