A Body of Knowledge Conference
Parent: Department of Art
eScholarship stats: Breakdown by Item for March through June, 2025
Item | Title | Total requests | Download | View-only | %Dnld |
---|---|---|---|---|---|
3s7118mr | The potential of dance as embodied learning | 260 | 89 | 171 | 34.2% |
3j9916pw | Taking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism | 94 | 3 | 91 | 3.2% |
30h4m2mp | Empathy and groove in musical movement | 64 | 15 | 49 | 23.4% |
8680g0tb | To Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition | 64 | 18 | 46 | 28.1% |
53g1153x | Multisensorial experiences and embodied knowledge of professional dancers in ballet practices | 63 | 12 | 51 | 19.0% |
0qr0z45g | Music Emergent: Autopoiesis and Connected Worlds | 62 | 3 | 59 | 4.8% |
5dq3z200 | Neuroscience of Rhetoric and Poetry, Abstract | 60 | 3 | 57 | 5.0% |
9d18w5dr | An Introduction to Radical Embodied Cognitive Neuroscience | 60 | 5 | 55 | 8.3% |
31g4p0dn | Musical Worlds and the Extended Mind | 58 | 9 | 49 | 15.5% |
6qs682kw | Thinking with the Dancing Brain: Embodying Neuroscience, Abstract | 56 | 14 | 42 | 25.0% |
5pq1d76d | The affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production | 55 | 7 | 48 | 12.7% |
7548b88w | Sacred Reptiles and Native Worldview: Enactive Aesthetics in Ancient Mesoamerica | 55 | 13 | 42 | 23.6% |
38z6g0ms | Critical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract | 53 | 10 | 43 | 18.9% |
0qc615zz | If the Body is Part of Our Discourse, Why Not Let It Speak, Abstract | 52 | 2 | 50 | 3.8% |
5dz7g3vm | Embodied Perception in Somatic Sound, Abstract | 52 | 5 | 47 | 9.6% |
81w0g89c | Pedagogia del corpo-Embodied Pedagogy: An Italian perspective | 52 | 14 | 38 | 26.9% |
5p60z4ps | Aesthetics of Adaptive Behaviors in Agent-based Art | 50 | 10 | 40 | 20.0% |
06k3f9gh | Physical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract | 49 | 4 | 45 | 8.2% |
0gr297z0 | Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract | 49 | 6 | 43 | 12.2% |
8dd5979n | Joint improvisation in the arts practices: Entrainment, engagement, and expert skill | 49 | 14 | 35 | 28.6% |
78286968 | Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract | 48 | 8 | 40 | 16.7% |
9s9077ng | BEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract | 48 | 4 | 44 | 8.3% |
24n07548 | A path from Irvine: Theatrical and anthropological explorations of self-knowledge | 47 | 3 | 44 | 6.4% |
7960z5wx | Using theatre and art-based pedagogy to achieve the practices of science in the student body, Abstract | 46 | 6 | 40 | 13.0% |
8x1240m5 | 'Feeling at one': Distribution of minds, bodies and beats in dance music, Abstract | 46 | 7 | 39 | 15.2% |
5p45g68p | Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems | 45 | 5 | 40 | 11.1% |
2q45763f | The concept of joint body schema in educational practices in the performing arts, Abstract | 43 | 6 | 37 | 14.0% |
338644bd | Embodied dreaming and improvisation in public and private places: contribution of neurophenomenology and art practice to subjectivity research, Abstract | 43 | 5 | 38 | 11.6% |
8tq236vs | Phenomenology in Practice: Implications for the Art and Craft of Fiction, Abstract | 43 | 1 | 42 | 2.3% |
7nn1251d | The Embodied Musician: Creating the Foundation for Interpretation and Movement | 42 | 5 | 37 | 11.9% |
268136n6 | Embodiment and Post-Human Aesthetic in Contemporary Latin American Theater and Performance, Abstract | 41 | 3 | 38 | 7.3% |
2xq2r74j | John Locke's Hands: The Tools of Embodiment in <em>An Essay Concerning Human Understanding</em> | 41 | 7 | 34 | 17.1% |
4183z46p | Embodied Reflection | 41 | 15 | 26 | 36.6% |
91z955mk | Neuronal Post-Structuralism: A Humanist's Perspective on the Mathematics of the Construction of Memory | 41 | 5 | 36 | 12.2% |
8b8351vx | Joint improvisation as interaction ritual, Abstract | 40 | 4 | 36 | 10.0% |
9p66b2bj | Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones | 40 | 4 | 36 | 10.0% |
9rp0d0n8 | Technologies of Sense: Quantification, Embodiment and Making up People in the Age of the Data Driven Self, Abstract | 39 | 29 | 10 | 74.4% |
7hn1r38j | The mémoire vivante project, Abstract | 38 | 4 | 34 | 10.5% |
91g306ds | Untying the Knot of Dance Movement Expertise: An Enactive Approach | 38 | 4 | 34 | 10.5% |
84w6d37j | Time is of the essence | 37 | 5 | 32 | 13.5% |
0wx9p4rw | Art as Embodied Evolution, Abstract | 36 | 6 | 30 | 16.7% |
6k15r4x1 | Suffering, Embodiment, and the Self in Sophocles' Philoctetes, Abstract | 36 | 3 | 33 | 8.3% |
0g42b9bq | Interdisciplinary Approaches to Interaction, Abstract | 34 | 6 | 28 | 17.6% |
7wg5p48x | Participatory sense-making in dance improvisation, Abstract | 34 | 4 | 30 | 11.8% |
9cc0g10n | Ghosting the Radical in the New Gilded Age: Immersive Theatre in Los Angeles | 32 | 4 | 28 | 12.5% |
0h01x426 | Augmented Reality: An Ecological Blend, Abstract | 31 | 3 | 28 | 9.7% |
15848256 | Am I here or there? Space and Action in Aesthetic Experience, Abstract | 31 | 4 | 27 | 12.9% |
5zq0v7sg | Polymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm | 31 | 15 | 16 | 48.4% |
2q70n3gm | Embodied Ecology; visualizing biological data with dance and technology, Abstract | 30 | 5 | 25 | 16.7% |
95r1p7vm | Senses of movement and embodiment in interactive artworks, Abstract | 30 | 4 | 26 | 13.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.