UCLA Center for the Study of Women
Parent: UCLA
eScholarship stats: Breakdown by Item for May through August, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4w94v8kr | BeautifulAgony.com and the Representation of Pleasure | 3,462 | 55 | 3,407 | 1.6% |
| 5zs6r2wx | The Color of Self-Love: Exposing Racism in Black Female Masturbation Research | 2,438 | 42 | 2,396 | 1.7% |
| 2c78c0wh | The Real (Porn) World: The Politics and Aesthetics of the New Reality Porn | 871 | 503 | 368 | 57.7% |
| 5tx5g8b2 | Blepharoplasty as Domestication of the Asian: Constructing Korean Identities by White Hands | 647 | 111 | 536 | 17.2% |
| 96q4k790 | Theorizing the Female Body: Li Xiaojiang, Dai Jinhua and the Female Avant-Garde Writers | 505 | 29 | 476 | 5.7% |
| 43d8m3fk | Do Not Cry for Me, Confucius: The Reconstruction of Chinese Female Identity During the Cultural Revolution | 463 | 84 | 379 | 18.1% |
| 18b1q625 | “‘Who? Feminist?’: Gender Activism and Collective Identity in Japan” | 448 | 11 | 437 | 2.5% |
| 32081624 | “Becoming a Woman”: Interpretations of Sex and Gender in Simone de Beauvoir’s <em>The Second Sex</em> | 411 | 207 | 204 | 50.4% |
| 173191wn | Epistemology of <em>The Moment of Truth</em> | 404 | 52 | 352 | 12.9% |
| 8b07v3pp | Man Made: Seung Hui Cho and the Deconstruction of Asian American Masculinity and Violence | 402 | 59 | 343 | 14.7% |
| 0789b6jb | Occult Sex as a Conversational Resource | 397 | 108 | 289 | 27.2% |
| 9735p8w7 | Becoming “Beautiful” … Becoming “American”? A Study on Constructions of Beauty and Identity Among Korean and Filipina Women in the United States | 386 | 26 | 360 | 6.7% |
| 65v958z1 | Acid Violence in Pakistan | 372 | 59 | 313 | 15.9% |
| 2mz7t3mf | Witness Intimidation by Extended Family Members in Domestic Violence: Issues and Solutions | 338 | 42 | 296 | 12.4% |
| 0ds6g1hf | Name Law and Gender in Iceland | 334 | 69 | 265 | 20.7% |
| 0pz3k79s | Making the Cut: Female Editors and Representation in the Film and Media Industry | 328 | 56 | 272 | 17.1% |
| 42c9g7xf | Who is Josie Packard? Joan Chen,Lucy Liu, and the uncommon sense of pleasure | 325 | 80 | 245 | 24.6% |
| 9d0562cb | Transcending Masculinity | 322 | 46 | 276 | 14.3% |
| 6h10v1dc | Establishing Oversight for India’s Street Vendors Act | 321 | 30 | 291 | 9.3% |
| 6kq0k6m1 | The Role Replaced: Unmarried Taiwanese Women and the Foreign Brides | 318 | 30 | 288 | 9.4% |
| 69v2d498 | Interweaving Arab Queerness in Migratory Contexts: A Methodology of Bricolage | 311 | 193 | 118 | 62.1% |
| 96d633ww | Commodifying the Female Body: Outsourcing Surrogacy in a Global Market | 304 | 72 | 232 | 23.7% |
| 7011m8nz | A Female Hero and Male Antiheroes: An Investigation of the Tragic Hero and Gender Roles in Euripides’ "Medea" According to Aristotle’s "Poetics" | 286 | 89 | 197 | 31.1% |
| 3vv972b0 | Making Invisible Histories Visible: A Resource Guide to the Collections of the June L. Mazer Lesbian Archives | 285 | 120 | 165 | 42.1% |
| 14446738 | Virtue, Violence, and Victors: The Role of Pudicitia in Livy's Ab Urbe Condita | 274 | 76 | 198 | 27.7% |
| 4hc2g3r3 | Children of Prostitutes in 1930’s China: Comparing Portrayals in Goddess and “Crescent Moon” | 274 | 63 | 211 | 23.0% |
| 4r7234d1 | Exploring Sexuality, Religiousity, and Desire in Colonial Mexico | 274 | 120 | 154 | 43.8% |
| 2xx4f4vc | Satyriasis: The Pornographic Afterlife of Vaslav Nijinsky | 271 | 116 | 155 | 42.8% |
| 9nv4p6x8 | “De old devil!”: Female Slaveholders, Violence, and Slave Management in Louisiana | 262 | 94 | 168 | 35.9% |
| 0nd580x9 | Women’s Pathways to Mental Health in India | 261 | 55 | 206 | 21.1% |
| 4n46g1w0 | Colliers in Corsets? Uncovering Stark County's Nineteenth-Century Coal Mining Women | 259 | 35 | 224 | 13.5% |
| 5k44b4tk | Making Invisible Histories Visible: A Resource Guide to the Collections of the June L. Mazer Lesbian Archives | 259 | 167 | 92 | 64.5% |
| 70x330gg | Till All Comes Back Home | 248 | 131 | 117 | 52.8% |
| 1gz83404 | Musawah Movement: Seeking Equality and Justice in Muslim Family Law | 244 | 10 | 234 | 4.1% |
| 5tw6h8nk | From Misogyny to Murder: Everyday Sexism and Femicide in a Cross-Cultural Context | 243 | 106 | 137 | 43.6% |
| 81z2f0p5 | From Metrosexual to Retrosexual: The Importance of Shifting Male Gender Roles to Feminism | 243 | 59 | 184 | 24.3% |
| 1hr6f62t | The Pedestal Effect: Problems and Potentiality for Feminist Men | 242 | 0 | 242 | 0.0% |
| 3pd5t9m6 | Liberating Hollywood: Thirty Years of Women Directors | 242 | 145 | 97 | 59.9% |
| 0fv6t1jg | Queering the Horse-Crazy Girl: Part II | 239 | 64 | 175 | 26.8% |
| 38r9r094 | Gender Stereotypes and Education: A Multi-Country Content Analysis Study of Secondary School Textbooks | 239 | 71 | 168 | 29.7% |
| 46v0c1m8 | "You Don't Want to Be in Love... You Want to Be in Love in a Movie": Romance and Postfeminism in Contemporary Film and Television | 234 | 38 | 196 | 16.2% |
| 9ss5w4gg | A Legacy of Deviance: Historical Constructions of Chinese Immigrant Masculinity | 229 | 64 | 165 | 27.9% |
| 3357r9nz | Television's Mature Women: A Changing Media Archetype: From Bewitched to the Sopranos | 226 | 58 | 168 | 25.7% |
| 46d897kv | Mill, Gender Ideal and Gender Oppression: Do Feminists Need to Abolish Gender Roles? | 226 | 41 | 185 | 18.1% |
| 563735fq | We Been Here, We Live Here, We Love Here: Black Lesbians’ Performance of Presence in Chicago’s Southside | 226 | 43 | 183 | 19.0% |
| 0vw2z527 | Laura Aguilar: Clothed Unclothed | 221 | 36 | 185 | 16.3% |
| 6br2j4v1 | “If your vagina could speak, what would it say?”: Dangerous Femininity, Anxious Masculinity and the Threat of Female Desire in the 1975 Pornographic Movie "The Sex that Speaks" | 221 | 58 | 163 | 26.2% |
| 74b8r5gm | Record Label Promotional Decisions and Artistic Personas: The Importance of Gender and Sexualization | 221 | 104 | 117 | 47.1% |
| 0t48f24b | The B Word: Chasing Amy and the Bisexual (In)Visibility in Cinema and Media | 220 | 52 | 168 | 23.6% |
| 6mq189pz | Que te Vaya Bonito: Breath and Sentimiento According to Chavela Vargas | 215 | 41 | 174 | 19.1% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.