Department of English
Parent: UCLA
eScholarship stats: History by Item for August through November, 2024
| Item | Title | Total requests | 2024-11 | 2024-10 | 2024-09 | 2024-08 |
|---|---|---|---|---|---|---|
| 9qx5t9t2 | Gayme On! A Queer Game Thesis | 698 | 20 | 274 | 156 | 248 |
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 642 | 204 | 155 | 134 | 149 |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 575 | 193 | 140 | 135 | 107 |
| 0513d277 | “Is Bing Xin a Chinese American Writer?” “冰心是华裔美国作家吗？论冰心《相片》之东方主义及种族主义批判 .” | 355 | 47 | 91 | 162 | 55 |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 309 | 108 | 79 | 72 | 50 |
| 20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 277 | 93 | 78 | 65 | 41 |
| 2ks5v4hh | Immaterial Archives: An African Diaspora Poetics of Loss | 239 | 64 | 61 | 56 | 58 |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 236 | 80 | 75 | 43 | 38 |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 228 | 80 | 48 | 46 | 54 |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 220 | 68 | 43 | 54 | 55 |
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 184 | 57 | 46 | 42 | 39 |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 164 | 51 | 56 | 34 | 23 |
| 60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 163 | 40 | 37 | 39 | 47 |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 163 | 45 | 45 | 37 | 36 |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 162 | 60 | 52 | 21 | 29 |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 157 | 35 | 40 | 28 | 54 |
| 70j061wc | Transpacific Poetics: Ideographic and Prosodic Transpositions in Li-Young Lee’s “Persimmons” and Marilyn Chin’s “Summer Sleep” | 157 | 38 | 50 | 35 | 34 |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 156 | 37 | 54 | 37 | 28 |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 154 | 68 | 48 | 24 | 14 |
| 807839r5 | (Mis)interpretations and (In)justice: The 1992 Los Angeles ‘Riots’ and ‘Black-Korean Conflict. | 145 | 53 | 31 | 40 | 21 |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 131 | 25 | 32 | 37 | 37 |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 130 | 32 | 38 | 27 | 33 |
| 1tm7x1rv | Scribal Authorship and the Writing of History in Medieval England | 123 | 16 | 36 | 26 | 45 |
| 6cg447s0 | When Spirits Talk: Reading Erna Brodber’s Louisiana for Affect | 120 | 27 | 33 | 24 | 36 |
| 6s48n8h0 | Thinking “Diaspora” with Stuart Hall | 116 | 50 | 27 | 24 | 15 |
| 88w223j9 | "Chinese American Literature in the New Century 新世纪的美国及海外华裔美国文学." Jiangnan Magazine [江南] 2018 No. 2: 146-159. | 109 | 25 | 19 | 30 | 35 |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 108 | 22 | 28 | 24 | 34 |
| 2rx3h75b | Changing the Unchangeable: The Transformative Power of Queerness in Magical Realism | 107 | 35 | 25 | 22 | 25 |
| 10s1v91k | A Social Disruption: The Decentering of the Individual in Contemporary Dystopian Fiction and its Challenges to Humanism, Posthumanism, and Neoliberal Individualism | 105 | 34 | 26 | 21 | 24 |
| 8nd2p4xr | “Convergences and Divergences in Chinese and Chinese American (Auto)Biographies.” “中美华裔作家自传/他传之异同.” | 104 | 5 | 41 | 46 | 12 |
| 15r8j7qx | Lived multidirectionality: “Historikerstreit 2.0” and the politics of Holocaust memory | 103 | 27 | 29 | 23 | 24 |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 100 | 26 | 24 | 15 | 35 |
| 2mf9q3xx | The Archive and Affective Memory in M. Nourbese Philip's Zong! | 99 | 30 | 30 | 19 | 20 |
| 568012r9 | The <em>Bildungsroman</em> Transformed Magic, Memories, and the Unpredictable Movements of Growth in Young Adult Speculative Fiction | 97 | 22 | 29 | 19 | 27 |
| 4mx6210b | Have You Eaten Yet? Stories | 96 | 15 | 38 | 27 | 16 |
| 69z944xs | “Don't Tell”: Imposed Silences in <i>The Color Purple</i> and <i>The Woman Warrior</i> | 95 | 22 | 25 | 8 | 40 |
| 1h54x0bn | 赛珍珠和冰心：跨太平洋女性文学谱系中的殖民政治 | 91 | 19 | 38 | 27 | 7 |
| 7568z540 | (Refugee) Children's Stories: Untold Truths from the San Fernando Valley Refugee Children Center | 90 | 15 | 39 | 15 | 21 |
| 0rq5q0sd | Sontag and Disability Studies: Chronic Illness, Impairment Effect, and Biomedical Metaphor | 88 | 16 | 31 | 24 | 17 |
| 47k1b3bk | Routes and roots | 85 | 14 | 22 | 16 | 33 |
| 0fd2t74d | “The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?” Conflicts in Feminism. Ed. Marianne Hirsch and Evelyn Fox Keller. New York: Routledge, 1990. 234-251 | 84 | 13 | 32 | 19 | 20 |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 84 | 31 | 17 | 9 | 27 |
| 2x74s415 | "Introduction: The Transnational Turn, " in the <em> Cambridge Companion to Transnational American Literature </em> | 80 | 15 | 26 | 17 | 22 |
| 6565977z | Troublesome Minorities: Questioning Assimilation in <em>The Reluctant Fundamentalist</em> and <em>Home Fire</em> | 80 | 29 | 21 | 15 | 15 |
| 01z6w5zr | Somewhat Queer Triangles: Yiyun Li’s “The Princess of Nebraska" and "Gold Boy, Emerald Girl" | 79 | 38 | 18 | 9 | 14 |
| 6rc3v76c | Consuming Raw: Cannibalistic Transformation in Julia Ducournau’s <em>Raw</em> (2016) | 79 | 23 | 30 | 9 | 17 |
| 77n2q7qn | “Talk-Story: Counter-Memory in Maxine Hong Kingston's China Men.” | 79 | 21 | 19 | 20 | 19 |
| 6k31748m | The Subject of Religion: Lacan and the Ten Commandments | 78 | 8 | 29 | 14 | 27 |
| 6qc0w5z0 | 《女战士对抗太平洋中国佬：华裔美国批评家非得选择女性主义或英雄主义吗？》张琼惠翻译 | 74 | 31 | 25 | 1 | 17 |
| 2r80j01g | Opening the Doors of Perception in <em>Paradise Lost</em>: Seeing and Hearing as Imperfectly Gendered, or as Tools for Divine Revelation | 73 | 11 | 17 | 14 | 31 |
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