Item | Title | Total requests | 2024-07 | 2024-06 | 2024-05 | 2024-04 |
---|---|---|---|---|---|---|
886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 804 | 105 | 119 | 240 | 340 |
9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 702 | 127 | 120 | 191 | 264 |
9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 426 | 53 | 69 | 123 | 181 |
46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 414 | 73 | 74 | 128 | 139 |
60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 382 | 74 | 88 | 96 | 124 |
9qx5t9t2 | Gayme On! A Queer Game Thesis | 343 | 149 | 89 | 51 | 54 |
27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 289 | 34 | 50 | 89 | 116 |
4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 288 | 69 | 52 | 83 | 84 |
20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 278 | 71 | 47 | 57 | 103 |
6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 264 | 73 | 67 | 58 | 66 |
2ks5v4hh | Immaterial Archives: An African Diaspora Poetics of Loss | 263 | 41 | 35 | 62 | 125 |
9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 257 | 40 | 47 | 62 | 108 |
6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 252 | 47 | 49 | 73 | 83 |
2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 234 | 49 | 59 | 66 | 60 |
807839r5 | (Mis)interpretations and (In)justice: The 1992 Los Angeles ‘Riots’ and ‘Black-Korean Conflict. | 234 | 35 | 32 | 88 | 79 |
47k1b3bk | Routes and roots | 183 | 18 | 39 | 53 | 73 |
1tm7x1rv | Scribal Authorship and the Writing of History in Medieval England | 179 | 32 | 16 | 70 | 61 |
6565977z | Troublesome Minorities: Questioning Assimilation in <em>The Reluctant Fundamentalist</em> and <em>Home Fire</em> | 175 | 25 | 28 | 65 | 57 |
2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 173 | 39 | 30 | 46 | 58 |
1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 168 | 22 | 37 | 49 | 60 |
4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 162 | 17 | 27 | 54 | 64 |
6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 160 | 30 | 20 | 50 | 60 |
25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 154 | 22 | 20 | 65 | 47 |
70j061wc | Transpacific Poetics: Ideographic and Prosodic Transpositions in Li-Young Lee’s “Persimmons” and Marilyn Chin’s “Summer Sleep” | 146 | 27 | 18 | 38 | 63 |
3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 140 | 24 | 23 | 35 | 58 |
10s1v91k | A Social Disruption: The Decentering of the Individual in Contemporary Dystopian Fiction and its Challenges to Humanism, Posthumanism, and Neoliberal Individualism | 135 | 30 | 25 | 42 | 38 |
2rx3h75b | Changing the Unchangeable: The Transformative Power of Queerness in Magical Realism | 135 | 24 | 20 | 32 | 59 |
77n2q7qn | “Talk-Story: Counter-Memory in Maxine Hong Kingston's China Men.” | 128 | 25 | 13 | 29 | 61 |
69z944xs | “Don't Tell”: Imposed Silences in <i>The Color Purple</i> and <i>The Woman Warrior</i> | 123 | 33 | 35 | 19 | 36 |
7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 117 | 17 | 28 | 26 | 46 |
2mf9q3xx | The Archive and Affective Memory in M. Nourbese Philip's Zong! | 115 | 22 | 14 | 31 | 48 |
8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 115 | 40 | 20 | 28 | 27 |
8057h30g | Can the Subaltern Speak?: The Ringing Feminine Silence at the center of Allende’s “And of Clay are we Created” | 105 | 14 | 34 | 13 | 44 |
6s48n8h0 | Thinking “Diaspora” with Stuart Hall | 103 | 26 | 14 | 35 | 28 |
7n01v6zc | Posthuman Time Beings | 102 | 22 | 20 | 29 | 31 |
26m2757s | Beyond the Other Hand: Self, Social, and Technology in Agnès Varda’s <em>The Gleaners and I</em> | 101 | 13 | 15 | 30 | 43 |
7568z540 | (Refugee) Children's Stories: Untold Truths from the San Fernando Valley Refugee Children Center | 98 | 39 | 21 | 12 | 26 |
88w223j9 | "Chinese American Literature in the New Century 新世纪的美国及海外华裔美国文学." Jiangnan Magazine [江南] 2018 No. 2: 146-159. | 98 | 27 | 18 | 17 | 36 |
0rq5q0sd | Sontag and Disability Studies: Chronic Illness, Impairment Effect, and Biomedical Metaphor | 97 | 31 | 15 | 19 | 32 |
17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 97 | 16 | 18 | 26 | 37 |
0qb7k4h7 | ISLAND ECOLOGIES AND CARIBBEAN LITERATURES1 | 90 | 25 | 9 | 24 | 32 |
420996rx | Nob Hill | 84 | 12 | 22 | 26 | 24 |
6cg447s0 | When Spirits Talk: Reading Erna Brodber’s Louisiana for Affect | 84 | 32 | 26 | 6 | 20 |
568012r9 | The <em>Bildungsroman</em> Transformed Magic, Memories, and the Unpredictable Movements of Growth in Young Adult Speculative Fiction | 83 | 11 | 13 | 35 | 24 |
1pn3w3db | Thrice Muted Tale: Interplay of Art and Politics in Hisaye Yamamoto's "The Legend of Miss Sasagawara" | 79 | 14 | 16 | 21 | 28 |
9650s7k8 | Allegories of the Anthropocene | 79 | 22 | 13 | 16 | 28 |
0fd2t74d | “The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?” Conflicts in Feminism. Ed. Marianne Hirsch and Evelyn Fox Keller. New York: Routledge, 1990. 234-251 | 78 | 21 | 17 | 22 | 18 |
6rc3v76c | Consuming Raw: Cannibalistic Transformation in Julia Ducournau’s <em>Raw</em> (2016) | 78 | 26 | 13 | 23 | 16 |
98t6p25n | Life, Labor, and a Coolie Picturesque in Jamaica | 78 | 30 | 17 | 15 | 16 |
43w9q2p3 | Lividity in Pink | 77 | 14 | 24 | 25 | 14 |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.