California Italian Studies
Parent: Other
eScholarship stats: Breakdown by Item for November, 2024 through February, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 0z94n9hq | Is There a Future for Italian Microhistory in the Age of Global History? | 1,106 | 471 | 635 | 42.6% |
| 5x48f0mz | Hegemony, Democracy, and Passive Revolution in Gramsci's <em>Prison Notebooks</em> | 723 | 80 | 643 | 11.1% |
| 9bv3t8m2 | Gli animali nel primo Pusterla: una lettura eco-zoopoetica di «Il dronte» e «L’anguilla del Reno» | 547 | 12 | 535 | 2.2% |
| 8sz659dn | Sicilian Mafia, Patron Saints, and Religious Processions:The Consistent Face of an Ever-Changing Criminal Organization | 480 | 57 | 423 | 11.9% |
| 3zw016sg | Are Italians White? The Perspective from the Pacific | 469 | 35 | 434 | 7.5% |
| 3jg726c2 | How Stories Make Us Feel: Toward an Embodied Narratology | 421 | 89 | 332 | 21.1% |
| 5b20w7vv | T. S. Eliot and the Literature of Fascism | 385 | 25 | 360 | 6.5% |
| 4xj7n9vv | From Igiaba Scego, La mia casa è dove sono (Home Is Where I Am), Milan: Rizzoli, 2010 | 312 | 98 | 214 | 31.4% |
| 9z63v86n | The Embarrassment of Libya. History, Memory, and Politics in Contemporary Italy | 298 | 18 | 280 | 6.0% |
| 96k3w5kn | Italians and the Invention of Race: The Poetics and Politics of Difference in the Struggle over Libya, 1890-1913 | 276 | 63 | 213 | 22.8% |
| 48n17530 | La logica profonda del meraviglioso: Italo Calvino teorico della fiaba (e del fantastico) | 274 | 24 | 250 | 8.8% |
| 55d0f4j7 | Italian Postcolonial Literature | 271 | 86 | 185 | 31.7% |
| 7ff9j31s | Transnational Multimedia: Fortunato Depero’s Impressions of New York City (1928-1930) | 267 | 43 | 224 | 16.1% |
| 1k91d7s3 | Invisible Sea: Anna Maria Ortese's <em>Il mare non bagna Napoli</em> | 265 | 190 | 75 | 71.7% |
| 8bk357jd | Indro Montanelli: Our Man in the Baltic | 222 | 85 | 137 | 38.3% |
| 40s8d6sq | <em>Culiseo</em>: the Roman Colosseum in Early Modern Jest | 210 | 44 | 166 | 21.0% |
| 9hm1p6m5 | The Light and the Line: Florestano Di Fausto and the Politics of <em>'Mediterraneità'</em> | 209 | 18 | 191 | 8.6% |
| 0q01f357 | Women Crossing Borders. Elena Ferrante’s Smarginature Across Media | 205 | 88 | 117 | 42.9% |
| 6jh07474 | Giovanni Pascoli's 'La grande proletaria si e' mossa': A Translation and Critical Introduction | 204 | 94 | 110 | 46.1% |
| 72h8k2bt | Viaggio e viaggiatori italiani nel Seicento: relazioni odeporiche per una nuova geografia del vecchio continente | 202 | 14 | 188 | 6.9% |
| 1n97s00d | Italian Renaissance Food-Fashioning or The Triumph of Greens | 198 | 42 | 156 | 21.2% |
| 2hm1k07b | <em>I nostri Saracini</em>: Writing the History of the Arabs of Sicily | 196 | 46 | 150 | 23.5% |
| 6wv730sn | Italy and the Eternal City: Rome in History, Memory, and Imagination | 193 | 27 | 166 | 14.0% |
| 4sc5s550 | Reading Machiavelli Rhetorically: <em>The Prince</em> as Covert Critique of the Renaissance Prince | 190 | 36 | 154 | 18.9% |
| 1m95s09q | “Guido” Culture: The Destabilization of Italian-American Identity on Jersey Shore | 188 | 104 | 84 | 55.3% |
| 8qm3b0q3 | L'ombra del padre. Il caso Calvino | 188 | 6 | 182 | 3.2% |
| 2v33188r | XX Settembre 1870: Rome’s Capture as a Contested Public Memory | 186 | 50 | 136 | 26.9% |
| 31n0w7p4 | Un re in ascolto: Luciano Berio and Italo Calvino's Collaboration as a Memory of the Future | 184 | 27 | 157 | 14.7% |
| 8qb6s9p5 | Renewal and Accoglienza in Tasso’s Rome | 182 | 49 | 133 | 26.9% |
| 9cw3f6b4 | Italo Calvino, Communist | 182 | 54 | 128 | 29.7% |
| 50x540dz | "Divine Women" and the Poetry of Alda Merini | 179 | 66 | 113 | 36.9% |
| 4p9258jc | Apocalypse at the Gate: Marching Toward the 1527 Sack of Rome | 177 | 30 | 147 | 16.9% |
| 8j00c6h3 | Marches on Rome: Historical Events and Creative Transformations | 177 | 34 | 143 | 19.2% |
| 2qf1598v | Il pensiero meridiano oggi: Intervista e dialoghi con Franco Cassano | 176 | 17 | 159 | 9.7% |
| 5xb0w73s | Italians Do It Differently: Giorgio Scerbanenco’s Appropriation of the American Hard-Boiled Novel | 175 | 8 | 167 | 4.6% |
| 58z823kz | Spaniards and Sbirri: Violence and Diplomacy in the Streets of Early Modern Rome | 169 | 37 | 132 | 21.9% |
| 7zn5q2kq | The Racism of Romanità: Mobilizing the Idea of Rome for the Fascists’ Anti-Semitic Campaign | 166 | 28 | 138 | 16.9% |
| 1x4293t9 | Marvelous Rome: Sorrentino’s "La grande bellezza" and the Rhetoric of Ovid and Vasari on Art, Spectacle, and the Sublime | 165 | 65 | 100 | 39.4% |
| 1zv8s58x | The Italian Renaissance in the Mediterranean, or, Between East and West. A Review Article | 163 | 39 | 124 | 23.9% |
| 8vt6r0vf | Spotless Italy: Hygiene, Domesticity, and the Ubiquity of Whiteness in Fascist and Postwar Consumer Culture | 163 | 22 | 141 | 13.5% |
| 0r78b127 | I Sonetti a Orfeo di R. M. Rilke nelle traduzioni italiane dell’ultimo dopoguerra: “servizio” o disservizio? | 162 | 10 | 152 | 6.2% |
| 1md337mp | The Nymph in the Doorway: Revisiting a Central Motif of Aby Warburg’s Study of Culture | 156 | 16 | 140 | 10.3% |
| 1z30h6z5 | Prima del Sessantotto. Per una genealogia della sinistra rivoluzionaria italiana degli anni Settanta | 156 | 38 | 118 | 24.4% |
| 67b8j74s | Flying Saucers Would Never Land in Lucca: The Fiction of Italian Science Fiction | 154 | 78 | 76 | 50.6% |
| 4g86j2q5 | The Vattimo Dictionary: Some Reflections | 151 | 23 | 128 | 15.2% |
| 76c6r6jx | The Politics of Pasta: La cucina futurista and the Italian Cookbook in History | 150 | 68 | 82 | 45.3% |
| 69m9m019 | Giuditta Tavani Arquati and Anti-Catholic Motherhood in the Fight for Rome, 1867–95 | 148 | 35 | 113 | 23.6% |
| 657745sw | Basile de Luna e le origini della Carboneria nel Regno di Napoli | 145 | 54 | 91 | 37.2% |
| 7f86023v | ‘100% Italian’: The Coming of Sound Cinema in Italy and State Regulation on Dubbing | 145 | 27 | 118 | 18.6% |
| 82c9b735 | Visualizing the Intersection in Kym Ragusa’s The Skin Between Us | 145 | 13 | 132 | 9.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.