California Italian Studies
Parent: Other
eScholarship stats: History by Item for November, 2024 through February, 2025
Item | Title | Total requests | 2025-02 | 2025-01 | 2024-12 | 2024-11 |
---|---|---|---|---|---|---|
0z94n9hq | Is There a Future for Italian Microhistory in the Age of Global History? | 1,106 | 171 | 219 | 235 | 481 |
5x48f0mz | Hegemony, Democracy, and Passive Revolution in Gramsci's <em>Prison Notebooks</em> | 723 | 109 | 261 | 188 | 165 |
9bv3t8m2 | Gli animali nel primo Pusterla: una lettura eco-zoopoetica di «Il dronte» e «L’anguilla del Reno» | 547 | 110 | 176 | 123 | 138 |
8sz659dn | Sicilian Mafia, Patron Saints, and Religious Processions:The Consistent Face of an Ever-Changing Criminal Organization | 480 | 111 | 122 | 116 | 131 |
3zw016sg | Are Italians White? The Perspective from the Pacific | 469 | 119 | 104 | 142 | 104 |
3jg726c2 | How Stories Make Us Feel: Toward an Embodied Narratology | 421 | 125 | 86 | 126 | 84 |
5b20w7vv | T. S. Eliot and the Literature of Fascism | 385 | 97 | 85 | 97 | 106 |
4xj7n9vv | From Igiaba Scego, La mia casa è dove sono (Home Is Where I Am), Milan: Rizzoli, 2010 | 312 | 64 | 81 | 77 | 90 |
9z63v86n | The Embarrassment of Libya. History, Memory, and Politics in Contemporary Italy | 298 | 55 | 115 | 79 | 49 |
96k3w5kn | Italians and the Invention of Race: The Poetics and Politics of Difference in the Struggle over Libya, 1890-1913 | 276 | 61 | 76 | 77 | 62 |
48n17530 | La logica profonda del meraviglioso: Italo Calvino teorico della fiaba (e del fantastico) | 274 | 68 | 84 | 55 | 67 |
55d0f4j7 | Italian Postcolonial Literature | 271 | 91 | 56 | 64 | 60 |
7ff9j31s | Transnational Multimedia: Fortunato Depero’s Impressions of New York City (1928-1930) | 267 | 69 | 85 | 62 | 51 |
1k91d7s3 | Invisible Sea: Anna Maria Ortese's <em>Il mare non bagna Napoli</em> | 265 | 69 | 75 | 69 | 52 |
8bk357jd | Indro Montanelli: Our Man in the Baltic | 222 | 22 | 24 | 78 | 98 |
40s8d6sq | <em>Culiseo</em>: the Roman Colosseum in Early Modern Jest | 210 | 66 | 42 | 47 | 55 |
9hm1p6m5 | The Light and the Line: Florestano Di Fausto and the Politics of <em>'Mediterraneità'</em> | 209 | 73 | 87 | 23 | 26 |
0q01f357 | Women Crossing Borders. Elena Ferrante’s Smarginature Across Media | 205 | 41 | 67 | 57 | 40 |
6jh07474 | Giovanni Pascoli's 'La grande proletaria si e' mossa': A Translation and Critical Introduction | 204 | 100 | 32 | 30 | 42 |
72h8k2bt | Viaggio e viaggiatori italiani nel Seicento: relazioni odeporiche per una nuova geografia del vecchio continente | 202 | 44 | 57 | 49 | 52 |
1n97s00d | Italian Renaissance Food-Fashioning or The Triumph of Greens | 198 | 70 | 47 | 46 | 35 |
2hm1k07b | <em>I nostri Saracini</em>: Writing the History of the Arabs of Sicily | 196 | 57 | 48 | 55 | 36 |
6wv730sn | Italy and the Eternal City: Rome in History, Memory, and Imagination | 193 | 40 | 29 | 30 | 94 |
4sc5s550 | Reading Machiavelli Rhetorically: <em>The Prince</em> as Covert Critique of the Renaissance Prince | 190 | 40 | 39 | 58 | 53 |
1m95s09q | “Guido” Culture: The Destabilization of Italian-American Identity on Jersey Shore | 188 | 53 | 28 | 49 | 58 |
8qm3b0q3 | L'ombra del padre. Il caso Calvino | 188 | 38 | 60 | 31 | 59 |
2v33188r | XX Settembre 1870: Rome’s Capture as a Contested Public Memory | 186 | 25 | 31 | 36 | 94 |
31n0w7p4 | Un re in ascolto: Luciano Berio and Italo Calvino's Collaboration as a Memory of the Future | 184 | 55 | 42 | 58 | 29 |
8qb6s9p5 | Renewal and Accoglienza in Tasso’s Rome | 182 | 32 | 25 | 32 | 93 |
9cw3f6b4 | Italo Calvino, Communist | 182 | 54 | 45 | 46 | 37 |
50x540dz | "Divine Women" and the Poetry of Alda Merini | 179 | 55 | 57 | 30 | 37 |
4p9258jc | Apocalypse at the Gate: Marching Toward the 1527 Sack of Rome | 177 | 19 | 24 | 41 | 93 |
8j00c6h3 | Marches on Rome: Historical Events and Creative Transformations | 177 | 26 | 30 | 31 | 90 |
2qf1598v | Il pensiero meridiano oggi: Intervista e dialoghi con Franco Cassano | 176 | 42 | 46 | 34 | 54 |
5xb0w73s | Italians Do It Differently: Giorgio Scerbanenco’s Appropriation of the American Hard-Boiled Novel | 175 | 47 | 53 | 48 | 27 |
58z823kz | Spaniards and Sbirri: Violence and Diplomacy in the Streets of Early Modern Rome | 169 | 25 | 35 | 27 | 82 |
7zn5q2kq | The Racism of Romanità: Mobilizing the Idea of Rome for the Fascists’ Anti-Semitic Campaign | 166 | 21 | 22 | 23 | 100 |
1x4293t9 | Marvelous Rome: Sorrentino’s "La grande bellezza" and the Rhetoric of Ovid and Vasari on Art, Spectacle, and the Sublime | 165 | 22 | 16 | 52 | 75 |
1zv8s58x | The Italian Renaissance in the Mediterranean, or, Between East and West. A Review Article | 163 | 41 | 32 | 35 | 55 |
8vt6r0vf | Spotless Italy: Hygiene, Domesticity, and the Ubiquity of Whiteness in Fascist and Postwar Consumer Culture | 163 | 41 | 40 | 40 | 42 |
0r78b127 | I Sonetti a Orfeo di R. M. Rilke nelle traduzioni italiane dell’ultimo dopoguerra: “servizio” o disservizio? | 162 | 43 | 53 | 40 | 26 |
1md337mp | The Nymph in the Doorway: Revisiting a Central Motif of Aby Warburg’s Study of Culture | 156 | 49 | 36 | 32 | 39 |
1z30h6z5 | Prima del Sessantotto. Per una genealogia della sinistra rivoluzionaria italiana degli anni Settanta | 156 | 27 | 49 | 45 | 35 |
67b8j74s | Flying Saucers Would Never Land in Lucca: The Fiction of Italian Science Fiction | 154 | 39 | 39 | 42 | 34 |
4g86j2q5 | The Vattimo Dictionary: Some Reflections | 151 | 19 | 22 | 17 | 93 |
76c6r6jx | The Politics of Pasta: La cucina futurista and the Italian Cookbook in History | 150 | 50 | 40 | 24 | 36 |
69m9m019 | Giuditta Tavani Arquati and Anti-Catholic Motherhood in the Fight for Rome, 1867–95 | 148 | 16 | 30 | 22 | 80 |
657745sw | Basile de Luna e le origini della Carboneria nel Regno di Napoli | 145 | 38 | 28 | 26 | 53 |
7f86023v | ‘100% Italian’: The Coming of Sound Cinema in Italy and State Regulation on Dubbing | 145 | 32 | 31 | 47 | 35 |
82c9b735 | Visualizing the Intersection in Kym Ragusa’s The Skin Between Us | 145 | 37 | 27 | 33 | 48 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.