Refract: An Open Access Visual Studies Journal
Parent: UC Santa Cruz
eScholarship stats: Breakdown by Item for May through August, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3rb6n5q7 | BLAST RADIUS: No. 4 in a Series of Data Humanization Performances | 353 | 23 | 330 | 6.5% |
| 9n15q89f | The Face of an Empire: Cosmetics and Whiteness in Imperial Portraits of Queen Elizabeth I | 204 | 52 | 152 | 25.5% |
| 7xm6v7j2 | My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now Titled, The Responsibility of Being That Sort of Baby, March 24–July 25, 20 | 188 | 24 | 164 | 12.8% |
| 5w56c6n3 | Trans Self-Imaging Praxis, Decolonizing Photography, and the Work of Alok Vaid-Menon | 181 | 46 | 135 | 25.4% |
| 94q869s6 | (Un)veiling Sappho: Renée Vivien and Natalie Clifford Barney’s Radical Translation Projects | 175 | 38 | 137 | 21.7% |
| 15h4c86z | Refract Journal, Issue 1: "Refraction" | 140 | 61 | 79 | 43.6% |
| 9tt733sc | The Double Edge of Visibility and Invisibility: Cassils and Queer Exhaustion | 132 | 61 | 71 | 46.2% |
| 0p507033 | Denis Diderot’s “Salons” as Art Conservation in Eighteenth-Century France | 130 | 15 | 115 | 11.5% |
| 2r58110h | The Trophy and The Appeal: Colonial Photography and the Ghosts of Witnessing in German Southwest Africa | 129 | 9 | 120 | 7.0% |
| 8z75g1k7 | Imagining the Future of Digital Publishing | 124 | 82 | 42 | 66.1% |
| 8vc716rq | Visualizing Banaba: Art and Research about a Diffracted Pacific Island | 116 | 13 | 103 | 11.2% |
| 4dv7j9tv | Maurice Denis (1870–1943) and the Sacred Grove: Temporality in Fin de Siècle France | 113 | 34 | 79 | 30.1% |
| 0qk2z1c2 | Refract Journal, Volume 2: "Translation" | 112 | 52 | 60 | 46.4% |
| 3zm9t9mc | Introduction to “Refraction” | 112 | 6 | 106 | 5.4% |
| 5r76v48z | I’m New Here: Black and Indigenous Media Ecologies: Curatorial Statement | 107 | 36 | 71 | 33.6% |
| 1z0340v4 | Mere Image: Caravaggio, Virtuosity, and Medusa’s Averted Eyes | 104 | 26 | 78 | 25.0% |
| 5d99g907 | VOLTA VOLTA | 99 | 5 | 94 | 5.1% |
| 4259n982 | What is Radical Writing in Visual Studies? | 91 | 9 | 82 | 9.9% |
| 4q20b7qq | Synthesizing a Dual-Definition of Façade in the Western Palaces of the Yuanming Yuan: Art, Politics, and Place-making in the Garden of Perfect Brightness | 91 | 18 | 73 | 19.8% |
| 9ps74313 | Sensing Place | 81 | 51 | 30 | 63.0% |
| 24r1z37d | Refract Journal, Volume 4: Document/ary Full Issue | 77 | 63 | 14 | 81.8% |
| 7s96s6kb | “If You’re Out There, Please Listen to Me…”: Voices of Mourning Through the Wind Phone (Kaze no Denwa) | 72 | 21 | 51 | 29.2% |
| 0q8867m4 | Letter from the Editor | 69 | 6 | 63 | 8.7% |
| 0288q432 | Glimmers of Digital Publishing Innovation | 66 | 22 | 44 | 33.3% |
| 697345pn | Power Geometry in Urban Memory: Reading Taksim Square Through the Concept of Representation of Space | 64 | 20 | 44 | 31.3% |
| 6x75v6kd | Happy Bullish 2011!!!: Olek’s Project B | 64 | 24 | 40 | 37.5% |
| 9818j6f7 | Navigating Media, Technology, and Narrative: Considering the Digital Turn in Scholarly Publishing | 64 | 9 | 55 | 14.1% |
| 1n63968d | Public Displays of Affection | 61 | 29 | 32 | 47.5% |
| 2r4924w1 | Land, Water, Explorer: Place-Making “America” in the Early Modern Period | 61 | 20 | 41 | 32.8% |
| 50g5j00d | Images, Copyright, and the Future of Digital Publishing in the Arts | 61 | 10 | 51 | 16.4% |
| 98n4g1zw | The Future of Digital Publishing | 61 | 21 | 40 | 34.4% |
| 3d78r1db | The Somatic and Textural Language of Patricia Belli: Recrafting Social and Political Bodies in 1990s Nicaragua | 58 | 30 | 28 | 51.7% |
| 31w7t9f3 | Linguistic Spatial Violence: The Muslim Cameleers in the Australian Outback | 57 | 9 | 48 | 15.8% |
| 3dm5k83w | Mapping Sonic Futurities | 57 | 26 | 31 | 45.6% |
| 26t834v1 | Harun Farocki, Serious Games III (Immersion) (Review) | 56 | 10 | 46 | 17.9% |
| 5tr219kd | Looking Backward into the Future: Thoughts on the Study of the Past, Ritual, and Women’s Eucharistic Experiences in Byzantium | 55 | 32 | 23 | 58.2% |
| 1gb5592r | Interview with Boreth Ly on Her New Book, Traces of Trauma | 54 | 24 | 30 | 44.4% |
| 77f2z4g6 | What Does It Mean to Be Truly Open Access? | 52 | 8 | 44 | 15.4% |
| 78x622wh | The Televised Apocalypse | 52 | 18 | 34 | 34.6% |
| 39w6b0hx | Refract Journal, Volume 3: Hauntings and Traces Full Issue | 51 | 36 | 15 | 70.6% |
| 86g096rx | Craptions: Instagram Notes from Joseph Grigely | 50 | 22 | 28 | 44.0% |
| 9w11p9st | Photogrammetry and Zhongshan Pavilion: Reconstructing Urban Memory of the Wenxi Fire | 50 | 4 | 46 | 8.0% |
| 9ps0d7z3 | From a Native Daughter: Seeking Home and Ancestral Lines through a Dashboard Hula Girl | 49 | 11 | 38 | 22.4% |
| 5p888323 | Table of Contents | 48 | 9 | 39 | 18.8% |
| 73x8c0xw | Tito/Tata: Fiction and Factuality in Documentary Photographs of the Father Figure in Communist Yugoslavia | 48 | 17 | 31 | 35.4% |
| 7wt7z8mx | Douce Mélancholie: Sonic Negotiations of Absence in the Works of Susan Philipsz and Félicia Atkinson | 48 | 34 | 14 | 70.8% |
| 0m80q0bg | Interpreting the Legal Archive of Visual Transformations: Textual Articulations of Visibility in Evidentiary Procedures and Documentary Formats of Colonial Law | 47 | 29 | 18 | 61.7% |
| 8g38v41w | The Struggle of Memory against Forgetting: Afterlife and Memorialization of Imagery Surrounding South Africa’s Truth and Reconciliation Commission | 47 | 11 | 36 | 23.4% |
| 1n22g022 | The Heat is On | 46 | 24 | 22 | 52.2% |
| 0jm0w8c7 | Front Matter | 45 | 9 | 36 | 20.0% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.